481 Best BIPOC Stories to Watch (Page 9)

After an initially disappointing breakthrough attempt to Hollywood, Jackie Chan pivoted back to Hong Kong, unexpectedly creating an iconic film franchise and maybe perhaps one of the best martial arts movies ever made. Police Story seems to be a simple story at first, but it was through this film that Chan’s spectacular stunts evolved for a more modern setting, incorporating slapstick and action choreography into a definable style, while also questioning the ways Hong Kong police conducted themselves at the time. Police Story is Jackie Chan at his best, pushing an entirely new standard for action films all over the world.

Genre: Action, Crime, Thriller

Actor: Ben Lam, Benny Lai Keung-Kuen, Bill Tung, Brigitte Lin, Chan Chi-Fai, Chan Chuen, Chan Dik-Hak, Charlie Cho, Chen Chi-Hwa, Cheung Wing-Hon, Chi-Wing Lau, Choi Kwok-Keung, Chor Yuen, Chow Kong, Chris Lee Kin-Sang, Clarence Ford, Clarence Yiu-leung Fok, Danny Chow Yun-Kin, David Lau, Fung Hak-On, Ha Kwok-Wing, Jackie Chan, Johnny Cheung Wa, Kam Hing-Yin, Ken Tong, Kent Tong, King Lee King-Chu, Kwok-Hung Lam, Lam Foo-Wai, Lam Hak-Ming, Lam Kwok-hung, Lau Chi-wing, Lau Dan, Lau Fong-Sai, Lau Nga-Lai, Lau Shung-Fung, Luk Ying-Hong, Maggie Cheung, Maggie Cheung Man-Yuk, Mars, Michael Lai Siu-Tin, Money Lo, Paco Yick Tin-Hung, Pang Hiu-Sang, Paul Chang Chung, Paul Wong Kwan, Robert Siu Leung, Tai Bo, Tsang Choh-Lam, Wan Fat, Wan Ling-Kwong, Winnie Yu Ching, Woo Fung, Wu Fung, Yasuaki Kurata, Yuen Chor

Director: Chi-Hwa Chen, Jackie Chan

Rating: PG-13

For better or worse, friendship can be the most important relationship a child can have, especially when they move into a new school. Poison for the Fairies takes a look at an unusual friendship, one that’s forged not by regular schoolgirl hobbies, but by witchcraft, spells, and superstition. It’s incredibly unnerving how Flavia and Veronica’s dynamic gets, as each morbid claim gets questioned but is never fully explained, as each unanswered question slowly adds to the terror, and as each boundary gets pushed because of those few moments of calm. But it’s also incredibly tragic, considering the ways Flavia and Veronica are characterized. Writer-director Carlos Enrique Taboada makes it all the more creepy by centering the camera through their eyes, by capturing the uncertainty of this terrible friendship.

Genre: Fantasy, Horror

Actor: Ana Patricia Rojo, Anna Silvetti, Arturo Beristáin, Carmela Stein, Elsa Maria Gutierrez, Ernesto Schwartz, Hortensia Santoveña, Laura Almela, Leonor Llausás, Lilia Aragón, Luis Mario Quiroz, Marcela Paez, Maria Santander, Rita Macedo, Rosa Furman, Sergio Bustamante

Director: Carlos Enrique Taboada

Another indie zombie movie? Far from it. One Cut of the Dead, written and directed by Shin'ichirô Ueda, became a global sensation following its small theatrical run in Japan for its creative and original screenplay. A hack director and film crew are shooting a low-budget zombie movie in an abandoned WWII Japanese facility when they are attacked by real zombies. That’s all you need to know about the plot, as the film is full of surprises that will catch you off guard. Wondering how an independent film with a budget of just $25,000 was able to gross over $30 million worldwide? The answer lies in the film itself. 

Genre: Comedy, Drama, Horror

Actor: Ayana Goda, Donguri, Harumi Shuhama, Harumi Syuhama, Hiroshi Ichihara, Kazuaki Nagaya, Manabu Hosoi, Mao, Miki Yoshida, Sakina Asamori, Shinichiro Osawa, Shiori Nukumi, Shuntaro Yamazaki, Takayuki Hamatsu, Tomokazu Yamaguchi, Yuzuki Akiyama

Director: Shin'ichirō Ueda, Shin'ichiro Ueda

Rating: Not Rated, Unrated

While based on the Mononoke series, which is in turn, a spin-off of Ayakashi: Samurai Horror Tales, it might seem that Mononoke The Movie: The Phantom in the Rain would require some background reading for people new to the story. Thankfully, there’s no need to do homework for this beautifully designed masterpiece, as the Medicine Seller takes on a new case with every installment. 2024’s Phantom in the Rain (also known as Paper Umbrella) unfolds its world with ease, with doors opening and closing to a select few for a high-pressure, hierarchical imperial household. Immediately, the visuals are stunning, with traditional ukiyo ink and paper mixed with modern kaleidoscopic fill and movement, but even without the gorgeous art, the first Mononoke movie works with its eerie horror, intense sound design, and a compelling mystery driven by court intrigue and vengeful spirits.

