202 Best Directors under 30 years old On Itunes Australia (Page 11)

By all outward appearances, The Villages—a massive and manicured retirement community in Florida—looks like it does offer paradise to its aging residents, as promised. The list of activities is endless, the seniors are all partnered up. “It’s like going back to college,” as one of them puts it, where people from all over the country come together to create a new life with each other. 

But of course, nothing comes that easy, not even death. Some Kind of Heaven follows certain residents (and one committed trespasser) as they grapple with the slipperiness of fulfillment in their later years. It gets very eerie when the film's bleak messages are contrasted with the home's vibrant Floridian colors and the residents' plastered smiles. But the eeriness adds to the overall intrigue and pull of the documentary. Darren Aronofsky (Black Swan) co-produces this fascinating film.

Genre: Documentary, Drama

Director: Lance Oppenheim

While painfully accurate, Lost in America is a cutting satire of the white-collar mid-life crisis that’s so hilarious, but in a depressing sort of way. When denied his expected promotion and then fired, David Howard (director Albert Brooks) convinces his wife Linda (Julie Haggerty) that they should “drop out of society”, pursuing a freewheeling lifestyle to travel across the country. Brooks and Haggerty lead the film – their back-and-forth dynamic feels compelling, whether they’re arguing, pouting, or tenderly reconciling. And while the couple stays compatible with each other, the film reveals them (and us) at our most shallow.

Genre: Comedy, Drama

Actor: Albert Brooks, Art Frankel, Bob Hughes, Candy Ann Brown, Charles Boswell, Donald Gibb, Garry Marshall, Herb Nanas, James L. Brooks, Julie Hagerty, Larry King, Maggie Roswell, Michael Cornelison, Michael Greene, Priscilla Cory, Radu Gavor, Raynold Gideon, Rex Reed, Tom Tarpey

Director: Albert Brooks

Rating: R

Most computer screen films take the horror film route as a cautionary tale about technology and how we use it. However, when the world was on lockdown, one screenlife film takes a look at its positive side. Simple, straightforward, and comforting, Language Lessons celebrates technology as a means for connection. Through surprise Spanish lessons purchased by his husband, Adam (Mark Duplass) forms a friendship with his instructor Cariño (Natalie Morales). At times, watching the film feels like listening into someone else’s Zoom call, however, their back-and-forth feels engaging because of Morales and Duplass’ chemistry. And when loss hits, on both sides, it’s only natural that their relationship deepens as they console each other. Expressive without being melodramatic and intimate without being too pushy, Language Lessons is a rare optimistic take towards the way we connect to each other through technology.

Genre: Comedy, Drama, Romance

Actor: Desean Terry, Mark Duplass, Natalie Morales

Director: Natalie Morales

Rating: Not Rated

As southern movies go, Fried Green Tomatoes is inoffensively sweet and realistic—it’s not afraid to touch on the genuine issues that plagued America in the 1930s while also cushioning some blows, as feel-good movies are wont to do. But the film seems less interested in presenting a clear picture of the past than it is in telling a specific tale: that of outsiders forming bonds and making it together in an unforgiving society. 

The main narrator is Ninny, an 83-year-old woman seemingly forgotten by everyone except Evelyn, an unhappy housewife who is “too young to be old and too old to be young.” Ninny recalls the stories of Sipsey and Big George, Black laborers who dared to succeed in their deeply racist community; of Smokey, the town outcast, who still helped people even if he was denied it himself; of Ruth, the domestic abuse victim; and of Idgie, the tomboy who spat on the face of all decorum. Then, of course, there’s the unspoken relationship between Ruth and Idgie, which hint at something quite radical for its time. 

These are all the people conventionally denied happy endings, and in period films, you’d expect to be abandoned in tragedy. But here they sing; they win and lose in equal measure, and even though it might seem like light and familiar fare to some, it still goes down heartily and unforgettably—funnily enough, like a plate of fried green tomatoes.

Genre: Comedy, Drama

Actor: Afton Smith, Bob Hannah, Carol Mitchell-Leon, Chris O'Donnell, Chris O'Donnell, Cicely Tyson, Constance Shulman, Danny Nelson, David Dwyer, Evan Lockwood, Fannie Flagg, Gailard Sartain, Gary Basaraba, Grace Zabriskie, Grayson Fricke, Haynes Brooke, Jessica Tandy, Jo Harvey Allen, Kathy Bates, Kathy Larson, LaTanya Richardson Jackson, Lois Smith, Macon McCalman, Mary Stuart Masterson, Mary-Louise Parker, Nancy Moore Atchison, Nick Searcy, Raynor Scheine, Reid Binion, Richard Riehle, Stan Shaw, Suzi Bass, Ted Manson, Tim Scott, Timothy Scott, Tom Even, Wallace Merck

Director: Jon Avnet

Rating: PG-13

Ben du Toit (Donald Sutherland) is a patriarch of an upper-class white family insulated from the roiling protests and violence in their suburban household outside of Johannesburg. When his gardener’s son is arrested, du Toit’s complacency is tested and he becomes embroiled in the devastating political reality outside the comforts of his gated world. 

