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For its first half-hour or so, Saw X really doesn't feel like an entry in the long-running horror series commonly described by detractors as "torture porn." It's quiet and steadily paced and does a better job than many horror sequels and reboots of recent years in making its primary antagonist a sympathetic human being. The way the character of John Kramer (AKA Jigsaw) has been written here—elevated by Tobin Bell's performance—gives even the film's later, more extreme segments a hint of soulfulness, since we're made to feel exactly what drives his self-appointed mission to exact justice on other terrible people.

But this new, dramatic spin on Saw doesn't last for very long, and this tenth film eventually slides back into its trademark cheesy elements that won't make any new converts to the series. Overly aggressive editing and music, hammy performances from the supporting cast, and death traps that grow increasingly unimaginative all dull the greater impact that Saw X could have had. The batch of victims we get this time around are somewhat compelling given their connections they have to each other and to Kramer himself, but they're still ultimately more of the same—just cannon fodder waiting for execution.

Genre: Horror, Mystery, Thriller

Actor: Costas Mandylor, Craig Hurley, Donagh Gordon, Isan Beomhyun Lee, Jorge Briseño, Joshua Okamoto, Katie Barberi, Kerry Ardra, Lucía Gómez-Robledo, Michael Beach, Natasha Goss, Octavio Hinojosa Martínez, Paulette Hernández, Renata Vaca, Shawnee Smith, Steven Brand, Synnøve Macody Lund, Tobin Bell

Director: Kevin Greutert

Rating: R

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Surrounded has the bones of a revenge-style Western. It turns the table on the white cowboy hero and gives us (on paper, at least) complex leads in Mo and Tommy. Mo is a young Black woman whose experience as a Buffalo Solider lends her not only the skills of an expert gunslinger but also the anger and motivation to push through any obstacle, while Tommy is the enigmatic thief who Mo reluctantly relies on in her quest for freedom. With all this pent-up tension, the film should work, and it does occasionally thanks to Wright and Bell’s deft performances (Bell is especially exceptional), the stunning mountainous terrains, and the worthy attempts at race and class commentary. But for the most part, the film's ambitions fall flat. The monologues are overlong and too evocative of modern speech to be historically believable. The action scenes, while exciting, only sputter here and there and never gain the momentum the film needs to genuinely thrill. And the thin backstories of Mo and Tommy raise more questions than answers. More often than not, Surrounded looks like a couple of good scenes strewn together on a lousy string; the foundations are off but there’s some enjoyment to be found.

Genre: Action, Drama, Western

Actor: Andrew Pagana, Austin Rising, Brandon Root, Brett Gelman, David Manzanares, Dylan Hice, Jamie Bell, Jeffrey Donovan, Keith Jardine, Kevin Wiggins, Letitia Wright, Luce Rains, Lyle Sandoval, Mark Dalton, Michael Kenneth Williams, Nathaniel Augustson, Peter Diseth, Tatanka Means, Tony Sedillo

Director: Anthony Mandler

Rating: R

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Though it borrows from some of the oldest genre tropes—stoic but kind-hearted hero finding a heart in a community that needs his help—Jigen Daisuke still manages to carve out a visual identity that has one foot rooted in its Lupin III manga origins, and another in noir fiction. The world of the film is beautifully lit and feels bustling with activity, as are the frenetic action scenes that turn gleefully silly with the sheer amount of gunfire being sprayed everywhere. That said, the movie can't handle the number of plates it tries to spin, as side characters fail to develop more meaningfully and its more exciting parts are diluted by long stretches of drama that aren't as engaging as the film thinks they are. This feels like a sampler for the kinds of stories the title character could be involved in in the future, but little else.

Genre: Action, Crime, Drama, Thriller

Actor: Akihiko Sai, Eugene Nomura, Honami Sato, Kazuki Namioka, Kotoka Maki, Masatoshi Nagase, Mitsuko Kusabue, Rina Sakuragi, Takashi Sasano, Tetsuji Tamayama, Toru Baba, Yasukaze Motomiya, Yoji Tanaka, Yôko Maki, Yuuki Tsujimoto

Director: Hajime Hashimoto

Rating: PG-13

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With a boring wedding, attended by a guarded woman and a spontaneous man, starting a series of shared recollections of past heartbreak, Which Brings Me to You has all the elements needed for an early aughts romcom, releasing at a time when Y2K is trending. The original novel’s epistolary format is interestingly translated into flashbacks told in one whole day, with Will and Jane visually popping within the sequences as the two get to know each other through their past heartbreaks. It’s a unique idea, but the execution feels lackluster, with the dialogue and direction that can’t be saved through Lucy Hale’s or Nat Wolff’s efforts. There’s certainly something here about romance being a possible avenue to open up, but Which Brings Me to You doesn’t build the chemistry to get there.