Genre: Animation, Fantasy, Horror, Mystery

Actor: Aoi Yuki, Haruka Tomatsu, Hiroshi Kamiya, Jun Fukuyama, Kana Hanazawa, Kenjiro Tsuda, Mami Koyama, Miyu Irino, Tomoyo Kurosawa, Yoko Hikasa, Yuhko Kaida, Yukana, Yuki Kaji

Director: Kenji Nakamura

This Oscar-nominated French movie is set in Montfermeil, the Paris suburb where Victor Hugo wrote Les Misérables but which today is a rough neighborhood. Inspired by instances of police violence that happened in 2008, the movie follows a squad of police officers who try to keep the neighborhood under control. Their methods, or lack thereof, inevitably cause things to explode. This is a thriller with a message, one which sometimes feels forced; but the payoff at the end will make you forget all of that.

Genre: Crime, Drama, Thriller

Actor: Abdelkader Hoggui, Al-Hassan Ly, Alexis Manenti, Almamy Kanoute, Amara Ly, Bonnie Duvauchelle, Damien Bonnard, Djebril Zonga, Djibril Zonga, Issa Perica, Jaihson Lopez, Jeanne Balibar, Ly Lan Chapiron, Marine Sainsily, Nizar Ben Fatma, Romain Gavras, Sofia Lesaffre, Steve Tientcheu

Director: Ladj Ly

Rating: R

Like many coming-of-age films about films, it’s easy to assume that Last Film Show would be a derivative of all-time film classic Cinema Paradiso. Both films from opposite corners of the world, separated by more than three decades, do share that awe of cinema from a projection booth. However, unlike Paradiso, the awe of Last Film Show is also tempered by the rural poverty its young protagonist faces. Samay learns projection from a film booth, and learns community is formed through the screen, but he also learns it through snatching the few reels that passes through their village, manually experimenting with scrap material, and recreating the same light and shadows through its fundamentals. These scenes are precocious because of the children, but it makes for a more interesting take, because Samay’s journey proves that cinema truly is worth saving, even without the money. It’s undeniably awe-inducing with Pan Nalin’s stunning shots and semi-autobiographical story.

Genre: Drama

Actor: Bhavesh Shrimali, Bhavin Rabari, Dipen Raval, Rahul Koli, Richa Meena

Director: Pan Nalin

The idea of representation in movies is often limited to superficial gestures of putting on screen people who look a certain way. Kokomo City is a reminder of cinema's possibilities when one really tries to queer filmmaking itself, with genuine queer voices driving a production. This documentary is messy and incredibly playful in its style—in ways that might read to some as lacking cohesiveness, or as tonally inconsistent. But the way director D. Smith is able to capture the dynamic energy of a series of conversations makes these powerful, funny, tragic anecdotes and dialogues feel truly grounded in people's everyday experiences, and makes the plea for protection of trans lives all the more urgent.

Throughout Kokomo City, this collection of individuals goes off on various tangents that never become difficult to follow. They speak about the nature of sex work, hidden desires felt by traditionally masculine male clients, and various degrees of acceptance within the Black community. And between these statements alternating from impassioned to emotional to humorously candid, Smith injects cheeky cutaway footage, layers text on screen, and plays an eclectic rotation of music throughout. It's about as real and as three-dimensional as these trans lives have ever been shown on screen.

Genre: Documentary

Actor: Daniella Carter, Dominique Silver, Koko Da Doll, Liyah Mitchell, XoTommy

Director: D. Smith

Rating: R

Sometimes, all you need to make a good movie is to get two vastly different characters and force them to stay together. It’s probably why Kiss of the Spider Woman was made in the first place– the novel dumps hardened, self-sacrificial activist Valentin and flamboyant gay man Molina in a jail cell. But rather than depict Molina and Valentin just talking, the film visually recreates the stories they tell to each other as films-within-a-film. Molina’s fictional love stories are given all the glamor and drama of classic 60s romances, and Valentin’s life story depicted with a straightforward, gritty realism that matches the hard experiences he had. So as they tell their stories and challenge each other with their respective approaches to life, director Héctor Babenco ensures that as the two finally feel heard by each other, the audience, too, can easily empathize with the perspectives they take. It also ensures that the plot twist holds a strong punch. Though its escapist approach may suggest otherwise, Kiss of the Spider Woman realistically explores the way storytelling has always meant freedom.

