386 Best Movies Written By Female writer (Page 22)

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While morbidly titled, there’s an unexpected playfulness to Sometimes I Think About Dying that makes a fairly mundane office relationship into a charming romance. Writer-director Rachel Lambert and lead Daisy Ridley capture Fran’s introversion in inventive ways, with score and image to make her daydreams of death more surreal than morbid, with quiet wistfulness of someone that hasn’t quite figured out how to create casual connection. Some viewers might not jive with the way the film focuses more on visual ideas rather than plot, but Sometimes I Think About Dying sweetly depicts social awkwardness and the alluring curiosity a crush can sometimes create.

Genre: Comedy, Drama, Romance

Actor: Ayanna Berkshire, Brittany O'Grady, Daisy Ridley, Dave Merheje, Jeb Berrier, Marcia DeBonis, Megan Stalter, Parvesh Cheena

Director: Rachel Lambert

Rating: PG-13

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Two months after its premiere in TIFF, Quiz Lady arrived on streaming this November. The comedy film has a sort-of buddy cop dynamic, with an anxiety-ridden, tightly-wound Awkwafina as Anne, and a chaotic Sandra Oh that lets loose with free-spirited Jenny. The film does take its time to get to the good part, and in certain scenes, it feels like it’s torn between the heartfelt and the humorous, but the leads’ acting smooths over some of the awkward writing. Quiz Lady still leads up to a fun watch, though better pacing and writing could have made this charming comedy a classic.

Genre: Comedy

Actor: Al Bayan, Alan Heitz, Ammie Masterson, Amy Tolsky, Angela Trimbur, Annie Boon Karstens, Atul Singh, Awkwafina, Betsy Holt, Camrus Johnson, Charles Green, Charlie Talbert, Choppy Guillotte, Christine Lin, Davina Reid, Derek Roberts, Eddy Lee, Holland Taylor, Jane Yubin Kim, Jason Schwartzman, Joe Chrest, Jonathan Park, Jophielle Love, Justiin A. Davis, Larry Weissman, Maria Bamford, Martin Yu, Matt Cordova, Ned Yousef, Nicole Marie Appleby, Paul Reubens, Phil LaMarr, Sandra Oh, Shirley Chen, Summer Selby, Tawny Newsome, Tony Hale, Will Ferrell

Director: Jessica Yu

Rating: R

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One day, Filipino romances will wean themselves away from the tropes that keep their stories circling back to the same conclusions, undermining the bold narrative ideas on which that they establish themselves. Nothing Like Paris still doesn't break free, but its commitment to a more serious, modern view of romance set against the loneliness of migration is surprising given director Sigrid Andrea Bernardo's previous collaboration with her lead actors (the inadvertently creepy I See You, set in Japan). Here, the possibility of romance built on little more than one's shared nationality and language is explored with real maturity, through two performers who prove that subtlety will always leave more room for complex emotion than ugly crying and cutesy, empty gestures.

Genre: Drama, Romance

Actor: Alessandra de Rossi, Dolly de Leon, Empoy Marquez, Jean-Marc Noirot-Cosson

Director: Sigrid Andrea Bernardo

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In the same festival where she showcased her screenwriting chops, Rachel Sennott also showcased her dramatic side in I Used to Be Funny, a difficult drama that garnered less acclaim than Bottoms (2023). It’s understandable– while both films have a witty, gen-Z slant in its comedy, this drama is much harder to balance and heavy to watch, dealing with mental health and PTSD. The non-linear narrative occasionally does make the film feel a tad disjointed as well. However, there’s a care and a warmth from Ally Pankiw’s direction that makes this exploration of Sam’s complex trauma feel heartfelt, and Sennott holds each scene with compelling charisma.

Genre: Comedy, Drama

Actor: Caleb Hearon, Dan Beirne, Dani Kind, Ennis Esmer, Hannah Spear, Jason Jones, Kathy Imrie, Matia Jackett, Miguel Rivas, Olga Petsa, Rachel Sennott, Sabrina Jalees

Director: Ally Pankiw

Rating: NR

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While this documentary may not provide the level of insight or as cohesive a narrative as other films from recent years about children's entertainment, Hot Potato benefits from the sheer charm and approachability of The Wiggles themselves. It's inspiring to see these men and women be perfectly ordinary people who just patiently put in the work to get to where they are today. The film doesn't necessarily find a central idea or philosophy behind The Wiggles' music, but their creativity and enthusiasm for performing manages to turn the simplest things (like fruit salad) into a celebration of life. The documentary isn't particularly good at balancing its tones, especially when it deals with the struggles that various Wiggles have faced in their personal lives, but it remains likable and wholesome all the same.