Genre: Comedy, Drama, Romance

Actor: Alexander Hodge, Avery Cole, Britne Oldford, Chase Liefeld, Genevieve Angelson, Jamie McRae, John Gallagher Jr., Laura Kai Chen, Lucy Hale, Marceline Hugot, Michael Mulheren, Mitzi Akaha, Nat Wolff, Reilly Walters, Ward Horton

Director: Peter Hutchings

Rating: PG-13

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Being based on the 1989 Patrick Swayze movie, we weren’t expecting much from the new Road House on Amazon Prime. Like the original, it has fun fight sequences, shot in a way that brings us to the bar itself, and it’s amusing to see actual MMA fighter Conor McGregor acting as an antagonist. However, this adaptation rewrites the main character to be a former UFC fighter, turning the story into something more akin to an outsider cowboy Western rather than a bouncer action drama. It’s not outright terrible, but it just feels uneven, and the cast performances can’t make up for the thinly written characters. It also just doesn’t feel like Road House.

Genre: Action, Thriller

Actor: Arturo Castro, B.K. Cannon, Beau Knapp, Billy Magnussen, Bruce Buffer, Candy Santana, Catfish Jean, Chad Guerrero, Conor McGregor, Craig Ng, Daniel Cormier, Daniela Melchior, Darren Barnet, Dominique Columbus, Gbemisola Ikumelo, Hannah Love Lanier, J. D. Pardo, Jake Gyllenhaal, Jay Hieron, Jessica Williams, Joaquim de Almeida, Joe Ciotti, Jonathan Kowalsky, Kevin Carroll, Lukas Gage, Megan Olivi, Omar Patin, Post Malone, Ruairi Rhodes, Tommy Lentsch, Travis Van Winkle

Director: Doug Liman

Rating: R

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The American Christian film industry hasn't been terribly successful at crossing over to general audiences, and Journey to Bethlehem still succumbs to corny attempts at humor and performances that can still feel too self-conscious. But not unlike a musical such as Jesus Christ Superstar, this movie finds moderate success at balancing its faith-based elements with a focus on individual characters. Creative license has obviously been taken here to varying results: the songwriting is generally uninspired and lacks a unified style, but the songs add much-needed shades of humanity to a story that most people probably know as a Sunday school summary.

Genre: Comedy, Drama, Family, Music

Actor: Alicia Borrachero, Antonio Banderas, Antonio Cantos, Antonio Gil, Fiona Palomo, Geno Segers, Joel Smallbone, Lecrae, María Pau Pigem, Milo Manheim, Moriah Peters, Omid Djalili, Pedro Aijón, Rizwan Manji, Stephanie Gil

Director: Adam Anders

Rating: PG

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With inconsistent pacing and a deeply unpleasant protagonist, it’s hard to recommend The Seeding to every viewer. It’s really slow-paced, deeply uncomfortable, and it starts with, of all things, a baby eating a finger. But there’s an interesting style to this arthouse horror, a marriage of desert survival thriller and folk horror that restricts all possible modes of escape through its claustrophobic canyon. As Wyndham gradually discovers a secret community driven back to primitive instincts, director Barnaby Clay inverts the idea of what it means to be one’s fundamental self. Most viewers might not appreciate the story, and the ideas aren’t as cohesive as it could be, but horror fans looking for something new in the genre might find The Seeding fairly interesting.

Genre: Horror, Thriller

Actor: Alex Montaldo, Charlie Avink, Kate Lyn Sheil, Scott Haze, SoKo, Thatcher Jacobs

Director: Barnaby Clay

Rating: R

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First shown in 2021 Madrid International Film Festival, Support Group Olympus made its US debut early 2023 through Prime Video. Given the wacky premise, it was easy to assume that the film would be humorous, and there are moments when its dry humor shines. However, the film takes a more contemplative approach, as the unchanging gods refuse to change, though they crave the status and power they used to have. This slow-paced approach feels appropriate, and had the film’s internal logic worked, the film could have contemplated the changes that happened not just to the gods, but to human livelihood as well. It’s definitely a unique story that needed more work on its execution.

Genre: Comedy, Drama

Actor: Lina Sundén

Director: Jimmy Francis

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Yet another drama designed to be emotional without actually doing the heavy lifting to get us invested, Prisoner's Daughter takes the easy way out at every turn, mistaking its use of capital-I Issues and dramatic plot points for substantial writing. This doesn't mean that the film itself isn't still watchable and competently performed (by a typically strong Brian Cox, but especially by Kate Beckinsale); it just fails to make a statement about any of its disparate parts mashed together. At the end of the day, it feels as if the film doesn't have enough faith in the already complex and difficult relationship at its center, so it attempts to dress it up with prison, cancer, drug addicts, and epilepsy—which only cheapens what's already there.

