Genre: Comedy, Drama
Actor: Abhishek Chauhan, Faisal Malik, Jackie Shroff, Mashhoor Amrohi, Monika Panwar, Neena Gupta, Priyadarshan Jadhav, Rakhi Sawant, Shashi Kiran, Uday Sabnis, Vijay Maurya
Director: Vijay Maurya
Find the best movies and show to watch from the year 2023. These handpicked recommendations are highly-rated by viewers and critics.
Genre: Comedy, Drama
Actor: Abhishek Chauhan, Faisal Malik, Jackie Shroff, Mashhoor Amrohi, Monika Panwar, Neena Gupta, Priyadarshan Jadhav, Rakhi Sawant, Shashi Kiran, Uday Sabnis, Vijay Maurya
Director: Vijay Maurya
While marketed as a family drama, Long Live Love! plays out more like a romance film between parents Sati and Meta. Where Meta has dived in, and accepted her role as a wife and mother, former model Sati still clings to the immature lifestyle he’s used to, to the glimmers of fame that he used to have. The premise is genius– there’s something poetic in the way someone who’s constantly obsessed with the look of a photo now has to go on the quest for its behind-the-scenes. There’s something here that questions previous portrayals of toxic masculinity and of marriage primarily because of how they’ll be perceived. However, there seems to be some missing sequences that could have made the ending more devastating.
Genre: Comedy, Drama, Romance
Actor: Araya A. Hargate, Becky Armstrong, Bhumibhat Thavornsiri, Kittiphak Thongauam, Niti Chaichitathorn, Nopachai Jayanama, Panissara Arayaskul, Pannawit Phattanasiri, Paweenut Pangnakorn, Rebecca Patricia Armstrong, Sadanont Durongkhaweroj, Sunny Suwanmethanon, Thanakorn Chinakul
Director: Piyakarn Butprasert
Likes for Sale, or Compro Likes in Portuguese, is as quirky and lighthearted as you’d expect from a half-hour sitcom. Its main premise, that of creating a fake persona in the age of online disinformation, also poses interesting questions. How ethical is it to buy likes to boost your career? And if you’re as desperate and rundown as Wagner, does the end justify the means? The ways in which Wagner and his team of frustrated artists navigate these dilemmas are what make the show relatable and interesting, but they’re also what make it frustrating at times. Some of their resolutions are questionable, and when they do tackle weighty matters, they seem too flippant to warrant serious thought. And the cast—as ebullient as they are—aren’t always convincing or charming enough to win you over. It’s admirable for the series to tackle such a novel concept (I’ve only ever seen it in the 2022 film Not Okay), but it looks like it’s something that needs to be lived in more to be fully fleshed out.
Genre: Comedy
Actor: Ana Carolina Machado, Fábio Lago, Giselle Itié, Lúcio Mauro Filho, Milhem Cortaz, Thiago Fragoso
Director: André Brandt, André Moraes
Last Stop Larrimah is the rare true-crime doc in which not a single tear is shed throughout its substantial two-hour runtime. That’s because the assumed-dead 70-year-old around whom it's centered had a lot of enemies: nearly all of his neighbors in the titular tiny Outback outpost he lived in, in fact. As the doc reveals, Larrimah — population: 10 (11 before Paddy Moriarty disappeared in 2017) — was a pressure cooker of big personalities roiling with animosity.
Given the town’s tiny population, the film has the uncommon privilege of being able to explore the potential motives of every possible suspect — and it does, diving into vicious feuds over meat pies, hungry pet crocodiles, and the million grievances Paddy’s neighbors apparently harbored. But, though it presents all motives as equally plausible, it turns out one explanation is much more likely than the rest. That’s the problem here: like so many other true-crime docs, by the end, you can’t help but feel that the journey this takes is ultimately exploitative. Though it’s an entertaining portrait of eccentric Aussie characters, the film is much too devoted to doing just that — entertaining — at the expense of all its participants (including the unremarkable local police, for some reason), and so its late pivot into emotional profundity feels markedly insincere.
