285 Best Women Stories to Watch (Page 13)

Freediving is a particularly cinematic sport because it taps into something beyond what the human body is capable of. Skilled divers hold their breath for long enough to reach more than 100 meters deep, and watching footage of that incredible feat is exhilarating, to say the least. The Deepest Breath capitalizes on that very spectacle—being exposed to death and conquering it—and banks on using archival footage of world records and training. It's a smart move, as it keeps the spectator on edge, but it can also be a cruel way to put thrills over ethics. The editing is kept suggestive, but sometimes, shamefully, at the cost of misrepresenting Alessia Zecchini and toying with the viewer's expectations to the point of callousness.

Genre: Documentary

Actor: Alessia Zecchini, David Attenborough, Natalya Molchanova, Stephen Keenan

Director: Laura McGann

Rating: PG

During wartime, war supersedes everything, including love. Wartime would have people ending relationships, forgoing potential dates, and seducing enemies to lead them to downfall, all in order to win, but sometimes, this rarely goes as planned. Lust, Caution is one such story, with the novella’s emotional repression making it a great match for director Ang Lee, main actor Tony Leung Chiu-wai as Japanese informant, and main actress Tang Wei, who made her breakthrough here. It’s not an easy watch. There are moments that falter and the film is a tad too long. But the smoldering stares shared by the two leads, with the lush production design and the beautiful direction, makes Lust, Caution a difficult contemplation of love and sexuality as Wang’s, and the nation’s, double-edged sword.

Genre: Action, Drama, Romance, Thriller

Actor: Akiko Takeshita, Anupam Kher, Cheng Yu-Lai, Chih-ying Chu, Chin Ka-lok, Chung Hua Tou, Hayato Fujiki, He Saifei, Jacqueline Zhu Zhi-Ying, Joan Chen, Johnson Yuen, Johnson Yuen Tak-Cheung, Kar Lok Chin, Ko Yu-Luen, Lawrence Ko, Lawrence Ko Yu-Luen, Lee Hom Wang, Leehom Wang, Lisa Lu, Liu Jie, Saifei He, Song Ruhui, Tang Wei, Tony Chiu-Wai Leung, Tony Leung Chiu-Wai, Tou Chung-Hua, Tou Tsung-Hua, Ven Kao, Vince Kao, Wang Lin, Wei Tang, Yan Su, Ying-hsien Kao

Director: Ang Lee

Rating: NC-17

Before assassin protege Mathilda in Léon the Professional, humanoid Leeloo in The Fifth Element, and superpowered drug mule Lucy in her titular film, Luc Besson first discovered his love for the badass female assassin in La Femme Nikita. Scored by European synth and shot with cinematography that still looks fresh today, the action thriller delivers pure adrenaline– the guns, the kills, and the drama of the hidden life– but the stylish spy film transcends the genre through the Pygmalion-esque transformation of Nikita’s femininity, a faux identity forged and crafted in the service of the government machine, yet both attracts the idea of and clashes with the want for genuine freedom and a good, normal life. It’s because of these existential ideas that La Femme Nikita became one of the most iconic femme fatales of the 20th century.

Genre: Action, Thriller

Actor: Alexis Dupuy, Anne Parillaud, Bruno Randon, Christian Gazio, Edith Perret, Éric Prat, Gérard Touratier, Hubert Gillet, Iska Khan, Jacques Boudet, Jacques Disses, Jean Bouise, Jean Reno, Jean-Claude Bolle-Reddat, Jean-Hugues Anglade, Jean-Luc Caron, Jeanne Moreau, Marc Duret, Maurice Antoni, Mia Frye, Michèle Amiel, Murray Gronwall, Olivier Hémon, Patrick Buiquangda, Patrick Chauveau, Patrick Fontana, Patrick Pérez, Patrick Serrière, Pavel Slabý, Pétronille Moss, Philippe Dehesdin, Philippe du Janerand, Philippe Leroy, Pierre-Alain de Garrigues, Rénos Mandis, Roland Blanche, Stéphane Fey, Tchéky Karyo, Vincent Skimenti

Director: Luc Besson

Rating: R

A non-comedic Melissa McCarthy stars in this movie based on a true story. She plays author Lee Israel who after struggling to pay her bills starts forging letters from famous writers. Being a great writer herself, she's able to skillfully mimic some of the greatest American novelists. But how far can she take it? With only her cat and an ex-convict friend at her side, this movie takes you through her desperation and anxiety as she turns into a full-blown criminal. Nominated to three Oscars, including Best Actress for McCarthy.

