559 Best Movies & Shows Released in 2024 (Page 21)

Detective Forst isn’t a mindbending, totally original crime thriller that would revolutionize the detective genre, but sometimes we just want something familiar. The thriller adaptation of Remigiusz Mróz’s book series mostly sticks to the classic tropes, with eerily strung up bodies being investigated by the gruff, hardened detective, portrayed well by Borys Szyc. It’s not immediately clear what brought Forst to the mountains– whatever it was, it’s enough to gain the mistrust of his new station, and it’s possibly the reason behind his splitting migraines– but that’s part of the fun, as an additional mystery alongside who is behind the murders. That being said, the show plans to depict a whole series, so the ending of its first season might exasperate viewers who just want a complete story. Still, with the striking scenery of the Tatra Mountains, Detective Forst is at least stunning enough to watch, even with all the moody murder mystery tropes onboard.

Genre: Crime, Drama, Mystery

Actor: Aleksandra Grabowska, Borys Szyc, Kamilla Baar, Szymon Wróblewski, Zuzanna Saporznikow

Director: Daniel Jaroszek

Rating: TV-MA

The true crime genre tends to sensationalize cult leaders like these, but Daughters of the Cult takes a more journalistic approach towards Ervil LeBaron, the leader of a splinter Mormon cult group. Primarily showing interviews, archived media, and blurry, out of angle re-enactments, the docuseries doesn’t exaggerate, knowing how horrifying the story already was, but it’s no less emotional as it comes from the perspective of the family this cult leader has tormented. Daughters of the Cult isn’t easy to watch, but it’s definitely a sobering, grounded perspective in a sea of colored cult crime depictions.

Genre: Documentary

Director: Sara Mast

I’ve seen my fair share of true crime documentaries, and a major complaint I have is about how directors tend to overdramatize the story, so much so that it achieves the opposite effect for me. I feel desensitized and irate when the music swells to usher in yet another cliffhanger. So it’s refreshing to see almost none of that in Cowboy Cartel, which is well-edited and gripping enough to keep you hooked till its finale. Of course, the downside to stripping a crime story of sensationalism is that it can get boring in its straightforwardness. This happens more than a few times in Cowboy Cartel, and it doesn’t help that its main interviewee, FBI Agent Scott Lawson, recounts events in a sleepy and monotonous tone. Still, it’s tightly edited, well-researched, and intriguing case. The documentary itself may not always match its energy, but when it does, it’s a show that’s very hard to put down.

Genre: Crime, Documentary

Rating: TV-MA

A lot goes on in Constellation, Apple TV+’s latest addition to its growing collection of sci-fi shows. It begins as a survival space thriller, then it evolves into a conspiracy mystery with hints of supernatural horror, all while being a family drama centered on the elusive mother-daughter bond. For all that hoopla, however, Constellation moves at a very languid place. It can also get very confusing very fast as it attempts to be all the abovementioned things and juggle multiple possibilities (relating to quantum physics, mind you) at the same time. To quote series creator Peter Harness’ other credited show, Doctor Who, it’s all very wibbly wobbly timey wimey. If you’re one to dive into a sci-fi story’s heady and complex world, however, then Constellation comes highly recommended.

Genre: Drama, Mystery, Sci-Fi & Fantasy

Actor: Barbara Sukowa, James D'Arcy, Jonathan Banks, Julian Looman, Noomi Rapace, William Catlett

Rating: TV-MA

This competition series is a tribute to the art of artsy baking, while not being as over the top saccharine as something like a Dr. Seuss Baking Challenge. I can’t put my finger on why, but the contestants stumbling and bumbling around feels on brand for this show specifically. Perhaps the show just does a great job taking itself as seriously as it needs to: the talking heads are bubbly, along with contestants and judges’ commentary, making the show feel pleasant and focused as a result. Still, it’s a baking competition, and there’s only so much you can do with the genre. Like any dessert, it can probably be inviting in moderation.

Genre: Reality

Actor: Bill Yosses, Bryan Ford, Jason Biggs, Sandra Lee

Rating: TV-PG

The presentation is high energy and aggressive (in a fun way), conveying both the competitive and communal nature of a barbecue cook-off show. But something about it is just anxiety triggering. Some challenges and time limits feel arbitrary, falling back on “well, it’s a challenge” to justify itself. The huge cash prize is a given, but it just feels more high stress than it needs to be, like grade schoolers trying to impress the principal. Of course, none of that is on the participants who are a joy to watch; and it’s fair to argue that over-dramatic flair is a staple of competition shows, but there are also many others that have utilized it much more pleasantly.

Genre: Reality

Actor: Kevin Bludso, Melissa Cookston

Rating: TV-PG

With a ludicrous amount of cash, and one of the perpetrators escaping into a luxurious European life posted on Facebook, it’s no wonder Netflix decided to create Baby Bandito. The source material practically writes itself, and it’s easy to fictionalize some details for added drama. The show does this, turning the original robber into a well-meaning skateboarder Kevin Tapia that steals the plans of a mob in order to escape his rough neighborhood, but some of the characterization falters, specifically when it involves his girlfriend Génesis. There are moments it goes into generic territory, but the series is certainly well-shot, full of charm, and daring in the way it focuses more on the consequences rather than the heist itself.

Genre: Crime, Drama

Actor: Carmen Zabala, Francisca Armstrong, Marcelo Alonso, Nicolás Contreras, Pablo Macaya

Rating: TV-MA

Anatomy of Lies, as much as it can, follows the complicated web of lies TV writer Elisabeth Finch has told throughout her career, among them: that she has cancer, that her brother died of suicide, and that she witnessed her friend being blown to bits in a mass shooting. Her transgressions range from icky to downright immoral, and this three-part documentary smartly and sensitively tackles them all, even if key figures from the narrative are missing, including Finch herself. Instead, most of the story is told by Finch’s ex-wife Jennifer Beyer, who bravely represents how much harm these lies can create. My only issue with the doc is how much it expects audiences to know about Finch already, so it takes way too long to drop the ball and expose what she’s done in clear terms. Otherwise, the show is as juicy as it is horrifying, while also posing that age-old question: is it excusable for a writer to use other people’s trauma for their own storytelling purposes?

Genre: Documentary

Rating: TV-MA