910 Best Movies & Shows Released in 2023 (Page 51)

Staff & contributors

Find the best movies and show to watch from the year 2023. These handpicked recommendations are highly-rated by viewers and critics.

Beat for beat, word for word, Love is in the Air moves just like any other romantic comedy. Within that genre, it slots easily into the category of romcoms that follow a city guy who falls in love with a country girl, eventually learning and preferring the ways of small-town living. But Love in Air is even more improbable than usual because of how eerily perfect the two leads are. Goodrem, in particular, is always manicured to perfection, which makes her role as a down-to-earth no-nonsense go-getter very hard to believe. Still, the movie isn’t entirely unwatchable. There are pockets of humor to be found, and the stunning visuals almost make it worth the watch. Almost.  

Genre: Comedy, Drama, Romance

Actor: Craig Walker, Daniela Pizzirani, Delta Goodrem, Hugh Parker, Joshua Sasse, Mia Grunwald, Roy Billing, Simon McLachlan, Steph Tisdell

Director: Adrian Powers

Rating: PG-13

Read also:
In Love and Deep Water is torn between multiple concepts. There’s a murder, sure, and a butler trying to figure out who’s the killer, but there also happens to be a romance plot where the same butler falls in love with the passenger that informs him of their partners’ infidelity. The film also tries to squeeze in comedy with the way the killers try to hide the dead body, the ridiculousness of some passengers, and cheeky but contextless commentary. While the romance is lovely, In Love and Deep Water isn’t the fun and chaotic murder mystery promised, as it drowns itself with interesting ideas that never really fully pans out.

Genre: Comedy, Mystery, Romance, Thriller

Actor: Airi Matsui, Aju Makita, Amane Okayama, Aoi Miyazaki, Hatsunori Hasegawa, Hidekazu Mashima, Ken Mitsuishi, Ken Yasuda, Kento Nagayama, Michiko Tomura, Miyu Hayashida, Nahana, Rinko Kikuchi, Ryo Yoshizawa, Saki Takaoka, Takashi Okabe, Tomu Miyazaki, Yasuomi Sano, Yoh Yoshida, Yoshimasa Kondô, Yuki Izumisawa, Yunho

Director: Yusuke Taki

Rating: R, TV-MA

Read also:

There’s little to like in Hidden Strike, a shoddy action thriller riddled with dodgy CGI, melodramatic performances, and ultra-predictable plotlines. You could even play a drinking game spotting all the action cliches present in the film (take a shot every time the patriotic hero dedicates a killing to his countrymen). Mostly, it’s laughable and complex for all the wrong reasons, but there are rare moments when Chan and Cena’s partnership works. They’re pockets of humor that feel like actual breathers, a respite in a film that’s ultimately tiresome to watch. 

Genre: Action, Action & Adventure, Adventure, Comedy, Thriller

Actor: Amadeus Serafini, Diego Dati, Gong Jun, Hani Adel, Hou Minghao, Jackie Chan, Jiang Wenli, John Cena, Kefas Brand, Laila Ezz El Arab, Lee Huang, Li Ma, Ma Chunrui, Ma Xinrui, Max Huang, Michael Koltes, Neo Hou, Pilou Asbæk, Rachael Holoway, Rima Zeidan, Tazito Garcia, Temur Mamisashvili, Tim Man, Xu Jia

Director: Scott Waugh

Rating: TV-14

Read also:
Being made for free, fanfiction is free to play with controversial, less print-friendly concepts like gender-bending your favorite character. This freedom might go into strange territory, but most often than not, writers use fanfiction for escapism or for catharsis of their day-to-day lives. While the film doesn’t delve into fanfiction’s creative process, Polish drama Fanfic does recognize how the genre’s experimentation allows its writers to safely and freely explore different styles of expression, the same way teenage years hopefully do for its viewers. And as Tosiek goes through the trappings of coming-of-age self-discovery, it’s lovely and comforting and cathartic like the stories he writes.

Genre: Drama

Actor: Adam Cywka, Agnieszka Rajda, Alin Szewczyk, Anna Krotoska, Anna Wojnarowska, Dobromir Dymecki, Ewelina Starejki, Helena Sujecka, Ignacy Liss, Jakub Wróblewski, Jan Cięciara, Kaya Kołodziejczyk, Krzysztof Oleksyn, Maja Szopa, Marcin Perchuć, Mateusz Górski, Natalia Łągiewczyk, Oskar Rybaczek, Radosław Krzyżowski, Stanisław Cywka, Sylwia Achu, Wiktoria Kruszczyńska

Director: Marta Karwowska

Rating: NC-17

Read also:

While the film attempts to depict teenage sexuality, Dear David misses the mark due to certain plot points. At the heart of the film, Dear David is all about expression – that teenagers actively seek for ways to explore their sexuality like fanfiction, photos, and clothing. In taking on this premise, the hope for these kids would be to be able to to express these feelings through safe and constructive spaces. But because the film only presents Laras’ work as porn without plot, her relationship with David doesn’t feel like it stems from genuine affection. David isn’t characterized as popular enough for everyone to have a good concept of him, to have a positive canon narrative about him, and so, as Laras’ work spreads, it’s only his objectified self people have in mind. Her creative work comes across as some form of sexual harassment, rather than innocent expression.

