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106. My Cousin Vinny, 1992

Unlike the many courtroom films of its time, My Cousin Vinny forgoes theatrics and drama for true-blue comedy. It stars Joe Pesci as the titular Vinny, a newly minted New York attorney who's taking on a murder trial in Alabama as his first case, while Marisa Tomei plays Vinny's fiancée, Mona Lisa Vito, in an Oscar-winning turn. The loudmouthed couple are decidedly out of place in Alabama, supplying the film with many comedic gems, but they're also unexpectedly clever. Along with its humor and memorable characters, My Cousin Vinny has come to be known for its legal accuracy and flair.

Genre: Comedy, Crime

Actor: Austin Pendleton, Bill Coates, Bob Penny, Bruce McGill, Chris Ellis, Fred Gwynne, J. Don Ferguson, James Rebhorn, Jill Jane Clements, Joe Pesci, Kenny Jones, Lane Smith, Lou Walker, Marisa Tomei, Maury Chaykin, Michael Burgess, Michael Genevie, Mitchell Whitfield, Muriel Moore, Paulene Myers, Ralph Macchio, Raynor Scheine, Ron Leggett, Suzi Bass, Thomas Merdis

Director: Jonathan Lynn

Rating: R

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107. Isle of Dogs, 2018

Isle of Dogs has all the hallmarks of a Wes Anderson picture—it's stylish, otherworldly, and deadpan hilarious. But the film is also uniquely its own thing, a stop-motion animation deeply and gorgeously immersed in Japanese history and lore. Instead of merely relegating culture in the background for mere aesthetic purposes (as Anderson has done in the past with The Darjeeling Limited), culture here plays a vital role in the adventure and overall plot of the film. It's up to the viewer to decide whether Isle of Dogs is a case of appropriation or appreciation, but what can't be denied is that this is a movie with a strong and unforgettable bite to it.

Genre: Adventure, Animation, Comedy, Drama

Actor: Akira Takayama, Alex Orman, Anjelica Huston, Bill Murray, Bob Balaban, Bryan Cranston, Chris Benz, Courtney B. Vance, Edward Norton, Elaiza Ikeda, Erica Dorn, F. Murray Abraham, Fisher Stevens, Frances McDormand, Frank Wood, Greta Gerwig, Harvey Keitel, Jake Ryan, Jeff Goldblum, Kara Hayward, Ken Watanabe, Koyu Rankin, Kozue Akimoto, Kunichi Nomura, Liev Schreiber, Mari Natsuki, Nijiro Murakami, Roman Coppola, Ryuhei Matsuda, Ryuhei Nakadai, Scarlett Johansson, Shota Matsuda, Taichi Kodama, Takayuki Yamada, Tilda Swinton, Yojiro Noda, Yoko Ono

Director: Wes Anderson

Rating: PG-13

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108. Cristóbal Balenciaga, 2024

	
When Cristobal Balenciaga was in his prime, the courtier was lauded for his technique. More than anything, his dedication to the tiniest detail of dressmaking, not just design, made his sculptural dresses stand out. This titular miniseries about his years in Paris is made in the same vein. It has a strong foundational form, from smart camerawork and beautiful lighting to period-accurate backdrops and tight storytelling. But it has plenty of substance too as it’s clearly, and endearingly, in love with haute couture. Every scene is dripping with elegance, and every gown (even the supposed bad ones!) is so gorgeous that you must pause and take a moment to marvel at it. But perhaps the most impressive thing about the series is that it doesn’t shy away from history; in fact, it welcomes it fully, even the controversial parts of Balenciaga’s past. What we get isn’t a glorified icon, but a flawed human being who is all the more resplendent in his wholeness.Genre: Drama
Actor: Adam Quintero, Alberto San Juan, Anouk Grinberg, Cecilia Solaguren, Gemma Whelan, Josean Bengoetxea, Thomas Coumans
Rating: TV-MA

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109. Antwone Fisher, 2003

The story of Antwone Fisher as told by Denzel Washington (in his directorial debut) may be a bit too straightforward for its own good, but it only proves the strength of his eye and ear for performance. In addition to turning in his own understated yet authoritative performance, Washington gets a powerhouse turn out of Derek Luke, who allows every new revelation about Fisher to strengthen every aspect of his work. What the film gets right about talking about mental health (that other movies get so wrong) is that it knows that providing an explanation for why someone is the way they are shouldn't be a dramatic climax. What Antwone Fisher emphasizes is healing, community, and the dignity of the person working through these issues.

