133 Best Women Stories On Itunes (Page 8)

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Gender representation in film is severely lacking. In any year, the top 250 movies have less than 5% of cinematographers, 10% of directors, and 20% of writers who are women (Study of Women in Television and Film).

Ultimately, this means that women’s stories get told less where it matters: in movies that get the most exposure. The goal of this section is to shine a light on women’s stories in movies that are available on popular streaming services.

With a particularly empowering tenderness and resilience, The Divine Order explores a glossed-over chapter in history wherein Swiss women could not vote until 1971. The hillside Swiss farming village in which Nora Ruckstuhl lives seems picture-perfect. But under the village’s close-knit and idyllic surface, change is stirring. When an emerging sense of autonomy pushes Nora to question her identity beyond being a complacent housewife, she publicly declares herself in favor of women’s suffrage and draws attention from both outspoken opponents and quiet supporters.

As Nora discovers herself—what she does and doesn’t like; what her body looks like; what pleasure feels like—she also uncovers a yearning for better, for more: who is she not just as a spouse and mother, but also as a friend, a member of a greater community, an independent woman?

Genre: Comedy, Drama

Actor: Bettina Stucky, Ella Rumpf, Finn Sutter, Ingo Ospelt, Marie Leuenberger, Marietta Jemmi, Marta Zoffoli, Maximilian Simonischek, Nicholas Ofczarek, Noe Krejcí, Peter Freiburghaus, Rachel Braunschweig, Sibylle Brunner, Sofia Helin, Steffi Friis, Therese Affolter, Urs Bosshardt, Walter Leonardi

Director: Petra Biondina Volpe

This is a revelation of a movie for its simplicity in handling a pretty serious and dark subject. It's the story of a generally immature and newly unemployed stand-up comic in New York and her unplanned pregnancy with a man that was supposed to be a fling, and it's surprisingly funny and yet rather touching. I can't think of many actresses who would've fit the bill quite like Jenny Slate. Not only is she hilarious, but her treatment of a generally sensitive issue from the honest, crass point of view of a down-on-life, New York-er leaves you drowning in empathy for her. I recommend this for anyone looking to cuddle up, have a few little clever laughs and feel all tingly in the chest-al area.

Genre: Comedy, Romance

Actor: Amy Novondo, Cindy Cheung, David Cross, Elise Widerker, Emily Tremaine, Ernest Mingione, Gabe Liedman, Gaby Hoffmann, Jake Lacy, Jennifer Kim, Jenny Slate, Justin Lerner, Karen Maine, Kitty Crystal, Mary DelMarco, Michael Bonfiglio, Nicholas Cirillo, Paul Briganti, Polly Draper, Richard Kind, Sarina Roma, Stacey Sargeant, Stephen Singer, Suzanne Lenz

Director: Gillian Robespierre

Rating: R

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Irish director Lorcan Finnegan's follow-up to the social dystopia Vivarium, too, centers around the trials and tribulations of a nuclear family. Overwhelmed by work and struck by an inexplicable disease, Christine (played by Eva Green) seems to have forgotten she employed a caretaker for her daughter Bobs. The plot thickens when a Filipino woman named Diana rings the door bell: what kind of mother forgets something like that? What follows is as nightmarish as it sounds, the film's visual potency summoning one's deepest fears and anxieties about reality slipping away. Green and Chai Fonacier (Diana) play an exquisite game of cat and mouse, but even the psychological thrill of that chase is not significant enough to overthrow the dubious racial politics at play. By the end, Nocebo makes an effort to position itself on the right side of history, but the power of its political critique wanes and wanes.

Genre: Horror, Mystery, Thriller

Actor: Anthony Falcon, Billie Gadsdon, Cathy Belton, Chai Fonacier, Eva Green, Mark Strong

Director: Lorcan Finnegan

, 2016

Arch-provocateur Paul Verhoeven received widespread acclaim for his assured and darkly funny adaptation of Philippe Dijan’s award-winning novel, his first film in the French language. 

