485 Best BIPOC Stories to Watch (Page 23)

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Staff & contributors

Movies about the experiences of Black, Indigenous, and People of Color set against the backdrop of White-majority Western countries.

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, 1987

While marked as a comedy, Zegen isn’t the kind of film that would make you laugh freely– it is, after all, a film that mocks the real-life sex trafficking of impoverished Japanese women during both world wars. This makes it a challenging film to watch, especially to viewers outside the country. But to Shohei Imamura’s credit, the butt of the joke isn’t on the women being sold, but rather, on the titular pimp Iheiji Muraoka, the delusions and lies he told himself and others, and the twisted nationalism he uses to exploit his ladies. Zegen is based on Muraoka’s supposedly true autobiography, but Imamura uses the text to mirror the follies (and consequences) of imperialism.

Genre: Comedy, History

Actor: Hiroyuki Konishi, Ken Ogata, Ko Chun-Hsiung, Mitsuko Baisho, Norihei Miki, Sanshô Shinsui, Shino Ikenami, Taiji Tonoyama, Tetta Sugimoto

Director: Shōhei Imamura

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, 1989

Given that there are 25 other films and 4 seasons depicting the blind swordsman, Shintaro Katsu’s ​​Zatoichi can seem a bit redundant. To a certain extent, it is, as the action set pieces call back to earlier standout moments and the length can feel a tad bloated, so fans of Ichi might find this conclusion still classic, but nothing particularly novel. That being said, with Katsu directing the conclusion after portraying the character for so long, it’s no surprise that everything the Zatoichi is known for– the action, the humor, and the swordfighting– is dialled up to eleven, with a slightly darker and more stylistic tinge that brings the swordsman to better fit the newer decade. Fans would already have their opinions on this film, but for new viewers, Zatoichi: Darkness Is His Ally might find it as a straight-to-the-point snapshot of this classic 70s franchise.

Genre: Action, Drama

Actor: Akira Kubo, Asao Matsumoto, Fumihiko Tachiki, Jun Tatara, Kanako Higuchi, Keizo Kanie, Ken Ogata, Koichi Ueda, Koji Miemachi, Makoto Satō, Miho Nakayama, Norihei Miki, Rikiya Yasuoka, Ryuutarô Gan, Sachio Sakai, Sakae Umezu, Shintarō Katsu, Takanori Jinnai, Takashi Ebata, Takuzō Kawatani, Tomoyuki Shimura, Yûsuke Koike, Yūya Uchida

Director: Shintarō Katsu

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, 2007

Some bigots like to equate genitals to one’s gender and sexual orientation, but in practice, it’s not always a straightforward equation, especially for the rare, but natural, occasion when people are born with both male and female sex organs. XXY isn’t the first film to discuss the intersex experience, but it’s one of the first features that managed to be critically acclaimed. Unlike some of its predecessors, XXY is much more grounded, taking place in the modern era, and is mostly centered on Alex’s gender and sexual exploration. The film isn’t a perfect depiction– at the time, intersex wasn’t even the most common term, and sex-reassignment surgery was often the default action– but there is a lot in the film that dared to question certain ideas, such as having to choose only between a binary. Not many intersex films were created after this, in part due to how rare intersex is, and how broad the term encompasses multiple conditions, but XXY stands out all the more because of it.

Genre: Drama

Actor: Ailín Salas, Carolina Peleritti, Carolina Pelleritti, César Troncoso, Germán Palacios, Guillermo Angelelli, Inés Efron, Lucía Puenzo, Lucas Escariz, Lucía Puenzo, Luciano Nóbile, Martín Piroyansky, Ricardo Darín, Valeria Bertuccelli

Director: Lucía Puenzo

Rating: Not Rated

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, 2023

Much sweeter and much more bittersweet than one might expect, World's Best does some deceptively clever things with its major themes of math and rap. Somehow, this pre-teen coming-of-age story finds a way to play with preconceived notions of equations always resulting in certain answers, and of modern hip hop being all about swagger and status. Unsurprisingly (or maybe disappointingly for some), the film ultimately touches on grief and loss, which an increasing number of Disney films have been doing as of late. But World's Best keeps itself fresh through its sincere, energetic tone, colorful production design, and spirited performances by Utkarsh Ambudkar and the young Manny Magnus. So even when the rapping gets corny (which it does more often than it should), the spirit behind it is so endearing that it's hard to be mad.

