37 Best Movies to Watch From France 3 Cinéma (Page 2)

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Graduation is a Romanian movie from the director of the Palme d’Or winner 4 Months, 3 Weeks and 2 Days (also number 15 in the BBC’s 100 Greatest Films of the 21st Century.) Romeo is a 49-year-old doctor in the city of Cluj-Napoca. He is immensely proud and dedicated to his daughter, Eliza, who gets awarded a scholarship to go to Cambridge provided that she does well in her last high-school exam. The day before this exam, Elisa is sexually assaulted outside her school, and her wrist is broken. The event haunts the family and jeopardizes Elisa’s chances of succeeding in her exam. Romeo, still determined to ensure his daughter’s success, vows to do anything to not let the assault ruin his daughter’s future. Graduation is about this father and daughter duo as they go against a corrupt but quickly changing Romanian system.

Genre: Drama

Actor: Adrian Titieni, Adrian Văncică, Claudia Susanu, Claudiu Dumitru, Constantin Cojocaru, Emanuel Pârvu, Gelu Colceag, Gheorghe Ifrim, Ioachim Ciobanu, Kim Ciobanu, Lia Bugnar, Liliana Mocanu, Malina Manovici, Maria Dragus, Maria-Victoria Dragus, Petre Ciubotaru, Rares Andrici, Robert Emanuel, Tudor Smoleanu, Valeriu Andriuță, Vlad Ivanov

Director: Cristian Mungiu

Rating: R

Ernest is an old bear and Celestine a young mouse; he lives above ground, while she lives underground. Their kinds fear one another, and borders are set in place so that they never intermingle, but despite all the odds, Ernest and Celestine form a bond—they share one similarity, after all, which is that they’re both outcasts. 

Ernest & Celestine is a classic buddy tale of outsiders finding their place in the world. The story and its messages of acceptance and equality are already charming and weighty on their own, but the hand-drawn and watercolored animation gives the film an extra rush of nostalgia and delight. Beautifully made and surprisingly relevant, it's a children’s film for all ages. It makes sense that it was nominated for Best Animation in the 86th Academy Awards (what doesn't is it losing to Frozen).  

An English dub is available on most streaming platforms, but we highly recommend watching it in French, how it’s originally meant to be heard.

Genre: Adventure, Animation, Comedy, Drama, Family

Actor: Adeline Chetail, Anne-Marie Loop, Brigitte Virtudes, Colleen O'Shaughnessey, Dominique Maurin, Emmanuel LeMire, Féodor Atkine, Forest Whitaker, Jacques Ciron, Jennifer Fauveau, Lambert Wilson, Lauren Bacall, Léonard Louf, Mackenzie Foy, Maxime Bailleul, Michel Elias, Nathalie Homs, Patrice Dozier, Patrice Melennec, Paul Giamatti, Pauline Brunner, Perrette Pradier, Pierre Baton, Spike Spencer, Vincent Grass

Director: Benjamin Renner, Stéphane Aubier, Vincent Patar

Rating: PG

While many Palestinians had to leave their homeland, there are some families that stayed within the region. One such family is that of Palestinian director Elia Suleiman. The Time That Remains is a semi-biographical film that depicts each generation of the family in excellently framed, colorful shots, but while each scene is a beauty to watch, there’s an ugly undercurrent with the way one group is treated over the other. The film contrasts the stoic actions of Elia’s father Fuad and that of the Israeli soldiers, teachers, and nurses around them, and the contrast channels a dry sort of humor that pokes at the absurdity the occupation places 20% of its citizens through. It’s a smart, subtle way to depict the rage felt by the many people that remained in the area, as well as the sadness they must have felt with the loss, the pain, and the displacement they’ve gone through.

Genre: Drama, History

Actor: Ali Suliman, Amer Hlehel, Elia Suleiman, Maisa Abd Elhadi, Menashe Noy, Mira Awad, Saleh Bakri, Samar Qudha Tanus, Shafika Bajjali, Zuhair Abu Hanna

Director: Elia Suleiman

Rating: PG-13

Despite being based on a 19th-century serial novel, Lost Illusions feels remarkably close to contemporary concerns about fake news and the devaluing of art for profit. But as the story is also, obviously, set in the 19th century, all this bribery and these backdoor dealings are done entirely through the written word and by sending runners from one Parisian theater to the next—and the result is uniquely thrilling. Nearly every character is a terrible person (like in an old-timey Goodfellas way) and it can get tiring seeing the film glorify their hustle, but the energy it brings is rare to find in any other period drama.

