99 Best Romance Movies to WatchBest Movies & Shows Released in 2023 (Page 4)

While marketed as a family drama, Long Live Love! plays out more like a romance film between parents Sati and Meta. Where Meta has dived in, and accepted her role as a wife and mother, former model Sati still clings to the immature lifestyle he’s used to, to the glimmers of fame that he used to have. The premise is genius– there’s something poetic in the way someone who’s constantly obsessed with the look of a photo now has to go on the quest for its behind-the-scenes. There’s something here that questions previous portrayals of toxic masculinity and of marriage primarily because of how they’ll be perceived. However, there seems to be some missing sequences that could have made the ending more devastating.

Genre: Comedy, Romance

Actor: Araya A. Hargate, Becky Armstrong, Bhumibhat Thavornsiri, Kittiphak Thongauam, Niti Chaichitathorn, Nopachai Jayanama, Panissara Arayaskul, Pannawit Phattanasiri, Paweenut Pangnakorn, Sadanont Durongkhaweroj, Sunny Suwanmethanon, Thanakorn Chinakul

Director: Piyakarn Butprasert

Being a priest requires full devotion to God, so falling in love would naturally challenge a seminarian and make them question whether priesthood is the right path for them. I Love Lizzy portrays this conflict as the seminarian Jeff falls in love with Bicol tour guide Lizzy, on the break where he’s supposed to make his discernment. It’s an intriguing love story, especially as Jeff and Lizzy heal past wounds with each other, and Carlo Aquino adeptly navigates his second seminarian role with ease. However, it’s clear that more care and attention was given to Jeff’s storyline rather than Lizzy’s. Despite this, I Love Lizzy is a unique, if a bit uneven, take on the seminarian love story that continues to captivate the predominantly Catholic country today.

Genre: Romance

Actor: Barbie Imperial, Carlo Aquino, Meanne Espinosa, Robert Seña, Turs Daza

Director: RC Delos Reyes

 As glad as I am to see a film celebrating the complex joys of interracial love and debunking the stigma of arranged marriages, I can’t help but wonder how and why a film about love got to be so dry and passionless. Is dating really this painfully awkward? Is marriage really this burdensome? Realistically, yes, but when you’re trying to make a point about true love supposedly trumping it all, including cultural differences and age-old traditions, then you should at least make it seem like the winner. The movie tries to have its cake and eat it too by serving us heaps of realism and fantasy on one plate, failing to understand that you only have to pick one to be palatable. “Love Contractually” is the title of Zoe’s documentary, but it’s also the name this movie should’ve gone with, seeing as how everyone acts like they’re obligated to be here. 

Genre: Comedy, Romance

Actor: Alexander Owen, Alice Orr-Ewing, Asim Chaudhry, Ben Ashenden, Emma Thompson, Haqi Ali, Jamal Andreas, Jeff Mirza, Lily James, Michael Marcus, Mim Shaikh, Munir Khairdin, Nikkita Chadha, Nosheen Phoenix, Oliver Chris, Peter Sandys-Clarke, Ravi Aujla, Sajal Ali, Shabana Azmi, Shaheen Khan, Shazad Latif, Sindhu Vee, Taj Atwal, Wasim Zakir

Director: Shekhar Kapur

Rating: PG-13

In depictions of organized crime, we’re used to the stone-cold crime boss, and the conflicted, unwilling crime lord, but Miss Shampoo presents a new version of the gangster– one that’s fallen head over heels in love. The film plays out in hilarious ways, with the humor expected from writer-director Giddens Ko, and Daniel Hong and Vivian Sung are able to inject some heart into their performances with surprising chemistry. That being said, the film is clearly more interested in mocking organized crime, so the film feels more skewed towards Tai rather than Fen. It’s still really entertaining, though Miss Shampoo had so much more it could have shown, had it focused equally on Fen’s perspective.

Genre: Comedy, Crime, Drama, Romance

Actor: Bai Jing Yi, Bruce He, Chih-ju Lin, Chu Chung-heng, Duan Chun-hao, Duncan Lai, Honduras, Hong Yu Hong, Hsin-Ling Chung, Kai Ko, Ke-Li Miao, Kent Tsai, Mei-Man Jin, Teng-Hung Hsia, Tsai Chang-Hsien, Vivian Sung, Wei-min Ying

Director: Giddens Ko

Stories like Il Mare and Your Name/Kimi no Na Wa work because, unlike other romances, the conflict is understandably difficult. After all, how the heck can anyone fight against time and space? Love You Long Time takes a stab at the unique time-bending premise, with one main difference: the movie’s main lovers can talk to each other directly through an old pair of two-way radios. There’s no need for the two to depend on physical letters or texts. This difference is interesting – immediately, it allows Director JP Habac to play with cinematography, editing, and acting, to make us fall in love with the couple. Split between 2018 and 2022, the film makes meaningful points about the past and present, the years lost to the pandemic, and separation. However, without spoiling anything, the film’s third-act plot twists don’t land as well as they could have. Having them back to back made the plot nearly incomprehensible, and sadly, doesn’t resolve the conflict driving the film.

