Staff Picks: The Best Movies to Watch (Page 13)

The last work by legendary American director John Huston is this exquisitely rendered adaptation of a James Joyce short story. The Dead is nestled inside an intimate festive dinner shared by the family and close friends of the Morkan sisters, two well-to-do elderly spinsters living in Dublin in 1904. The film is a family affair in more ways than just that, too: for Huston’s final feature, son Tony wrote the script and daughter Anjelica (as Gretta) was its star.

As with so many end-of-year gatherings, the prevailing mood of the dinner is one of sentimental nostalgia, as the hosts and their guests swap memories, toast each other, and tearily reminisce about the way things were. Anjelica Huston’s performance is also a quiet architect of that atmosphere, as Gretta slips in and out of dreamy reveries throughout the evening to the puzzlement of her husband Gabriel (Donal McCann) — something that surges to the fore in an astonishingly moving final revelation. Huston directed the film on his proverbial deathbed, which infuses it with significance — but, even if it wasn’t the capstone to his illustrious career, The Dead would still stand as one of the finest treatments of mortality and longing ever committed to the screen.

Genre: Drama

Actor: Anjelica Huston, Bairbre Dowling, Brendan Dillon, Cathleen Delany, Colm Meaney, Dan O'Herlihy, Donal Donnelly, Donal McCann, Helena Carroll, Ingrid Craigie, Kate O'Toole, Maria McDermottroe, Marie Kean, Paul Grant, Rachael Dowling, Sean McClory

Director: John Huston

Made on a clearly lower budget but with enthusiasm and love for the craft overflowing from every frame, Junta Yamaguchi's River gets clean and wholesome comedy—that's still plenty memorable—out of a terrific ensemble of actors, all of whom get to display a full range of expression for their increasingly exasperated characters. It's smart, economical filmmaking that's still dazzlingly put together, as each two-minute loop is done in a single unbroken shot that feels different with every reset. Yamaguchi is highly aware of how quickly this gimmick might overstay its welcome, so he allows the film's emotional landscape to open up considerably with every cycle. As the hell of this situation starts to chip away at the characters, the film also becomes more urgent and more soulful, leading the story down unexpected paths and inviting us to think beyond the pattern it sets up for itself.

Genre: Comedy, Drama, Fantasy, Sci-Fi & Fantasy, Science Fiction

Actor: Gota Ishida, Haruki Nakagawa, Kazunari Tosa, Manami Honjo, Masashi Suwa, Munenori Nagano, Riko Fujitani, Saori, Shiori Kubo, Takashi Sumita, Yoshifumi Sakai, Yoshimasa Kondô, Yuki Torigoe

Director: Junta Yamaguchi

Poetry is a masterpiece from one of South Korea's most cherished movie directors, Lee Chang-dong. The simple story follows the everyday life of a grandmother, Mija, who works as a caretaker for a living. To fill her inner emptiness, she decides to join a poetry club with other grandmothers in her neighborhood. Meanwhile, as Mija deals with her own financial and health problems, she struggles to connect with her teenage grandson — only to find out that he is keeping a dark secret. If you are familiar with Lee Chang-dong works, then you know that the movie will tug at your heartstrings. But if you aren't, prepare to be moved.

Genre: Drama

Actor: Ahn Nae-sang, Chang Hyae-jin, Eun-yeong Kim, Hee-ra Kim, Jang Hye-jin, Jeong-hie Yun, Kim Eun-yeong, Kim Gye-sun, Kim Hee-ra, Kim Hye-jung, Kim Ja-young, Kim Jong-goo, Kim Nam-jin, Kwon Hyuk-soo, Lee Da-wit, Min Bok-gi, Nam Joong-gyu, Park Hyun-woo, Park Myung-shin, Yoon Jeong-hee

Director: Chang-dong Lee, Lee Chang-dong

Rating: TV-PG

An inspired by true events tale about an elderly Irish woman trying to find the child she was forced to give up many years earlier. Steve Coogan co-wrote the script and, though the base story is a tragic one, his special brand of very subtle, wry wit is apparent in the dialogue throughout. Judi Dench plays the mother who had kept her “sinful” past a secret for fifty years and, being Judi Dench, I don’t need to bother going on about her exemplary talent, suffice to say she’s charming beyond measure in the role. Steven Frears directs, as usual, deftly, and keeps the story compelling scene after scene, intensifying the emotions inherent to each, whether they be heart-warming, comedic, or outright enraging. Whoever decided to let Steve Coogan have his way with the script, it was a brave and wise choice and together this cast and crew have produced a wonderful and important piece of cinema.

