38 Best BIPOC Stories On Kanopy (Page 2)

Asako is in love with Baku—deeply and almost delusionally, in a way that can only manifest in young love. But when the freewheeling Baku ghosts Asako for good, she moves from Osaka all the way to Tokyo to start a new life. Years later, she's startled to meet Baku's doppelganger in Ryohei, an office man whose solid dependability and lack of artfulness, while endearing, could not place him any further from Baku. Confused and lonely, Asako tiptoes around her feelings for Ryohei and, in the process, raises thought-provoking questions about the meaning, ethics, and true purpose of love.

 

Genre: Drama, Romance

Actor: Ariei Umefune, Atsushi Kaneshige, Daichi Watanabe, Erika Karata, Fusako Urabe, Koji Nakamoto, Koji Seto, Maki Nishiyama, Masahiro Higashide, Misako Tanaka, Nao Okabe, Rio Yamashita, Ryotaro Yonemura, Sairi Ito, Takeshi Ōnishi

Director: Ryusuke Hamaguchi

Rating: Not Rated

Jessica Chastain and Oscar Isaac star in this slow-burning but impeccable crime thriller.

Abel Morales (Isaac) owns a fuel distribution company in 1980s New York. His competitors are violent and corrupt, and the feds are after him. The temptation to resort to unlawful methods is high, especially that his wife (Chastain) is the daughter of a mobster.

A Most Violent Year is about how this temptation of corruption unfolds and whether Abel will surrender to it or not.

Genre: Crime, Drama, Thriller

Actor: Albert Brooks, Alessandro Nivola, Annie Funke, Ashley Williams, Ben Rosenfield, Bill Walters, Catalina Sandino Moreno, Chester Jones III, Chris Cardona, Christopher Abbott, Daisy Tahan, David Margulies, David Oyelowo, Elizabeth Marvel, Elyes Gabel, Giselle Eisenberg, Glenn Fleshler, Jason Ralph, Jerry Adler, Jessica Chastain, Jimmy Palumbo, John Dinello, John Douglas Thompson, John Procaccino, Kathleen Doyle, Linda Marie Larson, Lorna Guity Pruce, Lorna Pruce, Matthew Maher, Myrna Cabello, Nat DeWolf, Nick Bailey, Oscar Isaac, Patrick Breen, Peter Gerety, Pico Alexander, Quinn Meyers, Robert Clohessy, Russell G. Jones, Stephen Reich, Susan Blackwell, Suzanne Cerreta, Taylor Richardson, Teddy Coluca, William Hill

Director: J. C. Chandor

Rating: R

This mortifying stop-motion fairy-tale is inspired by the very real horrors of Chile’s Colonia Dignidad: a cult colony turned torture camp under the Pinochet regime. Presented as colony propaganda, the tale tells the story of Maria, a girl who runs away from the safety of the colony into the forest and takes refuge in a house with two pigs. What transpires is a gut-wrenching allegory for the rise of fascism, colonialism, and white supremacy. 

The staggering animation which seamlessly shifts mediums from paper mâché to painted walls is a bewildering sight to witness. But it’s the synthesis of this boundary-pushing art and the underlying horrors it depicts, that make this stand as an unmissable cinematic event.

Genre: Animation, Drama, Fantasy, Horror

Actor: Amalia Kassai, Natalia Geisse

Director: Cristóbal León, Joaquín Cociña

This drama was the first feature written and directed by an out Black lesbian, Cheryl Dunye, and it is an absolute joy: a cheeky faux-documentary that ingeniously blends lesbian dating life with a historical dive into Black actors in 30s Hollywood.

Dunye plays Cheryl, a self-effacing version of herself, an aspiring director working at a video store who begins to research an actress known as the Watermelon Woman for a documentary. The more Cheryl dives into her research, the more she sees parallels between her subject and her own relationship. 

