129 Best Drama Movies to WatchBest Movies & Shows Released in 2024 (Page 9)

In life and cinema, drama is everywhere. You’ll find it in thrillers, animations, romances, you name it. For entertainment that explores the human experience with sensitivity and sincerity, here’s a mixed bag of the best dramas to stream now.

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121. Little Wing, 2024

There is a world where all of Little Wing's ideas make thematic sense, as a story about a young woman reeling from the difficulty of her home life. But as it is now, the film just isn't tightly woven enough, with various characters and subplots making little effect on the whole and major conflicts barely leaving consequences for the characters to deal with afterwards. It's definitely unique; you aren't likely to find many movies about pigeon racing anywhere. But even then, Little Wing doesn't allow us to get an insider look into pigeon racing as a sport, nor how this underground network is even supposed to operate. Without a strong enough setting to support this story, it becomes much harder to suspend one's disbelief and enjoy the strange things it shows us.Genre: Drama
Actor: Brian Cox, Brooklynn Prince, Che Tafari, Hank Cartwright, Ina Chang, Jason Rouse, Jeanine Jackson, Jonathan Togo, Kelly Reilly, Lowell Deo, Melanie Nicholls-King, Parker Hall, Trinity Bliss
Director: Dean Israelite
Rating: PG-13

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122. Crimes of Fashion: Killer Clutch, 2024

Even if Crimes of Fashion: Killer Clutch faithfully sticks to the general template of a mystery film, that doesn't guarantee its quality. It may have structure and suspects and motive but it doesn't inject its own color into the expected story beats. Maybe it's a consequence of the film being made for a network that only really shows "safe," sanitized programming, but there isn't a particularly strong sense of danger here despite the threat of violence being established from the very beginning. And while the movie has fun with individual outsized characters meant to show off how outlandish and how expressive high fashion can be, they fall to the background and are unfortunately diluted in the rest of the film's bland tropes.Genre: Crime, Drama, Mystery, TV Movie
Actor: Alain Van Goethem, Brooke D'Orsay, David Bowles, Gilles Marini, Harry Szovik, Martin Budny, Mohamed Belhadjine, Paloma Coquant
Director: Felipe Rodriguez
Rating: PG

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123. Sanctuary: A Witch’s Tale, 2024

Stilted and awkward from the beginning, the first two episodes of Sanctuary: A Witch's Tale that were watched for this review promise a rough start for a series that just doesn't have enough of its own personality. Characters and conflict are introduced in ham-fisted fashion, with this fantasy world never given enough shape to make the magic elements feel significant to the story. It's not necessarily a problem that the show functions more as a small-town crime drama—it can be interesting to have magic be so normalized in this setting—but even these hints of mystery feel obligatory, rather than motivated to explore more of its story.

Genre: Crime, Drama, Sci-Fi & Fantasy

Actor: Amy De Bhrún, Elaine Cassidy, Hazel Doupe, Kelly Campbell, Stephanie Levi-John, Stephen Lord, Valerie O'Connor

Rating: TV-MA

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124. Melodate (2024)

There’s a unique boarding school charm in Melodate, as the philosophical Melody is able to turn the dorm around through the sheer force of her personality. It’s the type of charisma plenty of school girls would want, the kind that creates Queen Bees that can change the entire status quo, for better (by changing clearly dated rules) or for worse (by bringing her whole dorm to a bar). Therefore, her clear antagonist is dorm administrator Mrs. Rasti, who happens to be Melody’s boyfriend’s mom. To its credit, the film doesn’t demonize either Melody or Mrs. Rasti, and there’s an interesting exploration on how much freedom should these children have, and how much control parents and authorities should have over their kids, but the way these topics are handled are illogical, inorganic, and convoluted, especially when they add in Nadia’s storyline.Genre: Drama, Romance
Actor: Aida Nurmala, Caitlin Halderman, Greesella Adhalia, Jourdy Pranata, Tiwi Helmer
Director: Ainun Ridho

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125. The Tearsmith, 2024

This was an uncomfortable, unnecessary mess of a movie—it’d be a lot faster to just go to Literotica or something. It’s got rough romance dialogue; everyone’s faces are always pressed so close together; and worst of all is even the fight scenes are awkward. Outside of storylines, music from Olivia Rodrigo and Billie Eilish were made to be associated with this movie which mucks up their good name for people that haven't discovered them in neutral conditions. Caterina Ferioli’s performance as the film’s muse Nica, along with Nica’s warm girl-friendships, carries the entire thing to a semblance of watchability. But I'm not trying to give you hope, I'm saying just open your Incognito tab if you're here "for the plot."