Genre: Drama, History, Romance, Thriller

Actor: Alexis Barbosa, André Marcon, Benjamin Voisin, Candice Bouchet, Cécile de France, Édouard Michelon, Gaëlle Lebert, Gérard Depardieu, Isabelle De Hertogh, Jean-François Stévenin, Jean-Marie Frin, Jean-Paul Bordes, Jean-Paul Muel, Jeanne Balibar, Julien Sibre, Louis-Do de Lencquesaing, Maryne Bertieaux, Michèle Clément, Pierre Poirot, Saïd Amadis, Salomé Dewaels, Vincent Lacoste, Xavier Dolan

Director: Xavier Giannoli

, 2004

Director Wong Kar-Wai made this loose sequel to one of the best films ever made, his 2000 classic In the Mood for Love. Much of the story is set around Christmas eve. In the far future, people take a train to the world of 2046, where no sadness or sorrow can be experienced. No one has ever returned from that world except for a lonely Japanese writer, who narrates the first part of the film. There are four acts to the story and as is common to Wong Kar-Wai, they are listed in non-chronological order. Not that you will care but 2046 is far from confusing. Instead, it functions as a dazzling visual poem on unreciprocated love.

Genre: Drama, Fantasy, Romance, Science Fiction

Actor: Akina Hong, Akina Hong Wah, Ben Yuen, Ben Yuen Foo-Wah, Benz Kong To-Hoi, Berg Ng, Berg Ng Ting-Yip, Carina Lau, Chang Chen, Chen Chang, Ching Siu-Lung, Dong Jie, Farini Cheung, Farini Cheung Yui-Ling, Faye Wong, Gong Li, Jiang Xinyu, Jie Dong, Li Gong, Maggie Cheung, Maggie Cheung Man-Yuk, Ping Lam Siu, Ronny Ching Siu-Lung, Siu Ping-lam, Takuya Kimura, Thongchai McIntyre, Tony Leung Chiu-Wai, Zhang Ziyi, Ziyi Zhang

Director: Kar-Wai Wong, Wong Kar-wai

Rating: R

The Beat That My Heart Skipped is a remake of 1978 American film Fingers, but reversed– The film brings a debt collector to piano rather than the other way around. As you can imagine, the reversal completely changes how the plot feels. It’s not great that the mom here is dead, but this choice makes Tom’s dream of piano playing more of a question and more of a subconscious character desire that drives the whole film. The change also makes the action more visceral– the film makes Tom have no choice but to start out with the violence, which, of course, leads to consequences later in the film. And on top of this, the film also adds more interest to the romance, as the language barrier pushes the connection to be bridged by music rather than words. So, sure, The Beat That My Heart Skipped is a remake, but the changes make the neo-noir a bit more original and a bit more compelling.

Genre: Crime, Drama, Music

Actor: Aure Atika, Emmanuelle Devos, Gilles Cohen, Jonathan Zaccaï, Justine Le Pottier, Linh Dan Pham, Mélanie Laurent, Niels Arestrup, Romain Duris, Vladislav Galard

Director: Jacques Audiard

Rating: NR

Even for the greatest, things can change enough that what was once popular is now ignored, what was once appreciated is now neglected, and things eventually lose their spark. Originally written by iconic French filmmaker Jacques Tati for one of his daughters, the screenplay for The Illusionist landed in the hands of Sylvain Chomet, who turned Tati’s live-action script into a devastating animated father-daughter drama, where the titular Tatischeff meets Alice, whose childlike belief sparks inspiration again in his own art, whether it be straightforward vaudeville acts or advertisements he resorts to in order to sustain their living. While the hand-drawn animation enables the physical comedy, it does conceal the tragic reality behind Tati’s script, but even as it does so, it somehow mirrors how both Tati and Chomet’s genre created magic, however ephemeral it may be.

Genre: Animation, Drama

Actor: Didier Gustin, Eilidh Rankin, Jacques Tati, Jean-Claude Donda, Jil Aigrot

Director: Sylvain Chomet

Rating: PG

There isn't a single moment of unnecessarily exaggerated emotion or comedy in this French-Danish animated film, which may keep its world very small compared to its peers, but it portrays everything with arguably more depth and beauty. Long Way North moves with a stately pace, giving it more dramatic heft and allowing us to take in all of the film's painterly surfaces and soft silhouettes. But it's not just the art style that sets the film apart; it also avoids what we expect from a traditional adventure, keeping the most important character beats private and internal. This may make the movie feel a little more distant than it should be, but the feeling that it leaves you with is undeniable—a sense that everything is connected, and those who are lost will always find a way home.

