5 Best Movies to Watch From Fifth Season

Staff & contributors

In Lumon, a company that resembles the increasingly intrusive oligarchs of Big Tech, Mark (Adam Scott) and his colleagues undergo a procedure that allows them to separate their work memories from their non-work memories. It sounds like a dream: the perfect work-life balance. But things get complicated when one colleague mysteriously leaves and is replaced by confused new hire, Helly (Britt Lower). Mark and Helly dig into shocking truths about what they really do, and for whom.

Just like the endless halls of Lumon, Severance is filled with twists and turns, many of which are impossible to see coming. Slow, smart, and sneaked with a dystopian eerieness that doesn’t feel all that far off, Severance is sure to leave you wary of corporate slavishness, if you aren’t already. 

Genre: Drama, Mystery, Sci-Fi & Fantasy, Science Fiction

Actor: Adam Scott, Britt Lower, Christopher Walken, Dichen Lachman, Jen Tullock, John Turturro, Michael Chernus, Patricia Arquette, Tramell Tillman, Zach Cherry

Rating: SPG

A 100-minute highlight reel of the audacious 24-hour performance staged by artist Taylor Mac in 2016, this concert film succeeds not only in capturing the show's eclectic mix of songs, drag costumes, and interactive audience segments, but in capturing the emotional atmosphere conjured up in that Brooklyn warehouse. The very premise of the performance is ripe for analysis: a history of America starting from 1776, progressing one decade every hour, represented by selections of popular music of the time—which Mac questions at every turn, reinterpreting and reclaiming them for a contemporary queer audience. It begins as a creatively educational exercise, but gradually becomes more and more personal, until the audience is fully involved in the performances themselves.

Even the 24-hour format transcends its gimmick. That the show becomes an endurance test is deliberate, with bonds forming in real time and the exhaustion of this ever-changing drag performance conveying the weight of all this history on the most vulnerable and misrepresented sectors—who've already endured continuous losses decade after decade. And still there is cause for celebration, and genuine warmth among the people slowly becoming more vulnerable with each other over 24 hours. It's a beautiful, intelligent, frequently funny, and ultimately moving experience in a class all its own.

Genre: Documentary, Music

Actor: Anastasia Durasova, Heather Christian, Machine Dazzle Flower, Matt Ray, Niegel Smith, Taylor Mac

Director: Jeffrey Friedman, Rob Epstein

Rating: PG-13

It’s hard not to be enchanted by Henson’s furtively creative world, which here is charmingly sectioned into nostalgic archival footage, stop motion art, and clips of Henson’s own experimental films early in his career. Those unfamiliar with Henson might think his story is simply the history of the Muppets and Sesame Street (though even then it would be a full one), but Henson has plenty of other creations too. He’s part of a line of chronically dissatisfied artists who are constantly reinventing and restlessly one-upping themselves, which is why his work evolved into early CGI, as well as The Dark Crystal franchise and films like Labyrinth. This lovingly told documentary tries to match Henson’s heart and creativity, while also showing the darker aspects of his life, such as the effect his nonstop artistry had on his family and health.

Genre: Documentary

Actor: Brian Henson, Dave Goelz, Fran Brill, Frank Oz, Jennifer Connelly, Jim Henson, Lisa Henson, Rita Moreno

Director: Ron Howard

Rating: PG

From the director of Once and Sing Street comes Dublin-set Flora and Son, part love letter to music, part not-so-slick advertisement for Apple’s GarageBand. Eve Hewson plays the titular single mother, whose wayward 14-year-old son Max (Orén Kinlan) is one more slip-up away from being sent to youth detention. In an attempt to find an outlet for his unruly teenage energy, she salvages a beat-up guitar, but after he rejects it, there's nothing to do but give it a go herself — cue her belated moment of self-discovery.

Max’s anonymity in the title makes sense, then, because this is much more Flora’s story. However, while Hewson pours energy into the role, she can’t quite transcend the script's limits: Flora’s initial unlikeability (a little too emphatic), and the awkward attempts to roughen up a feel-good story with unconvincingly gritty elements. The film seems aware of audience expectations for a Carney joint, too, so it skips convincing dynamics and fleshed-out supporting characters in its rush to deliver musical setpieces (which never quite reach the catchy heights of Sing Street’s earworms, unfortunately). Still, there's real charm — and some compelling ideas about the magic of music — in here, especially once the film gets past its shaky first third and unabashedly embraces its feel-good heart.

Genre: Comedy, Drama, Music

Actor: Ailbhe Cowley, Aislín McGuckin, Amy Huberman, Don Wycherley, Eve Hewson, Jack Reynor, Joni Mitchell, Joseph Gordon-Levitt, Katy Perry, Keith McErlean, Kelly Thornton, Lionel Richie, Luke Bryan, Marcella Plunkett, Marcus Lamb, Margarita Murphy, Orén Kinlan, Paul Reid, Sophie Vavasseur

Director: John Carney

Rating: R