Genre: Documentary
Director: Thomas Tancred
Inside is a technical wonder and a fascinating vehicle for Dafoe’s character Nemo, who holds the entire thing together with a singularly insane performance. It also poses interesting questions about art, namely, what value does it hold at the end of the day? When you’re seconds away from dying of hunger and thirst, what good is a painting, a sculpture, a sketch? Are they really only as good as what they’re materially made out of or can they contribute something more? Inside plays with these questions, but unfortunately, not in any engaging, thoughtful, or creative way. The movie stretches on and on, recycling the same ideas and leaning on the inevitably disgusting ways humans survive as a crutch. An argument could be made that that is the point, to reveal the emptiness and dullness of expensive art, but Inside tries so hard to capture that feeling that it becomes the thing it critiques in the end.
Genre: Drama, Thriller
Actor: Andrew Blumenthal, Cornelia Buch, Eliza Stuyck, Gene Bervoets, Josia Krug, Vincent Eaton, Willem Dafoe
Director: Vasilis Katsoupis
Being a priest requires full devotion to God, so falling in love would naturally challenge a seminarian and make them question whether priesthood is the right path for them. I Love Lizzy portrays this conflict as the seminarian Jeff falls in love with Bicol tour guide Lizzy, on the break where he’s supposed to make his discernment. It’s an intriguing love story, especially as Jeff and Lizzy heal past wounds with each other, and Carlo Aquino adeptly navigates his second seminarian role with ease. However, it’s clear that more care and attention was given to Jeff’s storyline rather than Lizzy’s. Despite this, I Love Lizzy is a unique, if a bit uneven, take on the seminarian love story that continues to captivate the predominantly Catholic country today.
Genre: Drama, Romance
Actor: Andrew Gan, Barbie Imperial, Carlo Aquino, Meanne Espinosa, Robert Seña, Turs Daza
Director: RC Delos Reyes
While this documentary may not provide the level of insight or as cohesive a narrative as other films from recent years about children's entertainment, Hot Potato benefits from the sheer charm and approachability of The Wiggles themselves. It's inspiring to see these men and women be perfectly ordinary people who just patiently put in the work to get to where they are today. The film doesn't necessarily find a central idea or philosophy behind The Wiggles' music, but their creativity and enthusiasm for performing manages to turn the simplest things (like fruit salad) into a celebration of life. The documentary isn't particularly good at balancing its tones, especially when it deals with the struggles that various Wiggles have faced in their personal lives, but it remains likable and wholesome all the same.
Genre: Documentary
Actor: Anthony Field, Bindi Irwin, Caterina Mete, Emma Watkins, Evie Ferris, Greg Page, Jeff Fatt, John Travolta, Lachlan Gillespie, Lucia Field, Matthew Broderick, Murray Cook, Paul Field, Paul Paddick, Robert De Niro, Sam Moran, Sarah Jessica Parker, Simon Pryce, Steve Irwin, Terri Irwin, Tsehay Hawkins
Director: Sally Aitken
Wilt Chamberlain’s story is inherently fascinating. An athletic wonder who rose to fame in the South during the Jim Crow era, Chamberlain had to pave the way for other Black athletes who followed in his footsteps. It wasn’t enough that he was good, or that he had the height to end all heights; Chamberlain had to be remarkable to be recognized by his white peers and the national association. And that’s exactly what he became, “an exceptional athlete who happened to be seven feet tall” as one expert puts it. So it’s rather disappointing that the definitive documentary about him doesn’t match his greatness. It gathers family members, sports experts, and fellow basketball players to share their thoughts on Chamberlain and accompanies their anecdotes with archival footage and photos to make a decently engaging but ultimately formulaic documentary. This will be fun and moving for NBA and basketball fans, but it lacks the magnitude to go beyond its expected audience.
Genre: Documentary, History
Director: Christopher Dillon, Rob Ford
As a spin-off of The Boys, Gen V returns to the same well of explicit, hyperviolent satire about seemingly benevolent superheroes—touching on many ideas that the franchise has already explored more strikingly before. This series' first three episodes are at their least effective when they get hung up on the shock factor of it all, with its satire often appearing as "cool" as the thing that it aims to satirize. But when the show quiets down and finally focuses up on its handful of main characters, it finds fresh ground for commentary.
