23 Best Movies to Watch From MK2 Films (Page 2)

Staff & contributors
Any time someone does something, in public, one mostly thinks about how it affects them personally. We only have one life, after all, working from one timeline, one narrative, and one perspective that naturally forms when we go through it. Code Unknown plays with this idea, as a single littering incident then forms a series of vignettes, each shot in real time, that cuts only when shifting between the strangers who witnessed the incident. For some, this was just an inconsequential part of a regular day. But for others, it meant harassment, mistreatment, and difficulties that, had someone intervened, told the truth, or communicated better, would have been avoided. Through this, Code Unknown depicts some of the racial tensions in the French capital, but in the cryptic, challenging way Michael Haneke is known best for.

Genre: Drama

Actor: Aissa Maiga, Alexandre Hamidi, Bruno Todeschini, Costel Cașcaval, Féodor Atkine, Florence Loiret Caille, Josef Bierbichler, Juliette Binoche, Maimouna Hélène Diarra, Malick Bowens, Marc Duret, Maurice Bénichou, Thierry Neuvic, Tsuyu Shimizu

Director: Michael Haneke

Certified Copy starts straightforward enough as it follows an unnamed shopkeeper (Juliette Binoche) and a writer (William Shimell) taking a stroll around picturesque Tuscany, debating the merits of authenticity and simplicity. They’re strangers flirting under the guise of an intellectual debate, and for a while, you think you’re watching a film like Before Sunrise, that is until a mysterious, almost magical, shift occurs, and suddenly, you’re witnessing something entirely different. For better or worse, director Abbas Kiarostami never makes it clear what happens, and that very mystery gives you a lot to think about. Are they pretending to be copies or is it the other way around? Neverending questions run through your head as you watch them banter, but whatever actually happens might be beside the point. At the moment, you get deeply felt, wonderfully rendered, as-real-as-can-be performances from Binoche and Shimell, and you can’t help but surrender.

Genre: Drama, Romance

Actor: Adrian Moore, Agathe Natanson, Andrea Laurenzi, Angelo Barbagallo, Filippo Trojano, Gianna Giachetti, Jean-Claude Carrière, Juliette Binoche, William Shimell

Director: Abbas Kiarostami

Rating: NR

Horse riding. Gunslinging. Revenge and protection. These are notable elements in a Western, Spaghetti or otherwise. But rarely do these movies contemplate the indigenous tribes that originally lived in these desert towns, right before they were chased away and killed by white colonizers. Writer-director Felipe Gálvez Haberle takes these elements to showcase a new perspective in The Settlers, with mestizo Chilean sharpshooter Segundo forced to inflict atrocities onto his fellow native Chileans by the orders of a wealthy Spanish landowner, a British officer, and an American mercenary. The landscapes captured are sublime, the portraits are vignetted, but what’s most striking is the way Gálvez mixes in cinematic Western film style with real life colonial history, dramatic conflict with historical detail on a rarely discussed genocide.

Genre: Drama, Western

Actor: Agustín Rittano, Alfredo Castro, Benjamín Westfall, Camilo Arancibia, Heinz K. Krattiger, Luis Machín, Marcelo Alonso, Mariano Llinás, Mark Stanley, Sam Spruell

Director: Felipe Gálvez

Rating: NR

Jia Zhangke (who NPR critic John Powers once called “perhaps the most important filmmaker working in the world today"), directed this movie based on the story of a gangster he knew while growing up.

And he is far from being the only noticeable talent here. Actress Tao Zhao shines as a character called Qiao, a dancer who infiltrates the crime scene in Northern China by way of her boyfriend (the gangster). When a boss leader is assassinated, Qiao finds herself in jail after she refuses to incriminate her boyfriend. 

This is a gangster movie but it’s also about how Qiao processes her time in jail and what she does once she gets out. It serves more as a character study and a picture of modern-day China.

Genre: Crime, Drama, Mystery, Romance

Actor: Casper Liang, Diao Yi'nan, Ding Jiali, Dong Zijian, Fan Liao, Feng Xiaogang, Jiamei Feng, Kang Kang, Liao Fan, Tao Zhao, Xu Zheng, Yi'nan Diao, Zhang Yi, Zhang Yibai, Zhao Tao

Director: Jia Zhangke, Zhangke Jia

Rating: Not Rated

While love and longing can transform people into their best selves, it has famously transformed couples into their worst selves too, and this change captivates our imaginations of how the relationship was formed. Deep Crimson revisits the Lonely Hearts Killers, dramatizing their exploits with a darkly comic flair. As Mexican auteur Arturo Ripstein brings their tale to Mexico, he and his screenwriter wife Paz Alicia Garciadiego dive deep into these undeniably evil characters, spotting the ways their jagged edges fit and make them whole, which creates a twisted bond that isn’t easily torn apart. Profundo Carmesí is an unforgettable take on an unforgettable crime duo.

