12 Best Movies to Watch From Haut et Court

Staff & contributors

Full Time is about the Herculean task that is getting through the day. For Julie Roy (the incredible Laure Calamy), that means keeping a job in the city as a single mother living in the suburbs. In this particular week, she has to attend to childcare, work a job below her skill set, apply for a job that actually matches her skill set, and get home before her children's bedtime, all while a transport strike immobilizes the city. 

Protests aside, Julie's reality is an everyday feat some of us don’t even bother to question, but the film—edited and scored like a thriller—makes a vital point about the overlooked difficulties of juggling career, family, and self. 

It's unrelenting, intense, and truly gripping from start to end, kind of like Uncut Gems for the everywoman. It's rare to see social commentary at this pace, but it's also unexpectedly powerful, a necessary portrait of the times.

Genre: Drama, Thriller

Actor: Agathe Dronne, Anne Suarez, Arnaud Maillard, Arnaud Préchac, Bô Gaultier de Kermoal, Carima Amarouche, Cedric Welsch, Christine Kay, Cyril Gueï, Dominique Plaideau, Évelyne El Garby-Klaï, Fabrice Abraham, Geneviève Mnich, Guillaume Vincent, Irina Muluile, Karine Valmer, Laure Calamy, Laurent Pons, Lucie Gallo, Mareme N'Diaye, Marina Saura, Mathilde Weil, Michaël Assié, Olivier Faliez, Philippe de Monts, Romain Deloutre, Romain Ogerau

Director: Eric Gravel

Rating: Not Rated

Set in 1650 against the backdrop of the English colonization of Ireland, Wolfwalkers follows the story of Robyn, a young apprentice hunter who arrives in Ireland with her father to wipe out the last wolf pack. Completing the “Irish Folklore Trilogy,” Tomm Moore’s film is a tale of sisterhood, friendship, and acceptance told with phenomenal artistry. Beautifully animated, with warm autumn colors and refined attention to detail, the film is beyond pleasing to the eye. The outstanding voice work from Honor Kneafsey and Eva Whittaker, along with a well-written and emotionally compelling story, make Wolfwalkers a unique animation experience for young viewers and adults alike. 

Genre: Adventure, Animation, Drama, Family, Fantasy

Actor: Aoibhin Murphy, Ben Andrews, Eva Whittaker, Honor Kneafsey, Jerome Burelbach, John Morton, Jon Kenny, Maria Doyle Kennedy, Nora Twomey, Paul Young, Richie Cody, Sean Bean, Simon McBurney, Tommy Tiernan, Vince Drews

Director: Ross Stewart, Tomm Moore

Rating: PG

A unique movie about a near-future society obsessed with couples; viewing couples as the norm, as opposed to single people who are viewed as unproductive and undesirable. In that way, the film shows David (Colin Farrell), a newly single person who is transferred to the Hotel, a place where single people have just 45 days to find a suitable mate, and if they fail, they would be transformed into animals of their choice. While the film’s original premise may not be everyone’s cup of tea, The Lobster will prove a goldmine for people who are into a Kafkaesque, absurdist mentality, or anyone looking for an idea-driven experience.

Genre: Comedy, Drama, Romance

Actor: Aggeliki Papoulia, Angeliki Papoulia, Anthony Dougall, Ariane Labed, Ashley Jensen, Ben Whishaw, Colin Farrell, Degnan Geraghty, Emma O'Shea, Ewen MacIntosh, Garry Mountaine, Jacqueline Abrahams, Jessica Barden, John C. Reilly, Laoise Murphy, Léa Seydoux, Michael Smiley, Nancy Onu, Olivia Colman, Rachel Weisz, Roger Ashton-Griffiths, Rosanna Hoult, Sean Duggan

Director: Giorgos Lanthimos, Yorgos Lanthimos

Rating: R

This animated movie is absolutely wonderful. It’s an Irish production, and the drawings/graphics are so beautiful and different from what you usually see in this genre. This alone, along with the music, would be good reasons to watch this.

But what really makes this worth your time is the story – it’s about a boy dealing with the loss of his mother. He embarks on an adventure into a parallel world of feelings to save his sister.