At its heart this is a story about how the education system can be so easily bought by wealthy stakeholders who care more about producing star graduates than actually helping young people excel and find a place in the world. These kids are also immediately much easier to root for than Billy Butcher and his antihero crew, as each of them gradually reveals the trauma they're recovering from as a result of being experimented on and exploited. Gen V's central mysteries are slow to develop so far, but just seeing how this school-slash-factory is run helps make up for the slower pace.
Genre: Action & Adventure, Drama, Sci-Fi & Fantasy
Actor: Asa Germann, Chance Perdomo, Derek Luh, Jaz Sinclair, Lizze Broadway, London Thor, Maddie Phillips, Shelley Conn
From the director of Once and Sing Street comes Dublin-set Flora and Son, part love letter to music, part not-so-slick advertisement for Apple’s GarageBand. Eve Hewson plays the titular single mother, whose wayward 14-year-old son Max (Orén Kinlan) is one more slip-up away from being sent to youth detention. In an attempt to find an outlet for his unruly teenage energy, she salvages a beat-up guitar, but after he rejects it, there's nothing to do but give it a go herself — cue her belated moment of self-discovery.
Max’s anonymity in the title makes sense, then, because this is much more Flora’s story. However, while Hewson pours energy into the role, she can’t quite transcend the script's limits: Flora’s initial unlikeability (a little too emphatic), and the awkward attempts to roughen up a feel-good story with unconvincingly gritty elements. The film seems aware of audience expectations for a Carney joint, too, so it skips convincing dynamics and fleshed-out supporting characters in its rush to deliver musical setpieces (which never quite reach the catchy heights of Sing Street’s earworms, unfortunately). Still, there's real charm — and some compelling ideas about the magic of music — in here, especially once the film gets past its shaky first third and unabashedly embraces its feel-good heart.
Genre: Comedy, Drama, Music
Actor: Ailbhe Cowley, Aislín McGuckin, Amy Huberman, Don Wycherley, Eve Hewson, Jack Reynor, Joni Mitchell, Joseph Gordon-Levitt, Katy Perry, Keith McErlean, Kelly Thornton, Lionel Richie, Luke Bryan, Marcella Plunkett, Marcus Lamb, Margarita Murphy, Orén Kinlan, Paul Reid, Sophie Vavasseur
Director: John Carney
Seven years after Zootopia, Pixar takes another crack at a racial prejudice metaphor — but, while the analogy is less creaky here, it’s still an awkward one, as diametrically opposed elements like fire and water stand in for human beings. The gaping flaws in its central concept aside, Elemental does wring something compelling out of its story: an exploration of second-generation immigrant guilt.
That might seem like an oddly specific and complex topic for what is ostensibly a kids’ film to grapple with, but this is the Pixar of Soul and Bao, not Finding Nemo and Toy Story. Ember (Leah Lewis) is an anthropomorphized young flame whose parents migrated from their home in Fireland to run a store in the NYC-like melting pot of Element City; she’s keenly aware of the sacrifices they made to give her a better life and believes the only way to repay them is to abandon her own dreams and run their store. This is the one part of Elemental’s metaphor that really lands, but it’s unfortunately sidelined to make way for an inter-elemental romance between Ember and a water-man that only pulls the focus back onto the film’s biggest weakness. Still, its emotional specificity and beautiful animation prevent it from being a total washout.