As incisive as it is funny, The Watermelon Woman shares some common ground with other major indie debuts of the era like Spike Lee’s She’s Gotta Have It and funnily enough Kevin Smith’s Clerks, but Dunye’s style is wholly her own and a dazzling treat to experience.

 

Genre: Comedy, Drama, Romance

Actor: Brian Freeman, Camille Paglia, Cheryl Clarke, Cheryl Dunye, David Rakoff, Guinevere Turner, Irene Dunye, Lisa Marie Bronson, Sarah Schulman

Director: Cheryl Dunye

Like Someone in Love is a Japanese drama about identity and finding comfort. It tells the story of a young woman, Akiko, who leads two different lives, one she shares with her family and another which few know about. The movie opens in a restaurant where Akiko is hanging out with her friend, just as a man is trying to get her to leave, insisting that there is a really important “customer” she has to meet. Long taxi rides and Tokyo neon lights will accompany you as the story unfolds. One of the movie’s most evocative sequences involves Akiko seated in the backseat of a cab, listening to her grandmother's voicemails. Using very little dialogue, Like Someone in Love is a simple movie that captures loneliness, regret, and sorrow brilliantly as it depicts a woman and a man who are only trying to give and receive comfort from each other.

Genre: Drama

Actor: Denden, Koichi Ohori, Rin Takanashi, Ryō Kase, Seina Kasugai, Tadashi Okuno, Tomoaki Tatsumi

Director: Abbas Kiarostami

For the longest time, American media coverage was skewed to justify the presence of US forces in Arab states. Control Room unveils that bias by following Al Jazeera at the start of the Iraq War in 2003. One of the biggest Arab media outlets at the time, Al Jazeera dared to cover both sides of the war, but by doing so put a target on its back. It was vilified by both the US government, which called it an Osama mouthpiece and the Arab world, which called it a Bush ally. 

Control Room shows the difficulty (if not sheer impossibility) of achieving journalistic balance, objectivity, and integrity. Through interviews with Al Jazeera reporters and US military officers, we witness how lines are blurred, loyalties are tested, and purpose is shifted in a state of war. A seminal work on media bias and press control, Control Room is vital and enlightening, a must-watch to understand the inner workings of the fourth estate. 

Genre: Documentary, War

Actor: Abdul Jabbar Al-Kubeisi, Donald Rumsfeld, George W. Bush, Hassan Ibrahim, Josh Rushing, Muafak Tawfik, Nabeel Khoury, Omar Al-Issawi

Director: Jehane Noujaim

The story that Whale Rider tells is a familiar one: that of a young girl challenging the expectations of a patriarchal community in order to claim her rightful place in a position of authority. But this isn't a superficial girl-power movie; writer/director Niki Caro maintains the utmost reverence for this Māori community, even if its customs might not appear fair to an outsider's point of view. It's a film full of realistically flawed people, whose struggles are all borne from a common love for their culture in their little corner of the world. What could have been generic and simplistic is made beautiful—especially thanks to a truly moving performance from Keisha Castle-Hughes, who at the time became the youngest nominee for the Best Actress Oscar.

Genre: Drama, Family

Actor: Cliff Curtis, Grant Roa, Keisha Castle-Hughes, Mana Taumaunu, Rachel House, Rawiri Paratene, Tahei Simpson, Tammy Davis, Taungaroa Emile, Vicky Haughton

Director: Niki Caro

Most people aspire to have families, deciding to form their own by marrying, bearing children, and if fertility makes that impossible, adopting one. The Official Story is centered on upper middle class Alicia, who’s already made the idyllic family life, with the last piece completed with her adoption of Gaby, but there are secrets held from her, or rather, there are realities that she chose not to listen to because of the painful implications. Writer-director Luis Puenzo juxtaposes the family secret to the violent ones the Argentine junta government kept from its citizens. It's not a subtle comparison– Puenzo makes it obvious– but it's an effective one, as Alicia has to reckon with the fact that she lies in bed with a stranger, as Argentina has to reckon with the remaining junta members and enablers.

