Staff Picks: The Best Movies to Watch (Page 35)

Staff & contributors

The Very Best (previously called “Best Films”) are absolute must-watch movies. Every movie or show on agoodmovietowatch is highly-rated but staff picks are more so: they all hold a staff score of at least 8.0.

For public toilet cleaner Hirayama, “enjoy the little things in life” is more than just an adage: it’s a philosophy. Every day, he follows a strict routine of watering his plants, going to work, taking a break at a nearby shrine, and having dinner at his favorite stalls. It seems unexceptional, and yet Hirayama manages to find small, meaningful joys in between (and at) those very moments. A tree branch dancing in the breeze and shadows making funny shapes are enough to make him chuckle, while it seems like a good book and a trusty cassette are all he needs to be at peace. Hirayama’s mundane miracles are life-affirming, but make no mistake: this isn’t one of those cheesy films that push you to be happy no matter what. Director Wim Wenders (Paris, Texas, Wings of Desire) infuses the film with a certain gloom so that the overall tone is one of deep, poignant melancholy. Through vague clues about Hirayama’s past, we learn that his attempts at capturing joy might also be bids to escape a traumatic life. All this builds to a powerful ending that speaks to the complexity of human emotion. We can be happy and sad, peaceful and troubled, lonely and content all at the same time, and it’s okay. At the end of the day, we’ll still have our favorite book passage, our favorite singer, a great artwork, or a beautiful park to return to, and sometimes that’s all the reminder you need that life can be worth living.

Genre: Drama

Actor: Aki Kobayashi, Aoi Iwasaki, Aoi Yamada, Arisa Nakano, Atsushi Fukazawa, Bunmei Harada, Daigo Matsui, Gan Furukawa, Hairi Katagiri, Hiroto Oshita, Inuko Inuyama, Isao Matsui, Kisuke Shimazaki, Kōji Yakusho, Long Mizuma, Makiko Okamoto, Masahiro Koumoto, Mijika Nagai, Min Tanaka, Miyako Tanaka, Morio Agata, Moro Morooka, Morooka Moro, Motomi Makiguchi, Nao Takahashi, Naoko Ken, Nari Saitô, Nijika Tonouchi, Sayuri Ishikawa, Shunsuke Miura, Soraji Shibuya, Taijirō Tamura, Tamae Ando, Tateto Serizawa, Tokio Emoto, Tomokazu Miura, Tomoyuki Shibata, Yasushi Okuwa, Yoneko Matsukane, Yumi Asou, Yuriko Kawasaki

Director: Wim Wenders

Rating: PG

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, 2019

Set against the backdrop of the Algerian Civil War in the 1990s, the film follows Nedjma, a young fashion student, as she navigates the challenges of pursuing her dreams while living under strict societal and religious constraints. Gripping and emotionally charged, the film paints a vivid picture of the oppressive climate and the courageous women who refuse to be silenced. The performances are outstanding, particularly Lyna Khoudri's portrayal of Nedjma, who brings a compelling blend of vulnerability and determination to her character. Director Mounia Meddour's storytelling is powerful and thought-provoking, shining a light on the resilience of women in the face of adversity and the importance of artistic expression as a form of resistance. 

Genre: Drama

Actor: Ahmed Benaissa, Aida Guechoud, Amira Hilda Douaouda, Khaled Benaissa, Lyna Khoudri, Nadia Kaci, Samir Elhakim, Shirine Boutella, Yasin Houicha, Zahra Doumandji

Director: Mounia Meddour

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This searing allegation of sexual abuse against Def Jam Recordings' Russell Simmons unfolds with the intelligence and tenacity of a world-class prosecution. But more importantly, On the Record remembers to fight for a justice that's restorative, too—paying proper tribute to Drew Dixon and many other equally creative and talented women behind the scenes in the American hip hop industry. With every new argument it introduces, this documentary encourages us not only to be open to new information, but to rewire our very way of thinking about race, intersectional feminism, and the music business. It may be a bit of a cliché, but On the Record really does leave you smarter than when you started, with a heightened awareness of how the present moment is inseparable from our history.

