339 Best BIPOC Stories to Watch (Page 10)

Staff & contributors

Movies about the experiences of Black, Indigenous, and People of Color set against the backdrop of White-majority Western countries.

, 2004

Director Wong Kar-Wai made this loose sequel to one of the best films ever made, his 2000 classic In the Mood for Love. Much of the story is set around Christmas eve.

In the far future, people take a train to the world of 2046, where no sadness or sorrow can be experienced. No one has ever returned from that world except for a lonely Japanese writer, who narrates the first part of the film.

There are four acts to the story and as is common to Wong Kar-Wai, they are listed in non-chronological order. Not that you will care but 2046 is far from confusing. Instead, it functions as a dazzling visual poem on unreciprocated love.

Genre: Drama, Fantasy, Romance, Science Fiction

Actor: Akina Hong, Akina Hong Wah, Ben Yuen, Ben Yuen Foo-Wah, Benz Kong To-Hoi, Berg Ng, Carina Lau, Chang Chen, Chen Chang, Ching Siu-Lung, Dong Jie, Farini Cheung, Farini Cheung Yui-Ling, Faye Wong, Gong Li, Jie Dong, Li Gong, Maggie Cheung, Ping Lam Siu, Ronny Ching Siu-Lung, Siu Ping-lam, Takuya Kimura, Thongchai McIntyre, Tony Leung Chiu-Wai, Zhang Ziyi, Ziyi Zhang

Director: Kar-Wai Wong, Wong Kar-wai

Rating: R

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Like many American narratives, the history of space exploration is rife with long-buried secrets that are finally coming to the surface. The Space Race is an attempt to collect those secrets and weave a fresh new history that finally celebrates the heroes we should’ve learned about years ago. There are interviews with the likes of space pioneer Ed Dwight (who is responsible for unforgettable lines like “I’m not part of history, but a mystery” and “I had the capability, but not the opportunity) and the first Black man to fly into space, Guion Bluford, as well as surprising information about confidential test pilots, political involvement, and the undeniable influence of Afrofuturistic art and media in the field. But education aside, what gives the documentary an edge is that it’s not afraid to question and at times attack NASA and the government for their racist past. We see celebrated astronaut Victor Glover reconcile his loyalty to his nation with his anger over the murder of George Floyd, for instance. At the same time, others like Dwight wanted to “just talk about space, not the struggle” but were tokenized both by the government and the opposition for their gains. Despite its compact run time, The Space Race covers all these nuances and more to provide a richly detailed and lovingly told new history of space exploration in America.

Genre: Documentary

Actor: Charles Bolden, Ed Dwight Jr., Guion Bluford

Director: Diego Hurtado de Mendoza, Lisa Cortés

Rating: PG-13

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After Loving Vincent, DK and Hugh Welchman’s iconic oil paint animation initially seems like old hat, but this time the style is actually more fitting for their second feature. As an adaptation of the iconic Polish novel, The Peasants had to live up to the book’s reputation as the Nobel-winning depiction of the Polish countryside, one of the first to take an intimate look into the lives of the commonfolk, their customs, beliefs, and traditions. The Welchmans’ naturalist, impressionist art style lines up with the way the original Chłopi was inspired by these movements, as does L.U.C’s selection of mesmerizing, haunting Polish folk songs. While the plot is a tad cliché, it only does so in the way folklore tends to weave the same threads. It just so happens that the threads in The Peasants lead to violent ends.

Genre: Animation, Drama, History

Actor: Andrzej Konopka, Andrzej Mastalerz, Anna Grzeszczak, Cezary Łukaszewicz, Cyprian Grabowski, Dorota Stalińska, Ewa Kasprzyk, Jadwiga Wianecka, Jarosław Gruda, Julia Wieniawa, Kamila Urzędowska, Klara Bielawka, Lech Dyblik, Maciej Musiał, Małgorzata Kożuchowska, Małgorzata Maślanka, Marek Pyś, Mariusz Kiljan, Mariusz Urbaniec, Mateusz Rusin, Matt Malecki, Mirosław Baka, Piotr Srebrowski, Robert Gulaczyk, Sonia Bohosiewicz, Sonia Mietielica, Szymon Kukla, Tomasz Więcek

Director: DK Welchman, Hugh Welchman

Rating: R

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Like a Wes Anderson movie, The Last Black Man in San Francisco takes artistic risks and nails every one of them. There are many quirky, aesthetically well-studied, and even funny aspects to this moving story.