Genre: Drama, History

Actor: Analia Castro, Andrea Tenuta, Aníbal Morixe, Carlos Weber, Chela Ruíz, Chela Ruiz, Chunchuna Villafañe, Chunchuna Villafane, Fabián Rendo, Guillermo Battaglia, Héctor Alterio, Héctor Alterio, Hugo Arana, Lidia Catalano, María Luisa Robledo, Marcos Woinsky, Maria Luisa Robledo, Norma Aleandro, Oscar Ferrigno Jr., Pablo Rago, Patricio Contreras, Paula Canals

Director: Luis Puenzo

Rating: Not Rated, NR

Like a Wes Anderson movie, The Last Black Man in San Francisco takes artistic risks and nails every one of them. There are many quirky, aesthetically well-studied, and even funny aspects to this moving story.

Jimmie has been maintaining a typical San Francisco Victorian house, regularly painting the windows and watering the plants. One small problem: other people live there and they don’t want him around. It turns out this was once Jimmie’s family house, having been built by his grandfather in 1948, and he misses it deeply.

This story is based on writer Jimmie Fails’ life, as he tried to reclaim his family home in SF. However, it’s not a movie that limits itself to gentrification. It transcends that to being about the universal yearning to find a place to call home.

Genre: Drama

Actor: Andy Roy, Daewon Song, Danny Glover, Finn Wittrock, Isiain Lalime, Jamal Trulove, Jello Biafra, Jimmie Fails, John Ozuna, Jonathan Majors, Mari Kearney, Mike Epps, Rob Morgan, Thora Birch, Tichina Arnold, Tonya Glanz

Director: Joe Talbot

Rating: R

A man returns to a town chasing the memory of a woman he loved years ago.

Poet turned filmmaker Bi Gan coats his idiosyncratic filmmaking with a thick layer of neo-noir in this sumptuous follow up to his remarkable debut Kaili Blues. This time around, Kaili City is a neon-drenched dreamscape dripping in style and calling to mind the work of Tarkovsky and Wong Kar-wai. 

He may wear his influences on his sleeve, but Bi Gan keeps his trademark moves like the bravado long takes and a poetic disregard for past and present, reality and dreams. This leads to an explosive and unforgettable sequence in the second half that while originally intended for 3D loses little of its mind-bending power when watched at home.

Genre: Drama, Mystery

Actor: Bi Gan, Bi Yanmin, Chen Yongzhong, Chloe Maayan, Duan Chun-hao, Feiyang Luo, Hong-Chi Lee, Huang Jue, Jue Huang, Lee Hong-chi, Ming Dao, Qi Xi, Sylvia Chang, Tang Wei, Tuan Chun-hao, Zeng Meihuizi, 张艾嘉

Director: Bi Gan

Rating: Not Rated

There is a lot to admire about this revenge film from director Mouly Surya—the breathtaking shots of rural Indonesia, the grisly practicality of the titular Marlina, the relevant observations on gender politics, and the simple yet stylistic way all of this is revealed. Fans of Westerns and Spaghetti Westerns are also treated with an Eastern reimagining of tropes as the film exchanges long guns for Kabeala knives and sprawling deserts for tropical hills.

Packed with so many delights, Marlina the Murderer in Four Acts is a near-impossible miss. But if you somehow find none of this gripping, you can always rely on the sure thrill of seeing scorned women bloodily and rightfully avenge themselves. 

Genre: Drama, Thriller, Western

Actor: Anggun Priambodo, Ayez Kassar, Dea Panendra, Egi Fedly, Egy Fedly, Haydar Salishz, Indra Birowo, Marsha Timothy, Norman R. Akyuwen, Ozzol Ramdan, Rita Matu Mona, Ruly Lubis, Safira Ahmad, Sapto Soetardjo, Tumpal Tampubolon, Yayu A.W. Unru, Yayu Unru, Yoga Pratama

Director: Mouly Surya

Rating: Unrated