Genre: Adventure, Animation, Drama, Family

Actor: Audrey Sablé, Boris Rehlinger, Bruno Magne, Christa Théret, Cyrille Monge, Delphine Braillon, Féodor Atkine, Gabriel Le Doze, Juliette Degenne, Loïc Houdré, Marc Bretonnière, Rémi Bichet, Stéphane Pouplard, Thomas Sagols

Director: Rémi Chayé

During Custody’s opening scene — a judge-mediated custody hearing between ex-spouses Miriam (Léa Drucker) and Antoine (Denis Ménochet) — the latter’s lawyer pleads with the judge to side with her client, arguing that, despite his reported history of violence and the reluctance of the couple’s 11-year-old son to live with him, “Nothing here is black and white.” Custody plays something of a poker face in its first few minutes, leaving us as reliant as the judge is on arguments like these, but outside of the mediation room, the film’s tight 93-minute runtime builds to a finish that will conclusively — and terrifyingly — prove that claim false.

The skill of Custody, however, is in the fact that we don’t need this definitive proof to form our judgment, because we can feel the silent threat of it in every preceding frame. Each of its naturalistic scenes, whether ostensibly quotidian or celebratory, is suffused with simmering dread and ticking tension; even when he’s absent, Antoine looms over the family’s life like a dark cloud. With such restrained mastery over a thriller-like tone, Custody reveals the family’s all-too-common reality as the horror it really is.

Genre: Drama, Thriller

Actor: Alain Alivon, Anne-Gaëlle Jourdain, Coralie Russier, Denis Ménochet, Florence Janas, Jean-Claude Leguay, Jean-Marie Winling, Jenny Bellay, Jérome Care-Aulanier, Julien Lucas, Léa Drucker, Martine Schambacher, Martine Vandeville, Mathilde Auneveux, Saadia Bentaïeb, Sophie Pincemaille, Thomas Gioria

Director: Xavier Legrand

Beginning with a great opening shot of townhouse on a side street in Paris, only ti discovers that the shot is actually from a video sent to Anne and Georges Laurent (Juliette Binoche and Daniel Auteuil). The married couple who live in that house have no idea who sent the video. More videos appear and events unfold. I can't say much more about this film without ruining it, it's definitely one of those films better enjoyed if you go into it not knowing a lot. Directed by Michael Haneke who won the Cannes Best Director Award for it.

Genre: Drama, Mystery, Thriller

Actor: Aissa Maiga, Annie Girardot, Bernard Le Coq, Caroline Baehr, Christian Benedetti, Daniel Auteuil, Daniel Duval, Denis Podalydès, Diouc Koma, Dioucounda Koma, François Négret, Jean Teulé, Juliette Binoche, Laurent Suire, Lester Makedonsky, Loïc Brabant, Louis-Do de Lencquesaing, Marie Kremer, Marie-Christine Orry, Maurice Bénichou, Mazarine Pingeot, Nathalie Richard, Nicky Marbot, Paule Daré, Philippe Besson, Walid Afkir

Director: Michael Haneke

Rating: R

While the market for animation is mostly dominated by American 3D and Japanese anime, once in a while, a film outside the two industries comes up with an entirely new style of its own, with the design inspired by their respective countries. European animation has garnered some interest with Loving Vincent, but Chicken with Linda! takes it further, taking a more vibrant than impressionistic approach to its art. Somewhat like a neon-colored Fauvist Madeline, the film proceeds with a series of hijinks that wouldn’t be out of place in a children’s storybook, but it charmingly captures the mother-daughter relationship healed through the power of homemade food. It’s sweet and chaotic, much like childhood and the art movement that inspired the film, and it’s undeniably human. Chicken with Linda! is an unexpected delight for both kids and adults.