Genre: Documentary

Actor: Anthony Field, Bindi Irwin, Caterina Mete, Emma Watkins, Evie Ferris, Greg Page, Jeff Fatt, John Travolta, Lachlan Gillespie, Lucia Field, Matthew Broderick, Murray Cook, Paul Field, Paul Paddick, Robert De Niro, Sam Moran, Sarah Jessica Parker, Simon Pryce, Steve Irwin, Terri Irwin, Tsehay Hawkins

Director: Sally Aitken

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 As glad as I am to see a film celebrating the complex joys of interracial love and debunking the stigma of arranged marriages, I can’t help but wonder how and why a film about love got to be so dry and passionless. Is dating really this painfully awkward? Is marriage really this burdensome? Realistically, yes, but when you’re trying to make a point about true love supposedly trumping it all, including cultural differences and age-old traditions, then you should at least make it seem like the winner. The movie tries to have its cake and eat it too by serving us heaps of realism and fantasy on one plate, failing to understand that you only have to pick one to be palatable. “Love Contractually” is the title of Zoe’s documentary, but it’s also the name this movie should’ve gone with, seeing as how everyone acts like they’re obligated to be here. 

Genre: Comedy, Romance

Actor: Alexander Owen, Alice Orr-Ewing, Asim Chaudhry, Ben Ashenden, Emma Thompson, Haqi Ali, Jamal Andreas, Jeff Mirza, Lily James, Michael Marcus, Mim Shaikh, Munir Khairdin, Nikkita Chadha, Nosheen Phoenix, Oliver Chris, Peter Sandys-Clarke, Ravi Aujla, Sajal Ali, Shabana Azmi, Shaheen Khan, Shazad Latif, Sindhu Vee, Taj Atwal, Wasim Zakir

Director: Shekhar Kapur

Rating: PG-13

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This is Me…Now is more than just a glorified music video. It’s a personal confessional for one, and a surprisingly effective comedy for another. In parts, Jennifer Lopez speaks to her therapist (Fat Joe) about the dreams she’s been having, which then give way to surreal sequences of Lopez singing songs off her latest album, all about love and personal growth. You’d have to be a fan of Lopez’s pop style to appreciate the music, but the choreography is mesmerizing and, dare I say, Lopez’s true strength. When she’s not regaling us with her thoughts on love, we have the Council of Zodiac Signs, played by a stacked cast that includes Jane Fonda, Sofia Vergara, and Trevor Noah, to humor us with their genuinely funny observations. Lopez obviously has a vision, and it’s admirably big and earnest, but the technical side of the film fails her. Except for the ornate storybook opener, most of the dream sequences are gray and sludgy, and they rarely reflect Lopez’s rose-tinted view of life. I wish the film had more light, but instead, we get melty, inferior CGI work that is just painful to look at. Some people might be able to forgive this, but because film is largely a visual medium, I find that it ultimately detracts from the experience.

Genre: Drama, Music

Actor: Alex West, Alexander Pelaez, Alix Angelis, Ashley Versher, Ben Affleck, Brandon Delsid, Carlito Olivero, Danielle Larracuente, Derek Hough, Fat Joe, Idaliz Christian, Jane Fonda, Jay Shetty, Jenifer Lewis, Jennifer Lopez, Jocelyn Marie, Keke Palmer, Kim Petras, Malcolm Kelner, Matthew Law, Neil deGrasse Tyson, Paul Raci, Post Malone, Sadhguru, Sofia Vergara, Trevor Jackson, Trevor Noah

Director: Dave Meyers

Rating: PG-13

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A first feature by stuntman-turned-director Andy Armstrong, Squealer is supposedly based on real events that shook Canada in the 1990s. Robert Pickton or the Pig Farmer Killer was perhaps the inspiration for the eponymous Squealer in the 2023 film; the physical resemblance is uncanny. Extraordinarily cruel serial killers make good gore material and we love to see it, but the problem is that the audience today wants something new and fresher. Texas Chainsaw Massacre is a classic, but it's hard to make a film as misogynistic and hit the same charge as it used to. In Squealer, it is only female bodies that are shown dismembered, cut open, sliced, and diced; for men, all this happens off screen. This is only one example of how the film reiterates some of its onerous tropes, without really updating them. It's not exactly good taste to hammer bits of comedy in the dialogue too, as it feels  disconcerting amidst the rivers of blood and cruelty. 

 

Genre: Action, Horror, Thriller

Actor: Danielle Burgio, Graham Greene, Holly Kaplan, Katherine Moennig, Ramona DuBarry, Rebecca Knox, Ronnie Gene Blevins, Sydney Carvill, Theo Rossi, Tyrese Gibson, Wes Chatham

Director: Andy Armstrong

Rating: R

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Mystery films and whodunits have placed the rich and powerful in their crosshairs for generations now, and Murder Mubarak proudly follows in that tradition through a tried and tested formula. So while there isn't anything particularly surprising here, the film nails the tone it needs, smartly placing the focus away from the central crime and poking fun at the entire ecosystem of privilege and ego that gets revealed in its wake. Unfortunately, the movie also doesn't sustain this momentum till the end, as it abruptly stumbles toward its inevitable revelations without giving itself time to let the consequences breathe. When it's all over, it actually feels like we don't know many of these individual characters any better than the overall situation they're in.

