910 Best Movies & Shows Released in 2023 (Page 53)

In a time where the Metaverse feels more and more a looming presence, hoping to crown our complex realities with its utopian promise, it's only natural to expect a film set precisely there. Director L.E. Staiman took a chance with Love Virtually, but his attempt to make a zany, absurdist rom-com (riffing off the title of your aunt's annual Christmas rewatch) simply fails. The premise sees a few couples on the brink of breaking up reconnect with the help of VR headsets, challenging each other's commitment, or cheating with each other (without knowing it of course). A rather funny gambit gets sucked into a vortex of dullness when the characters speak, their dialogues irksome to the point of second-hand embarrassment. Instead of exploring the possibilities of VR relations through an ironic lens, the film seems to not even care enough to look for the genuine comedic potential of the Metaverse as a concept-turned-space. Even the three separate references to Timothée Chalamet don't make a difference to how surprisingly retrograde and somehow banal all of this feels.

Genre: Comedy, Romance

Actor: Adam Ray, Cheri Oteri, Danielle Krivak, Henry Dittman, Nikki Alexis Howard, Paige Mobley, Paul F. Tompkins, Peter Gilroy, Ryan O'Flanagan, Stephen Tobolowsky, Tom Virtue, Vincent Washington

Director: L.E. Staiman

Known best for his horror films, writer-director Christopher Smith’s latest stint in the genre has dropped on Hulu. Consecration is one of many supernatural horror films set in convents and churches, as the Catholic Church’s notorious silence is easy fodder for potential fears. There’s some of that here, as Grace, portrayed by the excellent Jena Malone, tries to uncover the truth, not just for her brother’s murder but for her own past. However, there’s no secrecy in this murder mystery with the dialogue holding no subtlety at all. Even as the cast makes the most of it, Consecration drags down any possible tension or intrigue with its painfully straightforward dialogue and incoherent timeline shifts.

Genre: Horror, Thriller

Actor: Alexandra Lewis, Angela White, Charlotte Palmer, Danny Huston, David Boyle, Eilidh Fisher, Emma Hixson, Ian Pirie, Janet Suzman, Jena Malone, Jolade Obasola, Kit Rakusen, Marilyn O'Brien, Steffan Cennydd, Thoren Ferguson, Will Keen

Director: Christopher Smith

Rating: R

It’s surreal to watch Congrats My Ex, because the Thai production feels inspired by Indian romance films, with its musical numbers, elaborate dance sequences, and maximalist sets and costumes. With both India and Thailand culturally linked for centuries, it’s interesting to see how this film celebrates their commonalities. That being said, this film isn’t too focused on this, on the difficulties of having an intercultural, long distance relationship– it knows that it wants to be an over-the-top wedding rom com. It does overly rely on the standard rom-com tropes, with a dash of slapstick shenanigans, over-the-top wedding dramatics, and one too many reckless driving accidents. It’s still a fun watch for fans of Bella and Bright though, but it’s nothing new.

Genre: Comedy, Romance

Actor: Anahita Bhooshan, Anjana Ghogar, Bright Vachirawit Chivaaree, Darina Boonchu, Mahir Pandhi, Passakorn Ponlaboon, Ranee Campen, Thongchai Thongkanthom, Vachirawit Chivaaree

Director: Prueksa Amaruji

With every chaotic fight scene, ridiculous stunts, and crazy scheme, All-Time High is a wild ride where two scammers lie to each other and fall in love. It’s fun to see these irresponsible people reap the consequences, and it’s fun to see the way Youssef and Stéphanie recognize that they’ve met their match, made all the more fun with the natural chemistry between Nassim Lyes and Zoé Marchal. That being said, the film’s irreverent humor depends a bit too much on stereotypes and gags, and can be a bit too specific for viewers outside of France.

Genre: Comedy, Romance

Actor: Adèle Exarchopoulos, Adrien Essamir, Alexandre Kominek, Ciryl Gane, Guillaume Canet, Gustave Kervern, Hakim Jemili, Hedi Bouchenafa, Ichem Bougheraba, Kenza Fortas, Nassim Lyes, Panayotis Pascot, Paul Deby, Yassine Stein, Yousef Ramal, Yovel Lewkowski, Zoé Marchal

Director: Julien Royal

With a premise that just seems inherently emotionally manipulative, it should take an especially sensitive touch to make a story like this work on screen. Unfortunately, See Hear Love—itself based on a South Korean webcomic—is both overdramatic and not nearly stylized enough in any meaningful way to help its subject matter evolve beyond melodrama. It remains a well-shot and decently acted film that, at the very least, treats its characters as adults and not as caricatures with disabilities. But the movie makes little effort to place these characters in believable situations that should shed a light on what it's like to live with blindness or as a Deaf person. See Hear Love takes the easiest (and slowest) way out, bringing its two lovers together under somewhat creepy circumstances, and having them endure cartoonishly exploitative "antagonists"—all for the sake of portraying the romance as grand and artificially tragic.

Genre: Drama, Romance

Actor: Dai Watanabe, Daikichi Sugawara, Mahiro Takasugi, Maika Yamamoto, Mari Natsuki, Masaya Kato, Motoki Fukami, Sayaka Yamaguchi, Tomohisa Yamashita, Tomoki Kimura, Yuko Araki

Director: John H. Lee

Horror novels scare readers through the power of their imaginations, but sometimes, adapting these words straight on screen limits the fear factor. That’s what happened with Lumberjack the Monster. While the film crescendos nicely into the intense graphic violence director Takashi Miike is known for, the introduction is a bit shaky, alternating between the cops and protagonist Akira Ninomiya without a neat balance, and having to reveal key points of the mystery only through dialogue. The film does still retain some of novelist Mayusuke Kurai’s contemplations about the consequences of clinical psychopaths placed in critical roles, but Lumberjack the Monster feels a tad too uneven.

Genre: Crime, Drama, Thriller

Actor: Ariei Umefune, Chigusa Yasuzawa, Hinami Mori, Katsuya Kobayashi, Kazuya Kamenashi, Keisuke Horibe, Kentaro Furuyama, Kiyohiko Shibukawa, Masatoshi Kihara, Masayuki Deai, Minosuke, Nanao, Reon Yuzuki, Riho Yoshioka, Ryushin Tei, Shidô Nakamura, Shota Sometani, Yasushi Kimura

Director: Takashi Miike

Rating: R

The American Christian film industry hasn't been terribly successful at crossing over to general audiences, and Journey to Bethlehem still succumbs to corny attempts at humor and performances that can still feel too self-conscious. But not unlike a musical such as Jesus Christ Superstar, this movie finds moderate success at balancing its faith-based elements with a focus on individual characters. Creative license has obviously been taken here to varying results: the songwriting is generally uninspired and lacks a unified style, but the songs add much-needed shades of humanity to a story that most people probably know as a Sunday school summary.

Genre: Comedy, Drama, Family, Music

Actor: Alicia Borrachero, Antonio Banderas, Antonio Cantos, Antonio Gil, Fiona Palomo, Geno Segers, Joel Smallbone, Lecrae, María Pau Pigem, Milo Manheim, Moriah Peters, Omid Djalili, Pedro Aijón, Rizwan Manji, Stephanie Gil

Director: Adam Anders

Rating: PG