It’s a controversial revenge thriller about a domineering businesswoman who is raped in her home by a masked man. Refusing to let the attack affect her life, she refuses to report the incident and tracks down the assailant herself.

Verhoeven directs the material with confidence and a troubling lightness of touch, while fearless Isabelle Huppert gives one of the best performances of her long and illustrious career. Some people found Elle empowering while others felt it perpetuated misogynistic attitudes. Either way, it makes for a passionate post-viewing discussion.

Genre: Crime, Drama, Thriller

Actor: Alice Isaaz, Anne Consigny, Anne Loiret, Arthur Mazet, Caroline Breton, Charles Berling, Christian Berkel, David Léotard, Eric Savin, Fleur Geffrier, François Nambot, Hugo Conzelmann, Hugues Martel, Isabelle Huppert, Jean Douchet, Jean-Noël Martin, Jean-Yves Freyburger, Jina Djemba, Jonas Bloquet, Judith Magre, Laurent Lafitte, Laurent Orry, Loïc Legendre, Lucas Prisor, Marie Berto, Nicolas Beaucaire, Nicolas Ullmann, Oury Milshtein, Raphaël Kahn, Raphaël Lenglet, Stéphane Bak, Vimala Pons, Virginie Efira, Zohar Wexler

Director: Paul Verhoeven

Rating: R

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This Swedish movie is the story of Astrid Lindgren, one of the most translated children book writers of all time. Her work of over 100 books includes Pippi Longstocking and The Brothers Lionheart.

Away from the quiet existence of the characters she would later create, Astrid had a turbulent life. Her troubles start when she falls for the editor of the paper she worked at when she was young, a man 30 years her senior. This results in an unwanted pregnancy and Astrid is pushed to immigrate.

Genre: Drama, History

Actor: Alba August, Björn Gustafsson, Henrik Rafaelsen, Magnus Krepper, Maria Alm Norell, Maria Bonnevie, Maria Fahl-Vikander, Sofia Karemyr, Trine Dyrholm

Director: Pernille Fischer Christensen

Rating: 12

Although limited by the timeframe in which it was released—that is, before its characters really got to finish organizing themselves in response to the film's subject matter—Aftershock still provides a detailed primer on the ways the American healthcare system has been manipulated to take advantage of the underprivileged. The documentary can get technical but since it grounds its reporting on two tragic stories of preventable loss, there's more than enough reason to pay full attention. It definitely isn't meant to answer every question about pregnancy care, but it definitely compels deeper inquiry into the ways we've been socialized into perceiving romantic notions about childbirth.

Genre: Documentary

Director: Paula Eiselt, Tonya Lewis Lee

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Wadjda is a smart, spirited 10-year-old girl who wants nothing more than to own her own bike, something that is frowned upon in the Saudi Arabian suburb where she lives. While it’s not technically illegal for women to own bikes, it is thought of as something that is “dangerous to a girl’s virtue,” and it’s worth noting that this is a society where women are also not allowed to drive their own cars. Wadjda devises numerous schemes to earn enough money to buy a bike (selling bracelets, making mixes of Western pop songs, delivering clandestine messages between men and women), before getting caught by the headmistress at her school. It is then that Wadjda hits on the ultimate money-making scheme: there is to be a Koran-reciting contest at her school with a hefty cash prize, and she’s determined to win. There is a subplot involving a growing rift between Wadjda’s parents; while there is clearly a lot of love between both parties, it becomes increasingly clear that her father may be leaving her mother for another woman who could potentially bear him a son (a common practice). This subplot is handled with respect and little judgement though, as it is simply the way things work in this culture. Yet, as Wadjda is coming-of-age and learning about the limitations placed on her as a girl, she is obviously negotiating ingenious ways of pushing back against those limitations. The film is subtle and humane in how it handles the slowly changing cultural and gender dynamics in a traditionally conservative, patriarchal society. It wouldn’t work without a strong central performance from first-time actor Waad Mohammed though -- she is never less than believable as a clever, determined and joyful 10-year-old, and her journey towards adulthood is both heartbreaking and inspiring.

