484 Best BIPOC Stories to Watch (Page 20)

When it comes to ghosts, plenty of films are centered around personal, unresolved business in the living world, but rarely do films examine how the spirit world would be, unless it’s for fantastical fights or horrific terror. The Parades instead focuses on a world of lost, but ordinary, and thankfully kind, souls. And as the film builds its calm world, Minako (and the viewers) get to meet the people who would form her eventual found family, whose various lives uncover the intimate and personal hopes of ordinary people, shaped by the events of their respective times. While the film doesn’t fully resolve all their stories, The Parades celebrates life, in all forms, and the powerful ways storytelling and community helps us go through it.

Genre: Drama

Actor: Akari Takaishi, Ayumu Nakajima, Azuki Terada, Daiken Okudaira, Denden, Go Ayano, Hana Kino, Haru Iwakawa, Hiroshi Tachi, Kentaro Sakaguchi, Kotone Hanase, Lily Franky, Mai Fukagawa, Masami Nagasawa, Nana Mori, Ron Mizuma, Ryusei Yokohama, Shinobu Terajima, Shun Sugata, Suon Kan, Takuya Wakabayashi, Tetsushi Tanaka, Yuina Kuroshima, Yukiya Kitamura

Director: Michihito Fujii

Rating: PG-13

Going deep undercover, integrating one’s self into a group without any suspicion, and passing out information to another party… That’s the job of a mole. While they mostly lurk in various government agencies, laboratories, and other special circles of power, The Mole Agent instead goes deep undercover in a Chilean retirement home, having stakes that may not be world-ending, but take more personal, domestic weight as Sergio befriends the residents, records and reports on their well-being, and tries to figure out what exactly Romulo wants as evidence. It’s a funny situation, one that depicts the resident home with warmth, albeit with the occasional spy cams and an old-fashioned piano score, but it can be difficult to figure out where the line is between truth and fiction, as some scenes can feel a bit staged. Still, The Mole Agent is a charming portrait of old age, made so compelling with director Maite Alberdi’s unusual perspective.

Genre: Documentary

Actor: Berta Ureta, Marta Olivares, Rómulo Aitken, Sergio Chamy, Zoila González

Director: Maite Alberdi

Rating: Not Rated

In this French movie based on a true story, a med-school graduate from Congo is offered a job as the doctor to the president of Zaire. He refuses and chooses instead to move to a small town in France in hopes of getting French citizenship and securing a better future for his children.

The story, which starts in 1975, is set in a village where people had never seen a Black person. To that, Seyolo, the doctor, says: “so what? Now they will.”

The culture clash is both villagers-to-new-arrivals and the other way. Seyolo tells his family that he was hired in a village “north of Paris”, but all they hear is “Paris”, only to be shocked by the state of the rainy and muddy countryside village.

Genre: Comedy, Drama

Actor: Aissa Maiga, Bayron Lebli, Bernard Eylenbosch, Bwanga Pilipili, Christophe Lambert, Diogène Ntarindwa, Édith Le Merdy, Emilie Rouhart, Frédérick Bukolé, Ingrid Heiderscheidt, Jean Bediebe, Jean-Benoît Ugeux, Jean-Marie Barbier, Jean-Michel Balthazar, Jonathan Lambert, Jovial Mbenga, Julien Rambaldi, Kamini Zantoko, Laurent Caron, Marc Zinga, Marie-Philomène Nga, Marius Yelolo, Mata Gabin, Medina Diarra, Michel Schillaci, Micheline Dieye, Narcisse Mame, Riton Liebman, Rodolphe Jonathan Lambert, Rufus, Stéphane Bissot, Stéphane Brodzki, Stéphanie Crayencour, Sylvestre Amoussou, Tatiana Rojo, Thomas Vandenberghe, Thomas VDB, Vincent Lecuyer, Vincent Martin

Director: Julien Rambaldi

Rating: N/A

Released a month directly after Kyoto Inferno, Rurouni Kenshin Part III: The Legend Ends continues Kenshin’s journey, the same journey that revived the samurai chambara genre in recent years. As Japan made its shift towards a modern society in the Meiji era, Kenshin fights in promise to his master’s teachings, to wield his sword for life, rather than for the violence that once was the basis of power. The Legend Ends continues Rurouni Kenshin’s cinematic style with all the outstanding fight choreography, excellent production design, and exceptional cinematography, making it a must watch for fans of the genre as well as action fans in general, but those new to the franchise or those who have only watched the films might still find themselves lost with regards to the way this arc was structured.

Genre: Action, Adventure, Drama, Fantasy

Actor: Akifumi Uchida, Ayumi Beppu, Emi Takei, Hidekazu Mashima, Hiroko Yashiki, Kaito Oyagi, Kazufumi Miyazawa, Kenichi Takitoh, Kentarō Shimazu, Kota Yamaguchi, Mantaro Koichi, Maryjun Takahashi, Masaharu Fukuyama, Masataka Kubota, Min Tanaka, Mitsu Murata, Munetaka Aoki, Nayuta Fukuzaki, Ryosuke Miura, Ryunosuke Kamiki, Takeru Sato, Takeru Satoh, Tao Tsuchiya, Tatsuya Fujiwara, Tomomi Maruyama, Tôru Kizu, Yosuke Eguchi, Yu Aoi, Yukiyoshi Ozawa, Yuria Eda, Yûsuke Iseya

Director: Keishi Ohtomo, Keishi Otomo

Rating: R, TV-MA

After a long life lived in a home one chose, it can be hard to uproot your entire life, especially in a country that seems diametrically opposed in manners and values. Before his American produced hits like Brokeback Mountain and Life of Pi, Ang Lee made his debut through Pushing Hands, a film entirely shot in America but produced from Taiwan, exploring from the Chinese perspective the generational conflict between Asian immigrants and the mainlander parents that they brought to have a good life. It’s humorous at certain moments, with the steady demeanor of Chu contrasted to everyone around him, but Pushing Hands stems from the understanding of someone who’s directly lived through it, unfolding into a thoughtful, sentimental drama that quickly established Lee’s directorial voice.

