910 Best Movies & Shows Released in 2023 (Page 9)

Staff & contributors

Find the best movies and show to watch from the year 2023. These handpicked recommendations are highly-rated by viewers and critics.

Trying, that other Apple TV+ show that masterfully balances seriousness and silliness. Like them, Shrinking is warm and affecting, but it has one undeniable advantage: Harrison Ford. Ford plays Segel's boss, and if you aren't onboard yet, Shrinking is definitive proof that Harrison is actually, objectively hilarious.

Genre: Comedy

Actor: Christa Miller, Harrison Ford, Jason Segel, Jessica Williams, Luke Tennie, Lukita Maxwell, Michael Urie

Rating: TV-MA

Abel Ferrara's protagonists have always searched for higher meaning in a flawed, messed-up world of pain and violence. If 1992's Bad Lieutenant took Harvey Keitel to church for one of American indie cinema's most spectacular endings, Padre Pio doesn't offer such solace. Ferrara (who's been living and working in Rome for years now) teamed up with Italian screenwriter Maurizio Braucci to direct a period piece that brings together the real life of a Catholic Church saint (the titular Padre Pio) and the rise of socialism after WWI. What seems like a straightforward historical approach turns first gruesome and then profound to capture the contradictions at the heart of Italy as a nation. A character study that breaks free of its biographical chains, Padre Pio shows that Ferrara has still got it, 50 films in.

Genre: Drama

Actor: Alessandro Cremona, Alessio Montagnani, Anna Ferrara, Asia Argento, Brando Pacitto, Cristina Chiriac, Ermanno De Biagi, Federico Majorana, Ignazio Oliva, Luca Lionello, Marco Leonardi, Martina Gatti, Michelangelo Dalisi, Roberta Mattei, Salvatore Ruocco, Shia LaBeouf, Stella Mastrantonio, Vincenzo Crea

Director: Abel Ferrara

Rating: R

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While not its only cause, the increase of conflict and civil wars has spurred a global refugee crisis. Millions of refugees have been displaced from their homes, taking dangerous journeys to a hopefully safer place. Nowhere, now on Netflix, showcases one possible journey. Escaping a future totalitarian Spain, the film is centered on leading lady Anna Castillo, whose excellent performance pulls most of the tears here. With her character Mia’s ingenuity, she maximizes her shipping container’s resources and takes steps to ensure her survival. While some of the backstory can feel thin, after all, for most of the runtime Mia has only herself to talk to, this new one-location survival film is a thrilling addition to the genre. It’s a chilling reminder of what could be happening to the millions of refugees seeking safe haven around the globe.

Genre: Drama, Thriller

Actor: Anna Castillo, Antonio Buíl, Edu Bulnes, Emma Sánchez, Irina Bravo, Kaabil Sekali, Lucia Soria, Mariam Torres, Mary Ruiz, Said El Mouden, Tamar Novas, Tony Corvillo, Victoria Teijeiro

Director: Albert Pintó

Rating: R

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There is so much simmering under the surface of Monica. When her mother Eugenia (Patricia Clarkson) falls gravely ill, the titular character (played by Trace Lysette) returns home for the first time since being turned out as a youngster for her transgender identity. But whatever illness Eugenia has has addled her brain, and she seemingly doesn’t suspect that the woman who has come to help care for her is the daughter she rejected all those years ago. 

Co-writer and director Andrea Pallaoro puts an understated spin on what could be an explosive scenario by letting much go unspoken, frequently framing Lysette’s face in long and wordless static shots. If the filmmaking edges towards being a little too patient at times, the naturally engaging Lysette keeps a firm hold of our attention with a vulnerable performance that expresses much without words. These infrequent wobbles aside, Monica’s restraint is to its credit: by not laying the drama on thick, all sorts of poignant nuances are allowed to bubble up, like the paradoxical difficulties and extraordinary intimacy that come with physically caring for a loved one. In choosing not to give Eugenia and Monica a direct confrontation or moment of revelation, too, the movie opens up to another beautiful possibility: acceptance, finally.

