47 Best Movies to Watch From BFI (Page 2)

This movie’s energy is completely intoxicating. It’s the directorial debut of renown British/Nigerian actor Chiwetel Ejiofor, but it feels like the work of a veteran. In a true story told in English and Chichewa (a language from Malawi), a young boy is expelled from school because his parents couldn’t afford tuition. At the same time, his village is struck by a variety of natural circumstances that bring them the threat of drought and famine. The young boy sneaks into the library in the hopes of making a windmill and saving his village, and you can guess what follows from the title. The triumph of engineering and a boy with a dream; mix in an incredibly interesting culture, full of unique family dynamics and a thought-provoking intersection between religion, tradition, and technology. The result is a delicate but uplifting movie, not to be missed.

Genre: Drama, Family, History

Actor: Aissa Maiga, Bruno Chitsulo, Chiwetel Ejiofor, Eddie Mbugua, Edwin Chonde, Felix Lemburo, Fredrick Lukhere, Grace Msiska, Hope Chisano, Joseph Marcell, Kelvin Chimpokoser, Khalani Makunje, Latifa Tambala, Lemogang Tsipa, Lily Banda, Lomuthi Jere, Maxwell Simba, Melvin Alusa, Noma Dumezweni, Owen Chikanken, Philbert Falakeza, Raymond Ofula

Director: Chiwetel Ejiofor

Rating: TV-PG

Florence Pugh broke through with her powerhouse performance here as Katherine, a young woman who is “sold” into a coldly transactional marriage with a cruel and impotent merchant in 1800s Northern England. Lady Macbeth seems to begin as one thing — a gloomy period tale of oppression and feminist rebellion — but, on the strength of Pugh’s performance, pivots into an even bleaker subversion of that initial impression, the kind we haven’t really seen before.

When her disinterested husband takes a long leave of absence to tend to some business affairs, Katherine does more than just defy his command that she stay indoors: she begins an unabashed affair with one of her husband’s gruff groomsmen (Cosmo Jarvis), who ignites in her an obsessive passion that brings out her dark side. She’ll stop at nothing to remove any obstacles in the couple’s way — but, while her initial targets are arguably quite deserving of their fate, her scheme soon implicates the innocent. The creeping revelation that all the cruelty Katherine has been subjected to has brutalized her in turn comes as a shock, but this dramatic overturning of our expectations is made chillingly real by Pugh’s fierce, unfaltering performance.

Genre: Drama

Actor: Bill Fellows, Christopher Fairbank, Cliff Burnett, Cosmo Jarvis, David Kirkbride, Finn Burridge, Florence Pugh, Golda Rosheuvel, Ian Conningham, Kema Sikazwe, Naomi Ackie, Nicholas Lumley, Paul Hilton, Rebecca Manley

Director: William Oldroyd

Rating: R

TV’s Alan Partridge — Steve Coogan’s brilliant skewering of small-time celebrity vanity — gets the big-screen treatment in this suitably parochial action thriller. The premise feels like the kind of ridiculous scenario the radio DJ would fantasize about in between songs: Pat (Colm Meaney), an ex-employee of North Norfolk Digital, returns to the station armed and takes his former colleagues hostage, refusing to negotiate with anyone but Alan. Those familiar with Coogan’s painfully self-absorbed character will foresee that going straight to his already delusions-of-grandeur-filled head, and it does; as one character puts it, he’s like a puffed-up robin.

Much of the hilarity comes from the way Alan’s obvious glee at the heroic position he’s found himself in distracts him from actually saving the day, but there is equally sharply drawn satire in the supporting characters, too. Favorites from the TV series, like Alan’s put-upon assistant Lynn (Felicity Montagu) — herself a brilliant feat of perceptive comedy — make welcome returns here, but, like Alan, their eccentricities are made accessible enough that Partridge virgins won’t feel their ignorance. With all the original writers back onboard (including Armando Iannucci, the comedy genius behind The Death of Stalin and Veep), Alpha Papa is another reliably hilarious entry in the Partridge canon. Back of the net.

