904 Best Movies & Shows Released in 2023 (Page 34)

Staff & contributors

Find the best movies and show to watch from the year 2023. These handpicked recommendations are highly-rated by viewers and critics.

Those who grew up watching baseball legend Reggie Jackson will know that his was a name you read all over the news. One of America’s first athlete superstars, Jackson had a reputation that preceded him—he was a celebrity you’d just as soon find in Studio 54 than in the gym, wearing diamond bracelets more than baseball mittens. But in his self-titled documentary Reggie, he finally tells his story in his own words. 

Reggie tracks his career in the context of the constant racism he and his fellow Black players in the league faced for many years. He explains why building the tough persona the media condemned him for years was necessary. It’s as autobiographical as it is historical, with Jackson often discussing how race informed every part of the sport, whether he wanted it to or not. The documentary is fascinating and informative, and it serves as an essential reminder of the inequality and double standards POC players faced and continue to face today.

Genre: Documentary

Actor: Hank Aaron, Julius Erving, Reggie Jackson

Director: Alex Stapleton

Rating: PG-13

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This taut chamber piece about NSA whistleblower Reality Winner (yes, that’s her real name) is based on the FBI’s account of her interrogation one June day in 2017. “Based on” doesn’t quite capture Reality’s exhaustive commitment to the facts, though, because this movie is essentially a dramatic reading of a verbatim transcript of the FBI agents’ recording that day. The only time it breaks with reality is when it reaches a redacted portion of the transcript, at which point characters glitch out of view, leaving us staring into the blank set around them. Otherwise, every cough, false start, and even every off-topic remark is recreated with exacting precision here, lending the film a paradoxically stilted, slightly stagy air. But rather than pull you out of the proceedings, Reality’s palpable artificiality only immerses us into the uneasy tension and surreality that its anxious protagonist must have been feeling that day.

That anxiety is contagious, thanks to the movie’s clinical style and central performance. The camerawork is largely unblinking, moving in uncomfortably close on Reality (Sydney Sweeney) as two FBI agents (Josh Hamilton and Marchánt Davis) subject her to their bizarre hot-cold interrogation, which ranges from seemingly friendly inquiries about her dog to jugular-aimed questions about the allegations against her. Sweeney shoulders all this pressure remarkably well, deftly keeping us as much in the dark as Winner tried to keep the FBI in — which makes not knowing the real story a benefit, rather than a barrier, to watching Reality.

Outside of Sweeney’s commanding performance, Reality feels somewhat limited by its absolute loyalty to the FBI’s transcript, though. Much of the film’s 83-minute runtime is dedicated to recreating the text, which leaves only a few minutes at the end for it to express its own point of view on Winner’s actions. Though these scant moments make for a compelling reframing of the charges against Winner, they feel overshadowed by and separate from the movie’s rigorous devotion to the transcript, which ultimately means Reality can’t quite transcend its status as merely an interesting filmmaking curio.

Genre: Drama, Thriller

Actor: Allan Anthony Smith, Benny Elledge, Bill Maher, John Way, Josh Hamilton, Marchánt Davis, Sydney Sweeney, Tucker Carlson

Director: Tina Satter

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Visual artist Ann Oren's first foray into feature-length filmmaking is a sensual delight and a gift that keeps on giving. Oren approaches her film with sincere dedication to every single building block: Piaffe looks, sounds, and feels sensational while being a fairly modest production. A true indie film, Piaffe verges on experimentation as a young woman named Eva (Simone Bucio) takes over the job of a foley artist from her sister. Even though she's under-qualified, she tries her best t0 come up with the sounds for a horse-themed commercial to no avail. However, in the process, she notices a bump on her lower back that grows into a horse's tail. Piaffe is a tale of metamorphosis, not only of the flesh, but also of the heart, as the themes it explores are also directly related to sexuality, submission, and, of course, love as a manifestation of all those things.