I found it to be refreshingly original, sometimes quite intense (I cried, but I easily cry), and heartwarming. The details are great. And I love the way the story was interwoven with Irish mythology, making it magical.

Genre: Animation, Family, Fantasy

Actor: Brendan Gleeson, Colm ÓSnodaigh, Colm O'Snodaigh, David Rawle, Fionnula Flanagan, Jon Kenny, Kevin Swierszcz, Liam Hourican, Lisa Hannigan, Lucy O'Connell, Pat Shortt, Paul Young, Tomm Moore, Will Collins

Director: Tomm Moore

Rating: PG

Taking place almost entirely in a single classroom, the two-hour-plus runtime of this French drama breezes past thanks to its sheer unrelenting energy. You’d be forgiven for assuming The Class is a documentary, so fly-on-the-wall is the filming and so naturalistic the dialogue, much of which was improvised from loose guidelines.

Unlike so many cinematic teachers, Monsieur Marin (played by co-screenwriter François Bégaudeau) doesn’t pull off any educational miracles with his class of backchatting 15-year-olds at an inner-city Paris school. Although the French literature teacher does make some inroads with disaffected kids like Souleymane (Franck Keïta), what really boosts The Class’ grade is its refusal to valorize its central figure. There are no rousing Dead Poets Society-style scenes here — in fact, the film builds from free-flowing lively debates to a tense climax that stems directly from a grave faux pas committed by none other than the teacher himself. Crucially, though, The Class is evenhanded in its treatment of its characters, recognizing both how complex each of these kids is underneath the blunt assessments contained on their report cards and how difficult and thankless the role of a teacher is.

Genre: Drama

Actor: Damien Gomes, Esmeralda Ouertani, Farida Ouchani, François Bégaudeau, Louise Grinberg, Rabah Nait Oufella, Valérie Benguigui

Director: Laurent Cantet

This fiery coming-of-age drama has an unlikely origin story: director Jonas Carpignano was first introduced to the sprawling Roma clan that makes up most of the movie’s cast when one of them stole his car while he shot another film. The charismatic Amato family made such an impression on him that he decided to center a movie around their real lives, naming it for the insular neighborhood they live in on the outskirts of a Southern Italian town.

The Amatos are part of a much-maligned ethnic minority, but not the only one in the film. The Ciambra pokes at the idea of solidarity between the Amatos and local African migrants: while his elders are quick to reject the idea, plucky 14-year-old Pio (Pio Amato) flits across these invisible borders and bonds with Ayiva (Koudous Seihon). But Pio is desperate to win the respect of the men in his family, who might then allow him to take part in their criminal exploits — a crisis point The Ciambra chronicles with raw emotion. This is a movie whose grit and bleakness often recall the uncompromising gaze of neo-realist classics, as a child is heartbreakingly forced to declare his allegiances in the dog-eat-dog world his elders can’t imagine an alternative to.

Genre: Crime, Drama

Actor: Damiano Amato, Francesco Papasergio, Iolanda Amato, Koudous Seihon, Patrizia Amato, Pio Amato, Rocco Amato, Susanna Amato, Swamy Rotolo

Director: Jonas Carpignano

Directed by Tsai Ming-liang, this unconventional story follows the lives of two neighbors who share a crumbling apartment in the midst of a strange, inexplicable epidemic. Blending a quiet drama with exciting musical numbers, the characters' lives intertwine in unexpected ways, blurring the line between reality and fantasy. With its masterful use of long takes and minimal dialogue, there is a haunting atmosphere that lingers in every shot. In hindsight, this film perfectly captures our recent pandemic-stricken world; the effects of cabin fever condensed in absurd trippy sequences. As with many Tsai Ming-liang films, it is a must-watch for fans of simpler, yet mesmerizing, art-house cinema.

Genre: Drama, Romance, Science Fiction

Actor: Chen Shiang-Chyi, Lee Kang-sheng, Lu Yi-Ching, Miao Tien, Yang Kuei-Mei, Yee Chin-Yen

Director: Tsai Ming-liang

During Custody’s opening scene — a judge-mediated custody hearing between ex-spouses Miriam (Léa Drucker) and Antoine (Denis Ménochet) — the latter’s lawyer pleads with the judge to side with her client, arguing that, despite his reported history of violence and the reluctance of the couple’s 11-year-old son to live with him, “Nothing here is black and white.” Custody plays something of a poker face in its first few minutes, leaving us as reliant as the judge is on arguments like these, but outside of the mediation room, the film’s tight 93-minute runtime builds to a finish that will conclusively — and terrifyingly — prove that claim false.