Genre: Drama, History, Romance

Actor: Charles Robinson, Cory Hodges, De'Angelo Wilson, Denzel Washington, Derek Luke, Earl Billings, Gary A. Jones, James Brolin, Joy Bryant, Kente Scott, Kevin Connolly, Kim Johnson, Leonard Earl Howze, Malcolm David Kelley, Novella Nelson, Rainoldo Gooding, Salli Richardson-Whitfield, Stephen Snedden, Sung Kang, Vernee Watson-Johnson, Viola Davis, Yolonda Ross

Director: Denzel Washington

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110. This Fool, 2022

This Fool is a half-hour, 10-part series following Julio Lopez (played by co-creator Chris Estrada) a self-proclaimed “punk-ass bitch” and pushover who’s still in the process of learning to stand up for himself. Julio works for a gang rehab center called Hugs Not Thugs, where he also helps his cousin Luis (Frankie Quiñones) get back on his feet. It's equal parts silly and sweet, but it also reflects the socio-political problems that tend to pervade Julio and Luis' Southern LA community. References to violence and inequality are as present as they'll be in stories like these, but they're injected here with surreal humor, making it an easygoing but meaningful watch.

Genre: Comedy

Actor: Chris Estrada, Frankie Quiñones, Julia Vera, Laura Patalano, Michael Imperioli, Michelle Ortiz

Rating: TV-MA

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111. This Boy's Life, 1993

	
It’s not easy to watch films about child abuse, so it makes sense that This Boy’s Life wouldn’t be a hit blockbuster, but it’s still surprising how this 90’s film still remains an underrated gem. For starters, big names like Robert De Niro and Leonardo DiCaprio (in his breakthrough role), star as leads, and their performances are top-notch. But what ultimately makes the film a good movie to watch is how surprisingly nuanced it depicts child abuse and neglect. Part of this nuance is due to being based on a true memoir, but director Michael Caton-Jones and writer Robert Getchell capture the insidious way abuse can start and become normalized in a household while still highlighting the ways survivors can escape. It’s not an easy watch, but This Boy’s Life is a moving drama that deserves more time in the sun.Genre: Drama
Actor: Carla Gugino, Chris Cooper, Eliza Dushku, Ellen Barkin, Frank C. Turner, Gerrit Graham, Jonah Blechman, Kathy Kinney, Leonardo DiCaprio, Morgan Brayton, Robert De Niro, Sean Murray, Tobey Maguire, Tracey Ellis, Travis MacDonald, Zachary Ansley
Director: Michael Caton-Jones
Rating: R

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112. SPERMWORLD, 2024

	
For people having difficulty bearing a child, artificial insemination is one way to go for parenthood, but going to sperm banks can be expensive, shrouded with too much anonymity, and have had many incidents of malpractice. Some people would rather take things into their own hands. Spermworld explores the journeys of three different internet sperm donors, who meet with hopeful parents. It can be awkward, even when the donors are fairly ordinary guys with fairly decent motives, but the way director Lance Oppenheim approaches the community is disarmingly human, acknowledging the strange quirks that come with the donation, but also the interesting parental desires human beings do have.Genre: Documentary
Actor: Ari Nagel, Atasha Peña Clay, Rachel Stanley, Steve Walker, Tyree Kelly
Director: Lance Oppenheim
Rating: R

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113. Sideways, 2004

Best friends Miles and Jack are off to wine country to celebrate Jack's last week of freedom before he gets married. They drop white lies about themselves, with Miles pretending to be a successful writer and Jack not mentioning his impending wedding, and soon meet two beautiful women whom they spend the rest of their stay with. What sounds like a dreamy bachelor's celebration, however, soon unravels into a messy tangle of tall tales. Miles and Jack contemplate their situation in smart, sad, and silly turns, delivering excellent performances and an overall hard-hitting road movie.