Genre: Animation, Comedy, Family

Actor: Claudine Acs, Clotilde Hesme, Estéban, Laetitia Dosch, Mélinée Leclerc, Patrick Pineau, Pietro Sermonti

Director: Chiara Malta, Sébastien Laudenbach

Rating: NR

Certified Copy starts straightforward enough as it follows an unnamed shopkeeper (Juliette Binoche) and a writer (William Shimell) taking a stroll around picturesque Tuscany, debating the merits of authenticity and simplicity. They’re strangers flirting under the guise of an intellectual debate, and for a while, you think you’re watching a film like Before Sunrise, that is until a mysterious, almost magical, shift occurs, and suddenly, you’re witnessing something entirely different. For better or worse, director Abbas Kiarostami never makes it clear what happens, and that very mystery gives you a lot to think about. Are they pretending to be copies or is it the other way around? Neverending questions run through your head as you watch them banter, but whatever actually happens might be beside the point. At the moment, you get deeply felt, wonderfully rendered, as-real-as-can-be performances from Binoche and Shimell, and you can’t help but surrender.

Genre: Drama, Romance

Actor: Adrian Moore, Agathe Natanson, Andrea Laurenzi, Angelo Barbagallo, Filippo Trojano, Gianna Giachetti, Jean-Claude Carrière, Juliette Binoche, William Shimell

Director: Abbas Kiarostami

Rating: NR

In modern day Europe, demonic possession seems to be a thing of the past, something most likely to be attributed to mental illness, and something that can be dealt with through modern medicine, not exorcism. Still, exorcisms are conducted in certain areas in the continent, and some instances don’t go the way they should. Inspired on the real life Tanacu exorcism, Beyond the Hills doesn’t depict the event through a horror or melodramatic lens– instead the film is stoic, naturalistic, with long single takes that linger uncomfortably and repetitively. As Alina pleads to Voichița to help her, to choose her and their bond, Voichița grapples with wanting the modern yet isolating freedom she knows Alina has found elsewhere, while still wanting the refuge religious tradition has granted her, but also has made her dependent on. It does take a while to reach its conclusion, but Beyond the Hills is a deeply unsettling and striking movie to watch.

Genre: Drama, Romance

Actor: Adrian Acuta, Alexandra Apetrei, Alina Berzunteanu, Andreea Bosneag, Călin Chirilă, Cătălina Harabagiu, Cerasela Iosifescu, Cosmina Stratan, Cristina Flutur, Cristina Mihailescu, Dana Tapalagă, Dionisie Vitcu, Doru Ana, Gheorghe Ifrim, Gina Tandura, Ion Sapdaru, Katia Pascariu, Liliana Mocanu, Luminita Gheorghiu, Marian Adochitei, Nicoleta Lefter, Nora Covali, Tania Popa, Teodor Corban, Valeriu Andriuță

Director: Cristian Mungiu

The bond between parent and child is fundamental to the child’s life, but not necessarily the other way around. Even when the parents chose to have them into their lives, the child will always live within the parent’s context, not the other way around. Based on a book by Christine Angot, An Impossible Love is centered on that relationship, with the daughter reckoning with her parents’ love story through narration, reckoning with the betrayals both of them have done onto her. It’s a risky story for writer-director Catherine Corsini, one she made picturesque and nostalgic with period-accurate production design, but behind the beautiful scenery lies the emotionally touching exploration of this difficult dynamic, made much more heartbreaking with Virginie Efira and Jehnny Beth’s excellent performances.

Genre: Drama, History, Romance

Actor: Ambre Hasaj, Arthur Igual, Catherine Morlot, Coralie Russier, Didier Sandre, Estelle Lescure, Gaël Kamilindi, Iliana Zabeth, Jean-Christophe Brétignière, Jehnny Beth, Niels Schneider, Pierre Salvadori, Régis Romele, Siegrid Alnoy, Simon Bakhouche, Virginie Efira

Director: Catherine Corsini

How does a standout director follow up to a film like Eternal Sunshine of the Spotless Mind? With a more profound exploration of style, a further exploration of his originality. Gael Garcia Bernal (who you might know from Y Tu Mama Tambien) plays an imaginative but awkward kind of guy who falls for his cute neighbor, played Charlotte Gainsbourg. Bizarre and whimsical dream sequences follow and a sweet, if hesitant, love story unfolds. An eccentric, funny and very French movie (with most scenes in English).  

Genre: Comedy, Drama, Fantasy

Actor: Alain Chabat, Aurelia Petit, Charlotte Gainsbourg, Emma de Caunes, Eric Mariotto, Gael García Bernal, Jean-Michel Bernard, Miou-Miou, Pierre Vaneck, Sacha Bourdo, Stephane Metzger, Yvette Petit

Director: Michel Gondry

Rating: R