Jimmie has been maintaining a typical San Francisco Victorian house, regularly painting the windows and watering the plants. One small problem: other people live there and they don’t want him around. It turns out this was once Jimmie’s family house, having been built by his grandfather in 1948, and he misses it deeply.

This story is based on writer Jimmie Fails’ life, as he tried to reclaim his family home in SF. However, it’s not a movie that limits itself to gentrification. It transcends that to being about the universal yearning to find a place to call home.

Genre: Drama

Actor: Andy Roy, Daewon Song, Danny Glover, Finn Wittrock, Isiain Lalime, Jamal Trulove, Jello Biafra, Jimmie Fails, John Ozuna, Jonathan Majors, Mari Kearney, Mike Epps, Rob Morgan, Thora Birch, Tichina Arnold, Tonya Glanz

Director: Joe Talbot

Rating: R

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Many people lament the decline of the mid-budget drama with Hollywood A-listers in the lead roles, and for good reason: when the charms of an inspirational, feel-good true story work, they really work. The Burial seems to have been made with this same, unabashedly sentimental attitude, and it makes for an endlessly watchable courtroom underdog tale. The film moves with real energy between its more comedic asides and its more urgent themes of underprivileged people being taken advantage of by wealthy companies. And while it still would've probably been effective as just a straightforward legal drama, the movie makes the effort to seek out a bigger picture—deepening its own title by grounding all its characters against complicated race relations in Mississippi.

Director and co-writer Maggie Betts doesn't stray too far from the template that these kinds of films operate with (perhaps to a fault, especially during its climactic moments), but the cast she's assembled is unimpeachable. Jamie Foxx turns in the kind of funny, energetic, deeply felt star performance that earned him an Oscar almost 20 years ago, while Tommy Lee Jones brings a powerful sense of modesty and centeredness to a role that could've easily taken a back seat to his flashier co-lead. Supporting turns from Jurnee Smollett and Alan Ruck round out a uniformly great ensemble that gives this small movie a commanding air of prestige.

Genre: Comedy, Drama, History

Actor: Alan Ruck, Amanda Warren, Andrea Frankle, B.J. Clinkscales, Bill Camp, Billy Slaughter, Christopher Winchester, David Alexander, David Maldonado, David Shae, Donna DuPlantier, Dorian Missick, Doug Spearman, Eric Mendenhall, Erika Robel, Evan Brinkman, Fracaswell Hyman, George Ketsios, Gralen Bryant Banks, Jalene Mack, Jamie Foxx, Jason Bayle, Jim Klock, Jurnee Smollett, Keith Jefferson, Lance E. Nichols, Logan Macrae, Lorna Street Dopson, Mamoudou Athie, Mike Harkins, Olivia Brody, Pamela Reed, Sam Malone, Summer Selby, Teisha Speight, Tommy Lee Jones, Tywayne Wheatt, Vince Pisani

Director: Margaret Betts

Rating: R

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Sunday Beauty Queen starts with a basic but startling fact: there are about 190,000 Filipina domestic workers in Hong Kong. They toil for six days a week, with little breaks in between, but on Sundays, the one day they are given rest, they choose to take part in a fabulous beauty pageant.  

More than just a mere show, the pageant is a source of joy and relief for the migrant workers who, despite earning significantly more abroad than they would back home, are mired in a host of problems, including discrimination, loneliness, and underemployment. Because of the Philippines’ and Hong Kong’s stringent statutes, some helpers are also forced to go into hiding, unsure of who will protect them each time.

It’s to director Baby Ruth Villarama’s credit that the film feels both like a criticism and celebration of this migrant reality. She exposes the rotten system that forces these women to flee their country but doesn’t forget to highlight the humanity that keeps them going. This result of this deft balance is a story that is just as warm and exacting as any old home. 

Genre: Documentary, Drama

Actor: Cherrie Mae Bretana, Hazel Perdido, Leo Selomenio, Mylyn Jacobo, Rudelyn Acosta

Director: Baby Ruth Villarama

Rating: 0

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For better or worse, death strikes us all, fast and unexpectedly. It’s tough enough if the death is caused by ill health or accidents, but when premeditated by another person– it can be easy to lose faith in a higher power. Secret Sunshine depicts a grieving mother trying to start a new life in the countryside, though certain events make it tough to fit in. There’s a well-meaning, long-term bachelor who’s interested in her, though she’s not ready to reciprocate, and there’s townsfolk that would like to invite her to their church, though she’s reluctant to join. There’s curious, gossipy neighbors ready to comment on her every action. Secret Sunshine reveals a darker layer to the countryside towns we retreat to to cope, but it also examines the ways we grieve, cope, and deal with forgiveness, in a community that would prioritize itself at the expense of what's morally right.

