54 Best Movies to Watch From CNC (Page 2)

In Things to Come, life tests a philosophy professor on the very same subject she teaches. For Nathalie (Isabelle Huppert) — who has two grown-up children, a husband of 25 years, and a recurring publishing contract — the future isn’t something she gives much thought, because she assumes it’ll be more of the same. When her students protest against a law to raise the pension age, this middle-aged ex-anarchist can’t bring herself to engage with their apparently far-sighted cause; unlike them, all she can think about is the present. But then a series of events overturn her life as she knew it and she finds herself, at middle age, staring at a blank slate.

This is a movie about our surprising ability to deal with disaster — the instincts that emerge when we least expect them to. What’s more, it’s about the insistence of life to keep going no matter how difficult a period you’re experiencing — something that might initially seem cruel but that is, actually, your salvation. The film’s academic characters and philosophical preoccupations never feel esoteric, because Hansen-Løve’s gentle, intelligent filmmaking puts people at its center as it explores human resilience — not through stuffy theory, but an intimate study of someone coming to terms with a freedom she never asked for.

Genre: Drama

Actor: André Marcon, Charline Bourgeois-Tacquet, Edith Scob, Edward Chapman, Elie Wajeman, Élise Lhomeau, Grégoire Montana-Haroche, Guy-Patrick Sainderichin, Isabelle Huppert, Jean-Charles Clichet, Julianne Binard, Lina Benzerti, Lionel Dray, Margaretta Scott, Olivier Goinard, Rachel Arditi, Ralph Richardson, Raymond Massey, Roman Kolinka, Sarah Le Picard, Solal Forte, Yves Heck

Director: Mia Hansen-Løve, Mia Hansen-Løve, William Cameron Menzies

Rating: Not Rated, PG-13

French director Mia Hansen-Løve is a master at gently capturing the full bittersweetness of life, and that’s no more evident than in One Fine Morning. Léa Seydoux gives a quietly powerful performance as Sandra, a mother-of-one who is grappling with the slow, devastating decline of her philosophy professor father at the hands of a neurodegenerative disease. As she deals with the crushing trauma of watching her father deteriorate — and the logistical stress of getting him the care he needs — life grants her an oasis through a chance meeting with an old acquaintance (Clément, played by Melvil Poupaud). Despite Clément being married, the two are hurled into a passionate romance, one that re-ignites something in Sandra she thought she’d lost forever.

What’s so remarkable about One Fine Morning is its gentle empathy: Hansen-Løve appreciates that, in the context of Sandra’s life, her affair with Clément is something life-affirming and vital, worthy of sensitive consideration rather than easy judgment or melodrama. What’s more, One Fine Morning extends that thoughtful attention to the other people around Sandra, with digressions that recognize the fullness and complexity of their lives, too. This is a film that overflows with compassion and curiosity for everyone in its frame, and one that has a contagiously heart-expanding effect on its audiences. 

Genre: Drama, Romance

Actor: Elsa Guedj, Fejria Deliba, Léa Seydoux, Masha Kondakova, Melvil Poupaud, Nicole Garcia, Pascal Greggory, Sarah Le Picard

Director: Mia Hansen-Løve

Director Ziad Doueiri is one of the first filmmakers to successfully break through to the global stage out of Lebanon, and West Beirut, which was selected as the country’s entry for the Best Foreign Language Film at the 1999 Academy Awards, is one of his most accomplished films.

The film stars the director's son Rami Doueiri as Tarek, a young Lebanese boy who loves to shoot with his Super 8 camera and go on small adventures with his friends Omar and May in the streets of Beirut. But one day, he is faced with the ugly truth of the Lebanese civil war. As he learns more and more about the divided state of his country, he sets out on a mission in search of any lingering hope to help keep the beautiful idea he has of his country locked safe and sound in his brain. “Whoever asks about your religion, you tell them I’m Lebanese.”

