Genre: Drama
Actor: Briana Shann, Dan Li, Dave Johns, Dave Turner, David Murray, Dylan McKiernan, Hayley Squires, Kate Rutter, Kema Sikazwe, Ken Loach, Li Dan, Malcolm Shields, Mickey Hutton, Micky McGregor, Natalie Ann Jamieson, Rob Kirtley, Sammy T. Dobson, Sharon Percy, Shaun Prendergast, Stephen Clegg, Steven Richens, Viktoria Kay
Director: Ken Loach
Genre: Drama
Actor: Celia Rowlson-Hall, Frankie Corio, Harry Perdios, Kieran Burton, Paul Mescal, Sally Messham, Sarah Makharine, Sophia Lamanova, Spike Fearn
Director: Charlotte Wells
Genre: Drama, Music, Romance, War
Actor: Adam Ferency, Adam Szyszkowski, Adam Woronowicz, Agata Kulesza, Aloïse Sauvage, Borys Szyc, Cedric Kahn, Dražen Šivak, Jeanne Balibar, Joanna Kulig, Slavko Sobin, Tomasz Kot
Director: Paweł Pawlikowski
Ahmed plays Ruben Stone, a heavy metal drummer, who plays in a band and lives in a tour bus with his girlfriend Lou (Olivia Cooke). Quickly after meeting the couple, we witness the touring musician drastically losing his hearing. As recovering addicts with little financial means, they soon run out of options. Lou desperately wants to prevent Ruben's relapse into addiction and so she helps him retreat to a deaf community group home, run by the illustrious Joe, a truly amazing character played by the equally amazing Paul Raci, himself the hearing son of deaf parents. There is something deeper going on though: the question of what disability is, and how, despite how it drastically changes Ruben's life, it might not be his biggest problem. In addition to the stellar acting and delicate writing, we experience his condition through the incredible sound design used by director Darius Marder, complete with muffled conversations, garbled noises, and piercing silence. This is a movie to be taken in completely. Above all, it's about Riz Ahmed's performance. He learned to play drums, sign language, and studied deafness ahead of the shooting, and he does not strike a wrong note.
Genre: Drama, Music
Actor: Alan Resnic, Bill Thorpe, Chelsea Lee, Chris Perfetti, Domenico Toledo, Ezra Marder, Hillary Baack, Jamie Ghazarian, Lauren Ridloff, Mathieu Amalric, Michael Tow, Olivia Cooke, Paul Raci, Rena Maliszewski, Riz Ahmed, Sean Powell, Shaheem Sanchez, Tom Kemp, William Xifaras
Director: Darius Marder
Genre: Drama, Romance
Actor: Alec Secareanu, Alexander Suvandjiev, Gemma Jones, Harry Lister Smith, Ian Hart, John McCrea, Josh O'Connor, Josh O'Connor, Liam Thomas, Melanie Kilburn, Moey Hassan, Naveed Choudhry, Patsy Ferran, Sarah White, Stefan Dermendjiev
Director: Francis Lee
This tender, autobiographical coming-of-age story about a working class family in post-war Liverpool is Terence Davies’ masterpiece—evoking memories through a series of loosely connected scenes that highlight the joys and woes of growing up. It is comprised of two films shot two years apart. The first details the tribulations of a young family surviving an abusive father in the ‘40s. The second part follows the kids grown up and finding their way in the ‘50s, and the influence of music and cinema on their lives. Davies uses a series of beautifully composed tableaux to tell the tale, which bring the setting and the characters intimately to life. Distant Voices, Still Lives is regarded as one of the greatest British films of all-time.
