75 Best Women Stories On Netflix UK (Page 4)

Staff & contributors

Gender representation in film is severely lacking. In any year, the top 250 movies have less than 5% of cinematographers, 10% of directors, and 20% of writers who are women (Study of Women in Television and Film).

Ultimately, this means that women’s stories get told less where it matters: in movies that get the most exposure. The goal of this section is to shine a light on women’s stories in movies that are available on popular streaming services.

This documentary charts the challenges faced by sailor Tracy Edwards and her 12-woman crew in the wake of their decision to participate in the Whitbread Round the World Yacht Race, the grueling yachting competition that covers 33,000 miles and lasts nine months. Director Alex Holmes recreates their adventure using archival footage shot by the women themselves on their voyage, and interesting interviews with the crew members as well as the men who criticized and ridiculed them at the time. Maiden is an interesting bit of documentary filmmaking that is also inspirational and empowering.

Genre: Documentary, Drama

Actor: Frank Bough, Howard Gibbons, Jo Gooding, John Chittenden, Sally Hunter

Director: Alex Holmes

From The Babadook director Jennifer Kent comes another horror, although this one is more about the horrors of humanity. Set in 1825 Tasmania, The Nightingale follows Irish settler Clare as she seeks bloody revenge on the monsters who wronged her and her family. She teams up with an Aboriginal guide named Billy to accomplish her goal.

Because of its often violent and disturbing tone (the film is rated R for its potentially triggering scenes), The Nightingale understandably polarized audiences upon its release. But it's also an excellent conversation piece, best watched with friends or anyone up for a discussion-filled movie night.

Genre: Adventure, Drama, History, Thriller

Actor: Aisling Franciosi, Alan Faulkner, Anthony Phelan, Baykali Ganambarr, Ben McIvor, Charlie Jampijinpa Brown, Charlie Shotwell, Christopher Stollery, Damon Herriman, Eloise Winestock, Ewen Leslie, Harry Greenwood, Huw Higginson, James O'Connell, Luke Carroll, Maggie Blinco, Magnolia Maymuru, Matthew Sunderland, Michael Sheasby, Nathaniel Dean, Sam Claflin, Sam Smith

Director: Jennifer Kent

Rating: R

Irish director Lorcan Finnegan's follow-up to the social dystopia Vivarium, too, centers around the trials and tribulations of a nuclear family. Overwhelmed by work and struck by an inexplicable disease, Christine (played by Eva Green) seems to have forgotten she employed a caretaker for her daughter Bobs. The plot thickens when a Filipino woman named Diana rings the door bell: what kind of mother forgets something like that? What follows is as nightmarish as it sounds, the film's visual potency summoning one's deepest fears and anxieties about reality slipping away. Green and Chai Fonacier (Diana) play an exquisite game of cat and mouse, but even the psychological thrill of that chase is not significant enough to overthrow the dubious racial politics at play. By the end, Nocebo makes an effort to position itself on the right side of history, but the power of its political critique wanes and wanes.

Genre: Horror, Mystery, Thriller

Actor: Anthony Falcon, Billie Gadsdon, Cathy Belton, Chai Fonacier, Eva Green, Mark Strong

Director: Lorcan Finnegan

Wadjda is a smart, spirited 10-year-old girl who wants nothing more than to own her own bike, something that is frowned upon in the Saudi Arabian suburb where she lives. While it’s not technically illegal for women to own bikes, it is thought of as something that is “dangerous to a girl’s virtue,” and it’s worth noting that this is a society where women are also not allowed to drive their own cars. Wadjda devises numerous schemes to earn enough money to buy a bike (selling bracelets, making mixes of Western pop songs, delivering clandestine messages between men and women), before getting caught by the headmistress at her school. It is then that Wadjda hits on the ultimate money-making scheme: there is to be a Koran-reciting contest at her school with a hefty cash prize, and she’s determined to win. There is a subplot involving a growing rift between Wadjda’s parents; while there is clearly a lot of love between both parties, it becomes increasingly clear that her father may be leaving her mother for another woman who could potentially bear him a son (a common practice). This subplot is handled with respect and little judgement though, as it is simply the way things work in this culture. Yet, as Wadjda is coming-of-age and learning about the limitations placed on her as a girl, she is obviously negotiating ingenious ways of pushing back against those limitations. The film is subtle and humane in how it handles the slowly changing cultural and gender dynamics in a traditionally conservative, patriarchal society. It wouldn’t work without a strong central performance from first-time actor Waad Mohammed though -- she is never less than believable as a clever, determined and joyful 10-year-old, and her journey towards adulthood is both heartbreaking and inspiring.