Genre: Drama, Romance

Actor: Ana Abad-Santos, Arlene Muhlach, Carlo Aquino, Meanne Espinosa, Patrick Quiroz

Director: Jaime P. Habac Jr.

Made to commemorate Toei Studio’s 70th anniversary, The Legend & Butterfly seemed like a good choice for this purpose. As a historical epic about the first Great Unifier of Japan, the film could have enabled the production company to show off their studio’s best in production design, set pieces, costumes, and score, through a familiar story Japanese audiences would care about. And with Nohime having a near blank slate in history, it gives enough creative freedom for the team to craft a heartrending romance. While the design aspects definitely succeeded, the romance did not. On top of this, the film’s focus on the romance takes away time, effort, and emotional resonance from the large-scale spectacular war battles that epics like these are known for.

Genre: Drama, History, Romance

Actor: Ai Mikami, Daisuke Honda, Haruka Ayase, Hideaki Ito, Hio Miyazawa, Hirotaro Honda, Ichikawa Somegorō VIII, Jun Hashimoto, Kinya Kitaoji, Kokoro Morita, Manabu Hamada, Mansaku Ikeuchi, Masato Wada, Miki Nakatani, Shuichiro Masuda, Takuma Otoo, Takumi Saitoh, Takuya Kimura, Toshinori Omi, Tsutomu Takahashi

Director: Keishi Otomo

Nostalgia is a powerful emotion, and it’s the main reason why filmmakers keep cashing in with old media franchises. Archie has been reimagined before, with the bewildering twists and turns of the CW’s Riverdale, but this time, it’s India’s turn with the franchise, and Graphic India and Tiger Baby Films partnered with the original publication to reimagine the town as an Anglo-Indian community in The Archies. The production design is undoubtedly stunning, with the maximalist Bollywood spectacle borrowing from 60’s Americana, and the musical numbers aren't half bad either. However, it’s the story and characterization that falters, as it feels like the leads are just going through the motions of the familiar love triangles. The film is still fun to watch, but ultimately, it feels like The Archies relies on spectacle to make up for its shortcomings.

Genre: Comedy, Drama, Music, Romance

Actor: Aditi Saigal, Agastya Nanda, Alyy Khan, Ankur Tewari, Ashok Banthia, Avan Contractor, Delnaaz Irani, Deven Khote, Dianne Commissariat, Dot., Farhan Akhtar, Kamal Sidhu, Khushi Kapoor, Koel Purie, Lovely Sharma, Luke Kenny, Mihir Ahuja, Nikos Andritsakis, Prerana Poddar, Puja Sarup, Satyajit Sharma, Sheena Khalid, Suhaas Ahuja, Suhana Khan, Tara Sharma, Vedang Raina, Vikram Kapadia, Vinay Pathak, Yuvraj Menda

Director: Zoya Akhtar

Nuovo Olimpo is stunning, atmospheric, and the very concept of the film – where lost love intersects with Italian cinema – is an interesting one. Starting the film’s relationship at a specific movie theater feels reminiscent of Cinema Paradiso, especially as Enea’s path mirrors Salvatore becoming a famous director. However, the film doesn’t really dive deep into this concept, nor does it add much to say with its gay romance. There’s something here about the relationship between the creator and the viewer that is undeniably interlinked, and there’s a hope that they can meet in the middle. But when the film doesn’t care about the couple’s individual paths, there are times it feels like it’s just going through the motions.

Genre: Drama, Romance

Actor: Aglaia Mora, Alvise Rigo, Andrea Di Luigi, Aurora Giovinazzo, Damiano Gavino, Eugenio di Fraia, Federico Mancini, Giacomo Colavito, Giacomo Stallone, Giancarlo Commare, Greta Scarano, Loredana Cannata, Luisa Ranieri, Priscilla Drag

Director: Ferzan Özpetek

Rating: R

With their personal life offered for consumption, carefully curated for viewers and sponsors, the social media influencer has become a fascinating character to study, especially with the job becoming Gen Z’s top career aspiration. As If It’s True examines this character through Gemma Stone, using the fake relationship trope to examine the lengths to which she would cling to her clout. John Roger’s debut feature blurs the line between real and the fake, not just for Gemma and James but also for the viewers, and it brings up much to say about how this aspiration can ruin people. However, the lines are blurred too much, as the ideas don’t mesh cohesively as it could. As If It’s True is an interesting character study, but the film hasn’t allowed itself to see the human side of the people highly incentivized to be fake for views.

Genre: Drama, Romance

Actor: Adrianna So, Angellie Nicholle Sanoy, Ashley Ortega, Jan Silverio, Khalil Ramos, Marnie Lapus, Rachel Coates

Director: John Rogers