559 Best Movies & Shows Released in 2024

Find the best movies and show to watch from the year 2024. These handpicked recommendations are highly-rated by viewers and critics.

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1. Pachinko, 2024

	
Both poetic and epic in scale, Pachinko (adapted from the bestselling novel of the same name) tells the story of a family spanning four generations, three nations, and one dream: to ensure a better life for their children, and their children, and so on. Because the story is rooted both in the unique experience of immigrant life and in the universal values of family life, it can seem painfully striking and relatable all at once.

Despite the many places and eras it traverses, Pachinko also feels less nostalgic and more real-time, deeply immersed in whatever setting it’s in, taking us breathlessly for the ride.

Sensitively directed by Kogonada (Columbus, After Yang) and movingly acted by veteran Youn Yuh-jung and breakout star Minha Kim, Pachinko is certainly one for the books: an arresting adaptation through and through.Genre: Drama, Family, History
Actor: Anna Sawai, Eun-chae Jung, Han Jun-woo, In-ji Jeong, Jimmi Simpson, Jin Ha, Jun-woo Han, Jung Eun-chae, Kaho Minami, Kim Min-ha, Kim Sung-kyu, Lee Min-ho, Min-ha Kim, Noh Sang-hyun, Soji Arai, Steve Sanghyun Noh, Steven SangHyun Noh, Youn Yuh-jung, Yuh-jung Youn
Rating: SPG

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2. Shōgun, 2024

	
With plenty of classics being remade, many have cried about Hollywood playing it safe, not matching up to the source material, and at worst, being unoriginal. After 40 years, the groundbreaking 1980 Shogun miniseries now has a new adaptation, but unlike its fellow remakes, this new series goes beyond expectations to deliver a mesmerizing, epic political drama that we’ve been hoping for. The 2024 remake still maintains plenty of the jawdropping firsts that shocked America then, but it also decentralized its perspective, expanding past the English outsider Blackthorne, and prioritizing the perspective of its Japanese characters, particularly Lord Yoshii Toranaga and Lady Toda Mariko. Hulu’s Shogun may be another remake, but their takes provides something new, with its spectacular production and its epic storytelling.Genre: Drama, War & Politics
Actor: Anna Sawai, Cosmo Jarvis, Fumi Nikaido, Hiroyuki Sanada, Tadanobu Asano, Takehiro Hira, Tommy Bastow
Rating: TV-MA

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3. We Are Lady Parts, 2024

This British comedy is about Lady Parts, an all-female, all-Muslim Punk band. Their latest member is Amina, a Ph.D student who is a great guitar player but has a form of stage fright that gives her bursts of diarrhea and vomiting. To add to this serious obstacle, Amina is also not very "punk". The reason she joins Lady Parts is to score a blind date with the brother of one of the band members - in hopes of marrying him. It's a fun, unapologetic show that, like the Hulu hit Ramy, digs up the humour in the complexities of being young and Muslim in today's world.

Genre: Comedy

Actor: Aiysha Hart, Anjana Vasan, Juliette Motamed, Lucie Shorthouse

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4. The Diplomat, 2024

	
It’s amazing how shows fueled only by fast talk can feel as gripping as any thriller out there. The Diplomat is cerebral and heavy on geopolitical jargon, but somehow, it manages to feel genuinely exciting, each new episode impossible to not play next. Thanks is due in large part to Keri Russell who, fresh out of her incredible stint in The Americans, returns here as messy and intense and endearing as ever. On the one hand, The Diplomat is about the delicacy of diplomacy, about how every decision made at this level has ripples of consequences throughout the globe. But it’s also, amusingly, a marriage story. Russell plays a woman who has long been defined by her more renowned if egotistical husband, played perfectly by Rufus Sewell. They have a complex relationship that is as much a career partnership as it is a romantic one, and part of the show’s charm is blending all these story arcs seamlessly. Fans of West Wing, Veep, and Homeland will find much to like in this series, especially because of its informative takes and engaging performances.Genre: Drama, War & Politics
Actor: Ali Ahn, Ato Essandoh, David Gyasi, Keri Russell, Rory Kinnear, Rufus Sewell
Rating: TV-MA

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5. Silo, 2024

	
You don’t necessarily need a lot of money to make a sci-fi series good, but it doesn’t hurt to have either. In Silo, high production value ballasts a solid script and committed acting to make an impressively detailed and astonishing future world set deep in the underground.