Genre: Comedy, Drama, Romance

Actor: Carmen Lebbos, Liliane Nemri, Mohamad Chamas, Rami Doueiri, Rola Al Amin

Director: Ziad Doueiri

The debut feature by Palestine’s most well-known director, Chronicle of a Disappearance is an unusual movie about the decades-long Israel-Palestine conflict in that it's closer to absurdist comedy than anything else. The only physical violence we see here are men cat-fighting in the street or arm-wrestling each other in cafes, and Israeli presence is limited to a couple of bumbling police officers. Chronicle is full of slapstick cinema touches — right down to the Buster Keaton-esque eyes of director Elia Suleiman, who appears here as a silent wanderer — and yet we feel the bitter reality of the occupation framing every deadpan gag. 

Structured as a series of vignettes, Chronicle’s loose form is both a way to depict the stagnation and dry repetition in which Palestinians are stuck and a wry metaphor for all this listlessness. Suleiman speaks plainly in some chapters — such as the one following a woman who is repeatedly turned down from renting an apartment in Jerusalem because she’s Arab — and more obliquely in others, forcing you to recall the movie’s setting to understand his often-understated commentary. A singular film from an utterly unique director, Chronicle of a Disappearance is both a portrait of a country’s erosion and a quietly defiant act of resistance.

Genre: Drama

Actor: Ali Suliman, Elia Suleiman, Fawaz Eilemi, Fuad Suleiman, Iaha Mouhamad, Jamel Daher, Juliet Mazzawi, Leonid Alexeenko, Nazira Suleiman, Ola Tabari

Director: Elia Suleiman

Danish writer-director Lars von Trier concludes his so-called Depression trilogy with the two parts of Nymphomaniac, an elaborate retelling of the life of a young woman (played by Stacy Martin and then, by Charlotte Gainsbourg) lived from one libidinous pleasure to another. The film's elaborate subplots have a life of their own and flashbacks often take center stage in Joe's auto-narration. Nymphomaniac I introduces the audience to adolescence and early adulthood, through disappointments, adultery, death drive, and extreme ambivalence. Joe's process of self-actualization seems contested and inspiring at the same time, and Gainsbourg is really given the screen time to shine; even more so than in Trier's previous psycho-social drama, Antichrist. Typically for the rich treasury of cultural references, Bach, Edgar Allan Poe, and Fibonacci play crucial parts in reconstructing the symbolic planes in Joe's story. Oh, and Part One opens with Rammstein's "Führe mich", which in itself is an perfectly valid reason to give it a go.

Genre: Drama

Actor: Ananya Berg, Anders Hove, Andreas Grötzinger, Charlie Hawkins, Charlotte Gainsbourg, Christian Slater, Christoph Jöde, Christoph Schechinger, Clayton Nemrow, Connie Nielsen, Cyron Melville, David Halina, George Dawson, Hugo Speer, James Northcote, Jamie Bell, Jeff Burrell, Jens Albinus, Jesper Christensen, Jesse Inman, Johannes Kienast, Jonas Baeck, Markus Tomczyk, Mia Goth, Michael Pas, Nicolas Bro, Peter Gilbert Cotton, Saskia Reeves, Shia LaBeouf, Simon Böer, Sofie Kasten, Sophie Kennedy Clark, Stacy Martin, Stellan Skarsgård, Tomas Spencer, Uma Thurman, Willem Dafoe

Director: Lars von Trier

Rating: Not Rated, NR

This unique romance is set during a time when a man would be sent the painting of the woman he was to marry before the wedding could take place. Héloïse, secluded with her mother and a maid on a remote island, doesn't approve of her upcoming wedding and refuses to be painted. Her mother sends for a new painter, Marianne, to try to paint her without her noticing. Marianne has to take on this near-impossible task when she starts having feelings for Héloïse. This makes for a riveting romance where Marianne has to choose between her heart and her art while keeping a huge secret from her love interest.