Genre: Drama

Actor: Abdullrahman Al Gohani, Ahd, Ahd Kamel, Alanoud Sajini, Dana Abdullilah, Haifaa Al-Mansour, Rafa Al Sanea, Reem Abdullah, Sultan Al Assaf, Waad Mohammed

Director: Haifaa al-Mansour

Rating: PG

Shot almost entirely in one take and on a tiny budget, and yet the central performance in this movie is still better than most big-budget dramas I’ve seen this year.

Two indigenous women, one upper-class and the other impoverished, meet on the day that the rich one gets an IUD and the other one, pregnant, finds herself kicked out of her home. They spend a few hours together: they talk, they take cabs, walk, etc; and you as a viewer, follow them throughout their intimate yet difficult moments.

If you like subtle movies that showcase how people live and interact with one another, beyond plot-obsessiveness, this is for you.

Genre: Drama

Actor: Aidan Dee, Anesha Bailey, Anthony Bolognese, Barbara Eve Harris, Charles Jarman, Charlie Hannah, Elle-Máijá Tailfeathers, Elle-Maija Tailfeathers, James Angus Cowan, Jay Cardinal Villeneuve, Kathleen Hepburn, Lissa Neptuno, Paul Jarrett, Sonny Surowiec, Tony Massil, Violet Nelson

Director: Elle-Máijá Tailfeathers, Elle-Maija Tailfeathers, Kathleen Hepburn

Rating: TV-MA

In this unique Spanish drama-thriller, a famous 90s popstar called Lila loses her memory and forgets how to perform. A big fan of hers, Violeta, is offered the unique opportunity of helping her idol find herself again.

Quién te cantará, which translates to “who will sing to you” is a fascinating exploration of fandom and the relationship between fan and idol. And it definitely doesn’t hurt that Lila’s music, made specifically for the movie, is fantastic!

It's from a promising new Spanish director, Carlos Vermut. His last movie, Magical Girl, was widely acclaimed and won awards in almost every festival it showed in.

Genre: Drama, Music, Mystery

Actor: Carme Elias, Carolina Yuste, Catalina Sopelana, Eva Llorach, Ignacio Mateos, Inma Cuevas, José Chaves, Julián Villagrán, Leticia Dolera, Najwa Nimri, Natalia de Molina, Vicenta N'Dongo

Director: Carlos Vermut

Rating: 16

The movie follows Martha (Vanessa Kirby), a young wife who loses her baby in a failed home birth. She tries her best to trudge through the aftermath of loss, but her coping attempts prove to be near impossible, not least because her husband Sean (Shia LaBeouf) and mother Liz (Ellen Burstyn) continually domineer every aspect of her life.

Pieces of a Woman is harrowing and heartbreaking, with the actors giving their all in this realistic and revealing drama. But it's Kirby's performance as the unraveled yet apathetic Martha that is the film's immediate standout, rightfully earning her a Best Actress nomination at the 2021 Academy Awards.