Genre: Drama

Actor: Cha Mi-kyeong, Do-yeon Jeon, Go Seo-hee, Jang Hye-jin, Jeon Do-yeon, Jo Young-jin, Kang-ho Song, Kim Jong-soo, Kim Mee-kyeong, Kim Mi-hyang, Kim Min-jae, Kim Yeong-jae, Kim Young-jae, Ko Seo-hie, Lee Dong-yong, Lee Hee-jun, Lee Sung-min, Lee Yoon-hee, Mi-kyung Kim, Oh Man-seok, Park Myeong-shin, Park Myung-shin, Seon Jeong-yeop, Seon Jung-yeop, Song Kang-ho, Yeom Hye-ran, Yeong-jin Jo

Director: Chang-dong Lee, Lee Chang-dong

Rating: Not Rated, NR

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This coming-of-age story starts in the present time, where Elle Marja, now a grandmother, reluctantly goes to her sister's funeral held by her old indigenous Sámi community in Northern Sweden. Understanding her reluctance requires going back to when Elle Marja was 14 and was preparing to go to boarding school with her little sister. These schools were racist establishments meant to integrate the Sámi children into Swedish culture and language, while at the same time limiting their prospects of seeking further education. Elle Marja and her sister chose to respond to this discrimination in two completely different ways that this movie explores without judgment. The central performance of the young girl is incredible.

Genre: Drama

Actor: Ánne Biret Somby, Maj-Doris Rimpi, Olle Sarri

Director: Amanda Kernell

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Is courage still courage when you have no choices left? What do you do when you're pressed to the wall and have no way to go? Maria, a pretty, modest and hardworking girl living in a small Colombian town, where the only career choice (thus not being a choice, really) is working in a floral plant, packing and distributing flowers - a dead-end job with killer hours and zero-tolerance boss. Yet, it's money. Until the day Maria gets pregnant and her choices become even more limited. By accident, she makes acquaintance with a guy who turns out to be her way out - and the way is out to become a drug mule, transporting drugs in your stomach across the border to the American soil. A job dangerous in many aspects, illegal and potentially deadly, but also paid well. Maria decides to take the only way out, a way that may be a one-way street. Maria Full of Grace is a gut-wrenching story about survival in a seemingly hopeless situation. It's about taking that one chance that has all the potential to go south, and investing in it all the hope you have left, and all the survival instinct you have in your heart and soul. And when everything that could go bad does, and everything turns from bad to worse beyond imagination, it's about standing strong and not giving up, no matter what. Though technically not a documentary, it's real beyond belief, and you can be sure Colombia is full of Marias - just hoping for a decent life, ready to sacrifice the very life itself to obtain it. It's a masterpiece of its genre and it also boasts one of the best posters in the history of the cinema. Highly recommended.

Genre: Crime, Drama, Thriller

Actor: Catalina Sandino Moreno, Charles Albert Patiño, Guilied Lopez, Jaime Osorio Gómez, Jhon Álex Toro, Johanna Andrea Mora, John Álex Toro, Orlando Tobón, Patricia Rae, Selenis Leyva, Victor Macias

Director: Joshua Marston

Rating: R

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Unlike plenty of time torn films, Maboroshi is the kind of film that doesn’t have a straightforward explanation for the town of Mifuse standing still in time. But even when it doesn’t have a logical reason, the way the film unfolds has a distinct feeling as it explores the illusions the town either could cling to, or release to grow. This kind of storytelling would be familiar to fans of the prolific screenwriter Mari Okada, who just started directing in 2018 with Maquia: When the Promised Flower Blooms, but even those new to her work would appreciate the pure emotion driving Maboroshi, if they can let go of reality and enjoy MAPPA’s exquisite art for a moment.

