Genre: Drama
Actor: Alexandria Riley, Amanda Root, Danny Kirrane, Hugh Coles, Jessica Gunning, Mark Lewis Jones, Michael Wildman, Nava Mau, Nina Sosanya, Richard Gadd, Shalom Brune-Franklin, Thomas Coombes, Tom Goodman-Hill
The Very Best (previously called “Best Films”) are absolute must-watch movies. Every movie or show on agoodmovietowatch is highly-rated but staff picks are more so: they all hold a staff score of at least 8.0.
Genre: Drama
Actor: Alexandria Riley, Amanda Root, Danny Kirrane, Hugh Coles, Jessica Gunning, Mark Lewis Jones, Michael Wildman, Nava Mau, Nina Sosanya, Richard Gadd, Shalom Brune-Franklin, Thomas Coombes, Tom Goodman-Hill
As We See It centers on the perspectives of its three leads: Jack, Violet, and Harrison, twenty-something roommates who happen to be on the autism spectrum. Along with their caretaker Mandy and a small but loving group of friends and family, they embark on a journey of self-improvement that is sometimes heartwarming, sometimes heartbreaking, but always funny and kind.
Despite zeroing in on a very specific disorder, the struggles and accomplishments of As We See It's characters feel universal and wholly relatable. The nuanced and refreshingly humane characterizations, along with an impressive balance of comedy and drama, are what make As We See It truly special. It is an underrated, enjoyable gem of a show, and quite digestible too since it only runs for eight episodes.
Genre: Comedy, Drama
Actor: Albert Rutecki, Angela Fornero, Chris Pang, David Futernick, Jennifer Lyons, Joe Mantegna, Naomi Rubin, Rick Glassman, Sosie Bacon, Sue Ann Pien, Tal Anderson
Genre: Documentary
Actor: Brock Lesnar, Dwayne Johnson, Giovanna Yannotti, Jerry Brisco, Jim Ross, Kurt Angle, Mark Calaway, Mark Henry, Michael Hickenbottom, Nancy Schultz, Randy Couture, Ric Flair, Ronda Rousey, Steve Austin, Sylvester Terkay, Vince McMahon
Director: Alex Perry
Art is a hobby for most people, but for musician Jon Batiste and writer Suleika Jaouad, art is part and parcel of this thing called life. Of course, it’s part of their work, and it’s how they make a livelihood, but it’s more than that– it’s almost a spiritual ritual they cling to, especially when Jaouad finds out that her leukemia has returned. American Symphony mainly depicts the creation of said orchestral work, but director Matthew Heineman translates the symphony into cinematic form, culminating in a performance played over the intimate moments between Batiste and Jaouad. It’s not just a documentary of a performance, but a documentary about art, about creation despite life’s pains, perhaps to survive life’s pains. It’s a powerful work that makes it easy to believe in art as imperative for life, and vice versa.
Genre: Documentary, Music
Actor: Anna Wintour, Billie Eilish, James Taylor, Jon Batiste, Jonathan Dinklage, Justin Bieber, Lenny Kravitz, Louis Cato, Questlove, Simon Helberg, Stephen Colbert, Stevie Wonder, Suleika Jaouad, Trevor Noah
Director: Matthew Heineman
Martin Scorsese had just spent a year prepping for The Last Temptation of Christ when Paramount Pictures unceremoniously pulled the plug on the movie just one month before production was due to start. After Hours was Scorsese’s way of exorcising all that disappointment and frustration, and you can feel it: this black comedy vibrates with manic intensity as it charts a night from hell in the life of Paul (Griffin Dunne), a somewhat scuzzy yuppie living in ‘80s New York City.
In keeping with its title — which suggests the movie is suspended in temporal limbo — After Hours feels like it takes place in some mythological hellscape, a demonic underworld in which everyone Paul meets has been sent forth with the express mission to make his life more miserable. Surreal coincidences pile up, deepening his paranoia and turning his simple goal of returning home into a labyrinthine quest for survival on the deserted, rain-soaked streets of SoHo. It’s the kind of celluloid nightmare that terrorizes and thrills you at the same time (a la the Safdie brothers’ best works, which draw inspiration from After Hours). Only a director of Scorsese’s caliber could turn profound professional disappointment into such a win as this.
Genre: Comedy, Drama, Thriller
Actor: Bronson Pinchot, Catherine O'Hara, Charles Scorsese, Cheech Marin, Clarence Felder, Dick Miller, Frank Aquilino, Griffin Dunne, Henry Judd Baker, John Heard, Larry Block, Linda Fiorentino, Margo Winkler, Martin Scorsese, Murray Moston, Paula Raflo, Robin Johnson, Rocco Sisto, Rockets Redglare, Rosanna Arquette, Teri Garr, Tommy Chong, Verna Bloom, Victor Argo, Victor Bumbalo, Victor Magnotta, Will Patton
Director: Martin Scorsese
There is an art to making a comedy that can be enjoyed by all ages—a balance must be kept between mature and genial humor, serious and unserious matters—and it’s an art that Acapulco manages to execute with finesse. There’s something for everyone here, whether you’re a kid looking for a good story or an adult wishing to drive by memory lane.