Genre: Drama

Actor: Amber Batty, Amy McAllister, Anna Maxwell Martin, Barbara Jefford, Cathy Belton, Charissa Shearer, Charles Edwards, Charlie Murphy, Elliot Levey, Florence Keith-Roach, Frankie McCafferty, Gary Lilburn, Judi Dench, Kate Fleetwood, Mare Winningham, Marie Jones, Martin Glyn Murray, Michelle Fairley, Nicholas Jones, Nika McGuigan, Paris Arrowsmith, Peter Hermann, Ruth McCabe, Sara Stewart, Sean Mahon, Simone Lahbib, Sophie Kennedy Clark, Steve Coogan, Wunmi Mosaku

Director: Stephen Frears

Rating: PG-13

Based on Virginia Woolf’s novel, Orlando is a fitting adaptation for a groundbreaking story. Changing from man to woman, the titular time traveler is portrayed by the incomparable Tilda Swinton, breaking the fourth wall as if daring anyone to question her casting. But Swinton’s androgynous look and stellar acting make her the perfect choice for this. Her gaze is the anchor that we hold on to as the film glides through the novel’s multiple themes with ease. Through director Grace Potter’s indescribable vision, they create a fantastic film that blurs gender, sex, identity, and time together with the original novel itself.

Genre: Drama, Fantasy

Actor: Andrew Watts, Anna Farnworth, Anna Healy, Barbara Hicks, Billy Zane, Charlotte Valandrey, Cyril Lecomte, Dudley Sutton, George Antoni, Giles Taylor, Heathcote Williams, Hugh Munro, Jerome Willis, Jessica Swinton, Jimmy Somerville, John Grillo, John Wood, Kathryn Hunter, Lothaire Bluteau, Martin Wimbush, Mary MacLeod, Matthew Sim, Ned Sherrin, Oleg Pogodin, Olivia Lancelot, Peter Eyre, Quentin Crisp, Robert Demeger, Roger Hammond, Sara Mair-Thomas, Sarah Crowden, Simon Russell Beale, Thom Hoffman, Tilda Swinton, Toby Jones, Toby Stephens, Viktor Stepanov

Director: Sally Potter

Rating: PG-13

From Steven Spielberg, Munich is the sharp and thrilling depiction of Mossad agents on a mission to avenge the Munich Massacre, the killing of 11 Israeli Olympic team members at the 1972 Summer Olympics. Despite being based on real events, it’s a work of fiction. This allows the film to stand on clear yet nuanced grounds, focusing on the moral dilemmas that may rise for the secret agents and the perpetrators, now targets. The ensemble cast including Daniel Craig and Eric Bana allow Spielberg to deliver the film you can tell he wanted to make. A personal and striking effort.