Genre: Comedy, Drama, Fantasy, Romance

Actor: Agnes Naomi, Anne Yasmine, Caitlin North Lewis, Chanceline Ebel, Claudy Putri, Emir Mahira, Frans Nicholas, Izabel Jahja, Jenny Zhang, Lutesha, Maya Hasan, Michael Olindo, Natalius Chendana, Palestina Irtiza, Restu Sinaga, Ricky Saldan, Shenina Cinnamon

Director: Lucky Kuswandi

Read also:

Air Mata di Ujung Sajadah tugs at the heartstrings because it recognizes the pain of losing one’s child, whether that be to elopement, death, or to their biological parent. This, with a stirring score, and the tears of Titi Kamal and Citra Kirana, makes Aqilla and Yumna easy to root for, as they try to settle who would best be Baskara’s mother. It’s not an easy decision, and the film thankfully refrains from turning either woman to be an antagonist. However, all the sorrow, pain, and suffering hinges on Halimah’s decision, that, in the first place, shouldn’t have been possible. As the film plays out into its inevitable conclusion, the journey there is heartwarming, maybe even tearjerking, but it doesn’t feel as satisfying as it could have been if Halimah dealt with the consequences of her actions.

Genre: Drama

Actor: Citra Kirana, Dendy Subangil, Fanny Fadillah, Fedi Nuril, Jenny Rachman, Krisjiana Baharudin, Mbok Tun, Muhammad Faqih Alaydrus, Titi Kamal, Tutie Kirana

Director: Key Mangunsong

Read also:

In a world when women are sexualized and objectified, but also judged and excluded under the guise of religious righteousness, Adire seeks a middle ground. It dares to explore how women’s beauty can be a force for good, rather than a source of shame, even within the religion that traditionally excludes women from its leadership. That being said, Adire focuses on this to the detriment of all other ideas loosely stitched to the narrative, such as the cultural heritage in using the adire fabric for modern lingerie, sex and desire as an impetus for art, and the need for intimacy, not just sex, in relationships. Adire has the ideas, but not the execution, especially when it loses its way in the second half of the film.

Genre: Drama

Actor: Femi Branch, Funlola Aofiyebi, Ibrahim Chatta, Kehinde Bankole, Kelechi Udegbe, Mike Afolarin, Yvonne Jegede

Director: Adeoluwa Owu

Read also:
With its grounded approach, A Day and a Half feels real, even if the exact events are fictional. Inspired by a couple of lines from a 2008 news article, Fares Fares crafts an intimate family drama for his first directorial debut, built in the bones of a hostage thriller. As a thriller, Fares consistently maintains its suspense, camera eyeing the gun present in most of the film. However, as the cop Lucas tries to defuse the situation with hostage-taker Artan, and the situation escalates to the National Task Force, Artan and Louise confront their broken family, lines opened by improvised hostage negotiations. While Artan’s understandable reasons shouldn’t absolve him of his actions, A Day and a Half effectively builds tension, only relieved at its slightly unrealistic but cathartic ending.

Genre: Drama, Mystery, Thriller

Actor: Alexej Manvelov, Alma Pöysti, Annica Liljeblad, Annika Hallin, Daniel Guldstrand, Fares Fares, Richard Forsgren, Stina Ekblad

Director: Fares Fares

Read also:

Surrounded has the bones of a revenge-style Western. It turns the table on the white cowboy hero and gives us (on paper, at least) complex leads in Mo and Tommy. Mo is a young Black woman whose experience as a Buffalo Solider lends her not only the skills of an expert gunslinger but also the anger and motivation to push through any obstacle, while Tommy is the enigmatic thief who Mo reluctantly relies on in her quest for freedom. With all this pent-up tension, the film should work, and it does occasionally thanks to Wright and Bell’s deft performances (Bell is especially exceptional), the stunning mountainous terrains, and the worthy attempts at race and class commentary. But for the most part, the film's ambitions fall flat. The monologues are overlong and too evocative of modern speech to be historically believable. The action scenes, while exciting, only sputter here and there and never gain the momentum the film needs to genuinely thrill. And the thin backstories of Mo and Tommy raise more questions than answers. More often than not, Surrounded looks like a couple of good scenes strewn together on a lousy string; the foundations are off but there’s some enjoyment to be found.

Genre: Action, Drama, Western

Actor: Andrew Pagana, Austin Rising, Brandon Root, Brett Gelman, David Manzanares, Dylan Hice, Jamie Bell, Jeffrey Donovan, Keith Jardine, Kevin Wiggins, Letitia Wright, Luce Rains, Lyle Sandoval, Mark Dalton, Michael Kenneth Williams, Nathaniel Augustson, Peter Diseth, Tatanka Means, Tony Sedillo

Director: Anthony Mandler

Rating: R

Read also:

Despite its ambition to be a more serious piece of drama, Nganù is unfortunately held back either by a general lack of technical polish (sometimes leading to unintentional comedy within its dead-serious subject matter), or the misjudged attempt to feel grander than it should. When the film sticks to painful, ugly, intimate human drama, it actually starts to command attention. There's a striking lack of romantic sentiment to this story of a horrible person trying to redeem himself, as the film's many handheld camera shots capture its best performers at their nastiest (or most defiant)—showing us that the road to healing isn't actually as easy as it seems in Hollywood movies. Nganù sticks to its strict sense of morality, which is the best thing it could have done.

Genre: Drama

Actor: Alenne Menget, Azah Melvine, Hakeem Kae-Kazim, Kang Quintus, Muriel Blanche

Director: Kang Quintus

Read also: