910 Best Movies & Shows Released in 2023 (Page 30)

Staff & contributors

Find the best movies and show to watch from the year 2023. These handpicked recommendations are highly-rated by viewers and critics.

An essential documentary for sports fans but one that may be too specialized for casual viewers, The League continues director Sam Pollard's project of tracing Black history and civil rights through various vantage points. This time he trains his eyes on baseball, and though the film gets bogged down in information that threatens to come off as mere namechecking, Pollard still manages to steer the discussion towards the forgotten (and often actively concealed) struggles of pioneering Black players shut out by their own industry. The documentary is at its best when it debunks preconceived notions we have about baseball, such as its popular styles of play and the extent to which a superstar like Jackie Robinson actually became a beacon for other Black players (hint: representation alone isn't change). Though it may take some digging to get to these revelations, Pollard's diligence is admirable all the same.

Genre: Documentary

Director: Sam Pollard

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Based on four different books by Colombian author Mario Mendoza, The Initiated (or Los Iniciados) is perhaps too much of a good thing at times, as it struggles to have its many different pieces cohere into one thematic idea. These separate pieces are intriguing on their own, for sure: poisoned water supply, underground activists, the mayor potentially being involved in mysterious disappearances of bodies. But by the end, the film's noir elements seem to be mostly ornamental in nature, with the supposedly twisty narrative arriving at an overly tidy conclusion.

With that said, even just spending time in The Initiated's gloomy city streets and grimy underbelly should be a joy for anyone who already enjoys hardboiled crime dramas. Solid performances and strong technical craft all around keep this world immersive no matter if the central investigation is actually progressing logically or not. It's a film that, impressively, manages to still be suspenseful just on the strength of its mood and atmosphere alone. All the danger feels raw and threatening, and leads us to imagine an even harsher world outside of what we see on screen.

Genre: Crime, Drama, Mystery, Thriller

Actor: Ana Wills, Andrés Parra, Aria Jara, Francisco Denis, Jefferson Quiñones, Jorge Cao, José Restrepo, Juan Pablo Urrego, Julio Pachón, Patricia Tamayo, Victoria Hernández

Director: Juan Felipe Orozco

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The tired stereotype is that in horror films, it’s always the Black characters who are the first to die. The Blackening turns that on its head and gives us an interesting premise by asking, what if all the characters are Black? While it’s not the first film to do this (in fact, a lot of Black creatives are reclaiming horror and dominating the genre), it just might be the first to tackle the issue in a smart and funny way. This is a ridiculous parody filled with outsized performances and observational jokes, but it’s equally meta and socially aware as it literally (and thankfully) beats the stereotype to its final death. 

 

Genre: Comedy, Horror

Actor: Antoinette Robertson, Dewayne Perkins, Diedrich Bader, George Fisher, Grace Byers, James Preston Rogers, Jay Pharoah, Jermaine Fowler, Melvin Gregg, Sinqua Walls, X Mayo, Yvonne Orji

Director: Tim Story

Rating: R

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As an adaptation of a story written to commemorate the Louvre’s comics-focused exhibit, Rohan at the Louvre expands the short story into a riveting, nearly two-hour supernatural mystery film that contemplates Japanese art in context with the world. The original story is a spin-off of the popular manga Jojo’s Bizarre Adventure, so this film adaptation may shock fans expecting the same plot points and the vibrant, colorful style of the manga. However, the shadow-heavy cinematography, alongside Issey Takahashi’s performance, casts the eeriness needed to make this story work on film. It’s a change that fits a story all about art as a depiction of pain and desire, severing the self from the past, and escapism through stories.

Genre: Action, Adventure, Drama, Mystery

Actor: Fumino Kimura, Issey Takahashi, Katia Tchenko, Kayoko Shiraishi, Kazutaka Watanabe, Kei Kagaya, Kento Nagao, Kou Maehara, Léa Bonneau, Makoto Nakamura, Marie Iitoyo, Masanobu Ando, Minami, Robin Barde, Ryo Ikeda, Ryosuke Otani, Tomoya Masuda

Director: Kazutaka Watanabe

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, 2023

Held back by awkward and uninspired musical numbers but otherwise a surprisingly funny and sweet animated comedy, Leo gets a lot of mileage out of being simply weirder than many of its direct-to-streaming contemporaries. As the titular lizard works through his cynicism by spending his last days helping others with their early years (a premise heartwarming enough to stand on its own), the film expresses itself through plenty of cutaway jokes and throwaway lines, excellent physical comedy, and a few particularly bizarre character designs. Everything is played in good fun though, and the movie's witty, easygoing personality allows it to overcome any limitations from its admittedly ordinary animation.

Genre: Animation, Comedy, Family, Music

Actor: Adam Sandler, Alex Quijano, Allison Strong, Andre Robinson, Andrew Morgado, Ashley Lambert, Ava Acres, Bill Burr, Blake Clark, Bryant Tardy, Carson Minniear, Cecily Strong, Chase Fein, Chris Kattan, Chris Titone, David Michie, David Wachtenheim, Heidi Gardner, Jackie Sandler, Janie Haddad Tompkins, Jaquita Ta'le, Jason Alexander, Jason Griffith, Jo Koy, Joel Marsh Garland, John Farley, Jonathan Loughran, Kelly Stables, Nicholas Turturro, Nick Swardson, Nikki Castillo, Noah Robbins, Paul Brittain, Ranjani Brow, Rob Schneider, Robert Marianetti, Robert Smigel, Rose Abdoo, Ryan Bartley, Ryun Yu, Sadie Sandler, Scott Menville, Sheila Carrasco, Shelby Young, Sonya Leslie, Stephanie Hsu, Sunita Param, Sunny Sandler, Terence Mathews

Director: David Wachtenheim, Robert Marianetti, Robert Smigel

Rating: PG

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For Love & Life could have easily been a generic documentary about ALS, but Wallach and Abrevaya elevate the film with their confidence and charm. With help from friend and director Christopher Burke, they manage to make something innately dreadful not just watchable, but engaging and uplifting as well. There's also something to be said about how they offset with science and politics so that the film is an anti-sob story of sorts, filled as it is with so much research, action, hope, and grit. This isn’t to say that it doesn't get misty-eyed (in fact, I think it could’ve eased up on the use of inspirational pop songs), but it is expertly balanced in a way that's sure to draw in more viewers and, hopefully, advocates for the cause.

Genre: Documentary

Director: Chris Burke

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