Genre: Thriller

Actor: Bjørn Melhus, Josef Ostendorf, Lea Draeger, Nico Ehrenteit, Sebastian Rudolph, Simon(è) Jaikiriuma Paetau, Simone Bucio, Tristan Bumm

Director: Ann Oren

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After directing George Harrison: Living in the Material World and No Direction Home, Martin Scorsese brings to the fore yet another singular musician, this time New York Dolls frontman David Johansen (aka Buster Poindexter). More of a concert film than anything, this feature takes place during a live performance Johansen gives during his birthday; his raspy voice and poetic punk songs already tell a story in themselves, but Scorsese intercuts them with the occasional archival footage and interview, careful not to disrupt a glorious musical moment with cheesy throwback scenes. 

A Dolls or punk fan will be moved by the resulting film, a fittingly jagged but meaningful oeuvre of a tenacious artist. But if you're coming to this documentary without much prior knowledge about Johansen, his band, and the era from which he came, you might find it somewhat niche, but overall impressive, informative, and musically thrilling.

Genre: Documentary, Music

Actor: David Johansen, Debbie Harry, Hal Willner, Morrissey, Sylvain Sylvain

Director: David Tedeschi, Martin Scorsese

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Where Palm Trees and Power Lines may stumble in its depiction of lower-middle class ennui among American teenagers (who are all made to seem not just bored, but boring), it more than makes up for in its delicate handling of power dynamics in its central relationship. To an outsider, Lea's decisions to let a stranger get so close to her are maddening, but co-writer and director Jamie Dack is careful to emphasize that the teenager ultimately isn't to blame. And Lily McInerny's entirely naturalistic performance communicates a fear of both missing out on life experiences and of being totally out of her depth.

Genre: Drama

Actor: Armani Jackson, Auden Thornton, Gretchen Mol, John Minch, Jonathan Tucker, Kenny Johnston, Lily McInerny, Michael Petrone, Timothy Taratchila, Yvette Tucker

Director: Jamie Dack

Rating: R

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There are horrors in the world that people have faced, and if they survive, they live with the trauma for a long, long time. But what happens when the perpetrator of that trauma has moved on? What happens when they resolve to be better, and pursue a different path? Our Father, the Devil is a psychological drama where an African refugee has to deal with seeing the warlord that once destroyed her entire village, but it unfolds in such a unique way, with the riveting Babetida Sadjo living a split life between her chef and caretaking career in the day, and being tormented by the past at night. It’s a fascinating portrait, one that we haven’t seen in a while, of a traumatized refugee granted the rare opportunity to exact retribution.

Genre: Drama, Mystery, Thriller

Actor: Babetida Sadjo, Franck Saurel, Jennifer Tchiakpe, Martine Amisse, Patrice Tepasso, Souleymane Sy Savane

Director: Ellie Foumbi

Rating: NR

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As far as heroic biopics go, One Life is fairly standard, if not a bit forgettable. The film’s monotonous pace and less-than-compelling drama don’t quite match the extraordinary real-life feats of the British stockbroker who helped transport hundreds of Jewish children from Nazi-occupied Prague into Britain. The beats are familiar, the dialogue even more so. But there is one saving grace here, and that’s Anthony Hopkins, who plays the stockbroker in question, Nicky Winton, with such believable grace. Hopkins effortlessly relays the heavy guilt of his character, and when he finally breaks down by the film’s climax, you can’t help but cry with him. Everything else about the film, including the flashbacks to young Nicky, played by Johnny Flynn, could be stronger, but as it stands, One Life serves as an effective enough reminder to stand up for what’s right and be proud of that act, no matter how seemingly small or singular.

Genre: Drama, Family, History, War

Actor: Adrian Rawlins, Aleš Bílík, Alex Sharp, Angus Kennedy, Anna Darvas, Anthony Hopkins, Antonie Formanová, Barbora Černá, Barbora Vacková, Charles Armstrong, Darren Clarke, Ffion Jolly, Helena Bonham Carter, Janusz Hummel, Jaromíra Mílová, Jiří Šimek, Joe Weintraub, Johnny Flynn, Jonathan Pryce, Jonathan Tafler, Juliana Moska, Justin Svoboda, Lena Olin, Liam Smith, Lukáš Král, Marthe Keller, Matilda Thorpe, Michael Gould, Milan Ligač, Nick Blakeley, Petr Jeništa, Romola Garai, Samantha Spiro, Samuel Finzi, Sean Brodeur, Simon Thorp, Tim Steed, Vilma Frantová, Ziggy Heath