Genre: Drama, Music
Actor: Alan Bird, Andrew Schofield, Angela Walsh, Anne Dyson, Bill Moores, Carl Chase, Chris Darwin, Dean Williams, Freda Dowie, Ina Clough, Jean Boht, John Michie, Lorraine Ashbourne, Matthew Long, Michael Starke, Nathan Walsh, Pauline Quirke, Pete Postlethwaite, Roy Ford, Sally Davies, Susan Flanagan
Director: Terence Davies
An inspired by true events tale about an elderly Irish woman trying to find the child she was forced to give up many years earlier. Steve Coogan co-wrote the script and, though the base story is a tragic one, his special brand of very subtle, wry wit is apparent in the dialogue throughout. Judi Dench plays the mother who had kept her “sinful” past a secret for fifty years and, being Judi Dench, I don’t need to bother going on about her exemplary talent, suffice to say she’s charming beyond measure in the role. Steven Frears directs, as usual, deftly, and keeps the story compelling scene after scene, intensifying the emotions inherent to each, whether they be heart-warming, comedic, or outright enraging. Whoever decided to let Steve Coogan have his way with the script, it was a brave and wise choice and together this cast and crew have produced a wonderful and important piece of cinema.
Genre: Drama
Actor: Amber Batty, Amy McAllister, Anna Maxwell Martin, Barbara Jefford, Cathy Belton, Charissa Shearer, Charles Edwards, Charlie Murphy, Elliot Levey, Florence Keith-Roach, Frankie McCafferty, Gary Lilburn, Judi Dench, Kate Fleetwood, Mare Winningham, Marie Jones, Martin Glyn Murray, Michelle Fairley, Nicholas Jones, Nika McGuigan, Paris Arrowsmith, Peter Hermann, Ruth McCabe, Sara Stewart, Sean Mahon, Simone Lahbib, Sophie Kennedy Clark, Steve Coogan, Wunmi Mosaku
Director: Stephen Frears
After Love is a beautifully powerful and quietly moving outing by emerging British filmmaker Aleem Khan. It follows Mary (Joanna Scanlan), a white Muslim convert who discovers a life-changing secret her husband has managed to keep from her all these years.
Without spoiling anything, I will say that After Love is charged with the sort of deep-seated emotion we sometimes don’t know how to express. It’s also a powerful reminder that there’s no one way to love or grieve or celebrate the people around us; sometimes, there’s just feeling. And Scanlan does a wonderful job of restraining then conveying all of that in devastating and commanding moments throughout the film, a feat that earned her the much-deserved best actress award at the 2021 BAFTAs.
Genre: Drama
Actor: Aaron Chawla, Adam Karim, Elijah Braik, Jabeen Butt, Jeff Mirza, Joanna Scanlan, Narayan David Hecter, Nasser Memarzia, Nathalie Richard, Nisha Chadha, Subika Anwar-Khan, Sudha Bhuchar, Talid Ariss
Director: Aleem Khan
Adapted from the Japanese film Ikiru, which in turn was adapted from the Russian story The Death of Ivan Ilyich, Living is a parable about, well, living. Specifically, it's about the importance of wonder and the magic of the mundane. It's also about legacy and the stories we leave in our wake, which live on long after we're gone. This familiar premise could have very easily been turned into another trite and cheesy movie that warns you to make the most out of your life, but thanks to a lean script, assured camerawork, and powerfully restrained performances, Living is elevated into something more special than that. It’s a technically beautiful, well told, and profoundly moving film, with Bill Nighy giving a career-best turn as a repressed man aching for meaning in his twilight years.
Genre: Drama, History
Actor: Adrian Rawlins, Aimee Lou Wood, Alex Sharp, Barney Fishwick, Bill Nighy, Celeste Dodwell, David Summer, Edward Wolstenholme, Eunice Roberts, Ffion Jolly, Grant Crookes, Grant Gillespie, Hubert Burton, Jamie Wilkes, John MacKay, Jonathan Keeble, Lia Williams, Mark James, Matilda Ziegler, Michael Cochrane, Michael James, Nichola McAuliffe, Nicky Goldie, Oliver Chris, Patsy Ferran, Richard Cunningham, Robin Sebastian, Rosie Sansom, Thomas Coombes, Tom Burke, Zoe Boyle
Director: Oliver Hermanus
This poetic memoir by the late director Terence Davies opens with a tracking shot that takes us down a rainy, dilapidated Liverpool street, finally settling on the wet staircase of a roofless house as three audio tracks morph into one another: a Nat King Cole song, dialogue from a movie, and, finally, a boy calling for his mother. Just as we hear the latter, the shot of the exposed staircase dissolves, taking us into the past to reveal the owner of the voice sitting in the same spot — only now, the stairs are dry, the roof restored.