Genre: Comedy

Actor: Alan Rothwell, Anna Maxwell Martin, Anna Stockton, Colm Meaney, Dan Mersh, Darren Boyd, Diane Morgan, Dustin Demri-Burns, Eleanor Matsuura, Elizabeth Berrington, Felicity Montagu, Jayne Secker, Jessica Knappett, John Boyd, Karl Theobald, Katie Males, Kieran Hodgson, Lucy Briers, Martin Glyn Murray, Monica Dolan, Nigel Lindsay, Peter Singh, Phil Cornwell, Rita Davies, Robert Whitelock, Sean Pertwee, Simon Delaney, Simon Greenall, Simon Kunz, Steve Coogan, Tim Key

Director: Declan Lowney

Rating: PG-13

Among the sea of class satires released in the last year, Triangle of Sadness is one of the better ones. Directed by Ruben Östlund (The Square, Force Majeure), the film follows an ultra-rich group of people who get stranded on an island after their luxury cruise ship sinks. The social pyramid that has long favored them suddenly turns upside down when a crew member (a glowing Dolly de Leon) effectively runs the group of sheltered castaways.

Triangle of Sadness may not be as sharp as Östlund’s previous work, and it may not add anything particularly new to the saturated discussions of social class, but it remains a darkly humorous and engaging watch, masterfully helmed by a strong script and ensemble.

Genre: Comedy, Drama

Actor: Alex Schulman, Alicia Eriksson, Amanda Schulman, Amanda Walker, Arvin Kananian, Beata Borelius, Camilla Läckberg, Carolina Gynning, Charlbi Dean, Christina Saliba, Dolly de Leon, Emma Warg, Fredrik Quinones, Fredrik Wikingsson, Hanna Oldenburg, Harris Dickinson, Hedda Rehnberg, Henrik Dorsin, Iris Berben, Jean-Christophe Folly, Karin Myrenberg, Linda Anborg, Malte Gårdinger, Mia Benson, Nana Manu, Nikolas Chalkiadakis, Oliver Ford Davies, Ralph Schicha, Shaniaz Hama Ali, Stefan Godicke, Sunnyi Melles, Vicki Berlin, Woody Harrelson, Zlatko Burić

Director: Ruben Östlund

Rating: R

Charlie Chaplin has been called the most famous person of all time, soaring into global renown way before mass media and the internet made it all too easy, but only a few accounts have tried to paint a complete picture of the man behind the clipped mustache and bowler hat. This documentary by James Spinney and Peter Middleton comes very close, mainly because all sides of Chaplin’s complicated history are heard. The directors show grace to his stressed-out co-stars and groomed wives, especially poor Lita Chaplin, so we come out of the film learning how far from perfect Chaplin was. That’s what sets this documentary apart from all the Chaplin biographies out there: it strikes a very fine balance between celebrating the objective breakthroughs the actor has accomplished and criticizing the consequences of his less-than-ethical actions. This is a real person after all, not some beloved caricature. It helps that the animation and script are utterly delightful, and that narrator Pearl Mackie has the soothing and graceful voice of a patient educator.

Genre: Documentary, Drama

Actor: Anne Rosenfeld, Charlie Chaplin, Dickie Beau, Eben Young, Jeff Rawle, Matthew Wolf, Paul Leonard, Pearl Mackie

Director: James Spinney, Pete Middleton

While named as a “how-to”, How to Have Sex is less of an instruction manual, and more of a collection of summer break moments presented as is. At the start, when Tara, Em, and Skye run to the freezing ocean water, the film seemed like it would have all the nostalgic coming-of-age moments that they would remember forever. But as the film progresses, and the girls meet other teenagers at the resort, there’s an eerie, foreboding feel that starts to build up, with every beer bottle, with every whisper, and with every insinuation Tara receives. And rather than preach about consent, writer-director Molly Manning Walker makes them fumble around without the concept of it, the same way teens tend to do, making it much more potent than a cautionary tale.

Genre: Drama

Actor: Anna Antoniades, Daisy Jelley, Eilidh Loan, Elliot Warren, Enva Lewis, Eric Manaka, Guy Lewis, Lara Peake, Mia McKenna-Bruce, Samuel Bottomley, Shaun Thomas

Director: Molly Manning Walker

Rating: NR

When thinking about one’s family, we tend to remember our parents as parents, and rarely as people of their own. Ethel & Ernest, based on Raymond Briggs’ beloved graphic memoir of his own parents, instead focuses on two ordinary spouses in extraordinary times, sharing some of the day-to-day moments that show their affection, but is clearly marked by the times they’re in, materially and politically. The watercolor design is a cleaner, more modern update of the original illustrations, while Briggs’ handwritten speech bubbles still retain their character through Jim Broadbent’s and Brenda Blethyn’s voices. It’s just a loving, but still honest, depiction of one’s parents, one that makes you think about your own.