The colors are vibrant, the characters are alive, and the plot, while familiar, is charming nonetheless. But perhaps the best thing about Acapulco is its call for viewers to be kind. It’s never explicit or preachy about it; it just comes naturally, by way of practice.
Genre: Comedy
Actor: Camila Perez, Damián Alcázar, Enrique Arrizon, Eugenio Derbez, Raphael Alejandro
Abbot Elementary is a mockumentary that follows a group of well-meaning but cash-strapped teachers trying to make their school a better place. The premise sounds simple enough, but the show's big heart and sharp observations about the rotting U.S. education system make it a breath of fresh air in the sitcom world. Abbot Elementary's characters are funny and likable, while also being fearless, defined, and nuanced.
The show manages to do the seemingly impossible: genuinely and lightheartedly uplift the people it represents. It shines some much-needed light on the public service these undervalued teachers provide, without ever sounding too preachy or patronizing: an impressive feat for such a progressive show.
Genre: Comedy
Actor: Chris Perfetti, Janelle James, Lisa Ann Walter, Quinta Brunson, Sheryl Lee Ralph, Tyler James Williams, William Stanford Davis
Here’s a biopic that focuses on capturing the feel of the era it depicts, rather than all the facts — and is all the better for it. 24 Hour Party People takes the same punk approach to storytelling as its subjects did to music, playfully throwing off the dull constraints that often make based-on-a-true-story movies feel like uninspired celluloid translations of a Wikipedia page.
In the film’s opening scene, Steve Coogan’s Tony Wilson breaks the fourth wall to address us directly and semi-spoil the movie’s ending. But it doesn’t matter, because the ride is so fun: we’re taken on an immersive trip through the heyday of the Manchester music scene: the births of Joy Division, New Order, the Happy Mondays, and Wilson’s Factory Records label and legendary Hacienda nightclub, an incubator for acid house and rave culture. The era’s hedonism is brought to life by the movie’s frenetic editing, documentary-style cinematography, and strobe-heavy visuals. For all its onscreen anarchy, though, the movie remarkably never feels loose or self-indulgent. Its irreverence is grounded by the ironic filter of the meta filmmaking, which frequently breaks the fourth wall to draw attention to its own conceits. A refreshing rejection of biopic tropes, but also a thrilling transportation into and evocation of the Madchester era.
Genre: Comedy, Drama, Music
Actor: Andy Serkis, Chris Coghill, Christopher Eccleston, Daniel Lestuzzi, Danny Cunningham, Darren Tighe, Elizabeth Kelly, Enzo Cilenti, Fiona Allen, Helen Schlesinger, John Simm, John Thomson, Kate Magowan, Keith Allen, Kenny Baker, Kieran O'Brien, Lennie James, Margi Clarke, Mark E. Smith, Martin Hancock, Naomi Radcliffe, Neil Bell, Paddy Considine, Paul Popplewell, Peter Gunn, Peter Kay, Ralf Little, Raymond Waring, Rob Brydon, Ron Cook, Sean Cernow, Sean Harris, Shirley Henderson, Simon Pegg, Smug Roberts, Steve Coogan, Toby Salaman, Tony Wilson
Director: Michael Winterbottom
1985, a movie from 2018, was made like it was filmed during the year it’s about: it’s shot on gorgeous black-and-white Super 16mm film.
Not that it would be needed, but this minimalist setting puts a spotlight on the ensemble cast of this well-acted drama based on an award-winning short film.
In particular, the central one by Cory Michael Smith (Gotham, Camp X-Ray). He plays Adrian, a man visiting his conservative family in Texas from New York, so gently at times and explosively at others, it’s a sight to behold.
Adrian, estranged from his family for three years, visits them to find a way to tell them that he has AIDS.
Genre: Drama
Actor: Aidan Langford, Bill Heck, Bryan Massey, Cory Michael Smith, Jamie Chung, Michael Chiklis, Ryan Piers Williams, Tina Parker, Virginia Madsen
Director: Yen Tan
Genre: Drama
Actor: Geum Sae-rok, Go Min-si, Lee Do-hyun, Lee Sang-yi, Oh Man-seok
This cult classic is the first hip-hop movie in cinema’s history — and, aptly, one of the most sampled movies in rap music. With a cast drawn exclusively from the NYC graffiti, breakdancing, and rap subcultures that it spotlights, Wild Style wisely doesn’t try too hard to construct a conventional drama. Instead, there are toe-tapping scenes in neon-lit, smoke-filled clubs that stretch far beyond usual cinematic limits because they’re following the dynamic pace and infectious rhythm of the battling emcees, not film’s rules.