No one knows why or how they got to where they are, and part of the show’s charm is that it’s able to sustain that mystery and hold off exposition until absolutely necessary. A master class in storytelling (the pilot episode is one of the best I’ve seen in a while), Silo is an exciting and prestigious entry into the sci-fi genre—closer to the gritty likes of Dune and Westworld than to the fizzier Doctor Who and Star Trek.Genre: Drama, Sci-Fi & Fantasy
Actor: Alexandria Riley, Angela Yeoh, Avi Nash, Billy Postlethwaite, Chinaza Uche, Clare Perkins, Common, David Oyelowo, Geraldine James, Harriet Walter, Rashida Jones, Rebecca Ferguson, Remmie Milner, Rick Gomez, Shane McRae, Steve Zahn, Tim Robbins, Will Patton
Rating: TV-MA

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6. RIPLEY, 2024

	
Ripley delivers an atmosphere-driven, intimately engaging suspense story fueled by money and deceit. The exposition moves slowly, albeit with gorgeous transitions and deliberate, cinematic shots to gush over. But the rich narrative possibilities open up by the second episode, where captivating acting and tense storylines anchor the show simultaneously. Tom Ripley (Andrew Scott), Dickie Greenleaf (Johnny Flynn), and Marge Sherwood (Dakota Fanning) each contribute to an uncomfortable three-way dynamic that you can't look away from, each a piece of an equation you inexplicably want to root for. This mini-series is a thoroughly compelling, quietly funny work of art already dressed for the awards shows.Genre: Drama, Thriller
Actor: Andrew Scott, Dakota Fanning, Johnny Flynn
Rating: TV-MA

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7. Look Back, 2024

	
When the world gets dark– when something bad happens that makes you lose your faith in the world around you– it can be hard to think that art would be of any help. After all, a piece of paper with scribbles on it can’t undo the wrong that’s happened, or help out directly with the concrete, solidified systems and solutions to the world’s problems. Look Back even acknowledges the possibility of art harming its creators, but through the friendship forged by Fujino and Kyomoto, it also acknowledges the way art can save you and the people who share that love, through some of the most beautiful animation ever created.Genre: Animation, Drama
Actor: Daisuke Takahashi, Kota Oka, Kureha Maki, Maaya Sakamoto, Masumi Taira, Mizuki Yoshida, Rina Endou, Shinnosuke Tokudome, Toshiyuki Morikawa, Yoichiro Saito, Yuumi Kawai
Director: Kiyotaka Oshiyama
Rating: NR

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8. Anora, 2024

	
One thing about director Sean Baker’s movies is that everything is rooted in class. Anora might charm as a romance, delight as a comedy, and dazzle as a realistic look into sex work, but at the end of the day, it’s a movie about labor, specifically exploitation labor, making the movie as painfully realistic as it is hopelessly romantic. It’s like the anti-Pretty Woman in that way. There’s no doubt it will have the same cultural impact (it’s already starting heated discourses on the internet) and will be remembered for just as long. The heated performances, breathtaking cinematography, and subtly hilarious script are all bonuses to this gem of a film.Genre: Comedy, Drama, Romance
Actor: Aleksey Serebryakov, Darya Ekamasova, Ella Rubin, Ivy Wolk, Karren Karagulian, Lindsey Normington, Luna Sofía Miranda, Mark Eydelshteyn, Masha Zhak, Mickey O'Hagan, Mikey Madison, Ross Brodar, Vache Tovmasyan, Yura Borisov
Director: Sean Baker
Rating: R