Genre: Comedy, Family, Music

Actor: Chris River, Christopher Jackson, Dorian Giordano, Doug E. Fresh, Jake Choi, Jordan Heron, Jorja Rae Inksetter Lardy, Karan Soni, Kathryn Greenwood, Kayla Njeri, Manny Magnus, Max Malas, Maya McNair, Neil Crone, Noah Lamanna, Piper Wallace, Punam Patel, Robyn Matuto, Sathya Sridharan, Tricia Black, Utkarsh Ambudkar

Director: Roshan Sethi

Rating: PG

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, 2023

Based on the rumors, When Frank Met Carlitos is a fun reimagination of how the meeting between Carlos Gardel and Frank Sinatra went. While the meeting is entirely fictional, it’s an interesting what-if scenario, as the real-life Sinatra went into music because of American singer Bing Crosby, who in turn, was notably inspired by Gardel, the Il Muto. Split between their languages, Gardel and Sinatra still have a shared understanding, piecing together each other’s thoughts through shared loan words, and imparting knowledge through dramatic song. As the fictionalized versions of the best singers from the American continent interact, the TV special seems like a send-off from a wiser generation to their younger counterparts.

Genre: Comedy, Drama, Music

Actor: Antonella Misenti, Oscar Lajad, Pablo Turturiello

Director: Natalia del Castillo

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, 2017

While the police haven't been getting a good rep in recent years, there were times when cops actually got the job done, and went after the gangs that we individuals can’t. Kang Yun-seong’s narrative feature debut is based on the real-life Yanbian Heuksapa Incident, and what’s interesting is that along with having Ma Dong-seok deliver some of the finest and most entertaining fight scenes, there’s a sense that these cops actually care about people, like when Seok-do urges his boss to be gentle towards their team after having to stay in the office longer, or when he reaches out and works directly with the community. The Outlaws doesn’t transform the genre, but it’s well-written, well-choreographed, and held together through the strength of Ma Dong-seok’s charisma (and arms). It’s no wonder director Kang and Don Lee managed to transform this into a sprawling franchise, something to be akin to Korea’s Fast & Furious.

Genre: Action, Crime, Thriller

Actor: Bae Jin-ah, Cho Jin-woong, Choi Guy-hwa, Choi Gwi-hwa, Geum Gwang-san, Ha Jun, Heo Dong-won, Heo Sung-tae, Hong Gi-jun, Hong Ki-joon, Jeong In-gi, Jeong In-kyeom, Jin Seon-kyu, Jin Sun-kyu, Jo Jae-yun, Kim Koo-taek, Kim Sung-kyu, Lee Kyu-ho, Lim Hyung-jun, Ma Dong-seok, Min Kyung-jin, Min Moo-je, Park Ji-hwan, Uhm Ji-sung, Ye Jung-hwa, Yoo Ji-yeon, Yoon Byung-hee, Yoon Joo, Yoon Kye-sang

Director: Kang Yoon-sung, Kang Yun-sung

Rating: Not Rated

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, 2018

It’s not easy to turn away from organized crime. On top of having to reckon with what you’ve done and what reparations you have to make for the survivors, you also have to deal with everyone out to kill you. This is a familiar premise, of course, but writer-director Timo Tjahjanto takes it as an excuse to create some of the bloodiest and most action-packed sequences ever created, all stitched together in The Night Comes for Us. It’s a fairly thin martial arts crime thriller, but it’s wildly entertaining. With every skull crushed and gallons of blood spurted, Tjahjanto goes nuts with his ever creative, violent spectacles that action fans must watch, if they can stomach the gore.