The skill of Custody, however, is in the fact that we don’t need this definitive proof to form our judgment, because we can feel the silent threat of it in every preceding frame. Each of its naturalistic scenes, whether ostensibly quotidian or celebratory, is suffused with simmering dread and ticking tension; even when he’s absent, Antoine looms over the family’s life like a dark cloud. With such restrained mastery over a thriller-like tone, Custody reveals the family’s all-too-common reality as the horror it really is.

Genre: Drama, Thriller

Actor: Alain Alivon, Anne-Gaëlle Jourdain, Coralie Russier, Denis Ménochet, Florence Janas, Jean-Claude Leguay, Jean-Marie Winling, Jenny Bellay, Jérome Care-Aulanier, Julien Lucas, Léa Drucker, Martine Schambacher, Martine Vandeville, Mathilde Auneveux, Saadia Bentaïeb, Sophie Pincemaille, Thomas Gioria

Director: Xavier Legrand

Film direction—at least in the traditional sense—is all about establishing control. In Even the Rain, however, the crew led by director Sebastian faces a problem larger than what they can manage when they become embroiled in a local conflict over water supply while shooting a period film in Bolivia. The situation escalates into a violent uprising between the residents and the Bolivian state forces, which then endangers the completion of Sebastian’s film.

Even the Rain exposes the hypocrisy of urban filmmaking, questioning its exploitative and selfish tendencies. “Some things are more important than your film,” the actor Daniel bluntly tells Sebastian in one scene. This meta-commentary extends to the audience and encourages us to reevaluate the importance we put into films, especially with regards to the current socio-political context.

Genre: Drama, History

Actor: Antonio Mora, Carlos Santos, Cassandra Ciangherotti, Dani Curras, Daniel Currás, Daniel Currás, Ezequiel Díaz, Gael García Bernal, Juan Carlos Aduviri, Karra Elejalde, Leónidas Chiri, Leónidas Chiri, Luis Bredow, Luis Tosar, Milena Soliz, Najwa Nimri, Pau Colera, Raúl Arévalo, Sonia Ovando, Vicente Romero, Vicente Romero Sánchez

Director: Icíar Bollaín

Rating: Not Rated

The opening titles of this French procedural drama explicitly tell us that the crime it chronicles will go unsolved, confessing that it’s about one of the approximately 160 murder cases that police don’t crack each year. An ambitious and intriguing opener — suggesting that, in the absence of a clean resolution, the film will nonetheless offer us something equally compelling, as Zodiac does. 

In following the investigation of the brutal murder of 21-year-old Clara (Lula Cotton-Frapier) — for which the police interrogate various of her exes, all misogynistic potential murderers in their own ways — the film seeks to explore the society-wide “problem between men and women” that has given the police its surplus of suspects. Alas, it’s much more interested in the psychological impact cold cases have on policemen like frustrated captain Yohan (Bastien Bouillon). There’s something deeply ironic about making a movie about the systemic dehumanization of women just to center male perspectives, especially when their only insight into the epidemic of toxic masculinity is Yohan’s clunky “We can’t find the murderer because all men killed Clara.” The film’s treatment of the victim herself — incurious and downright gratuitous in the depiction of her murder — cements it as a shallow, un-self-aware, and failed attempt to reckon with a subject that deserved its full focus.

Genre: Crime, Drama, Mystery, Thriller

Actor: Anouk Grinberg, Bastien Bouillon, Bouli Lanners, Camille Rutherford, Charline Paul, David Murgia, Johann Dionnet, Jules Porier, Julien Frison, Lula Cotton-Frapier, Marc Bodnar, Matthieu Rozé, Mouna Soualem, Nicolas Jouhet, Paul Jeanson, Pauline Serieys, Pierre Lottin, Théo Cholbi, Thibaut Évrard

Director: Dominik Moll