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9. Laapataa Ladies, 2024

	
When two young brides are mistakenly swapped on a train, it’s a difficult situation, much more so when the brides in question are both veiled and wearing the same red bridal attire. This seemingly simple swap is the entire plot of Laapataa Ladies, but director Kiran Rao transforms this mishap into a hilarious, yet realistic, satire that challenges plenty of the norms enforced on women in the country. As Phool and Jaya switch places, the film understands where their respective mindsets come from– Phool having not learned much about the world, and Jaya having been jaded by it– but the film doesn’t stop there. It brings them to places that challenge those mindsets, and in turn, they challenge the people around them too, by actively making choices from the mindsets they had to hold to survive. Laapataa Ladies is what it says on the tin– Laapataa is the word for lost– but the sharply written characters, the witty dialogue, and the subtle social commentary make this charming love story one of a kind.Genre: Comedy, Drama
Actor: Chhaya Kadam, Geeta Agrawal Sharma, Nitanshi Goel, Pratibha Ranta, Ravi Kishan, Sparsh Shrivastav
Director:  Kiran Rao

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10. Industry, 2024

	
Industry has all the markings of an HBO show: an abundance of sex, drugs, alcohol, and sure enough, an inextinguishable affinity for the F word. Like Succession, The Sopranos, and even Euphoria before it, it revels in its freedom to explore the nitty-grittiest parts of its subject matter and put its gruesome findings on full display. But instead of capitalism, organized crime, or teenhood, Industry incisively takes on hustle culture.

Through the eyes of four new hires at a premier investment bank in London, we see the dangerous means people put themselves through in order to achieve some semblance of respect, recognition, or at the very least stability. Bullying is rampant, hazing is normalized, competition is encouraged, and blind loyalty is rewarded. The characters are so flawed and damaged, you’ll often find yourself rooting for their demise. But you’ll also be glued to their arcs and storylines. Will they break the cycle of abuse or continue it? Can they actually change the system from within or does that remain a utopian dream? These questions are hardly charming, but Industry has a way of making them engaging, exciting even. It fully inhabits the meanness you can and should only enjoy behind the safety of a TV screen.Genre: Drama
Actor: Adam Levy, Alex Alomar Akpobome, Conor MacNeill, Harry Lawtey, Jay Duplass, Katrine De Candole, Ken Leung, Kit Harington, Marisa Abela, Miriam Petche, Myha'la, Myha'la Herrold, Sagar Radia, Sarah Goldberg
Rating: TV-MA

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11. Dìdi (弟弟), 2024

	
Coming of age films are a staple in cinema, but rare is a great depiction of growing up on the internet, chatting with friends, and learning about the world through just a small screen. Dìdi is one of those rare films that remembers that pivotal era, which is why it’s often likened to Bo Burnham’s Eighth Grade, but Sean Wang depicts a more angsty than anxious Asian American kid with a mother and a grandmother less able to relate to the wider Western town they live in, and with nothing he wants to do but to skate, shoot skating, and try to fit in with people he thinks are cool. It’s both funny and self-critical, as if Wang was looking back to remember the times he screwed up, but it’s also just comforting to watch him own up to who he really is, even if it doesn’t garner the exact response he’s been hoping for. It’s also precisely why Dìdi found its audience.Genre: Comedy, Drama
Actor: Cameron Foxly, Chang Li Hua, Izaac Wang, Joan Chen, Joziah Lagonoy, Macaela Parker, Shirley Chen, Spike Jonze, Stephanie Hsu
Director: Sean Wang
Rating: R

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12. X-Men '97 (Season 1), 2024

	
As a continuation of the original animated series done in a similar visual style, X-Men '97 could have very easily settled for cheap nostalgia pandering to fans old and new. But what we get instead is a show that hardly seems pressured by expectations and focuses all its energy on simply telling a good story with powerful themes. The best X-Men stories have always touched on prejudice, systemic inequality, and the struggle to come to terms with one's own differences from society. And this new series follows right along, already communicating so much character within its first two 30-minute episodes while maintaining dire stakes for its entire ensemble.