Genre: Crime, Drama

Actor: Álvaro Carcaño, Daniel Giménez Cacho, Esteban Soberanes, Gastón Melo, Julieta Egurrola, Marisa Paredes, Paco Mauri, Patricia Reyes Spíndola, Regina Orozco, René Pereyra, Rosa Furman, Sherlyn, Verónica Merchant

Director: Arturo Ripstein

This taut chamber piece about NSA whistleblower Reality Winner (yes, that’s her real name) is based on the FBI’s account of her interrogation one June day in 2017. “Based on” doesn’t quite capture Reality’s exhaustive commitment to the facts, though, because this movie is essentially a dramatic reading of a verbatim transcript of the FBI agents’ recording that day. The only time it breaks with reality is when it reaches a redacted portion of the transcript, at which point characters glitch out of view, leaving us staring into the blank set around them. Otherwise, every cough, false start, and even every off-topic remark is recreated with exacting precision here, lending the film a paradoxically stilted, slightly stagy air. But rather than pull you out of the proceedings, Reality’s palpable artificiality only immerses us into the uneasy tension and surreality that its anxious protagonist must have been feeling that day.

That anxiety is contagious, thanks to the movie’s clinical style and central performance. The camerawork is largely unblinking, moving in uncomfortably close on Reality (Sydney Sweeney) as two FBI agents (Josh Hamilton and Marchánt Davis) subject her to their bizarre hot-cold interrogation, which ranges from seemingly friendly inquiries about her dog to jugular-aimed questions about the allegations against her. Sweeney shoulders all this pressure remarkably well, deftly keeping us as much in the dark as Winner tried to keep the FBI in — which makes not knowing the real story a benefit, rather than a barrier, to watching Reality.

Outside of Sweeney’s commanding performance, Reality feels somewhat limited by its absolute loyalty to the FBI’s transcript, though. Much of the film’s 83-minute runtime is dedicated to recreating the text, which leaves only a few minutes at the end for it to express its own point of view on Winner’s actions. Though these scant moments make for a compelling reframing of the charges against Winner, they feel overshadowed by and separate from the movie’s rigorous devotion to the transcript, which ultimately means Reality can’t quite transcend its status as merely an interesting filmmaking curio.

Genre: Drama, Thriller

Actor: Allan Anthony Smith, Benny Elledge, Bill Maher, John Way, Josh Hamilton, Marchánt Davis, Sydney Sweeney, Tucker Carlson

Director: Tina Satter

A poetic and peculiar movie from Senegal about a girl who is forced to marry a wealthy businessman instead of her love interest. The latter, a poor construction worker, embarks on a risky journey across the sea to Europe. The story takes a supernatural turn thereafter, one that is unlike anything seen before in stories around immigration, but one which makes sense. Still, the excellent acting and the long takes that immerse you in what life is like in Senegal, both in and out of the margins of society, are the reasons to watch here. Atlantics' characters are believable and will capture your interest throughout the usual and unusual parts of the movie. They provide rare insight into narratives that most of us have never been exposed to.

Genre: Drama, Fantasy, Mystery, Romance

Actor: Abdou Balde, Amadou Mbow, Amina Kane, Aminata Kane, Arame Fall Faye, Babacar Sylla, Coumba Dieng, Diankou Sembene, Ibrahima Mbaye, Ibrahima Traore, Mama Sane, Mame Bineta Sane, Mariama Gassama, Mati Diop, Nicole Sougou, Traore

Director: Mati Diop

Rating: TV-14

Based on a play and taking place in the span of one afternoon, It’s Only the End of the World is about a successful writer returning to his hometown in rural Canada baring life-altering news. But before he can share anything, he is faced with the remnants of his life prior to moving out and his family members’ eccentric, but relatable, personalities. This is a movie by one of the most interesting directors working today, Canadian Xavier Dolan. Contrary to his plot-heavy Mommy (which earned him the Cannes Jury Prize at 25 years old), in It’s Only the End of the World the story unfolds in a far more important way. It’s an exploration of dynamics: between brother and sister, between son and mother, between brothers, etc. Don’t go into it expecting things to happen, or waiting for what will happen in the end. Instead, the purpose of this film can be found in how Xavier Dolan handles his usual themes of family through big talent: Mario Cotillard, Vincent Cassel, and Léa Seydoux among many others.

Genre: Drama

Actor: Antoine Desrochers, Arthur Couillard, Gaspard Ulliel, Jenyane Provencher, Léa Seydoux, Marion Cotillard, Nathalie Baye, Patricia Tulasne, Sasha Samar, Stephan Dubeau, Théodore Pellerin, Vincent Cassel, William Boyce Blanchette

Director: Xavier Dolan

Rating: N/A, Not Rated