Genre: Drama, History, Romance

Actor: Adèle Haenel, Adèle Haenel, Armande Boulanger, Christel Baras, Clément Bouyssou, Clément Bouyssou, Guy Delamarche, Luàna Bajrami, Luàna Bajrami, Michèle Clément, Noémie Merlant, Noémie Merlant, Valeria Golino

Director: Céline Sciamma, Céline Sciamma

Rating: R

If you’ve ever seen a movie by kings of social realism Ken Loach or the Dardenne brothers, you’ll recognize the cinematic tradition The Measure of a Man is coming from, but if you haven’t, don’t fear. The filmmaking here isn’t complicated, academic, or laden with references — in fact, the opposite is true. Stylistically pared back, the intensely modern and human story at the movie’s center expands to fill the frame so we have nowhere else to look.

With a disabled son to provide for, middle-aged Thierry (Vincent Lindon) desperately searches for a job, undergoing several state-required indignities — such as practice interview sessions in which fellow jobseekers critique everything from his body language to his tone of voice — just for a shot at being able to pay his bills. So many scenes and conversations here are palpably laden with the anxieties of real life, both economic and personal. And yet, for all the dehumanization and desperation clouding its edges, Measure of a Man isn’t a hopeless movie. We’re reminded by happy scenes at home just how rich Thierry’s life is, unemployed or not — but it's perhaps his moral compass, which begins to twitch when he takes a security job with an unscrupulous corporate employer, that’s most heartening of all.

Genre: Drama

Actor: Christophe Rossignon, Karine de Mirbeck, Mathieu Schaller, Soufiane Guerrab, Vincent Lindon, Xavier Mathieu, Yves Ory

Director: Stéphane Brizé

The magic of this movie — and every other one directed by Aki Kaurismäki — is in the way it inspires so much hope despite the darkness of its subject. When a man (Markku Peltola) is beaten and robbed one night, he wakes up without any memory of who he is. Forced to start life all over again, he’s subjected to yet more cruelty at the hands of a greedy slum landlord and callous authorities, but finds sympathy and support from his equally downtrodden neighbors. Though the street thugs have emptied his wallet, the unquestioning generosity of the people around him suggests he’s now richer than he was at the film’s outset — as does the sweetly simple romance he strikes up with a lonely Salvation Army worker (Kati Outinen). 

Kaurismäki doesn’t just make films about the disenfranchised for the sake of it: he shows us how easy — and yet momentous — acts of human kindness and solidarity can be, how radical they are in a bleak world. It’s not often a movie can so persuasively reassure us of people’s inherent goodness, but it’s even rarer still for it to be done with as much deceptive, charming simplicity as here.

Genre: Comedy, Drama, Romance

Actor: Aarre Karén, Aino Seppo, Andrey Chernyshov, Anneli Sauli, Antti Reini, Elina Salo, Esko Nikkari, Janne Hyytiäinen, Juhani Niemelä, Kaija Pakarinen, Kati Outinen, Liisa Mustonen, Markku Peltola, Olli Varja, Outi Mäenpää, Panu Vauhkonen, Pentti Auer, Pertti Sveholm, Sakari Kuosmanen, Silu Seppälä, Sulevi Peltola, Vesa Mäkelä

Director: Aki Kaurismäki

A unique movie about a near-future society obsessed with couples; viewing couples as the norm, as opposed to single people who are viewed as unproductive and undesirable. In that way, the film shows David (Colin Farrell), a newly single person who is transferred to the Hotel, a place where single people have just 45 days to find a suitable mate, and if they fail, they would be transformed into animals of their choice. While the film’s original premise may not be everyone’s cup of tea, The Lobster will prove a goldmine for people who are into a Kafkaesque, absurdist mentality, or anyone looking for an idea-driven experience.

Genre: Comedy, Drama, Romance

Actor: Aggeliki Papoulia, Angeliki Papoulia, Anthony Dougall, Ariane Labed, Ashley Jensen, Ben Whishaw, Colin Farrell, Degnan Geraghty, Emma O'Shea, Ewen MacIntosh, Garry Mountaine, Jacqueline Abrahams, Jessica Barden, John C. Reilly, Laoise Murphy, Léa Seydoux, Michael Smiley, Nancy Onu, Olivia Colman, Rachel Weisz, Roger Ashton-Griffiths, Rosanna Hoult, Sean Duggan

Director: Giorgos Lanthimos, Yorgos Lanthimos

Rating: R