Genre: Comedy, Crime, Drama, Mystery

Actor: Alice Kremelberg, Anna Deavere Smith, Anne Hollister, Antoine Drye, Armando Riesco, Barbara Ann Davison, Ben Falcone, Ben Rauch, Bill Walters, Bonita Hamilton, Brandon Scott Jones, Charlotte Mary Wen, Chris Lamberth, Christian Navarro, Dan McCabe, Dann Fink, Dolly Wells, Doris McCarthy, Erik LaRay Harvey, Ethel Fisher, George Aloi, Gregory Korostishevsky, Havilah Brewster, Jane Curtin, Joanna Adler, Josh Evans, Justin Vivian Bond, Katie Kocik, Kevin Carolan, Linwood Brown, Liz Eng, Lori Prince, Lucy DeVito, Marc Evan Jackson, Marcella Lowery, Marcus Choi, Mary B. McCann, Melissa McCarthy, Michael Cyril Creighton, Michael Laurence, Moisés Acevedo, Peter Donovan, Pun Bandhu, Richard E. Grant, Ricky Garcia, Roberta Wallach, Ron Maestri, Rosal Colon, Sandy Rosenberg, Sandy Rustin, Sean Oliver, Shae D'Lyn, Stephen Spinella, Tiffany Blair, Tim Cummings, Tina Benko, Wayne J. Miller, Zabryna Guevara

Director: Marielle Heller

Rating: R

Full of charm and nostalgia, Bang Woo-ri’s first feature film is a love letter to the late 90s—and to the heartstopping experience of first love, as high school student Na Bo-ra tries to get to know her friend’s crush Baek Hyun-jin. While at times immature, she comes across as endearing through Kim Yoo-jung’s charismatic, devoted performance. And as the Na Bo-ra goes through all the ways people wooed each other in the 90s—figuring out each other's phone numbers, filming each other through old camcorders, renting out VHS tapes—the film evokes memories of our own first loves. Even with some underdeveloped characters and certain contrived moments, 20th Century Girl is still a stunning picture of young love at the turn of the century.

Genre: Drama, Romance

Actor: Bang Woo-ri, Byeon Woo-seok, Choi Kyo-sik, Gong Myeong, Gong Myoung, Han Hyo-joo, Jeon Hye-won, Jeong Min-jun, Jeong Seok-yong, Jo Ji-hyeon, Kang Chae-young, Kim Nu-rim, Kim Sung-kyung, Kim You-jung, Lee Beom-soo, Lee Beom-su, Lee Cheon-mu, Lee Woo-sung, Ong Seong-wu, Park Hae-jun, Park Jung-woo, Roh Yoon-seo, Ryu Seung-ryong, Shin Dong-ryeok, Yoon Yi-reh

Director: Bang Woo-ri

Rating: TV-PG

After the 1975 release of the Maysles brothers’ Grey Gardens, Big and Little Edie Beale’s story captivated viewers and spawned a musical and a dramatized biopic about the reclusive, impoverished socialite mother-daughter duo. The Beales of Grey Gardens is a compilation of the remaining unreleased archival footage, released after the death of both subjects and David Maysles. For those unfamiliar with their story, the film might feel a bit random and contextless. But for Beale fans, and those familiar with their first documentary, this sticks close to the classic cinema vérité style of the Maysles, while also uncovering other sides of these interesting, eccentric former socialites, becoming a lovely tribute for them and their fans.

Genre: Documentary, Drama

Actor: Albert Maysles, David Maysles, Edith Bouvier Beale, Jerry Torre, Lois Wright

Director: Albert Maysles, David Maysles

Rating: NR

It would be easy to define Rose Plays Julie as a cross between Promising Young Woman and Killing Eve, but this psychological thriller turns the camp factor down to zero and makes even just the act of watching somebody else an existential experience. Directors Joe Lawlor and Christine Molloy treat this story with stone-cold intensity (perhaps to a fault), transforming their title character from a confused girl to somebody who relishes the power they have to disrupt other people's lives through her mere existence. There's something eerie about it that crawls under your skin if you let it, like a ghost story told among the living.