Genre: Action, Drama, History, Mystery, Thriller

Actor: Abdelhafid Metalsi, Alexander Beyer, Ami Weinberg, Amos Lavi, Amrou Al-Kadhi, Andreas Lust, Arturo Arribas, Ayelet Zurer, Baya Belal, Ben Youcef, Bijan Daneshmand, Brian Goodman, Carim Messalti, Charley Gilleran, Ciarán Hinds, Daniel Bess, Daniel Craig, David A. Hamade, Dianne Zaremba, Djemel Barek, Eric Bana, Faruk Pruti, Félicité Du Jeu, Geoffrey Rush, Gila Almagor, Guri Weinberg, Guy Amir, Hagit Dasberg, Hanns Zischler, Hiam Abbass, Hicham Nazzal, Hichem Yacoubi, Hisham Suliman, Igal Naor, Jalil Naciri, Jim McKay, Jonathan Avigdori, Jonathan Uziel, Joram Voelklein, Karim Saidi, Karim Saleh, Kevin Collins, Laurence Février, Lili Bordán, Liron Levo, Lisa Werlinder, Lyes Salem, Lynn Cohen, Mahmoud Zemmouri, María Casal, Marie-Josée Croze, Marie-Josée Croze, Martin Ontrop, Mathieu Amalric, Mathieu Kassovitz, Mehdi Nebbou, Meret Becker, Merik Tadros, Michael Lonsdale, Michael Schenk, Mihalis Giannatos, Moa Khouas, Moritz Bleibtreu, Moshe Ivgy, Mostefa Djadjam, Mouna Soualem, Mousa Kraish, Nasser Memarzia, Ohad Knoller, Omar Metwally, Omar Mostafa, Ori Pfeffer, Ossie Beck, Patrick Kennedy, Rad Lazar, Raffi Tavor, Renana Raz, Richard Brake, Rim Turki, Robert John Burke, Sabi Dorr, Saïda Bekkouche, Sam Feuer, Sami Samir, Sarah Mennell, Sasha Spielberg, Sharon Alexander, Shmuel Edelman, Souad Amidou, Stéphane Freiss, Steven Spielberg, Tom Wlaschiha, Ula Tabari, Valeria Bruni Tedeschi, Valeria Bruni‑Tedeschi, Wojciech Machnicki, Yehuda Levi, Yvan Attal

Director: Steven Spielberg

Rating: R

Director Hirokazu Kore-eda’s feature debut is nothing short of a masterpiece, his style of serenity apparent from the get-go. With Kore-eda’s still frames and touching, relatable stories, it’s almost impossible not to find yourself caring for his characters like they are your own family. 

In Maborosi, Yumiko (Makiko Esumi) is haunted by one loss after another and struggles to accept these tragedies and move on with her life. Her story is probably the toughest Kore-eda has had to tell, yet there is still a certain beauty to it, especially in its quietness and moody atmosphere. Not forcing any of his characters’ feelings on the audience, Kore-eda manages to tell a harrowing tale in the gentlest of ways.

Genre: Drama

Actor: Akira Emoto, Hidekazu Akai, Hiromi Ichida, Makiko Esumi, Midori Kiuchi, Minori Terada, Mutsuko Sakura, Ren Osugi, Sayaka Yoshino, Tadanobu Asano, Takashi Inoue, Takashi Naito

Director: Hirokazu Kore-eda

Rating: Not Rated

Joyland is groundbreaking on nearly all accounts. It’s the first Pakistani film to premiere at the Cannes Film Festival and to be shortlisted for an Oscar. Its forthright depiction of trans life and gender identity provoked the ire of local authorities, but it also inspired a nationwide movement (#ReleaseJoyland) that fought against censorship. It’s understandable, then, if the film is remembered for these disruptive achievements alone, but it should be noted that Joyland, as it is, is simply a stunning piece of cinema. 

Every scene is beautifully blocked and vibrantly lit, like a painting come to life, and every one of them is rich with meaning; there’s not a second we’re not diving deeper into the wonderfully complex lives of these people, all of whom are exploring sexuality and independence as best they can in a restricted environment. And sure, Biba and Haider’s relationship takes center stage as it reveals the nuances of queer love, but Joyland just as deftly tackles toxic masculinity (and how it’s a specter that haunts Haider’s household), domestic labor (and how it largely goes unnoticed), and female solidarity (and how it can literally save a girl’s life). Heartbreaking and lovely, this a family saga in that it’s as much about Haider’s family as it is about him, and it’s a shame if it weren’t remembered as such. 

Genre: Drama, Romance

Actor: Ramiz Law, Rasti Farooq, Salmaan Peerzada, Sania Saeed, Sarwat Gilani, Sohail Sameer

Director: Saim Sadiq