Genre: Comedy, Crime, Drama, Mystery, Thriller

Actor: Aashim Gulati, Brijendra Kala, Deven Bhojani, Dimple Kapadia, Grusha Kapoor, Karisma Kapoor, Pankaj Tripathi, Purnendu Bhattacharya, Sanjay Kapoor, Sara Ali Khan, Suhail Nayyar, Tara Alisha Berry, Tisca Chopra, Varun Mitra, Vijay Varma

Director: Homi Adajania

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The atmosphere communicated within the title Hurricane Season comes off incredibly clearly on screen: this is a film that just feels humid and full of foreboding for a coming storm, with people feeling all manner of guilt while secluded in their own homes. Cinematographer María Secco's gorgeous colors and brown tones fill the 4:3 aspect ratio nicely, and director Elisa Miller lets events unfold with the stately pace of a long novel. There's something fascinating here about how each new "chapter" or perspective doesn't really lead to more answers, but simply to more anguish closing in from all sides.

So it would be understandable if some may be put off by how unrelentingly dark Hurricane Season is, especially as the trans woman whose death becomes the central event never enjoys the kind of characterization everybody around her gets. Apart from how the film illustrates that discrimination against women, against repressed "taboo" sexuality, and against access to proper reproductive health only threatens to grow under poverty, it can be difficult to grasp what point the movie is trying to make. Social realism certainly has its place in cinema, but the different perspective in this particular film still don't add up to more than the sum of its parts.

Genre: Crime, Drama, Thriller

Actor: Andrés Cordaz, Edgar Treviño, Flor Eduarda Gurrola, Guss Morales, Kat Rigoni, Mónica Martínez​, Norma Reyna, Paloma Alvamar, Rodrigo Corea, Said Sandoval

Director: Elisa Miller

Rating: R

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There's a mysterious, urgent power to Ear for Eye that survives the project's movement from the stage to the screen. Against moody, bare backgrounds, debbie tucker green's script becomes both story and setting—with words upon words overlapping, being repeated, and being used against each other, expressing the anxiety of entire generations of Black people trying to figure out how to endure all their persecution. What unfortunately <i>doesn't</i> translate well to the screen is the film's editing and its inability to take full advantage of the medium of cinema. Despite the importance of the things being discussed, the end product is a movie that feels like it gets in its own way too much, but still delivers plenty to think about.

Genre: Drama

Actor: Arinzé Kene, Carmen Munroe, Claire Driver, Danielle Vitalis, Danny Sapani, David Gyasi, Demetri Goritsas, Ilirian Bushi, Jade Anouka, Jamal Ajala, Kayla Meikle, Lashana Lynch, Nadine Marshall, Rochelle Rose, Ronkẹ Adékoluẹjo, Sharlene Whyte, Sule Rimi, Tosin Cole

Director: Debbie Tucker Green

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The level of access that A Thousand Cuts gets to both the side of the press and of the administration is ultimately what makes it valuable. By being on the ground with journalists doing honest-to-goodness hard work, the film reframes Duterte's war on drugs (really a campaign to terrorize the poor into submission) as an information war between news outlets and government propaganda. Unfortunately, in the process, the film also winds up excluding the voices of working class people and how they both engage and are engaged by all this information. There should be a way to honor the work of these journalists without accidentally positioning them above the public they serve.

Genre: Documentary

Actor: Amal Clooney, George Clooney, Leni Robredo, Maria Ressa, Patricia Evangalista, Pia Ranada

Director: Ramona S. Diaz

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Black Barbie is at its best when director Lagueria Davis keeps the story as personal and political as possible. The first half of the documentary is a necessary history lesson about the impact toys have on our racial consciousness, which charmingly ties into Davis’ aunt’s own experience as one of the first Black staff members over at Mattel. Davis then intercuts colorfully set-up talking heads with equally charming scenes of stop-motion Barbies. But if only the entire documentary would just be as realized and focused as this half. The rest, unfortunately, are scattered pieces that never tie into a cohesive whole. At one point, the documentary morphs into a Mattel mouthpiece, and at another, it’s a straightforward roundtable analysis with little to no editing. The quirky flourishes and personal anecdotes that colored the early parts of the documentary are few and far at this point, making it feel ultimately half-baked.

Genre: Documentary

Actor: Gabourey Sidibe, Hayley Marie Norman, Misty Copeland, Shonda Rhimes, Virginia Watson

Director: Lagueria Davis

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