The scene perfectly encapsulates the film: it's a dreamlike pool of sensory recollections from that lonely boy’s childhood, assembled according to the strange logic of memory. Music and movie dialogue echo across the film as we watch snapshots from Bud’s (Leigh McCormack, playing a proxy of Davies) early years. Though most of the memories radiate warmth — Christmases with family, euphoric cinema trips — a note of melancholy tinges these blissful recollections. Callously cruel schoolmates, desperate church prayers, and instantly rueful stolen glances jar against the nostalgia and let us know that something dark is coming. Intensely, painfully intimate, this is one of the best and most unbearably sad evocations of memory in cinema.
Genre: Drama
Actor: Anthony Watson, Ayse Owens, Leigh McCormack, Marjorie Yates, Mark Heath, Nicholas Lamont, Patricia Morison, Peter Ivatts, Tina Malone
Director: Terence Davies
Be prepared to have the expectations you form after reading Scrapper’s synopsis shattered: though it is about a 12-year-old dealing with grief following her mother's death, it’s remarkably upbeat. It gets that quality by positioning itself in the buoyant headspace of young Georgie, a resilient, cheeky youngster who retains much of her whimsical childlike spirit in spite of her profound bereavement. Director Charlotte Regan’s debut feature is bursting with imagination: there are surreal stylized touches all over the movie, from talking video-game-style spiders to magical realist metaphors of Georgie's grief.
That’s not to say that Scrapper is flippant about the inherent tragedy of its story, though. As in The Florida Project, you can feel the escapist motivations of Georgie's colorful imagination, which only deepens the poignancy of her situation and the precarious relationship she forms with her father, a barely-old-enough manchild who only makes an effort to meet Georgie after her mother’s death. Amidst all the intentional artificiality of the filmmaking, their largely improvised interactions never ring false — a dynamic that’s also crucial to making the movie feel genuinely touching and real rather than saccharine and shallow. A very impressive debut, and a much-deserved recipient of Sundance’s World Cinema Grand Jury prize and a whopping 14 nominations at the BIFAs.
Genre: Comedy, Drama
Actor: Alin Uzun, Ambreen Razia, Asheq Akhtar, Aylin Tezel, Daniel Burt, Harris Dickinson, Jessica Fostekew, Laura Aikman, Lola Campbell, Matt Brewer, Olivia Brady, Sam Buchanan
Director: Charlotte Regan
After 2019's The Souvenir—a drama about a toxic, suffocating relationship—director Joanna Hogg brings back her protagonist (played by a superb Honor Swinton Byrne) and sees her attempting to communicate the experience of this failed romance through her thesis film. Anybody with an interest in the production process of cinema should glean a ton of useful advice from The Souvenir Part II's mundane on-set interactions and difficult conversations about the line between compromise and practicality. And through increasingly surreal images of stages within stages and reflections within reflections, Hogg paints a complex, intelligent portrait of cinema as a place of ultimate self-examination.
Genre: Drama
Actor: Alice McMillan, Amber Anderson, Amrou Al-Kadhi, Anna Calvi, Ariane Labed, Ben Hecking, Byron Broadbent, Charlie Heaton, Chris Dickens, Crispin Buxton, Davide Albonetti, Erik Wilson, Frankie Wilson, Gala Botero, Harris Dickinson, Honor Swinton Byrne, Inès Rau, Jack McMullen, James Fox, Jaygann Ayeh, Joe Alwyn, Lydia Fox, Richard Ayoade, Tilda Swinton, Tom Burke, Tosin Cole, Yasmin Paige
Director: Joanna Hogg
It’s 1984 and miners in England are on strike against Prime Minister Margaret Thatcher’s plans to close pits. Their cause has unlikely appeal for Mark Ashton, a human rights activists who decides to take a group of people who had joined an early Gay Pride parade in London to rural England to show support for the (often socially-conservative) miners.