In lieu of a plot, Wild Style captures the singular atmosphere of the period it was filmed in, when hip-hop culture was thriving and art curators had begun to look to graffiti artists to fill their galleries. That uneasy turning point in the culture is chronicled here through the perspective of Zoro (real graffiti “writer” Lee Quiñones), a young artist who looks on with disdain as his peers embrace the commercialization of their medium by NYC’s art world. (As he shrewdly puts it, risk is central to graffiti’s identity — made for subway cars and walls, not framed canvases.) Brilliantly capturing the freewheeling spirit of NYC’s hip-hop scene, this is a time capsule that never feels dusty thanks to the appropriately off-the-cuff filmmaking.
Genre: Drama, Music
Actor: Busy Bee, Daze, Dondi, Fab 5 Freddy, Grandmaster Flash, Lady Pink, Lee Quiñones, Nathan Ingram, Patti Astor, ZEPHYR
Director: Charlie Ahearn
Deadpan comedy styled as a mockumentary, following four flatmates who happen to be vampires. They range in ages from 183 to 8000, and spend their nights trying to adapt to modern day living, eating, reminiscing about old times, and solving the problems that come with every shared flat. It is filmed in a fake documentary style similar to The Office, with one-on-one interviews interspersed into the film. From the creators of Flight Of The Conchords and Boy, it is a truly great, hilarious comedy that you will not want to miss!
Genre: Comedy, Horror
Actor: Ben Fransham, Chelsie Preston Crayford, Cohen Holloway, Cori Gonzalez-Macuer, Elena Stejko, Emma Draper, Ian Harcourt, Isaac Heron, Jackie van Beek, Jason Hoyte, Jemaine Clement, Jennifer Martin, Jonathan Brugh, Jonathon Brugh, Jonny Brugh, Karen O'Leary, Kura Forrester, Luke Bonjers, Madeleine Sami, Mario Gaoa, Mike Minogue, Morag Hills, Natalie Crane, Nathan Meister, Rhys Darby, Rodney Cook, Stan Alley, Stu Rutherford, Stuart Rutherford, Taika Waititi, Yvette Parsons
Director: Jemaine Clement, Taika Waititi
Director Ziad Doueiri is one of the first filmmakers to successfully break through to the global stage out of Lebanon, and West Beirut, which was selected as the country’s entry for the Best Foreign Language Film at the 1999 Academy Awards, is one of his most accomplished films.
The film stars the director's son Rami Doueiri as Tarek, a young Lebanese boy who loves to shoot with his Super 8 camera and go on small adventures with his friends Omar and May in the streets of Beirut. But one day, he is faced with the ugly truth of the Lebanese civil war. As he learns more and more about the divided state of his country, he sets out on a mission in search of any lingering hope to help keep the beautiful idea he has of his country locked safe and sound in his brain. “Whoever asks about your religion, you tell them I’m Lebanese.”
Genre: Comedy, Drama, Romance
Actor: Carmen Lebbos, Liliane Nemri, Mohamad Chamas, Rami Doueiri, Rola Al Amin
Director: Ziad Doueiri
There is a very good case to be made for Veep being, pound-for-pound, the best American comedy to air on TV. Because while many other workplace sitcoms comment also comment on current events and satirize bureaucratic processes, no other show has committed this deeply to the inherent corruption and stupidity of every single one of its major characters. Selina Meyer and her staff are either so evil or so incompetent that they circle around to being irresistibly fun to watch and hilarious in all their own unique ways—which the series' writers expertly wrangle together in each script. And with much of the show's humor being built on creative, devastating insults, Veep also possesses a truly vicious edge that make it more challenging than its contemporaries.
But one shouldn't forget that the series also tells a compelling story of how soulless a nation's leaders can be, putting a magnifying class to every little political decision made in the name of saving face or pushing forward some other unrelated agenda. It's surprisingly insightful for something that seems so crass. And as Selina Meyer herself, Julia Louis-Dreyfus (surrounded by a brilliant, dynamic cast) turns in one of the greatest comedic performances on TV as a pathetic vice president who can't help but let the monstrous side of herself win every time.
Genre: Comedy
Actor: Anna Chlumsky, Clea DuVall, Gary Cole, Julia Louis-Dreyfus, Kevin Dunn, Matt Walsh, Reid Scott, Sam Richardson, Sarah Sutherland, Timothy Simons, Tony Hale
Genre: Documentary
Actor: Bill Courtney, Chavis Daniels, Montrail 'Money' Brown, Montrail 'Money' Brown, O.C. Brown
Director: Daniel Lindsay, T. J. Martin