Genre: Drama, Romance

Actor: Alessandro Bedetti, Anna Cianca, Caterina Ferioli, Eco Andriolo Ranzi, Eugenio Krauss, Juju Di Domenico, Laura Baldi, Nicky Passarella, Orlando Cinque, Roberta Rovelli, Sabrina Paravicini, Simone Baldasseroni, Sveva Romano Candelletta

Director: Alessandro Genovesi

Rating: R

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126. Down the Rabbit Hole, 2024

It’s got a main character, 10-year-old Tochtli (Miguel Valverde Uribe), with the most unforgettably forgettable idiosyncrasies. The emotional anchor of this whole thing is entirely dependent on our inclination to be protective of children, but it gives surface level characterization of both the young boy and his father Yolcaut (Manuel Garcia-Rulfo). The most interesting thing it almost pulls off is the father trying to reconcile his commitment to his son and to being macho, but it’s barely a chapter in this 2-hour story. It has some potential with the teachings and aphorisms, but it never really leans into it. It fails four different times, never with fireworks.

Genre: Comedy, Drama

Actor: Alfredo Gatica, Daniel Giménez Cacho, Debi Mazar, Manuel Garcia-Rulfo, Mercedes Hernández, Miguel Valverde, Pierre Louis, Raúl Briones, Teresa Ruiz

Director: Manolo Caro

Rating: R

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127. Gilded Newport Mysteries: Murder at the Breakers, 2024

Hallmark movies aren't automatically bad if they're cheesy and on the cheaper side; there are ways to make these characteristics work, of course. But these qualities definitely don't help if the story they're telling is uninteresting and if the actors in front of the camera couldn't be compelled to deliver convincing emotions if their lives depended on it. Watching Gilded Newport Mysteries: Murder at the Breakers kind of feels like watching people rehearse a family-produced parody of an Agatha Christie novel, or like visiting Westworld and seeing the robots play-act a fictional scenario. Every line over-explains everything that happens on screen, and the mystery elements just aren't coherent enough for them to lead to a satisfying conclusion or interesting statement about the characters and their world.Genre: Drama, Mystery, TV Movie
Actor: Aisling Goodman, Alissa Skovbye, Amira Anderson, April Telek, Ava Telek, Cesare Scarpone, Danny Griffin, David Beairsto, Geoff Gustafson, Gillian Barber, James Drew Dean, John Prowse, Katherine Evans, Madeleine Kelders, Mark Humphrey, Nathan Witte, Sebastian Greaves
Director: Terry Ingram
Rating: PG

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128. From the Ashes, 2024

From the Ashes is based on the real life fire tragedy, but upon searching, Netflix hasn’t mentioned which exact fire it was talking about. It’s possibly inspired by the 2002 Mecca girls' school fire, with the strict all-girl’s school, the closed gates and unattended cigarette, but the film starts off with a disclaimer saying that the characters and certain aspects of the story are fictional. One would think, with the freedom the film granted itself through fiction, the film would dare to critique certain controversial aspects of the tragedy that needs to be talked about – like the implications of emergency services being hindered due to modesty, or whether the media speculation was fair, or even the lack of safety regulations that the school administration failed to implement. Instead, most of the film plays out like an investigation, seemingly placing blame on fictional students, you know, the victims, for being the reason one fictional student wasn’t able to escape. Sure, it’s all fiction, but this is just not right.

Genre: Drama, Thriller

Actor: Adwaa Fahad, Aisha Al Rifaie, Alshaima'a Tayeb, Darin Al Bayed, Khairia Abu Laban

Director: Khalid Fahad

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129. Ashes, 2024

When life imitates art unexpectedly, it can be thrilling, exciting, and maybe even dangerous. As dissatisfied wife Gokce finds an unpublished novel, we hoped that her eventual escapades would be similarly riveting, but sadly, Ashes isn’t thrilling. Part of it is because the first half is just dedicated to pretty images that don’t even feel particularly steamy, but mostly this stems from the fact that Ashes hasn’t formulated a coherent plotline for the manuscript Gokce was reading, so all the twists and turns in the second half feels more randomly tossed, than carefully set up as a surprise.Genre: Drama, Fantasy, Romance
Actor: Alperen Duymaz, Canan Atalay, Funda Eryiğit, Gökçe Eyüboğlu, Mehmet Günsür, Nur Sürer, Seda Türkmen, Yıldıray Şahinler
Director: Erdem Tepegöz

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