You can see how things might go wrong, but in this case they didn’t. This heartwarming tale is based on a true story. An easy, funny, and relevant movie about the bond that oppression brings to the oppressed. Super earnest, too.
Genre: Comedy, Drama
Actor: Abram Rooney, Adam Ewan, Alexander Perkins, Andrew Scott, Ben Schnetzer, Bill Nighy, Bryan Parry, Chris Overton, Christian Patterson, Clare Lawrence-Moody, Dean Ashton, Deddie Davies, Derek Barr, Dominic West, Dyfan Dwyfor, Ed Coleman, Faye Marsay, Feargal Quinn, Freddie Fox, George MacKay, Giles Cooper, Henry Garrett, Huw Euron, Imelda Staunton, Jack Baggs, Jaimi Barbakoff, James McGregor, Jâms Thomas, Jessica Gunning, Jessie Cave, Jim McManus, Johnny Gibbon, Jordan Metcalfe, Joseph Gilgun, Joseph Wilkins, Joshua Hill, Julie Barclay, Karina Fernandez, Kyle Rees, Lauren Johns, Lee Shepherd, Lisa Palfrey, Liz White, Matthew Flynn, Matthew Seadon-Young, Matthew Tennyson, Menna Trussler, Monica Dolan, Neal Barry, Nia Gwynne, Olwen Medi, Paddy Considine, Rhodri Meilir, Richard Shanks, Roger Morlidge, Ross Waiton, Russell Tovey, Sean Hart, Sophie Evans, Tomos Eames, Will Haddington
Director: Matthew Warchus
How to Change the World is an insightful and candid documentary about the formation of Greenpeace in 1971 by a small group of environmentalists and activists in Vancouver, British Columbia. Beginning with their attempt to disrupt U.S. nuclear testing in Amchitka, Alaska, the film follows their subsequent efforts to thwart commercial whaling in the Pacific, their anti-sealing campaign in Newfoundland, and their ongoing efforts to defend the natural world against what they perceive as excessive human intervention and abuse. How to Change the World is as much a poignant tale of inspired activism as it is an interesting study of the organization’s early tribulations: idealism vs. anarchy, social movement vs. organizational structure (or lack thereof) and leadership vs. disunity. The voice of co-founder Robert Hunter (de facto leader of Greenpeace from inception) is heard posthumously throughout via narrator Barry Pepper, and it adds an impassioned air of gravitas to the film, detailing the many complexities Greenpeace experienced over the course of its early years of growth and development. A compelling and educational viewing experience.
Genre: Documentary, History
Actor: Bill Darnell, Bobbi Hunter, David Garrick, Emily Hunter, Jerry Rothwell, Paul Watson, Rex Weyler
Director: Jerry Rothwell
Remember the name Rufus Norris. "Broken" is his directorial debut and he handles it like a seasoned pro. Also keep an eye out in the future for its young star, Eloise Laurence, who shows all the natural ability of a young Natalie Portman or Jodie Foster. Laurence plays "Skunk", a twelve year old trying to make sense of life - and whose task isn't made any easier by her own family's internal struggles, or the other families living in the peaceful-looking cul-de-sac where much of the action takes place. We're informed from the get-go that some sort of tragedy will befall the girl, but we don't know what shape it will take, or what the outcome of it will be. The tension builds from there, with a little relief along the way, thanks to her often-amusing performance as she witnesses the confusing actions of her elders. Tim Roth and Cillian Murphy are also in good form, both of whom seem happy to complement Laurence's presence rather than try to upstage her. "Broken" is equal parts cute, frightening, and brutally tense. It's well worth checking out.
Genre: Drama
Actor: Alicia Woodhouse, Andrew Frame, Bill Milner, Charlie Booty, Cillian Murphy, Clare Burt, David Webber, Denis Lawson, Eloise Laurence, Faye Daveney, George Sargeant, Lily James, Lino Facioli, Martha Bryant, Michael Shaeffer, Nell Tiger Free, Nick Holder, Nicola Sloane, Paul Thornley, Penny Layden, Robert Emms, Rory Kinnear, Rosalie Kosky, Seeta Indrani, Tim Roth, Zana Marjanovic
Director: Rufus Norris