Genre: Drama, Thriller

Actor: Aidan Gillen, Alan Howley, Ann Skelly, Annabell Rickerby, Catherine Walker, Jack McEvoy, Joanne Crawford, Lochlann O'Mearáin, Orla Brady, Sadie Soverall

Director: Christine Molloy, Joe Lawlor

This difficult movie is about a seventeen-year-old from the U.S. underclass who has to deal with an unplanned pregnancy. Autumn is creative, reserved, and quiet, but those are not qualities that her environment in rural Pennsylvania seems to value. On the opposite, she is surrounded by threats, including disturbing step-father and boss characters. 

Dangers escalate as Autumn decides to travel to New York to have an abortion. Never Rarely Sometimes Always is about unplanned pregnancies as much as it is about just how dangerous it is to be a teenage girl living in America.

Genre: Drama

Actor: Amy Tribbey, Brian Altemus, Carolina Espiro, Christian Clements, David Buneta, Denise Pillott, Drew Seltzer, Eliazar Jimenez, Lizbeth MacKay, Mia Dillon, Ryan Eggold, Salem Murphy, Sam Dugger, Sharon Van Etten, Sidney Flanigan, Sipiwe Moyo, Talia Ryder, Théodore Pellerin, Théodore Pellerin

Director: Eliza Hittman

Rating: PG-13

If given the outline of this film, it might be easy to just call it poverty porn. But there’s a genuineness to Mambar Pierrette that keeps this film from sliding into melodrama, a certain subtlety that captures the everyday life in Douala, Cameroon. Filmmaker Rosine Mbakam, who made her start through documentary films, brings her naturalistic style here, placing the titular seamstress front and center as she responds to each and every difficulty that comes her way. And as the flood comes, and so too her troubles, Pierrette Aboheu Njeuthat shines with a subtle charisma, a performance full of dignity for the titular single mother that carved out a life through her craft. Mambar Pierrette might have a familiar neo-realist story, but it’s done well due to its excellent balance.

Genre: Drama

Actor: Cécile Tchana, Fabrice Ndjeuthat, Karelle Kenmogne, Pierrette Aboheu

Director: Rosine Mbakam

As southern movies go, Fried Green Tomatoes is inoffensively sweet and realistic—it’s not afraid to touch on the genuine issues that plagued America in the 1930s while also cushioning some blows, as feel-good movies are wont to do. But the film seems less interested in presenting a clear picture of the past than it is in telling a specific tale: that of outsiders forming bonds and making it together in an unforgiving society. 

The main narrator is Ninny, an 83-year-old woman seemingly forgotten by everyone except Evelyn, an unhappy housewife who is “too young to be old and too old to be young.” Ninny recalls the stories of Sipsey and Big George, Black laborers who dared to succeed in their deeply racist community; of Smokey, the town outcast, who still helped people even if he was denied it himself; of Ruth, the domestic abuse victim; and of Idgie, the tomboy who spat on the face of all decorum. Then, of course, there’s the unspoken relationship between Ruth and Idgie, which hint at something quite radical for its time. 

These are all the people conventionally denied happy endings, and in period films, you’d expect to be abandoned in tragedy. But here they sing; they win and lose in equal measure, and even though it might seem like light and familiar fare to some, it still goes down heartily and unforgettably—funnily enough, like a plate of fried green tomatoes.

Genre: Comedy, Drama

Actor: Afton Smith, Bob Hannah, Carol Mitchell-Leon, Chris O'Donnell, Chris O'Donnell, Cicely Tyson, Constance Shulman, Danny Nelson, David Dwyer, Evan Lockwood, Fannie Flagg, Gailard Sartain, Gary Basaraba, Grace Zabriskie, Grayson Fricke, Haynes Brooke, Jessica Tandy, Jo Harvey Allen, Kathy Bates, Kathy Larson, LaTanya Richardson Jackson, Lois Smith, Macon McCalman, Mary Stuart Masterson, Mary-Louise Parker, Nancy Moore Atchison, Nick Searcy, Raynor Scheine, Reid Binion, Richard Riehle, Stan Shaw, Suzi Bass, Ted Manson, Tim Scott, Timothy Scott, Tom Even, Wallace Merck

Director: Jon Avnet

Rating: PG-13