Genre: Comedy, Drama, Romance

Actor: Alex Kalognomos, Alysia Reiner, Cesar Ramos, Chris Astoyan, Jessica Hecht, Joe Marinelli, Lee Brooks, M.C. Gainey, Marylouise Burke, Mikael Sharafyan, Missy Doty, Patrick Gallagher, Paul Giamatti, Peter Dennis, Phil Reeves, Robert Covarrubias, Sandra Oh, Shake Tukhmanyan, Shaun Duke, Stephanie Faracy, Thomas Haden Church, Toni Howard, Virginia Madsen

Director: Alexander Payne

Rating: R

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114. Office Space, 1999

Before “burnout,” “bullshit jobs,” and “quiet quitting” became part of our everyday lexicon, there was a film in the ‘90s that prophesied the rise of these workplace problems. Office Space follows three co-workers who, having had enough of their dreary low-paying jobs, fight back against their company via an embezzlement scheme.

Office Space makes the most out of its indie budget as it mostly takes place in the cramped quarters of a company, effectively bottling us into the cubicled windowless world of the characters. But the real beauty of the film is in the details, from its quick zingers and thoughtful takes on the essence of work down to its elaborate “planning to plan” scheme in the background and the employees’ forced politeness singing happy birthday to their boss. Modern viewers will notice that Office Space sits right in between the dystopian thriller Severance and the beloved sitcom The Office—a dark comedy that highlights the necessity of humanity in everyday work.

Genre: Comedy, Drama

Actor: Ajay Naidu, Alexandra Wentworth, Ali Wentworth, Barbara George-Reiss, Cassie Townsend, Charissa Allen, David Herman, Diedrich Bader, Gabriel Folse, Gary Cole, Greg Pitts, Heath Young, Jack Betts, Jackie Belvin, Jennifer Aniston, Jennifer Jane Emerson, Jesse De Luna, Joe Bays, John C. McGinley, Josh Bond, Justin Possenti, K. Todd Lytle, Kinna McInroe, Kyle Scott Jackson, Linda Wakeman, Michael McShane, Mike Judge, Orlando Jones, Paul Willson, R.C. Keene, Richard Riehle, Ron Livingston, Rupert Reyes, Samantha Inoue Harte, Spencer Kayden, Stephen Root, Todd Duffey, Tom Schuster

Director: Mike Judge

Rating: R

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115. La Máquina, 2024

	
After more than a decade apart on-screen, Gael Garcia Bernal and Diego Luna finally reunite in La Máquina. While they maintained their friendship off-screen, it’s just so fun to see them take on a more comedic dynamic as they snipe at each other, get into trouble, and scramble to get things right. It’s the best part of this series, and with Gabriel Ripstein’s direction, the series is never boring, continuing to move in unexpected directions with swiveling camera movements and such a slick score. While there are some issues with the pacing, La Máquina is fun to watch, especially when focused on their leads.Genre: Drama
Actor: Dariam Coco, Diego Luna, Eiza González, Gael García Bernal, Jorge Perugorría, Lucía Méndez
Rating: TV-MA

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116. Death and Other Details, 2024

With the number of murder mysteries popping up since Knives Out, Death and Other Details can seem like a copy. However, the latest mystery show on Hulu has a few twists up its sleeve, as Detective Coteworth and Imogene Scott aim to solve two cases at once– the first, of course, being the luxury liner murder, and the second being the murder of Scott’s mother eighteen years ago. Because of this, the backstory has more personal stakes, as it puts into question human memory itself. While the balance between timelines sometimes falters, Death and Other Details has enough style to at least make the journey interesting.

Genre: Crime, Drama, Mystery

Actor: Angela Zhou, Hugo Diego Garcia, Lauren Patten, Rahul Kohli, Violett Beane

Rating: TV-MA

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117. Can You Ever Forgive Me?, 2018