Genre: Documentary, Drama

Actor: Shanita Hubbard

Director: Amy Ziering, Kirby Dick

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Danish writer-director Lars von Trier concludes his so-called Depression trilogy with the two parts of Nymphomaniac, an elaborate retelling of the life of a young woman (played by Stacy Martin and then, by Charlotte Gainsbourg) lived from one libidinous pleasure to another. The film's elaborate subplots have a life of their own and flashbacks often take center stage in Joe's auto-narration. Nymphomaniac I introduces the audience to adolescence and early adulthood, through disappointments, adultery, death drive, and extreme ambivalence. Joe's process of self-actualization seems contested and inspiring at the same time, and Gainsbourg is really given the screen time to shine; even more so than in Trier's previous psycho-social drama, Antichrist. Typically for the rich treasury of cultural references, Bach, Edgar Allan Poe, and Fibonacci play crucial parts in reconstructing the symbolic planes in Joe's story. Oh, and Part One opens with Rammstein's "Führe mich", which in itself is an perfectly valid reason to give it a go.

Genre: Drama

Actor: Ananya Berg, Anders Hove, Andreas Grötzinger, Charlie Hawkins, Charlotte Gainsbourg, Christian Slater, Christoph Jöde, Christoph Schechinger, Clayton Nemrow, Connie Nielsen, Cyron Melville, David Halina, George Dawson, Hugo Speer, James Northcote, Jamie Bell, Jeff Burrell, Jens Albinus, Jesper Christensen, Jesse Inman, Johannes Kienast, Jonas Baeck, Maja Arsovic, Markus Tomczyk, Mia Goth, Michael Pas, Nicolas Bro, Peter Gilbert Cotton, Saskia Reeves, Shia LaBeouf, Simon Böer, Sofie Kasten, Sophie Kennedy Clark, Stacy Martin, Stellan Skarsgård, Tomas Spencer, Uma Thurman, Willem Dafoe

Director: Lars von Trier

Rating: Not Rated, NR

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This movie is a dramatic masterpiece and a tribute to loving middle-aged women everywhere. It is unparalleled in the way it portrays its characters and the subtlety with which it tells their stories. The events are centered around a 52-year-old Georgian woman who decides to leave her family home and live alone without much of a notice. She trades chaos and domestic disputes for solitude, and the prospect of sad old age for an opportunity to build a new life for herself. In other words, she trades being the secondary character to her mother, husband, and children, to being the hero of her own story. A genuine and beautiful film. If like me you grew up with a mother who sacrificed everything for you, this will hit very close to home.

Genre: Drama

Actor: Berta Khapava, Dimitri Oragvelidze, Giorgi Khurtsilava, Giorgi Tabidze, Goven Cheishvili, Ia Shugliashvili, Mariam Bokeria, Merab Ninidze, Nana Ekvtimishvili, Simon Gross, Tsisia Qumsishvili

Director: Nana Ekvtimishvili, Simon Groß

Rating: N/A

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, 2023

Just based off its title, Mutt is already a film that tackles a state of in-between, and perhaps what makes it already precious is how honest and personal it can get, while remaining a good fictional story. This striking debut took Chilean-Serbian filmmaker Vuk Lungulov-Klotz more than six years to make, at least from the initial stages of the script as he was working through his own transition, how that felt and how he dealt with it in life and art. That said, Mutt is a film that stands on its own feet, without the need for any such context: the script, the performances, the frantic pacing of it, they are all top-level stuff. A generous, open film that has its trans protagonist be who they are, whatever that may be, and gives as much insight as it allows for curiosity and empathy. If Mutt is educational in any way, it is through it's apt storytelling and truthfulness that bleeds through the screen; its significance for trans cinema cannot be overstated, but it is also once of the most accomplished debuts of 2023.

Genre: Drama

Actor: Alejandro Goic, Cole Doman, Jari Jones, Jasai Chase-Owens, Lio Mehiel, MiMi Ryder, Sarah Herrman

Director: Vuk Lungulov-Klotz

Rating: NR

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Forget everything you know about the music biopic. One-on-one interviews, chronological storytelling, silent moments with the subjects—Moonage Daydream isn’t that kind of movie. Just as David Bowie isn’t your typical pop star, this documentary about him, directed by Brett Morgen, forgoes the usual beats for something extraordinary and fun.

Moonage Daydream is a concert, a light show, and a masterclass in collage editing. It's a feast for the senses, a fantastic neon fever dream that paints a picture of Bowie in his own words, drawn from archival footage, interviews, and concerts past.