Genre: Drama, Mystery, Thriller

Actor: Brian Cox, Christopher Convery, Chuti Tiu, Cinthia Moura, Ernie Hudson, Jon Huertas, Kate Beckinsale, Mark Kubr, Mark Oliver Everett, Steven Littles, Tyson Ritter, Yonel Dorelis

Director: Catherine Hardwicke

Rating: R

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Playing the lead in an addiction drama has long been shorthand for “I’m a serious actor,” but that’s not something Florence Pugh needs to convince us of, especially not when the drama is as contrived as A Good Person is. Though it has a solid foundation from which to explore worthy subjects — Pugh’s character Allison begins abusing painkillers after accidentally causing the death of two people in a car accident —  writer-director Zach Braff overstuffs the film with too many distractingly histrionic happenings for a compelling reflection on guilt and forgiveness to really emerge.

What’s more, any potential A Good Person has is squandered by the film’s frequent and bizarre tonal swerves from tearjerking sincerity to generational comedy, a jarring effect mimicked by the soundtrack’s wild veering from moody melodies to bright piano music in a single cut. Though Pugh does her customary excellent work here, she’s ultimately undermined by all the overlong, transparently manufactured, and downright whiplash-inducing melodrama around her.

Genre: Comedy, Drama

Actor: Alex Wolff, Brian Rojas, Celeste O'Connor, Chinaza Uche, Drew Gehling, Florence Pugh, Ignacio Diaz-Silverio, Jackie Hoffman, Jessie Mueller, Lauren Yaffe, Molly Shannon, Morgan Freeman, Nichelle Hines, Oli Green, Ryann Redmond, Sydney Morton, Toby Onwumere, Victor Cruz, Zoe Lister-Jones

Director: Zach Braff

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This B-movie sci-fi-action-thriller from co-writer-director Robert Rodriguez starts out like a hammy pastiche of (the already overdone) Taken, but its interminable succession of galaxy-brain twists reveals other obvious influences — among them Inception, Memento, and Shutter Island. Fine ingredients, but the recipe is all wrong, as a gravelly-voiced, seemingly barely awake Ben Affleck sleepwalks his way through the cringy dialogue. Alongside William Fichtner in shady supervillain mode, Affleck is joined in that endeavor by Alice Braga as the psychic who is (seemingly) helping his Detective Rourke track down his (again, seemingly!) kidnapped daughter, though what Braga mostly does is hold the audience’s hand and explain the plot’s increasingly convoluted sci-fi elements to us. At one point, she tells Rourke that “pain keeps the mind awake” — and, while the excruciating script doesn’t seem to have that effect on Affleck (judging from his lethargic performance), it’s hard not to find yourself a little enlivened by Hypnotic’s sheer absurdity.

Genre: Action, Drama, Mystery, Science Fiction, Thriller

Actor: Alice Braga, Ben Affleck, Bobby Hernandez, Bonnie Discepolo, Carrick O'Quinn, Corina Calderon, Dayo Okeniyi, Derek Russo, Gabriel 'G-Rod' Rodriguez, Hala Finley, J. D. Pardo, Jackie Earle Haley, Jeff Fahey, Justin Hall, Kelly Frye, Kelly Phelan, Lawrence Varnado, Nikki Dixon, Ryan Ryusaki, Sonia Izzolena, Steve Brudniak, William Fichtner, Zane Holtz

Director: Robert Rodriguez

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It's not that being similar to another, successful, animated franchise is a bad thing, but The Tiger's Apprentice hurries to practically every plot point without properly establishing its setting, its characters, or their relationships. It all means well, and once you get used to its lower production values, it becomes clear that the film has a distinct visual personality that it makes pretty good use of—especially during its kinetic fight scenes. But too much of the movie ultimately feels like a blueprint that hasn't had the details filled in yet. It becomes difficult to feel anything when the film doesn't give you a chance to sit with any one moment (like, you know, the death of an important character) for too long.