Genre: Comedy, Drama

Actor: Chit-Man Chan, Deb Snyder, Fanny De Luz, Haan Lee, Lung Sihung, Sihung Lung, Wang Bozhao, Wang Hung-Chang, Wang Lai

Director: Ang Lee

When the wider culture doesn’t treat you the same way they treat the majority, it’s sometimes necessary to get mad, pivot, and assimilate to the majority’s ways in order to navigate the country and advocate for your rights. That’s the path Northern Cheyenne activist Buddy Red Bow took in Powwow Highway, one borne out of clear love of the community. But the beauty of this Native American story is the way Buddy learns to heal, to reconcile with his community’s folklore, and to recognize the resistance in serenely keeping what the wider majority tried to erase. Powwow Highway won’t be a perfect depiction of Native American culture, but it speaks true to the anger and heart the community still feels to this day.

Genre: Comedy, Drama

Actor: A Martinez, Amanda Wyss, Gary Farmer, Geoffrey Rivas, Graham Greene, Joanelle Romero, Rodney A. Grant, Sam Vlahos, Wes Studi

Director: Jonathan Wacks

Nanpakal Nerathu Mayakkam might not immediately make sense to audiences new to director Lijo Jose Pellissery, but it’s still an interesting film that depicts Tamil culture. Also known as Like an Afternoon Dream, the contemplative bilingual film is centered around a prejudiced Malayali tour guide who wakes up as another man, specifically someone fluent in Tamil, and walks into the nearby village. Through vignettes focused on the village inhabitants, the film slowly unravels the dynamics between each of the villagers, flitting back to the tour bus on occasion to see how they’re faring. While some of the comedy goes over viewer’s heads, especially for people unfamiliar with the state, the slow-paced film feels like a fond memory from Pellissery. The film doesn’t explain anything at all, in the same way strange dreams refuse to do.

Genre: Comedy, Drama, Fantasy

Actor: 'Poo' Ram, Ashokan, Ashwanth Ashokkumar, G. M. Kumar, Mammootty, Namo Narayanan, Rajesh Sharma, Ramachandran Durairaj, Ramya Pandian, Ramya Suvi, Thennavan, Vipin Atley

Director: Lijo Jose Pellissery

Movie vampires are usually depicted in the spooky gothic way or the sexy, supernaturally romantic way. Mr. Vampire instead depicts this undead creature in a goofy manner, taking the Chinese jiangshi as an unfortunate mentorship program between Master Kau and his silly, incompetent assistants. It’s a bit corny, but director Ricky Lau creates action-packed yet comedic fights that Hong Kong cinema is known for, taking this creepy mythology with much more playfulness than we’re used to with vampires. Horror fans looking for a scare won’t find what they’re looking for in this flick, but action-comedy fans, as well as viewers that want to start watching horror films, might enjoy this slapstick satire in anticipation for Halloween.

Genre: Action, Comedy, Horror

Actor: Anthony Chan Yau, Billy Lau, Chan Ming-Wai, Chin Siu-Ho, Chow Gam-Kong, Huang Ha, Lam Ching-Ying, Moon Lee, Pauline Wong Siu-Fung, Ricky Hui, Tenky Tin Kai-Man, Wong Wan-Si, Wu Ma, Yuen Biao, Yuen Wah

Director: Ricky Lau

If given the outline of this film, it might be easy to just call it poverty porn. But there’s a genuineness to Mambar Pierrette that keeps this film from sliding into melodrama, a certain subtlety that captures the everyday life in Douala, Cameroon. Filmmaker Rosine Mbakam, who made her start through documentary films, brings her naturalistic style here, placing the titular seamstress front and center as she responds to each and every difficulty that comes her way. And as the flood comes, and so too her troubles, Pierrette Aboheu Njeuthat shines with a subtle charisma, a performance full of dignity for the titular single mother that carved out a life through her craft. Mambar Pierrette might have a familiar neo-realist story, but it’s done well due to its excellent balance.

Genre: Drama

Actor: Cécile Tchana, Fabrice Ndjeuthat, Karelle Kenmogne, Pierrette Aboheu

Director: Rosine Mbakam

This Canadian drama produced by Clint Eastwood is based on the true story of Saul Indian Horse, a famous indigenous hockey player who survived Canada’s residential school system. As recently as 1996, indigenous children were taken away from their families to attend brutal assimilation boarding schools.

Indian Horse, by virtue of being based on true events, is not an against-all-odds story. The main character goes through a series of ups and downs between the 70s and 90s, when the movie is set, which reflect the recent history of abuse that Indigenous communities suffered in Canada.

Genre: Drama

Actor: Ajuawak Kapashesit, Anders Yates, Edna Manitowabi, Emily Klassen, Forrest Goodluck, Irene Poole, Jill Frappier, Johnny Issaluk, Martin Donovan, Melanie McLaren, Michael Murphy, Michiel Huisman, Skye Pelletier, Sladen Peltier, Will Strongheart

Director: Stephen S. Campanelli

Rating: Not Rated