Although it falls into the somewhat blemished category of films that center white protagonists when covering Black struggle, it does so with a piercing critical lens that confronts white denial and complicity. Euzhan Palcy’s direction is striking, depicting racism and violence with uncompromised clarity, while her unfettered dedication to getting this made even brought Marlon Brando out of retirement. Keep an eye out for him playing a beleaguered civil rights attorney - a role which notched him his final Academy Award nomination. 

Genre: Drama, Mystery

Actor: Andrew Whaley, Charles Pillai, David de Keyser, Donald Sutherland, Ernest Ndhlovu, Gerard Thoolen, Janet Suzman, John Kani, Jürgen Prochnow, Kevin Johnson, Leonard Maguire, Marlon Brando, Michael Gambon, Paul Brooke, Richard Wilson, Ronald Pickup, Rosemary Martin, Sello Maake Ka-Ncube, Susan Sarandon, Susannah Harker, Thoko Ntshinga, Winston Ntshona, Zakes Mokae

Director: Euzhan Palcy

Those familiar with John Green’s many book-to-movie adaptations (The Fault in Our Stars, Paper Towns) will recognize the author’s signature quirks in Turtles All the Way Down. There are kids who spout out quotable quotes and love interests too gorgeous to be real. But just the same, teenagers are given a fuller and deeper understanding here, which is Green’s best trademark and true strength. Helped by Director Hannah Mark’s strong vision, Turtles All the Way Down is a relatable and heartwarming look into the gnawing pain that can come with growing up. Specifically, the film invites us into the troubled mind of Aza, who suffers from debilitating OCD. It’s a realistic (and never pitiful) assessment of how anxious teens navigate love, friendship, and maybe most notable of all, money. There’s a focus on economic realities here that feels fitting and wise in this day and age. Many people forget how keenly aware young people are of money, and it’s refreshing to see it play out here, even if it’s just in the peripheral.

Genre: Drama, Romance

Actor: Cree Cicchino, Debby Ryan, Felix Mallard, Hannah Marks, Isabela Merced, J. Smith-Cameron, John Green, Judy Reyes, Kevin Crowley, Maliq Johnson, Poorna Jagannathan, Tim Gooch

Director: Hannah Marks

Rating: PG-13

Survivors are often painted in a brave light; they’re applauded for their resilience and toughness, and in the case of school shootings, many of them are also expected to take up arms and fight the good fight. While this is of course laudable, many survivors are simply trying to get by. Unable to process trauma and inexplicable loss, they become withdrawn, depressed, and reckless—not exactly noteworthy traits, but understandable and equally deserving of empathy.

The Fallout shifts the focus on this side of survival by following Vada in the aftermath of a school shooting. Unlike her peers, she fails to cope positively and becomes increasingly self-destructive. But it's through this unsentimental portrayal that The Fallout achieves a frankness and rawness that few films like it have. 

Genre: Drama

Actor: Austin Zajur, Christine Horn, Elliott Roca, Jenna Ortega, John Ortiz, Julie Bowen, Lumi Pollack, Maddie Ziegler, Niles Fitch, Shailene Woodley, Will Ropp, Yindra Zayas

Director: Megan Park

Rating: R

On his first day of class in the remote village of Lunana, the city teacher Ugyen asks his students what they want to be when they grow up. One of the children, a young boy named Sangay, answers that he aspires to be a teacher “because a teacher touches the future.” Lunana: A Yak in the Classroom, however, subverts this thematic by spending most of its runtime showing how the villagers touch Ugyen’s heart through genuine acts of kindness, forcing him to rethink his long-term dream of becoming a singer in Australia.

Not only does Lunana: A Yak in the Classroom succeed in its heartfelt dramatization of a Gen Z finding his place in the highlands, it also serves as a propagandistic validation of Bhutan’s “happiest country in the world” epithet. In doing so, the film presents the Bhutanese mountains in as breathtakingly picturesque a manner as possible, limning a paradise through the grassy meadows and children’s faces.

Genre: Drama, Family

Actor: Kelden Lhamo Gurung, Kunzang Wangdi, Sherab Dorji, Ugyen Norbu Lhendup

Director: Pawo Choyning Dorji

Rating: Not Rated