Genre: Action, Crime, Thriller

Actor: Abimana Aryasatya, Asha Kenyeri Bermudez, Asta Nurcahya, Dian Sastrowardoyo, Dimas Anggara, Hannah Al Rashid, Iko Uwais, Joe Taslim, Julie Estelle, Morgan Oey, Salvita Decorte, Shareefa Daanish, Sunny Pang, Zack Lee

Director: Timo Tjahjanto

Rating: R, TV-MA

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, 1990

When it comes to films depicting America’s history of racism, many white produced films tend to be centered on a white savior. At best, this is just patting each other on the back for actions done a generation or two ago. At worst, it tends to be outright historical revisionism. The difference between these and The Long Walk is that, while clearly made for a white audience, the film doesn’t crown Sissy Spacek’s character as a messiah, but her choice to help the boycott anyway is a message worth depicting, even if it’s small, even if it isn’t the typical, single-handed salvation Hollywood is used to doling out. While the white narrator adds unnecessary distance, and while it would have been better to see more of Whoopi Goldberg in the non-comic role of Odessa Cotter, The Long Walk cares about the everyday, and that’s what makes it mostly work.

Genre: Drama, History

Actor: Afemo Omilami, Chelcie Ross, Cherene Snow, Dan Butler, Dwight Schultz, Dylan Baker, Erika Alexander, Graham Timbes, Haynes Brooke, Jason Weaver, Kevin Thigpen, Lexi Randall, Mary Steenburgen, Nancy Moore Atchison, Norman Matlock, Philip Sterling, Rebecca Wackler, Richard Habersham, Schuyler Fisk, Sissy Spacek, Ving Rhames, Whoopi Goldberg

Director: Richard Pearce

Rating: PG

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, 2019

With a forest home destroyed, leaving an adorable cat spirit child displaced, The Legend of Hei seemed like a Studio Ghibli-esque tale, at least in themes, child protagonist, and fantasy flying. There’s charming moments where Hei appreciates the day-to-day– moments where he diligently learns his powers, enjoys the simple human pleasures present in the modern world, and of course, feels at home in the stunning natural spirit places. However, it’s not quite Ghibli as there are plenty of wuxia-inspired fight scenes, with as many flying kicks involved. That being said, there is a pro-peace message here, that at face value, is probably a good message for children, but this film’s peace comes without clear details about Hei’s displacement, or the general condition of the spirit world at large. The Legend of Hei’s charming animation is lovely, but this push for peace could have been more meaningful if it also considered justice.

Genre: Action, Animation, Fantasy

Actor: Chen Siyu, Ding Dang, Hao Xianghai, Li Lu, Liu Mingyue, Shan Xin, Sheng Feng, Wang Youji, Yang Ning, Yeqiao Yan, Yuntu Cao

Director: MTJJ, Mtjj Mutou

Rating: PG

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, 2002

When talking about resistance against colonial powers, nonviolent resistance, inspired by Mahatma Gandhi, is oftentimes touted as the most righteous and morally correct path to take. However, most people forget that this violence is done in response to the violence enacted upon them, and that violent resistance has worked alongside the non-violent path, with a serious rationale behind their methods. The Legend of Bhagat Singh remembers one of the Indian revolutionaries that devoted their lives to the cause, though in a different way from Gandhi. The film has some inaccuracies, and it emphasized the romance he might have had with the unmarried woman later known as Bhagat’s widow, but the Legend of Bhagat Singh is an interesting portrait of a revolutionary that needs to be discussed more.

Genre: Crime, Drama, History

Actor: Ajay Devgan, Ajay Devgn, Akhilendra Mishra, Amrita Rao, Bhaswar Chatterjee, D. Santosh, Farida Jalal, Mukesh Tiwari, Raj Babbar, Sitaram Panchal, Sushant Singh, Swaroop Kumar

Director: Rajkumar Santoshi

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, 2018

While Hollywood still makes some films in this genre, there are less historical epics being released, in part due to cost, but also in part due to having had so many, ever since the start of the medium. However, there are some historical events that we rarely see on film, and one of them is The Great Battle. Set before the formation of a united Korea, the film is a classic standoff against a larger army, that has all the swordfighting and armies we’ve come to expect, but it’s also grounded by the dynamic between a young warrior sent to assassinate, and the hardened, brilliant commander whose leadership kept the troops protected. While there are moments that definitely eludes historical accuracy, and there are some subplots that distract from the main conflict, The Great Battle is a fairly entertaining historical epic to watch, especially when focused on the action-packed clashes and the spectacular warfare.

