869 Best Movies & Shows Released in 2023 (Page 54)

The Perfect Find follows Jenna (Gabrielle Union), a fashion editor trying to make a comeback after a public breakup and a high-profile firing. She lands a job at a new fashion magazine, but this is complicated when she falls for her charming and much younger coworker, Eric (Keith Powers), who just so happens to be the son of her boss. Admittedly, the plot is as cliche as can be, with a few shenanigans, quirky best friends, and an ex or two popping up in the third act. But it's also easy to fall for, especially with Union as the charismatic lead. The jokes about her character and Eric's age gap land well most times, and many parts of the film are beautiful enough, most notably: the talent, the color grading, and the eye-catching New York landscape. 

Genre: Comedy, Romance

Actor: Aisha Hinds, D.B. Woodside, Gabrielle Union, Gina Torres, Godfrey, Janet Hubert, Keith Powers, La La Anthony, Leigh Davenport, Numa Perrier, Remy Ma, Shayna McHayle, Sterling 'Steelo' Brim, Ts Madison, Winnie Harlow, Yrsa Daley-Ward

Director: Numa Perrier

Rating: R

You ought to know what you’re getting into with a movie like The Out-Laws, a production from the Adam Sandler-founded Happy Madison banner that’s behind such lofty cinematic heights as Grown Ups and Paul Blart: Mall Cop. Even in that charitable frame of reference, though, The Out-Laws feels, even more than usual, like a tax write-off for its creators and a sweet solely-for-the-paycheck gig for its starry cast, who don’t have to do much by way of actual dramatic work here. The perfunctory editing and bland direction often seem disinterested in (or, perhaps, embarrassed by) most of the script’s attempts to be funny, and so the film rushes through its scenario, which is only mildly amusing to begin with. In a movie like this, that’s more of a blessing than a curse, even if it does mean some of its better moments get short shrift from the whistlestop treatment. All in all, even as Happy Madison vehicles go, this is an utterly forgettable 95 minutes — the kind you’ll barely even be able to recall by the time the credits roll.

Genre: Action, Comedy, Romance

Actor: Adam Devine, Anthony Belevtsov, Betsy Sodaro, Blake Anderson, Cale Schultz, Dean Winters, Derek Russo, Ellen Barkin, Haley Leary, Jackie Sandler, Jackson Beals, Julie Hagerty, Laci Mosley, Lauren Lapkus, Lil Rel Howery, Lynne Ashe, Michael Rooker, Mo Gallini, Montrel Miller, Nina Dobrev, Orelon Sidney, Otis Winston, Paul Eliopoulos, Peggy Walton-Walker, Pierce Brosnan, Poorna Jagannathan, Rebecca Covert, Reyn Doi, Richard Kind, Sunny Sandler, Tywayne Wheatt, Zele Avradopoulos

Director: Tyler Spindel

Rating: R

The Machine wants us to assume many unlikely things, with Bert Kreischer’s global fame being the most improbable. It also wants to be both high stakes as we follow Bert and his father (Mark Hamill) being chased by the mafia and comedic as they make lighthearted jokes along the way. But it never really achieves that balance. Though it looks sleek and high-budgeted, its contents are lopsided and messy, not once hitting the mark on its many targets. Moreover, it's based on a premise so thin, that it loses all credibility midway through the film. After that, it simply becomes a parody of itself. To be sure, there are some noteworthy moments in between, like when Kreischer and Hamill share genuine father-and-son moments, but for the most part, it’s just too overbearing to warrant anyone’s attention.

Genre: Action, Comedy, Crime

Actor: Aleksandar Srećković 'Kubura', Amelie Child-Villiers, Bert Kreischer, Brian Caspe, Dobrila Stojnic, Đorđe Simić, Iva Babić, Jess Gabor, Jimmy Tatro, Mark Hamill, Marko Nedeljković, Martyn Ford, Mercedes De La Cruz, Milena Predić, Miodrag Dragičević, Nikola Đuričko, Oleg Taktarov, Rita Bernard-Shaw, Robert Maaser, Set Sjöstrand, Stephanie Kurtzuba, Tea Wagner, Vladimir Gvojić

Director: Peter Atencio

Rating: R

The suggestion that life gets better if only you stand up for yourself is a helpful one. After all, self-confidence is something young kids could use a lot more of. But it’s also not true, and for Sid to instantly get his dream life once he starts applying himself just doesn’t ring true. Things unfold a little too smoothly and conveniently in this movie, making it less of an actual coming-of-age journey (which is complicated and messy) and more of a young boy’s simpleminded fantasy (that is, idealistic and egotistic). I just don’t buy that Sid, a kid who has been shy and avoidant all his life, gains all the wisdom, courage, and charisma of a hero overnight. And it certainly doesn’t help that everyone in his high school looks like they’ve long graduated from college. Ultimately, Sid is Dead lacks the authenticity to stand out from the wealth of excellent teen dramas we’ve been spoiled with in recent years. 

