30 Best Women Stories On Tubi (Page 2)

Staff & contributors

Gender representation in film is severely lacking. In any year, the top 250 movies have less than 5% of cinematographers, 10% of directors, and 20% of writers who are women (Study of Women in Television and Film).

Ultimately, this means that women’s stories get told less where it matters: in movies that get the most exposure. The goal of this section is to shine a light on women’s stories in movies that are available on popular streaming services.

Sunday Beauty Queen starts with a basic but startling fact: there are about 190,000 Filipina domestic workers in Hong Kong. They toil for six days a week, with little breaks in between, but on Sundays, the one day they are given rest, they choose to take part in a fabulous beauty pageant.  

More than just a mere show, the pageant is a source of joy and relief for the migrant workers who, despite earning significantly more abroad than they would back home, are mired in a host of problems, including discrimination, loneliness, and underemployment. Because of the Philippines’ and Hong Kong’s stringent statutes, some helpers are also forced to go into hiding, unsure of who will protect them each time.

It’s to director Baby Ruth Villarama’s credit that the film feels both like a criticism and celebration of this migrant reality. She exposes the rotten system that forces these women to flee their country but doesn’t forget to highlight the humanity that keeps them going. This result of this deft balance is a story that is just as warm and exacting as any old home. 

Genre: Documentary, Drama

Actor: Cherrie Mae Bretana, Hazel Perdido, Leo Selomenio, Mylyn Jacobo, Rudelyn Acosta

Director: Baby Ruth Villarama

Rating: 0

This coming-of-age story starts in the present time, where Elle Marja, now a grandmother, reluctantly goes to her sister's funeral held by her old indigenous Sámi community in Northern Sweden. Understanding her reluctance requires going back to when Elle Marja was 14 and was preparing to go to boarding school with her little sister. These schools were racist establishments meant to integrate the Sámi children into Swedish culture and language, while at the same time limiting their prospects of seeking further education. Elle Marja and her sister chose to respond to this discrimination in two completely different ways that this movie explores without judgment. The central performance of the young girl is incredible.

Genre: Drama

Actor: Ánne Biret Somby, Maj-Doris Rimpi, Olle Sarri

Director: Amanda Kernell

A mother and her two children move from Colombia to Queens, New York to join the father. Once there, he abandons them and moves to Miami.

With no family to fall back on, barely speaking English, an inexistent social welfare system and two little kids who require care; the mother quickly runs out of options. At first, she tries to sell empanadas in the street, then tries to become a temporary worker, but a mixture of obstacles keeps getting in the way.

Entre Nos is about the precariousness of the immigrant experience: about how quickly things can go wrong. But it’s also about how survival instincts and motherly love can stand in the face of complete desperation.

Genre: Drama

Actor: Andres Munar, Annie Henk, Anthony Chisholm, Clem Cheung, Eddie Martinez, Farah Bala, Felipe Bonilla, Jacqueline Duprey, Laura Montana, Paola Mendoza, Sarita Choudhury, Sebastian Villada

Director: Gloria La Morte, Paola Mendoza

Rating: Not Rated

This earnest documentary is about filmmaker and actress Maryam Zaree's journey to unravel the truth about her birth. Her parents are part of a generation of Iranian revolutionaries who were jailed, many executed, and now have taken exile in Europe. The torture and difficult prison conditions they experienced are cause for so much trauma that Maryam, born in prison, has not been told anything about her birth. Her mom, now Germany's first foreign-born mayor, cannot get past tears to tell a story that Maryam is determined to know. 

Her mom is not the only one who is unable to tell the story, as Maryam's quest uncovers more silence. In the end, Born in Evin is as much about the question of "is the truth worth getting told?" as it is about the truth itself. It's a heartfelt exploration of trauma, both for the generation that experienced it and for the generation that follows.

Genre: Documentary

Actor: Marya Sirous, Maryam Zaree, Soraya Zangbari

Director: Maryam Zaree

Rating: Not Rated

Miso may be living day to day on her meager earnings as a cleaner, but she is decidedly content. She insists that all she needs to get by are cigarettes, whiskey, and time with her boyfriend, so when a spike in rent and prices invites her to reassess her priorities, she doesn’t budge. Instead of forgoing these luxuries, she gives up her tiny place and couch surfs with her old bandmates. What follows is a reunion of sorts, where darkly humorous epiphanies are had on both ends about adulthood, responsibilities, and what it really means to be happy in an increasingly indifferent, profit-oriented world.  

Microhabitat treads on very grave themes, and the images it conjures can be unsettling. But it is also surprisingly light on its feet, displaying sharp satire and sweet empathy for its unyielding protagonist. Miso is portrayed with a smartness and softness that evades rational judgment, and this endearment makes the story, especially the ending, all the more painfulul, poignant, and impactful.

Genre: Drama, Romance

Actor: Ahn Jae-hong, An Jae-hong, Cho Soo-hyang, Choi Deok-moon, Esom, Hwang Mi-young, Jang Sung-kyu, Kang Jin-ah, Kim Hee-won, Kim Jae-hwa, Kim Jae-rok, Kim Kuk-hee, Kim Yae-eun, Lee Seong-wook, Lee Sung-wook, Lee Yo-sup, Lee Yong-nyeo, Park Ji-young, Woo Moon-gi

Director: Jeon Go-woon

Rating: Not Rated

Welcome to the Dollhouse tells the story of Dawn, an unpopular seventh-grader mercilessly bullied at school and ignored at home. Her day-to-day is painful to watch; her classmates make fun of her, her teachers never believe her, and her parents punish her, blatantly favoring her other siblings over her. But all this she puts up with, as if going through the murky in-between stage that is adolescence isn't confusing enough. Dawn finds no respite elsewhere, except perhaps in her friend Ralphy (another target of bullying) and her crush, the high schooler Steve.  

A Sundance jury winner back in '96, Welcome to the Dollhouse is as darkly funny as it is grim. It takes on a deadpan approach in handling its more serious topics; it doesn't make fun of them so much as it shines them in a new and blinding light. It's difficult to look away from this frank and well-balanced film; a sure good watch for anyone curious to know what it's really like to be a teenage loner.

Genre: Comedy, Drama

Actor: Angela Pietropinto, Bill Buell, Brendan Sexton III, Christina Brucato, Christina Vidal, Daria Kalinina, Elizabeth Martin, Eric Mabius, Heather Matarazzo, Ken Leung, Matthew Faber, Molly Howe, Rica Martens, Richard Gould, Siri Howard, Stacey Moseley, Teddy Coluca, Telly Pontidis, Victoria Davis, Will Lyman

Director: Todd Solondz

Rating: R

It would be easy to define Rose Plays Julie as a cross between Promising Young Woman and Killing Eve, but this psychological thriller turns the camp factor down to zero and makes even just the act of watching somebody else an existential experience. Directors Joe Lawlor and Christine Molloy treat this story with stone-cold intensity (perhaps to a fault), transforming their title character from a confused girl to somebody who relishes the power they have to disrupt other people's lives through her mere existence. There's something eerie about it that crawls under your skin if you let it, like a ghost story told among the living.

Genre: Drama, Thriller

Actor: Aidan Gillen, Alan Howley, Ann Skelly, Annabell Rickerby, Catherine Walker, Jack McEvoy, Joanne Crawford, Lochlann O'Mearáin, Orla Brady, Sadie Soverall

Director: Christine Molloy, Joe Lawlor

Sophia Castuera's first feature after two indie shorts seems like a low-key affair, but it fits neatly into a canon of post-mumblecore, or a Gen Z mumblecore. It features a fumbling protagonist named Cal and played by Ali Edwards (who also wrote the script), a wanna-be actress fresh out of college who finds herself stuck between two people. Not just any people, but her childhood best friend Jay and his long-term girlfriend Emily. August at Twenty Two queers the love triangle trope and makes the most of the characters' anxieties, their hopes, and awkward daily sacrifices to climb up into each other's good books. Appearances are key, of course, since everyone's delightfully immature. The good thing is that the film knows all this very well and even sneaks a post-ironic hint or two. That said, its self-assurance is also its Achilles heel: you cannot convince me that twenty two year olds would call each other often enough to have voicemail. 

Genre: Drama, Romance

Actor: Adrian Burke, Ali Edwards, Clay Singer, Jorge Felipe Guevara, Lilli Kay, Mia Rose Kavensky

Director: Sophia Castuera

With a particularly empowering tenderness and resilience, The Divine Order explores a glossed-over chapter in history wherein Swiss women could not vote until 1971. The hillside Swiss farming village in which Nora Ruckstuhl lives seems picture-perfect. But under the village’s close-knit and idyllic surface, change is stirring. When an emerging sense of autonomy pushes Nora to question her identity beyond being a complacent housewife, she publicly declares herself in favor of women’s suffrage and draws attention from both outspoken opponents and quiet supporters.

As Nora discovers herself—what she does and doesn’t like; what her body looks like; what pleasure feels like—she also uncovers a yearning for better, for more: who is she not just as a spouse and mother, but also as a friend, a member of a greater community, an independent woman?

Genre: Comedy, Drama

Actor: Bettina Stucky, Ella Rumpf, Finn Sutter, Ingo Ospelt, Marie Leuenberger, Marietta Jemmi, Marta Zoffoli, Maximilian Simonischek, Nicholas Ofczarek, Noe Krejcí, Peter Freiburghaus, Rachel Braunschweig, Sibylle Brunner, Sofia Helin, Steffi Friis, Therese Affolter, Urs Bosshardt, Walter Leonardi

Director: Petra Biondina Volpe

, 2016

Arch-provocateur Paul Verhoeven received widespread acclaim for his assured and darkly funny adaptation of Philippe Dijan’s award-winning novel, his first film in the French language. 

It’s a controversial revenge thriller about a domineering businesswoman who is raped in her home by a masked man. Refusing to let the attack affect her life, she refuses to report the incident and tracks down the assailant herself.

Verhoeven directs the material with confidence and a troubling lightness of touch, while fearless Isabelle Huppert gives one of the best performances of her long and illustrious career. Some people found Elle empowering while others felt it perpetuated misogynistic attitudes. Either way, it makes for a passionate post-viewing discussion.

Genre: Crime, Drama, Thriller

Actor: Alice Isaaz, Anne Consigny, Anne Loiret, Arthur Mazet, Caroline Breton, Charles Berling, Christian Berkel, David Léotard, Eric Savin, Fleur Geffrier, François Nambot, Hugo Conzelmann, Hugues Martel, Isabelle Huppert, Jean Douchet, Jean-Noël Martin, Jean-Yves Freyburger, Jina Djemba, Jonas Bloquet, Judith Magre, Laurent Lafitte, Laurent Orry, Loïc Legendre, Lucas Prisor, Marie Berto, Nicolas Beaucaire, Nicolas Ullmann, Oury Milshtein, Raphaël Kahn, Raphaël Lenglet, Stéphane Bak, Vimala Pons, Virginie Efira, Zohar Wexler

Director: Paul Verhoeven

Rating: R

This Swedish movie is the story of Astrid Lindgren, one of the most translated children book writers of all time. Her work of over 100 books includes Pippi Longstocking and The Brothers Lionheart.

Away from the quiet existence of the characters she would later create, Astrid had a turbulent life. Her troubles start when she falls for the editor of the paper she worked at when she was young, a man 30 years her senior. This results in an unwanted pregnancy and Astrid is pushed to immigrate.

Genre: Drama, History

Actor: Alba August, Björn Gustafsson, Henrik Rafaelsen, Magnus Krepper, Maria Alm Norell, Maria Bonnevie, Maria Fahl-Vikander, Sofia Karemyr, Trine Dyrholm

Director: Pernille Fischer Christensen

Rating: 12

Although limited by the timeframe in which it was released—that is, before its characters really got to finish organizing themselves in response to the film's subject matter—Aftershock still provides a detailed primer on the ways the American healthcare system has been manipulated to take advantage of the underprivileged. The documentary can get technical but since it grounds its reporting on two tragic stories of preventable loss, there's more than enough reason to pay full attention. It definitely isn't meant to answer every question about pregnancy care, but it definitely compels deeper inquiry into the ways we've been socialized into perceiving romantic notions about childbirth.

Genre: Documentary

Director: Paula Eiselt, Tonya Lewis Lee

How much do you know about what’s inside the skincare and cosmetic products you use? This is one of the main questions Toxic Beauty addresses. The award-winning documentary features a series of powerful and insightful voices, including Deane Berg, the woman who took the American multinational corporation Johnson & Johnson to court to claim its body powder was a factor in her contracting ovarian cancer. As the film progresses, it becomes more and more apparent that the beauty industry is as unhealthy as the products it creates and promotes.

Genre: Documentary, Drama

Director: Phyllis Ellis

This Hits Home has an important mission: make the connection between traumatic brain injury and domestic abuse victims more well-known to the public. Every day, wives, girlfriends, and children get their skulls knocked, slammed, and smashed by their abusers, their heads targeted because the injuries are easier to hide and the symptoms of trauma don’t manifest until much later. But despite this prevalent violence, concussions and brain disorders are less associated with domestic abuse than they are in contact sports like wrestling and football. This Hits Home gathers experts and victims alike to change that conversation. It’s a noble effort, but it’s unfortunately masked by weird editing choices that ultimately weaken a strong premise. The film interviews multiple experts in the same field, so it often feels like it’s going in circles instead of propelling forward with new points. In an effort to be comprehensive, it includes commentaries from incidental subjects, which creates a lull that detracts from the main focus. And maybe the biggest fault here is that it relies too much on the survivors’ (admittedly powerful) anecdotes, so much so that it fails to bring any of its own flourishes to the documentary. I appreciate the filmmakers opting to be more straightforward than sensationalist, especially with such a sensitive topic. Still, without its own clear voice and cinematic style, it fails to set itself apart from the many informational videos that are already out there. 

Genre: Documentary

Director: Sydney Scotia

Hallmark is the last place you'd expect to find a low-budget movie that decries excessive automation and advocates for local businesses, but for some reason this is the setting against which Love & Jane's story is told. And the movie doesn't come across as insincere either, as it uses a familiar romcom template to actually encourage its protagonist to grow beyond the romance novels she loves and to engage with her own experiences and emotions. Unfortunately, the rest of the film feels oddly obligatory, including a bland love interest and his half-baked chemistry with the heroine, and the inclusion of Jane Austen herself, who really has nothing to do here.

Genre: Comedy, Romance, TV Movie

Actor: Aadila Dosani, Alison Sweeney, Benjamin Ayres, Corina Bizim, Debbie Podowski, Eduardo Britto, John Prowse, Kehli O'Byrne, Kendra Anderson, Lynn Whyte, Matthew Kevin Anderson, Nevin Burkholder, Vivin Oommen, William Vaughan

Director: David Weaver

Rating: G