Genre: Drama

Actor: Adriana Barraza, Bryant Bentley, Emily Browning, Jean Zarzour, Joshua Close, Patricia Clarkson, Trace Lysette, Vladimir Perez

Director: Andrea Pallaoro

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The premise of Mars Express may not be novel, especially when films like Blade Runner have already gracefully explored the philosophical ramifications of the human-tech conflict. But the French animated movie’s richly built world, (digitally) hand-drawn characters, genuinely gripping action, and far-reaching ideas about space make it a refreshing watch. The plot is taut and tight, too, peppered with twists and grounded by character depth. It may look simple at first glance, predictable even, but by the end, you’ll be over the moon by the film’s imagination and ambition.

Genre: Action, Animation, Mystery, Science Fiction

Actor: Daniel Njo Lobé, Emmanuel Bonami, Geneviève Doang, Léa Drucker, Marie Bouvet, Marie Chevalot, Marthe Keller, Martial Le Minoux, Mathieu Amalric, Sébastien Chassagne

Director: Jérémie Périn

Rating: NR

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South African director John Trengove follows-up his debut The Wound with another take on masculinity, this time set in the States. Manodrome stars Jesse Eisenberg and Adrien Brody as a newbie and a veteran in a support group for men who have been emasculated by women and feminism. That's right, this is a film about incel culture, but one you haven't seen before. In tandem with Taxi Driver, Fight Club, or Joker, Manodrome represents a new era for the incel movie, as it confronts all the terror and aggression feeding into the community head on. Ralphie (Eisenberg) insists that his girlfriend Sal (Odessa Young) keeps their unplanned baby and deep down the rabbit hole he goes. Mental health struggles that have no outlet, worries, disappointment, alienation: all these facets of Ralphie's character come to the fore and bring him to the Manodrome clan, where Dad Dan (Brody) promises two miracles—absolution and acceptance—in exchange for celibacy. Trengove's sophomore feature is a blood-curdling psychological thriller that is not afraid to go to extremes (content warning!) to show that incels are not, in fact, a dorky online minority of youngsters, but a real wound in the body of our patriarchal world.

Genre: Drama, Mystery, Thriller

Actor: Adam Wade McLaughlin, Adrien Brody, Ben Smith-Petersen, Brian Anthony Wilson, Caleb Eberhardt, Ethan Suplee, Evan Jonigkeit, Garrett Richmond, Jesse Eisenberg, Jonah Wharton, Lamar Johnson, Matthew Lamb, Odessa Young, Philip Ettinger, Riley Keough, Sallieu Sesay, Zia Anger

Director: John Trengove

Rating: R

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The idea of representation in movies is often limited to superficial gestures of putting on screen people who look a certain way. Kokomo City is a reminder of cinema's possibilities when one really tries to queer filmmaking itself, with genuine queer voices driving a production. This documentary is messy and incredibly playful in its style—in ways that might read to some as lacking cohesiveness, or as tonally inconsistent. But the way director D. Smith is able to capture the dynamic energy of a series of conversations makes these powerful, funny, tragic anecdotes and dialogues feel truly grounded in people's everyday experiences, and makes the plea for protection of trans lives all the more urgent.

Throughout Kokomo City, this collection of individuals goes off on various tangents that never become difficult to follow. They speak about the nature of sex work, hidden desires felt by traditionally masculine male clients, and various degrees of acceptance within the Black community. And between these statements alternating from impassioned to emotional to humorously candid, Smith injects cheeky cutaway footage, layers text on screen, and plays an eclectic rotation of music throughout. It's about as real and as three-dimensional as these trans lives have ever been shown on screen.

Genre: Documentary

Actor: Daniella Carter, Dominique Silver, Koko Da Doll, Liyah Mitchell, XoTommy

Director: D. Smith

Rating: R

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