Genre: Action, History, War

Actor: Bae Seong-woo, Bae Sung-woo, Cha Eun-woo, Eom Tae-goo, In-sung Jo, Jang Gwang, Jeong In-kyeom, Jo Hyun-wu, Joo-Hyuk Nam, Ju Seok-tae, Jung Eun-chae, Jung Ji-hoon, Kim Seol-hyun, Nam Joo-hyuk, Oh Dae-hwan, Oh Dae-whan, Park Byung-eun, Park Sung-woong, Seol-Hyun Kim, Seolhyun, Shin Yoo-ram, Stephanie Lee, Sung Dong-il, Sung-woong Park, Um Tae-goo, Yeo Hoi-hyeon, Yu Oh-seong, Zo In-sung

Director: Kim Kwang-shik, Kim Kwang-sik, Kwang-shik Kim

Rating: Not Rated, R

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, 1998

If you wanted to watch an epic historical drama about the three assassination attempts against the first emperor of China, 2002’s Hero is the better known, and better acclaimed, choice. Nevertheless, the drama that depicted this four years earlier, the Emperor and the Assassin, is a fairly decent watch, with nearly three hours to parse out Ying Zheng’s career with extravagant production design and excellent performances to marvel at. The film is also slightly more accurate, taking its characters from actual historical record. The Emperor and the Assassin may not be perfect– it’s aggressively sepia-tinged, and it does struggle to maintain the plot’s focus– but it depicts the history well, regardless.

Genre: Drama, History

Actor: Chen Kaige, Ding Haifeng, Gong Li, Li Hongtao, Li Qiang, Li Xuejian, Lü Xiaohe, Pan Changjiang, Sun Zhou, Wang Qian-Yuan, Zhang Fengyi, Zhao Benshan, Zhiwen Wang, Zhou Xun

Director: Chen Kaige

Rating: R

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, 2023

When travelling to another place, another city, another town, there’s a certain anonymity that frees one’s self. No one knows who you are, so you’re not expected to maintain a certain personality, and that can be necessary for young people trying to find their way. The Breaking Ice shows this in a fairly sentimental way, juxtaposing the wintry, snowy landscape with the warm but fleeting connection forming between three lonely adults, but there’s just something honest in the way the three try to hide but still share the same youthful ennui, even if they come from vastly different backgrounds. The Breaking Ice might not be daring enough to delve into the queer aspect of this trio, but it’s still a lovely, well-crafted drama contemplating the youth’s melancholy.

Genre: Drama

Actor: Liu Baisha, Liu Haoran, Qu Chuxiao, Ruguang Wei, Zhao Wenhao, Zhou Dongyu

Director: Anthony Chen

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, 2019

Shot almost entirely in one take and on a tiny budget, and yet the central performance in this movie is still better than most big-budget dramas I’ve seen this year.

Two indigenous women, one upper-class and the other impoverished, meet on the day that the rich one gets an IUD and the other one, pregnant, finds herself kicked out of her home. They spend a few hours together: they talk, they take cabs, walk, etc; and you as a viewer, follow them throughout their intimate yet difficult moments.

If you like subtle movies that showcase how people live and interact with one another, beyond plot-obsessiveness, this is for you.

Genre: Drama

Actor: Aidan Dee, Anesha Bailey, Anthony Bolognese, Barbara Eve Harris, Charles Jarman, Charlie Hannah, Elle-Máijá Tailfeathers, Elle-Maija Tailfeathers, James Angus Cowan, Jay Cardinal Villeneuve, Kathleen Hepburn, Lissa Neptuno, Paul Jarrett, Sonny Surowiec, Tony Massil, Violet Nelson

Director: Elle-Máijá Tailfeathers, Elle-Maija Tailfeathers, Kathleen Hepburn

Rating: TV-MA

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