Genre: Animation, Drama, War

Actor: Alex Jordan, Brenda Blethyn, Duncan Wisbey, Gillian Hanna, Harry Collett, Jim Broadbent, June Brown, Luke Treadaway, Pam Ferris, Peter Wight, Raymond Briggs, Roger Allam, Simon Day, Virginia McKenna

Director: Roger Mainwood

The performance of a pot-bellied Joaquin Phoenix is nothing short of perfection. He brilliantly portrays a hitman down on his luck who happens to rescue a kidnapped teenage girl. It’s a tight movie, running a short 89 minutes. It makes a point that sticks. Pure entertainment, pure acting, and amazing directing by Lynne Ramsay (who also directed We Need to Talk About Kevin).

Genre: Crime, Drama, Mystery, Thriller

Actor: Alessandro Nivola, Alex Manette, Christian Reeve, Claire Hsu, Cristina Dohmen, Dante Pereira-Olson, Edward Latham, Ekaterina Samsonov, Frank Pando, Jalina Mercado, Jason Babinsky, Joaquin Phoenix, John Doman, Jonathan Wilde, Judith Roberts, Kate Easton, Larry Canady, Leigh Dunham, Lucy Lan Luo, Madison Arnold, Novella Nelson, Oleg Ossayenko, Ronan Summers, Rose De Vera, Ryan Martin Brown, Scott Price, Sophie Piedras, Vinicius Damasceno

Director: Lynne Ramsay

Rating: R

If you like any of the following: Irish accents, Woody Harrelson, Pulp Fiction, or dark comedy;  then this is the movie for you. This mix of violence, mafia, existential talk, and painfully comical situations might not be for everyone, but it has every component to make its target audience very pleased. And given how chaotic and crazy it can get, it should be enjoyed one take at a time, focusing on each delightful scene rather than the overall plot. Directed by Martin McDonagh, Seven Psychopaths makes a perfect comeback after In Bruges, without veering very much from it (consequently if you like this movie make sure you check out In Bruges too).

Genre: Comedy, Crime

Actor: Abbie Cornish, Amanda Warren, Brendan Sexton III, Christian Barillas, Christine Marzano, Christopher Gehrman, Christopher Walken, Colin Farrell, Crispin Glover, Frank Alvarez, Gabourey Sidibe, Harry Dean Stanton, Helena Mattsson, James Landry Hébert, John Bishop, Johnny Bolton, Joseph Lyle Taylor, Kevin Corrigan, Kiran Deol, Linda Bright Clay, Long Nguyen, Martin McDonagh, Michael Pitt, Michael Stuhlbarg, Olga Kurylenko, Patrick O'Connor, Richard Wharton, Ronnie Gene Blevins, Sam Rockwell, Samantha Cutaran, Tai Chan Ngo, Tom Waits, Woody Harrelson, Zeljko Ivanek

Director: Martin McDonagh

Rating: R

A Ken Loach type of vibe drives The Selfish Giant  to be an interesting mix between anger,  desperation, and the beauty and humor often found in tough circumstances (think I, Daniel Blake but with kids as main characters). This sort of contemporary fable tells the story of two friends who skip school and hustle for work from a local scrap-dealer.  As they get more and more involved with him and his entourage, the grim realities of what once seemed a way out start to cast a shadow over their lives. The script is based on a short story by Oscar Wilde, it's a beautiful, ultimately sad portrayal of the British underclass.

Genre: Drama

Actor: Conner Chapman, Elliott Tittensor, Ian Burfield, Joseph Priestly, Lorraine Ashbourne, Macy Shackleton, Ralph Ineson, Rebecca Manley, Robert Emms, Sean Gilder, Shaun Thomas, Siobhan Finneran, Steve Evets

Director: Clio Barnard

Rating: Not Rated