Genre: Drama

Actor: Ana Maria Braga, Denise Dumont, Herson Capri, José Lewgoy, Lineu Dias, Luis Roberto Galizia, Miguel Falabella, Miriam Pires, Nildo Parente, Nuno Leal Maia, Patricio Bisso, Raúl Juliá, Sônia Braga, William Hurt

Director: Héctor Babenco

Rating: R

If Katrina Babies seems like a somewhat disjointed account of the myriad responses to Hurricane Katrina and the U.S. government's horrible, anti-poor response to the disaster, director Edward Buckles Jr. uses this structure with much more intent. For once this is a documentary that feels like citizen reporting and not a sanitized report from experts who have little to no real personal stake in the subject. As the film swings from one talking point to the next, you get the sensation of just how much the people of New Orleans are still trying to comprehend; the loose structure brings to this film a sense of helplessness that, for some, just can't be overcome.

Genre: Documentary

Actor: Arnould Burks, Calvin Baxter, Cierra Chenier, Damaris Calliet, Quintina Thomas Green

Director: Edward Buckles

Rating: R

As one of the few animated Filipino films ever made, there’s a question as to why The Missing should use the animation in the first place. The animation here is much more rough than the ones from other countries, and while it’s a bit more pricey, the filmmakers could have filmed this in live action with practical SFX and CGI. But there’s a big reason why it was animated anyway– It’s because of the story. It’s not just because the protagonist Eric is an animator– it’s because animation, to that specific lead, was the way through which he was able to form a life after trauma, becoming the livelihood that allowed him to move out of his childhood home, and far far away from the trauma he faced. Writer-director Carl Joseph Papa also takes advantage of the medium by creating designs that match Eric’s current state of mind– regular, day-to-day life is rotoscoped, while the blank portions of his memory are traditionally drawn in the style Eric would have had during that age. It’s an unusual approach, but whether or not the story was adjusted to the budget, Iti Mapukpukaw is undeniably a touching and inventive drama that depicts the complexities of grief.

Genre: Animation, Drama, Science Fiction

Actor: Carlo Aquino, Christela Marquez, Dan Villegas, Dolly de Leon, Gio Gahol, Jeremy F. Mendoza

Director: Carl Joseph E. Papa

Rather than talking about what it takes to get to the other side of the border, Identifying Features instead focuses its attention back home. It’s part of the reason why the film actually highlights how difficult this actually is– Before even reaching it, people hoping to enter America go through a dangerous journey, many of whom disappear without any resolution for the loved ones left behind. But in focusing on what happens back behind the border, the social issue drama becomes more compelling, as the mystery of what happened to the son that left easily strikes a cord and drives the plot forward rather than straightforwardly talking about the journey. As she does so, writer-director Fernanda Valadez sets a spine-tingling mood, with striking, cryptic shots paired with the sober, difficult explanations the loved one who have been left behind with her have tried to formulate. Sin Señas Particulares captures that painful story in such a bold and thoughtful debut.

Genre: Drama

Actor: Ana Lauda Rodríguez, Armando García, David Illescas, Juan Jesús Varela, Mercedes Hernández

Director: Fernanda Valadez

Rating: NR

Heart Attack is a romantic comedy, but instead of the hijinks being caused by the usual dating, miscommunication, and wooing, Yoon’s struggle here is to finally get a hold of his overbearing schedule and figure out how to relax and recover from burnout, and it’s all inspired by wanting to impress his doctor Imm. It’s funny, but it’s also all too real. Writer-director Nawapol Thamrongrattanarit recreates the overwhelming frenzy to complete a job through a magnificent jazz soundscape and Sunny Suwanmethanon’s internalized monologue, and it’s such an effective cinematic translation that the moments of rest, the moments where Yoon and Imm finally take a break feels like a relief. Heart Attack works precisely because it empathizes and understands the experience of workers in today’s gig economy.

Genre: Comedy, Drama, Romance

Actor: Adisorn Trisirikasem, Banjong Pisanthanakun, Chatcharin Saetan, Chonlasit Upanigkit, Davika Hoorne, Morakot Liu, Natda Chawawanid, Nottapon Boonprakob, Panjavit Tangtongjit, Sunny Suwanmethanon, Sunny Suwanmethanont, Surattanavee Suviporn, Surattanawee Suviporn, Thanapob Leeratanakachorn, Tor Thanapob Leeratanakachorn, Torpong Chantabubpha, Vichai Matakul, Violette Wautier

Director: Nawapol Thamrongrattanarit

Rating: N/A