Genre: Documentary, Drama, Music

Actor: Bing Crosby, Brian Eno, Catherine Deneuve, Charlie Chaplin, David Bowie, Dick Cavett, Elizabeth Taylor, Fred Astaire, Ginger Rogers, Iman, Jeff Beck, Keanu Reeves, Lou Reed, Maria Falconetti, Max Schreck, Max von Sydow, Mick Ronson, Mick Woodmansey, Mike Garson, Russell Harty, Tina Turner, Trevor Bolder

Director: Brett Morgen

Rating: PG-13

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Without context, Minbo, or the Gentle Art of Japanese Extortion seemed like a goofy satire, especially when the silly trumpet score pops up, and unfortunate hotel employees Suzuki and Wakasugi flounder around trying to solve the hotel’s yakuza problem on their own. And when Nobuko Miyamoto shows up as the brilliant lawyer, it’s so satisfying to see her turn the tables on the yakuza purely through words, strategy, and knowledge of law. It’s hilarious, but Minbo doesn’t just poke fun– it demystifies the gangster as a cool and untouchable figure, portraying them instead as loudmouthed bullies that we can handle. It also shows us how much can be done, only if we, as a group, perhaps as a whole nation, can muster the courage to fight.

Genre: Comedy, Crime

Actor: Akio Tanaka, Akira Nakao, Akira Takarada, Guts Ishimatsu, Hideji Ōtaki, Hōsei Komatsu, Kōji Sekiyama, Masahiko Tsugawa, Minako Ogawa, Noboru Mitani, Nobuko Miyamoto, Shigeru Yazaki, Shirō Itō, Takehiro Murata, Tetsu Watanabe, Toshiro Yanagiba, Yasuo Daichi, Yuji Miyake

Director: Jūzō Itami

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, 2011

Quaint and quirky, Le Havre is a beautiful and heartwarming story about the power of compassion and the importance of community. It tells the story of a shoeshiner who tries to save an immigrant child in the French port city of Le Havre. The charming characters are easy to root for as this community of everyday people bands together to help this young boy reunite with his mother. Even as the film rejects the unempathetic responses to the refugee crisis, it utilizes gentle humor and a light cadence to invoke empathy for others that should exist.

Genre: Comedy, Drama

Actor: André Wilms, Corinne Belet, Elina Salo, Evelyne Didi, Ilkka Koivula, Jean-Pierre Darroussin, Jean-Pierre Léaud, Kati Outinen, Patrick Bonnel, Pierre Étaix

Director: Aki Kaurismäki

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La Chimera is often meandering. Scenes flitter about and move at different paces, resembling dreams more than they do reality, but they’re hardly trivial. Just the opposite, they enchant you with their beauty and confront you with deep, existential questions that haunt you long after the film’s run. You won’t find obvious answers here though, and you might even leave more perplexed than when you began. But that is the beauty of a film like La Chimera, it cracks you open to different realms and possibilities.

Genre: Adventure, Comedy, Drama, Fantasy

Actor: Agnese Graziani, Alba Rohrwacher, Alessandro Genovesi, Carlo Tarmati, Carol Duarte, Elisabetta Anella, Elisabetta Perotto, Francesca Carrain, Gian Piero Capretto, Giuliano Mantovani, Isabella Rossellini, Josh O'Connor, Julia Vella, Lou Roy-Lecollinet, Luca Chikovani, Maria Alexandra Lungu, Milutin Dapčević, Piero Crucitti, Ramona Fiorini, Sofia Stangherlin, Vincenzo Nemolato, Yle Vianello

Director: Alice Rohrwacher

Rating: NR

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, 2000

While more people are familiar with its US adaptation, Il Mare is far more striking and emotionally resonant. The Korean romance, separated by timelines, depicts two lonely people who lived in the same seaside residence. They form a bond through the titular house’s mailbox, by sharing letters, voice recorders, and suggestions to deal with loneliness. As they receive each other’s messages, the film slowly reveals the reason for their loneliness– that they’ve been left behind. Matched with shots of creeping urbanization, migration, and the Y2K scare, Il Mare understands modern isolation, but it also underscores how solitude helps us connect with other people.

Genre: Drama, Fantasy, Romance

Actor: Cho Seung-yeon, Choe Yun-yeong, Hong So-yeong, Ji-hyun Jun, Jun Ji-hyun, Jung-jae Lee, Kim Moo-saeng, Kim Mu-saeng, Lee Jung-jae, Mu-saeng Kim, Nam Jeong-hee, Seung-yeon Jo

Director: Hyun-seung Lee, Lee Hyeon-seung, Lee Hyun-seung

Rating: N/A

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