And even with the occasional awkward line reading, the quality of the writing always shines through—whether in an emotionally charged conversation between Cyclops and Jean Grey about what a parent's responsibility should be; in the empathetic words of Storm to the rest of her team; or in one of several show-stopping speeches given by Magneto, who finds himself reluctantly aiming for balance between humans and mutants more than ever before. And in every exchange or monologue, there's always an unease about the situation the X-Men find themselves in, caught between protecting those who wish them dead and leaving this responsibility behind to begin their own lives.Genre: Action, Action & Adventure, Adventure, Animation, Sci-Fi & Fantasy, Science Fiction
Actor: Alison Sealy-Smith, Cal Dodd, Catherine Disher, Chris Britton, George Buza, Gil Birmingham, Gui Agustini, Holly Chou, Jennifer Hale, JP Karliak, Lenore Zann, Matthew Waterson, Ray Chase, Ross Marquand, Terri Douglas
Director: Chase Conley, Emi Yonemura, Jake Castorena
Rating: TV-PG

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13. Kneecap, 2024

	
When we think of biopics, we think of underdogs overcoming all odds just through the magnetic power of one’s voice or mastery of their instrument, with the accolades a natural reward for all they’ve been through. Kneecap is not that. The biopic about the titular Belfast hip hop act acknowledges the Troubles, but right off the bat, they would rather tackle that through the actual music. With a low budget, Kneecap dresses themselves in neon tracksuits, reliving their beginnings with stylized camera movements, scribbled out lyrics and action lines, and an impeccable energetic score sync from their usual music video director Rich Peppiatt. It’s an exciting new portrait of the band and Ireland today.Genre: Comedy, Drama, Music
Actor: Adam Best, Cathal Mercer, DJ Próvai, Emily Lamey, Fionnuala Flaherty, Jessica Reynolds, Josie Walker, Kerri Quinn, Lalor Roddy, Michael Fassbender, Mo Chara, Móglaí Bap, Niall Cusack, Simone Kirby
Director: Rich Peppiatt
Rating: R

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14. Slow Horses, 2024

	
What if the UK’s MI5 was run not by sleek secret agents, but rather, a bunch of second-rate, hand-me-down spies? Slow Horses gives us a taste of that as it centers on Slough House, a division of MI5 that serves as a detention center for their smart but hopelessly damaged goods.

In this six-part miniseries, the Slough House agents reluctantly exchange their humdrum duties for a big and unexpected case. Led by the eccentric Jackson Lamb (a very funny and effective Gary Oldman), they track a group of Right-wing terrorists and their hostage before it’s too late. With its brisk pace, endearingly bumbling characters, and deft balance of suspense and humor, Slow Horses might just be one of the finest thrillers out there.Genre: Comedy, Crime, Drama, Mystery, Thriller
Actor: Gary Oldman, Hugo Weaving, Jack Lowden, Jonathan Pryce, Kristin Scott Thomas, Olivia Cooke
Rating: SPG

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15. Memoir of a Snail, 2024

	
The worst possible things that could happen, happen to orphaned twins Gracie and Gilbert but still they power on, motivated solely by the hope of being reunited once more. It’s a sweet premise, young siblings on opposite ends of the country encouraging one another with heartfelt letters. And with the soft-spoken Gracie (Snook) narrating the whole thing, it’s easy to be lulled into a sense of ease and comfort. But those familiar with director Adam Elliot’s work know that it’s never that simple. The film is as dark and edgy as it is sentimental and hopeful. It’s a complex piece of work, one that asks: is life worth living? After all the hardships, misfortune, depravity, and brutality, must we go on? You probably know what answer the movie will give you, but how it gets there is a heart-shattering journey that’s worth taking nonetheless.Genre: Animation, Drama
Actor: Adam Elliot, Dominique Pinon, Eric Bana, Jacki Weaver, Kodi Smit-McPhee, Magda Szubanski, Nick Cave, Sarah Snook
Director: Adam Elliot
Rating: R

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