Genre: Comedy, Drama

Actor: Anjelica Bette Fellini, Aubrey Cleland, Audrey Whitby, Belissa Escobedo, Carla Gallo, Denisea Wilson, Eileen Galindo, Genevieve Hannelius, Helen Hong, Jack Griffo, Joey Bragg, Luke Massy, Mary Stuart Masterson, Suraj Partha, Tyler Alvarez

Director: Eli Gonda

In the sea of mommy-horror films, Run Rabbit Run would float somewhere in the middle. Despite Sarah Snook's imposing commitment to playing a mother haunted by her past, the story doesn't meet her halfway with a memorable script. The dynamic between mother and daughter gets stuck in an exhausting loop of sudden bursts of anger and angst followed by glaringly quick reconciliation. Twists and scares are present as Snook's character, also named Sarah, confronts the dark and disturbing truths of her past, but it feels more mandatory than useful. The potential for transforming gripping familial tension into horror is lost in a meandering mother/daughter fight.

Genre: Drama, Horror, Thriller

Actor: Damon Herriman, Genevieve Morris, Greta Scacchi, Julia Davis, Katherine Slattery, Lily LaTorre, Michala Banas, Naomi Rukavina, Neil Melville, Sarah Snook, Trevor Jamieson

Director: Daina Reid

There is a version of Moon Students that solely focuses on the students of color themselves, victims of racial profiling and injustice, instead of their white teacher and his overbearing white guilt. That would’ve been a slightly better movie to watch, but even then, Moon Students seems broken beyond repair. The film is riddled with technical blunders. The timeframe is confusing, the pacing is off, and the dialogue is unrealistic (and unintentionally funny, because what young person actually says, with full sincerity, “You know what time is it? Party time!”). The actors deserve credit for breathing a bit of life into a limp script, and the cinematography can be nice at times—fuzzy and hazy like an LA dream. But the film’s misguided sense of justice ultimately brings it down.

Genre: Drama

Actor: B.A. Tobin, Cedrick Terrell, Eddie Navarro, Nicholas Heard, Nicholas Thurkettle, Sydney Carvill

Director: Daniel Holland

Seemingly engineered in a lab to appeal strictly to romantic comedy enthusiasts who are familiar with every trope, Make Me Believe is charming and enjoyable in the moment, but ultimately does little with its ingredients. The things that it gets right are pretty foolproof: beautiful Turkish locales, steamy PG-rated romance, and a good dose of humor from supporting characters who can see the spark of love even before the couple does. Unfortunately this is all window dressing for a story built on flimsy foundations. The protagonist's assignment to book an interview doesn't actually carry that much weight, which makes the risk of pursuing and/or seemingly betraying her childhood neighbor feel inconsequential. And when these two characters inevitably meet in the middle, their connection is unconvincing, draining the excitement out of everything that follows.

Genre: Comedy, Romance

Actor: Ayça Ayşin Turan, Çağrı Çıtanak, Ekin Koç, Naz Çağla Irmak, Yıldız Kültür, Zerrin Sümer

Director: Evren Karabıyık Günaydın, Murat Saraçoğlu

Rating: R

Based on the autobiography of real-life evangelical pastor Greg Laurie, Jesus Revolution recounts how a Christian movement in the '60s turned lost hippies into dedicated Christians. It was an interesting moment in time, but instead of delving into the movement's peculiarities and intricacies, Jesus Revolution offers a myopic tale that paints Laurie as a hero and the movement as inspirational when, really, they are anything but. Laurie's story never feels significant enough to justify a feature film and the movement never seems as radical as the film thinks it to be. And even though it’s autobiographical, it never really digs into Laurie's spirituality and interiority deep enough to reveal complex truths. In fact, everyone’s a caricature in this simplistic film that feels more like propaganda as it paints religion as perfect and all-saving while glossing over its many imperfections and questionable rhetoric. It could have worked as commentary, satire, or maybe even a sincere memoir, but as it is, it just feels like a short-sighted attempt at telling history.

Genre: Drama, History

Actor: Alexia Ioannides, Anna Grace Barlow, Billy Graham, Charlie Morgan Patton, DeVon Franklin, Jackson Robert Scott, Joel Courtney, Jolie Jenkins, Jonathan Roumie, Julia Campbell, Kelsey Grammer, Kevin Downes, Kimberly Williams-Paisley, Matthew Montemaro, Mina Sundwall, Nic Bishop, Nicholas Cirillo, Paras Patel, Randall Newsome, Shaun Weiss, Steve Hanks

Director: Brent McCorkle, Jon Erwin

Rating: PG-13

Set in the capital of Peru, How to Deal with a Heartbreak is a follow-up to the mildly successful romantic comedy How to Get Over a Breakup. The titles are pretty self-explanatory, but where the first film is strictly about romance, the sequel experiments with more tender themes like family and friendship. It features everyday characters meant to seem relatable and endearing, but halfway through watching, one can’t help but wonder why any of this matters. The stakes are so low and the premise so ordinary, it feels like a huge effort to simply care about the movie. Some rom-coms are saved by a funny script or a charming cast, but this has none of that. The most rousing part of the film is when one character (I won’t divulge who) dies, and so Maria Fe is forced to grapple with the heaviness of death. It’s the one moment in the movie that feels real, but sadly it’s tossed aside to make way for more generic fare.

Genre: Comedy

Actor: Ana María Orozco, Carlos Carlín, Christopher Von Uckermann, Gisela Ponce de León, Jason Day, Jely Reategui, Karina Jordán, Norma Martínez, Salvador del Solar

Director: Joanna Lombardi

Rating: R