Genre: Animation, Comedy, Drama, Family, Fantasy, Romance
Actor: Alex Kapp, Ben Morris, Catherine O'Hara, Clara Lin Ding, Jeff Lapensee, Joe Pera, Jonathan Adams, Leah Lewis, Mamoudou Athie, Mason Wertheimer, Matthew Yang King, P.L. Brown, Reagan To, Ronnie del Carmen, Ronobir Lahiri, Shila Ommi, Wendi McLendon-Covey, Wilma Bonet
Director: Peter Sohn
Overlayed with comic-style illustrations and cynical narration, Door Mouse is a neo-noir that struggles to supplement its visual flair with tangible characters. The titular Mouse is a horror comic by day and works at a burlesque bar at night, but she begins to worry when one of her coworkers is missing. From there, the film is a grunge cat-and-mouse chase into the underbelly of sex trafficking in the city. And although the direction is solid, the quip-heavy dialogue falls flat from characters that aren't fully fleshed out enough to pull off the right amount of chemistry for a justice-revenge tale. Thankfully, as a debut film for Avan Jogia as a writer and director, he's proven he has a narrative style worth looking out for.
Genre: Drama, Mystery, Thriller
Actor: Donal Logue, Famke Janssen, Hayley Law, Keith Powers, Landon Liboiron
Director: Avan Jogia
For an action thriller, Dead Shot is pretty boring. It doesn’t pick up until the latter half of the film, and even then, things never feel as impactful as they should be. The gears start to turn once Michael seeks revenge for the murder of his wife, but the film never builds enough story to move past this cliché. He has neither a rich backstory for us to fully feel for him, nor an impressive array of combat skills for us to be wowed, at least, by the mechanics of it all. The film is okay if you’re seeking easy thrills (Morgan finds a gripping scene partner in Aml Ameen, who plays the soldier Michael is after) but seasoned fans might want more out of a film that takes place during one of the country’s most politically charged eras.
Genre: Action, Thriller
Actor: Aml Ameen, Colin Morgan, Felicity Jones, Mark Strong, Sophia Brown
Director: Charles Guard, Tom Guard
Steven Soderbergh’s second TV show of 2023 — which was only announced a few days before its release — is a hopeful dystopian one. Command Z, which comprises eight short episodes totaling 90 minutes, is so named for Apple’s “undo” shortcut because that’s exactly the purpose of the show’s time-travel mission. In 2053, a tech billionaire (Michael Cera) who uploaded his consciousness to the cloud before dying on his way to Mars recruits three employees to make a few tweaks in the past to divert Earth off the course that led it to its nightmarish current state. The idea is that, by implanting themselves in the minds of those nearest to potential change-makers — like the daughter of a Big Oil CEO or a politician’s aide — they can convince their targets to take action and prevent the city-high sea levels and Hazmat-requiring pollution of 2053.
Though frequently humorous in its satirical vision of the future, Command Z doesn’t mess around, virtually breaking the fourth wall at every opportunity to prod us to do something. If the tone isn’t quite as polished as it could be — or if the production value sometimes feels slapdash — it’s all befitting of the urgency of the message it’s begging us to heed before it’s too late.
Command Z is available to stream here for a one-time fee of $7.99 that is donated in full to Children's Aid and the Boston University Center for Antiracist Research.
Genre: Comedy, Sci-Fi & Fantasy
Actor: Alexandra Socha, Ben Livingston, Catherine Curtin, Elisa de La Roche, James Naughton, Jared Reinfeldt, Jiehae Park, JJ Maley, John Ellison Conlee, Karen Huie, Kevin Pollak, Laura Seay, Liev Schreiber, Michael Cera, Mike Birbiglia, Mike Houston, Monique Moses, Nhumi Threadgill, Roy Wood Jr., Stavros Halkias, Will Brill, Zoe Winters
In the sea of adult animation, Captain Fall floats in on a crime-packed cruise ship under the charge of the most unqualified man, Jonathan Fall. Although there are unsavory characters, the show never goes into the childish crass humor employed by many of its contemporaries. It also doesn't shy away from grotesque violence and pokes fun at the dangerous and exploitative things rich people willingly pay for. It's not all cynical though, as we mostly follow an earnest captain who just wants his parents' love. Captain Fall is a watchable crime-comedy that balances out its cartoonish parts with the impending countdown to expose this crime ring.
Genre: Animation, Comedy
Actor: Adam Devine, Alejandro Edda, Anthony Carrigan, Christopher Meloni, Jason Ritter