Genre: Drama

Actor: Abdullrahman Al Gohani, Ahd, Ahd Kamel, Alanoud Sajini, Dana Abdullilah, Haifaa Al-Mansour, Rafa Al Sanea, Reem Abdullah, Sultan Al Assaf, Waad Mohammed

Director: Haifaa al-Mansour

Rating: PG

In this unique Spanish drama-thriller, a famous 90s popstar called Lila loses her memory and forgets how to perform. A big fan of hers, Violeta, is offered the unique opportunity of helping her idol find herself again.

Quién te cantará, which translates to “who will sing to you” is a fascinating exploration of fandom and the relationship between fan and idol. And it definitely doesn’t hurt that Lila’s music, made specifically for the movie, is fantastic!

It's from a promising new Spanish director, Carlos Vermut. His last movie, Magical Girl, was widely acclaimed and won awards in almost every festival it showed in.

Genre: Drama, Music, Mystery

Actor: Carme Elias, Carolina Yuste, Catalina Sopelana, Eva Llorach, Ignacio Mateos, Inma Cuevas, José Chaves, Julián Villagrán, Leticia Dolera, Najwa Nimri, Natalia de Molina, Vicenta N'Dongo

Director: Carlos Vermut

Rating: 16

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Visual artist Ann Oren's first foray into feature-length filmmaking is a sensual delight and a gift that keeps on giving. Oren approaches her film with sincere dedication to every single building block: Piaffe looks, sounds, and feels sensational while being a fairly modest production. A true indie film, Piaffe verges on experimentation as a young woman named Eva (Simone Bucio) takes over the job of a foley artist from her sister. Even though she's under-qualified, she tries her best t0 come up with the sounds for a horse-themed commercial to no avail. However, in the process, she notices a bump on her lower back that grows into a horse's tail. Piaffe is a tale of metamorphosis, not only of the flesh, but also of the heart, as the themes it explores are also directly related to sexuality, submission, and, of course, love as a manifestation of all those things.

Genre: Thriller

Actor: Bjørn Melhus, Josef Ostendorf, Lea Draeger, Nico Ehrenteit, Sebastian Rudolph, Simon(è) Jaikiriuma Paetau, Simone Bucio, Tristan Bumm

Director: Ann Oren

An uplifting and inspiring movie with Felicity Jones and Armie Hammer. Jones stars as Supreme Court Justice Associate Ruth Bader Ginsburg in this biopic centered around her hallmark case against sex-based discrimination. While it doesn't feel like it truly conveys the power of Ginsburg's story, her determination, or all the odds that were stacked against her, it serves as a mellowed-down preview of her remarkable story. Watch this if you're in need of a good dose of inspiration.

Genre: Drama, History

Actor: Amanda MacDonald, Angela Galuppo, Armie Hammer, Arthur Holden, Ben Carlson, Cailee Spaeny, Callum Shoniker, Chris Mulkey, Dawn Ford, Felicity Jones, Francis X. McCarthy, Gabrielle Graham, Gary Werntz, Holly Gauthier-Frankel, Jack Reynor, Jeff Lillico, Joe Cobden, Justin Theroux, Karl Graboshas, Kathy Bates, Michael Dickson, Ronald Guttman, Ruth Bader Ginsburg, Sam Waterston, Stephen Root, Wendy Crewson

Director: Mimi Leder

Rating: PG-13

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This documentary is about filmmaker Lacey Schwartz, who stands out from her devout New York Jewish family with her darker skin tone. For most of her life, the family attributed this to genes from a distant Sicilian ancestor.

But suspicions have always been there, what a family member calls “the 500-pound elephant in the room”. Schwartz embarks on a journey of untangling family secrets, self-discovery, with fascinating questions on race and identity. If you like family history documentaries like Stories We Tell, you will love this.