Genre: Animation, Drama, Fantasy, Romance

Actor: Ayaka Saito, Daiki Kobayashi, Junya Enoki, Kento Hayashi, Koji Seto, Maki Kawase, Misaki Kuno, Reina Ueda, Setsuji Sato, Taku Yashiro, Tasuku Hatanaka, Yukiyo Fujii

Director: Mari Okada, Seimei Kidokoro

Rating: PG-13

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By retelling a vital chapter of the civil rights movement from the perspective of an entire community—and not just through individual prominent figures—Lowndes County and the Road to Black Power emphasizes the need for collective action, and what it really means to fight for equal rights. And through highly articulate interviewees who've all maintained a clear, analytical understanding of the different philosophies driving the movement forward, the documentary also becomes uncommonly optimistic, energetic, and good-humored about this continuing fight. This is history not as an artifact but as a living thing, still present in the everyday and still great fun to learn about.

Genre: Documentary, History

Director: Geeta Gandbhir, Sam Pollard

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A man returns to a town chasing the memory of a woman he loved years ago.

Poet turned filmmaker Bi Gan coats his idiosyncratic filmmaking with a thick layer of neo-noir in this sumptuous follow up to his remarkable debut Kaili Blues. This time around, Kaili City is a neon-drenched dreamscape dripping in style and calling to mind the work of Tarkovsky and Wong Kar-wai. 

He may wear his influences on his sleeve, but Bi Gan keeps his trademark moves like the bravado long takes and a poetic disregard for past and present, reality and dreams. This leads to an explosive and unforgettable sequence in the second half that while originally intended for 3D loses little of its mind-bending power when watched at home.

Genre: Drama, Mystery

Actor: Bi Gan, Bi Yanmin, Chen Yongzhong, Chloe Maayan, Duan Chun-hao, Feiyang Luo, Hong-Chi Lee, Huang Jue, Jue Huang, Lee Hong-chi, Ming Dao, Qi Xi, Sylvia Chang, Tang Wei, Tuan Chun-hao, Zeng Meihuizi, 张艾嘉

Director: Bi Gan

Rating: Not Rated

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This coming-of-age drama set near Sept-Îles in Quebec, Canada is about two indigenous Innu best friends who grow up together. One day, one of them meets a white guy and starts planning a life with him, which is seen by both her best friend and her community as a rupture with them.

“If everybody did the same thing you’re doing, we wouldn’t exist,” her friend tells her. Kuessipan is about that intersection between friends growing apart and indigenous identity, all set in the backdrop of Canadian reserve life. Won the Grand Prix at the Québec City Film Festival.

Genre: Drama

Actor: Anniss Desterres, Brigitte Poupart, Étienne Galloy, Katinen Grégoire-Fontaine, Martin Desgagné

Director: Myriam Verreault

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Jaane Jaan is one of those thrillers where you hope that the main characters would get away with murder. Based on the 2005 Japanese novel, the Hindi adaptation still has the cat-and-mouse dynamic between the relentless detective and math genius protecting the suspect, along with their elaborate chess-like mind games. However, the film changes a major plot point from the novel, and without spoiling too much, it turns the math teacher, now named Naren, into a less sympathetic character. Given today’s sensibilities, it’s easy to understand why the change was made. After all, just because someone’s a genius, it doesn’t mean that they’re someone to be admired. Jaane Jaan still keeps up the exciting thrills and suspense of the original novel, but in making its changes, it becomes unclear who the film is rooting for.

Genre: Crime, Drama, Thriller

Actor: Jaideep Ahlawat, Kareena Kapoor Khan, Karma Takapa, Lin Laishram, Naisha Khanna, Saurabh Sachdeva, Suhita Thatte, Ujjwal Chopra, Vijay Varma

Director: Sujoy Ghosh

Rating: R

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Huesera: The Bone Woman might not be the scariest film horror fans would see, but it does strike at the heart of the scary experience of motherhood. Through eerie sounds of breaking bones and weirdly contorted hands at the edge of beds, the film depicts new mother Valeria being haunted by the titular spirit, despite her prayer to the Virgin Mary. Valeria pleads for her husband and family to listen, though each time she does becomes proof of her faults as a mother. The terror in newcomer Natalia Solián’s face makes it all feel believable, but it’s the folk-inspired imagery of first-time feature director Michelle Garza Cervera that turns this film into a feminist masterpiece.

Genre: Drama, Horror, Mystery

Actor: Aida López, Alfonso Dosal, Emilram Cossío, Enoc Leaño, Gina Morett, Martha Claudia Moreno, Mayra Batalla, Mercedes Hernández, Natalia Solián, Pablo Guisa Koestinger, Samantha Castillo, Sonia Couoh

Director: Michelle Garza Cervera

Rating: NR

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