	
A non-comedic Melissa McCarthy stars in this movie based on a true story. She plays author Lee Israel who after struggling to pay her bills starts forging letters from famous writers. Being a great writer herself, she's able to skillfully mimic some of the greatest American novelists. But how far can she take it? With only her cat and an ex-convict friend at her side, this movie takes you through her desperation and anxiety as she turns into a full-blown criminal. Nominated to three Oscars, including Best Actress for McCarthy.Genre: Comedy, Crime, Drama, Mystery
Actor: Alice Kremelberg, Anna Deavere Smith, Anne Hollister, Antoine Drye, Armando Riesco, Barbara Ann Davison, Ben Falcone, Ben Rauch, Bill Walters, Bonita Hamilton, Brandon Scott Jones, Charlotte Mary Wen, Chris Lamberth, Christian Navarro, Dan McCabe, Dann Fink, Dolly Wells, Doris McCarthy, Erik LaRay Harvey, Ethel Fisher, George Aloi, Gregory Korostishevsky, Havilah Brewster, Jane Curtin, Joanna Adler, Josh Evans, Justin Vivian Bond, Katie Kocik, Kevin Carolan, Linwood Brown, Liz Eng, Lori Prince, Lucy DeVito, Marc Evan Jackson, Marcella Lowery, Marcus Choi, Mary B. McCann, Melissa McCarthy, Michael Cyril Creighton, Michael Laurence, Moisés Acevedo, Peter Donovan, Pun Bandhu, Richard E. Grant, Ricky Garcia, Roberta Wallach, Ron Maestri, Rosal Colon, Sandy Rosenberg, Sandy Rustin, Sean Oliver, Shae D'Lyn, Stephen Spinella, Tiffany Blair, Tim Cummings, Tina Benko, Wayne J. Miller, Zabryna Guevara
Director:  Marielle Heller
Rating: R

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118. Becoming Karl Lagerfeld, 2024

Becoming Karl Lagerfeld gets many things right—the fashion is spectacular, the drama is gripping, and the details feel true to the time. It’s never over-the-top and cartoonish, which seems to be a problem in most other biopics. But for all it has going for it, Brühl is the real star of the show. He seems to operate on a level beyond his peers where he’s no longer acting but simply inhibiting. Lagerfeld is a distant and wealthy designer, unavailable even to those closest to him, but Brühl manages to ground him with deeply relatable traits, like bitter jealousy, crushing loneliness, and unapologetic ambition. He doesn’t need a big scene or wordy dialogue to get these across, either, just a flicker of the eyes will do the trick. The only downside to the show is the occasional uneven tone. It’s as if the directors were unsure how to maximize the wealth of material they have on hand, so they crammed and juggled as much as they could into six episodes. Still, if you’re a fan of period pieces, powerfully subtle performances, and luxury fashion, then you’re in for a treat.

Genre: Drama

Actor: Agnès Jaoui, Alex Lutz, Anouk Feral, Arnaud Valois, Daniel Brühl, Féodor Atkine, Jeanne Damas, Julia Faure, Lisa Kreuzer, Paul Spera, Sunnyi Melles, Théodore Pellerin, Victoire Du Bois

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119. Will Trent, 2023

Will Trent is a crime procedural that tackles a new mystery every few episodes. It doesn't differ from other detective shows in that way, but what makes Will Trent interesting is that the intrigue of each case never takes away from the intrigue of the personal lives of the lead characters.

Will Trent, in particular, remains the biggest mystery in the series. Much like Sherlock Holmes or Monk before him, he's troubled but kindhearted, gifted but hated by all. He's one of the most awkward detectives you'll meet, but what he lacks in social graces he more than makes up for in outstanding smarts. Unraveling Trent, his colleagues, and his subjects is a fun ride, one that makes the 40 minutes or so of watching well worth it.

Genre: Drama, Mystery

Actor: Erika Christensen, Iantha Richardson, Jake McLaughlin, Ramón Rodríguez, Sonja Sohn

Director: Paul McGuigan

Rating: TV-14

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120. Their Stories, 2023

A house isn’t just a building– it’s a space where one can be one’s self, where one can have control over one’s space. Of course, houses can differ between social classes, as the rich often hire househelp, while those less fortunate manage their own, or might not even have one. Their Stories draws its drama from this disparity, as the rich Isabel and Rosa lose control of their assets and have to move to the house where working class Marta and Jasmim live. It’s an interesting dynamic, a twisted mix of gratitude and resentment forged between former employer and employee, and all four leads portray this with the nuance and complexity that it requires. A Historía Delas might literally be hard to search on Hulu, but it’s an interesting story, one that feels unique and real enough to follow.

Genre: Drama

Actor: Bia Arantes, Cris Vianna, Emma Araujo, Johnnas Oliva, Letícia Spiller

Director: Luciana Baptista, Maria Farkas, Pablo Uranga

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