Genre: Documentary, Drama

Actor: Joshua Corwin, Lacey Schwartz Delgado, Mehret Mandefro

Director: Lacey Schwartz Delgado

, 2021

It’s been years since Fahrije and the women of her village lost their husbands to the war. It’s one thing to move on after their passing, but quite another to never be sure about their whereabouts, dead or alive. Hive tells the story of how, in the wake of this inexplicable loss, the women of a Kosovo village reluctantly band together and make a new life for themselves and their families.

Thanks to its grit and restraint, Hive avoids the cheesy trappings of a melodrama. The dialogues are straightforward and the performances taut but affecting. Their battle with poverty and misogyny is sadly a familiar tale, but told through the lens of single mother/burgeoning entrepreneur Fahrije, it is rendered deeply personal and illuminating. 

 

Genre: Drama

Actor: Adem Karaga, Adriana Matoshi, Armend Smajli, Astrit Kabashi, Aurita Agushi, Bislim Muçaj, Blerta Ismaili, Çun Lajçi, Ilir Prapashtica, Kaona Sylejmani, Kumrije Hoxha, Labinot Lajçi, Yllka Gashi

Director: Blerta Basholli

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If I must imagine strange creatures to process grief over a parent, I would rather have it be the fluffy Totoro rather than three creepy looking Gollum-esque yokai creatures that lick legs, steal random food items, and overall act like terrible roommates. Still, there’s a certain gremlin-like charm to A Letter to Momo that could captivate animation fans. As these yokai spirit creatures push Momo to explore her new quaint island town, and as Momo eventually befriends them or force them to act better through threats, it’s precisely the sort of chaotic, whimsical adventure that can get a girl to open up, to hope again, and to be open to what life still has to offer. The pacing might deter some viewers, but A Letter to Momo still works as a touching coming-of-age journey marked by loss.

Genre: Animation, Comedy, Drama, Family, Fantasy

Actor: Cho, Daizaburō Arakawa, Ikuko Tani, Karen Miyama, Koichi Yamadera, Takeo Ogawa, Toshiyuki Nishida, Yoshisada Sakaguchi, Yuka

Director: Hiroyuki Okiura

Rating: PG

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How much do you know about what’s inside the skincare and cosmetic products you use? This is one of the main questions Toxic Beauty addresses. The award-winning documentary features a series of powerful and insightful voices, including Deane Berg, the woman who took the American multinational corporation Johnson & Johnson to court to claim its body powder was a factor in her contracting ovarian cancer. As the film progresses, it becomes more and more apparent that the beauty industry is as unhealthy as the products it creates and promotes.

Genre: Documentary, Drama

Actor: Deane Berg, Mymy Nguyen

Director: Phyllis Ellis

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This Hits Home has an important mission: make the connection between traumatic brain injury and domestic abuse victims more well-known to the public. Every day, wives, girlfriends, and children get their skulls knocked, slammed, and smashed by their abusers, their heads targeted because the injuries are easier to hide and the symptoms of trauma don’t manifest until much later. But despite this prevalent violence, concussions and brain disorders are less associated with domestic abuse than they are in contact sports like wrestling and football. This Hits Home gathers experts and victims alike to change that conversation. It’s a noble effort, but it’s unfortunately masked by weird editing choices that ultimately weaken a strong premise. The film interviews multiple experts in the same field, so it often feels like it’s going in circles instead of propelling forward with new points. In an effort to be comprehensive, it includes commentaries from incidental subjects, which creates a lull that detracts from the main focus. And maybe the biggest fault here is that it relies too much on the survivors’ (admittedly powerful) anecdotes, so much so that it fails to bring any of its own flourishes to the documentary. I appreciate the filmmakers opting to be more straightforward than sensationalist, especially with such a sensitive topic. Still, without its own clear voice and cinematic style, it fails to set itself apart from the many informational videos that are already out there. 

Genre: Documentary

Director: Sydney Scotia

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