Genre: Action, Adventure, Animation, Family, Fantasy

Actor: Bowen Yang, Brandon Soo Hoo, Deborah S. Craig, Diana Lee Inosanto, Greta Lee, Henry Golding, Jo Koy, Josh Zuckerman, Leah Lewis, Lucy Liu, Michelle Yeoh, Patrick Gallagher, Poppy Liu, Raman Hui, Ryan Christopher Lee, Sandra Oh, Sherry Cola, Tan Kheng Hua

Director: Raman Hui

Rating: PG

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The opening titles of this French procedural drama explicitly tell us that the crime it chronicles will go unsolved, confessing that it’s about one of the approximately 160 murder cases that police don’t crack each year. An ambitious and intriguing opener — suggesting that, in the absence of a clean resolution, the film will nonetheless offer us something equally compelling, as Zodiac does. 

In following the investigation of the brutal murder of 21-year-old Clara (Lula Cotton-Frapier) — for which the police interrogate various of her exes, all misogynistic potential murderers in their own ways — the film seeks to explore the society-wide “problem between men and women” that has given the police its surplus of suspects. Alas, it’s much more interested in the psychological impact cold cases have on policemen like frustrated captain Yohan (Bastien Bouillon). There’s something deeply ironic about making a movie about the systemic dehumanization of women just to center male perspectives, especially when their only insight into the epidemic of toxic masculinity is Yohan’s clunky “We can’t find the murderer because all men killed Clara.” The film’s treatment of the victim herself — incurious and downright gratuitous in the depiction of her murder — cements it as a shallow, un-self-aware, and failed attempt to reckon with a subject that deserved its full focus.

Genre: Crime, Drama, Mystery, Thriller

Actor: Anouk Grinberg, Bastien Bouillon, Bouli Lanners, Camille Rutherford, Charline Paul, David Murgia, Johann Dionnet, Jules Porier, Julien Frison, Lula Cotton-Frapier, Marc Bodnar, Matthieu Rozé, Mouna Soualem, Nicolas Jouhet, Paul Jeanson, Pauline Serieys, Pierre Lottin, Théo Cholbi, Thibaut Évrard

Director: Dominik Moll

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The Machine wants us to assume many unlikely things, with Bert Kreischer’s global fame being the most improbable. It also wants to be both high stakes as we follow Bert and his father (Mark Hamill) being chased by the mafia and comedic as they make lighthearted jokes along the way. But it never really achieves that balance. Though it looks sleek and high-budgeted, its contents are lopsided and messy, not once hitting the mark on its many targets. Moreover, it's based on a premise so thin, that it loses all credibility midway through the film. After that, it simply becomes a parody of itself. To be sure, there are some noteworthy moments in between, like when Kreischer and Hamill share genuine father-and-son moments, but for the most part, it’s just too overbearing to warrant anyone’s attention.

Genre: Action, Comedy, Crime

Actor: Aleksandar Srećković 'Kubura', Amelie Child-Villiers, Bert Kreischer, Brian Caspe, Dobrila Stojnic, Đorđe Simić, Iva Babić, Jess Gabor, Jimmy Tatro, Mark Hamill, Marko Nedeljković, Martyn Ford, Mercedes De La Cruz, Milena Predić, Miodrag Dragičević, Nikola Đuričko, Oleg Taktarov, Rita Bernard-Shaw, Robert Maaser, Set Sjöstrand, Stephanie Kurtzuba, Tea Wagner, Vladimir Gvojić

Director: Peter Atencio

Rating: R

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Based on the autobiography of real-life evangelical pastor Greg Laurie, Jesus Revolution recounts how a Christian movement in the '60s turned lost hippies into dedicated Christians. It was an interesting moment in time, but instead of delving into the movement's peculiarities and intricacies, Jesus Revolution offers a myopic tale that paints Laurie as a hero and the movement as inspirational when, really, they are anything but. Laurie's story never feels significant enough to justify a feature film and the movement never seems as radical as the film thinks it to be. And even though it’s autobiographical, it never really digs into Laurie's spirituality and interiority deep enough to reveal complex truths. In fact, everyone’s a caricature in this simplistic film that feels more like propaganda as it paints religion as perfect and all-saving while glossing over its many imperfections and questionable rhetoric. It could have worked as commentary, satire, or maybe even a sincere memoir, but as it is, it just feels like a short-sighted attempt at telling history.

Genre: Drama, History

Actor: Alexia Ioannides, Anna Grace Barlow, Billy Graham, Charlie Morgan Patton, DeVon Franklin, Jackson Robert Scott, Joel Courtney, Jolie Jenkins, Jonathan Roumie, Julia Campbell, Kelsey Grammer, Kevin Downes, Kimberly Williams-Paisley, Matthew Montemaro, Mina Sundwall, Nic Bishop, Nicholas Cirillo, Paras Patel, Randall Newsome, Shaun Weiss, Steve Hanks

Director: Brent McCorkle, Jon Erwin

Rating: PG-13

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