Genre: Drama

Actor: Alain Dahan, Benny Safdie, Domenic Di Rosa, Ellen Burstyn, Frank Schorpion, Gayle Garfinkle, Harry Standjofski, Harry Strandjofski, Iliza Shlesinger, Jimmie Fails, Leisa Reid, Molly Parker, Sarah Snook, Sean Tucker, Shia LaBeouf, Steven McCarthy, Tyrone Benskin, Vanessa Kirby, Vanessa Smythe

Director: Kornél Mundruczó, Kornél Mundruczó

Rating: R

If you’re looking for exotic locations, glamorous spies, and dramatic shoot-outs, Khufiya is not the espionage film you’re looking for. Like the original novel it’s based on, the film adaptation is a complex, intricate spy story where countries try to interfere with each other’s affairs, and agents handle the dry and dirty work to achieve this. With the true-story-based details of the source material, writer-director Vishal Bhardwaj keeps the story’s historical accuracy, but also adds a personal revenge subplot through the addition of a female main protagonist. The result of the changes complicates the film’s introduction, but if you have the patience, Khufiya still has what makes a spy drama compelling– the double-agent turns, the doubts and mistrust, and a satisfying resolution to the operation.

Genre: Crime, Mystery, Thriller

Actor: Alexx O'Nell, Ali Fazal, Ashish Vidhyarthi, Atul Kulkarni, Azmeri Haque Badhon, Disney James, Lalit Parimoo, Navnindra Behl, Priyanka Setia, Purnendu Bhattacharya, Rahul Vohra, Shashi Bhushan, Shataf Figar, Tabu, Wamiqa Gabbi

Director: Vishal Bhardwaj

Rating: R

It took a while to get going, but this packed hour was filled with the many fascinating gripes of Fern Brady, who comes across relatable in the most absurd way. I don't know if I just wasn't properly lubed up until about 25 minutes in, but the more you hear her talk about her aversion to marriage and muse about death and decline, her range as an animated and insightful person starts to really shine. And as engrossing as her stories can get, perhaps the most consistent thing she does is her voices—she is a hilarious character. Which is to say this felt honest, friendly, and absurd, in all the best ways.

Genre: Comedy

Actor: Fern Brady

Director: Phoebe Bourke

Rating: R

Historically, noble ladies get married to lords in order to strengthen existing alliances between their family’s domains. At best, they are able to broker peace, but at worst, they are hostages to the stronger family they married into. Damsel cleverly depicts a twisted version of this relationship through a reversed version of the fairytale, where instead of a wedding being the ultimate endgoal, it is the start of the princess’ misfortunes, placing Millie Bobby Brown into a fantastical survival stand-off against a dragon. It’s an intriguing idea, though the film mostly sticks to its PG-13 lane, leading to a fairly entertaining dark fantasy flick without delving deep into its horrors.

Genre: Action, Adventure, Fantasy

Actor: Angela Bassett, Brooke Carter, Elmano Sancho, Ezra Faroque Khan, Mens-Sana Tamakloe, Millie Bobby Brown, Milo Twomey, Nick Robinson, Nicole Joseph, Ray Winstone, Robin Wright, Shohreh Aghdashloo, Tasha Lim, Ulli Ackermann

Director: Juan Carlos Fresnadillo

Rating: PG-13

With a new, fast-paced media landscape, Call Me Chihiro might feel too slow for people new to the story. Composed of serene, slice-of-life moments, the film starts off feeling plotless, as the titular protagonist builds random interactions with the townspeople. She makes friends with people who seemingly don’t have much in common with her. Despite this, each interaction feels meaningful and genuine, thanks to the subtle acting of Kasumi Arimura. And as these scenes build up, and Chihiro’s friends begin to become friends with each other, these day-to-day moments form a character study of a lonely woman whose kindness and appreciation for life make her feel so admirable. For those wistful Sunday nights, Call Me Chihiro might be a great watch, but only if you’re in that certain mood.

Genre: Drama

Actor: Fusako Urabe, Hana Toyoshima, Itsuki Nagasawa, Jun Fubuki, Kasumi Arimura, Keiichi Suzuki, Lily Franky, Mitsuru Hirata, Miwako Ichikawa, Ryuya Wakaba, Shigeo Ôsako, Tetta Shimada, Toshie Negishi, Van, Wakaba Ryuuya, Yoichiro Saito, Yui Sakuma

Director: Rikiya Imaizumi

Rating: R, TV-14

American Girl follows 13-year-old Fen as she returns to Taiwan from the US and tries to make sense of a culture that’s supposedly her own. In addition to her awkward but relatable attempts to understand identity and adolescence, Fen also struggles to connect with her mother Lily, whose own problems further push her away from her teenage daughter. If you’ve seen Lady Bird, you may recognize a bit of Christine and Marion in Fen and Lily as they throw themselves into an endless tug-of-war of emotions. Their fights are genuinely frustrating, but only because of how true-to-life they are.