Director: James Hawes

Rating: PG

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Part sci-fi and part psychological horror, No One Will Save You is an impressive outing that serves as a vehicle for Dever’s one-woman show. She is a powerhouse, a nonstop show of talent that doesn’t seem to run out of fuel. The scenes are grueling and excruciating, they involve a lot of physical, mental, and emotional turmoil, but somehow, Dever rises to the challenge with unbelievable ease. Sure, sci-fi lovers will find much to discuss in these unearthly creatures, and cinephiles will appreciate how the film relies almost solely on sound design and a single line of dialogue. But it’s Dever who does the heavy lifting here, and it’s especially apparent when the film tries, weakly, to delve into Brynn’s psyche and the town’s sociological workings. It’s not as impressive in those regards, but Dever is strong enough an actress to make you forgive the movie’s frailer parts. 

Genre: Horror, Science Fiction, Thriller

Actor: Bridget Malbrough, Dane Rhodes, Dari Lynn Griffin, Elizabeth Kaluev, Emani White, Evangeline Rose, Geraldine Singer, Kaitlyn Dever, Lauren L. Murray, Zack Duhame

Director: Brian Duffield

Rating: PG-13

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It’s best not to overthink the details of No Hard Feelings, an uproarious comedy that benefits from the lead actors’ physicality. It’s meant to be enjoyed as it happens, at the moment, with Lawrence lighting up every scene with full-bodied commitment and Feldman, a worthy co-lead, delighting at every turn. They’re playing stock characters, and the script doesn’t give much beyond the usual backstories, but Lawrence and Feldman play them with so much heart and gusto, knocking every scene they’re in out of the park. Everything else plays second fiddle to their two-hander show. The cameos are star-studded but forgettable (except for Kyle Mooney, who I wished was onscreen more as Percy’s male nanny), the character development is heartwarming but predictable, and though it bills itself as a sex comedy, the film never really touches past third base. But all that is water under the bridge when you’re watching Maddie and Percy flirt and fumble their way through the film.  

Genre: Comedy, Drama, Romance

Actor: Alaina Surgener, Alysia Joy Powell, Amalia Yoo, Andrew Barth Feldman, Ari Frenkel, Ben Heineman, Brian Calì, Christina Catechis, Christopher Bailey, Darren Valinotti, Earl Rose, Ebon Moss-Bachrach, Ethan Metz, Hasan Minhaj, Jacob Augustin, Jennifer Lawrence, Jordan Mendoza, Kyle Mooney, Laura Benanti, Luca Padovan, Madison McBride, Matt Walton, Matthew Broderick, Matthew Noszka, Melissa Lehman, Natalie Morales, Quincy Dunn-Baker, Scott MacArthur, Sophie Tananbaum, Victor Verhaeghe, Zahn McClarnon

Director: Gene Stupnitsky

Rating: R

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It seems unfair to call Neeyat India’s (and Amazon Prime’s) answer to the Knives Out series of films, but it often feels that way. It’s a murder mystery that sides with the poor and satirizes the rich, and it mostly takes place in a grand manor that forces its colorful cast of characters to interact until, inevitably, their hidden motives surface. Of course, Neeyat isn’t an exact replica; it has its own inflections and charms, and figuring out how India’s ultra-rich live, specifically, is its own kind of fun. In fact, this is when the film shines the most, when it allows its talented cast to parade the silliness of their characters. Like Knives Out, it makes for a great ensemble movie. But as a murder mystery, Neeyat is not as successful in weaving multiple mysteries and pulling off twists. It’s bogged down by unnecessary melodrama, flashbacks, and exposition, eventually falling off the rails of logic. It’s still enjoyable, for sure, but maybe more as a campy comedy than as a genuinely thrilling mystery. 

Genre: Crime, Drama, Mystery, Thriller

Actor: Amrita Puri, Dipannita Sharma, Neeraj Kabi, Niki Aneja Walia, Prajakta Koli, Rahul Bose, Ram Kapoor, Shahana Goswami, Shashank Arora, Shefali Shah, Vidya Balan

Director: Anu Menon

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