As painful as it sometimes is to see them clash, it’s their love-hate dynamic that charges much of the film’s emotional energy and makes it ultimately irresistible to watch. 

Genre: Drama, Family

Actor: Blaire Chang, Bowie Tsang, Caitlin Fang, Hsia Yu-chiao, Jia-Yin Tsai, Kaiser Chuang, Karena Lam, Karena Lam Kar-Yan, Ming-shiou Tsai, Teng-Hui Huang, Winnie Chang, Winnie Shih-Ying Chang

Director: Feng-I Fiona Roan, Fiona Roan

Rating: Not Rated

, 2015

This  exploration of the complex and loving relationship between a mother and her son will take you through a variety of emotions: it's uplifting, disturbing, provocative, sad, and hopeful. We don't get many of these middle-class-budget films anymore, and this one might be one of the category's best.

A kidnapped girl (Brie Larson) has a son after being raped by her abductor. She tries to provide a "normal" environment for the kid in the room where they're being held captive until they can escape. Brie Larson won an Oscar for Best Actress in Room, so make sure to also check out Short Term 12, an equally impressive performance by her in an equally amazing movie.

Genre: Drama, Thriller

Actor: Amanda Brugel, Brie Larson, Cas Anvar, Chantelle Chung, Graeme Potts, Jack Fulton, Jacob Tremblay, Jee-Yun Lee, Joan Allen, Joe Pingue, Justin Mader, Kate Drummond, Katelyn Wells, Matt Gordon, Megan Park, Ola Sturik, Randal Edwards, Rodrigo Fernandez-Stoll, Rory O'Shea, Sandy McMaster, Sean Bridgers, Tom McCamus, Wendy Crewson, William H. Macy, Zarrin Darnell-Martin

Director: Lenny Abrahamson

Rating: R

While marketed as a family drama, Long Live Love! plays out more like a romance film between parents Sati and Meta. Where Meta has dived in, and accepted her role as a wife and mother, former model Sati still clings to the immature lifestyle he’s used to, to the glimmers of fame that he used to have. The premise is genius– there’s something poetic in the way someone who’s constantly obsessed with the look of a photo now has to go on the quest for its behind-the-scenes. There’s something here that questions previous portrayals of toxic masculinity and of marriage primarily because of how they’ll be perceived. However, there seems to be some missing sequences that could have made the ending more devastating.

Genre: Comedy, Romance

Actor: Araya A. Hargate, Becky Armstrong, Bhumibhat Thavornsiri, Kittiphak Thongauam, Niti Chaichitathorn, Nopachai Jayanama, Panissara Arayaskul, Pannawit Phattanasiri, Paweenut Pangnakorn, Sadanont Durongkhaweroj, Sunny Suwanmethanon, Thanakorn Chinakul

Director: Piyakarn Butprasert

Inspired by the real-life Hepta Group, Phenomena is an entertaining, though familiar supernatural horror comedy. As the three women in the Hepta Group take on a case that took down their leader, Sagrario, Paz, and Gloria can’t help but bite and snap at each other affectionately, even just before conducting a seance. But it’s their chemistry that keeps the predictable plot entertaining. It’s a bit old school, and at times, inconsistent, but the technical aspects are decently executed. Big horror fans and viewers looking for a creepier thrill might not enjoy this lighthearted seance, but it might be a fun watch for viewers new to the genre.

Genre: Comedy, Horror, Thriller

Actor: Andrea Gara, Antonio Pagudo, Belén Rueda, Carlos Cañas, Emilio Gutiérrez Caba, Fran Cantos, Gracia Olayo, Ivan Massagué, Jesús Puente, Lorena López, Manuel Regueiro, Miren Ibarguren, Óscar Ortuño, Pedro Casablanc, Roberto Chapu, Toni Acosta

Director: Carlos Therón