875 Best Movies & Shows Released in 2023 (Page 23)

Staff & contributors

Find the best movies and show to watch from the year 2023. These handpicked recommendations are highly-rated by viewers and critics.

If you’re familiar with the upscale Chinese restaurant chain owner, or that Chinese boy in old 60s British films, or with his paintings, Aka Mr. Chow might surprise you because they’re one and the same. Born with two names, Zhou Yinghua and Michael Chow, Mr. Chow is just so cool that telling his life story is already interesting. From the tough immigrant experience, living alone as a boy, to his current worldwide success in film, food, and painting, it’s interesting to know that it’s possible. But the documentary dives into it, using the film medium to mirror his own creative style and artistic sensibilities. The film is able to link each of his opinions, not just with his life, but also with the historic changes in his home country. It’s an intriguing approach, if a bit superficial in certain areas, but it’s very entertaining.

Genre: Documentary

Actor: Brian Grazer, Cecilia Zhou, China Chow, Ed Ruscha, Fran Lebowitz, Julian Schnabel, Maximillian Chow, Peter Blake

Director: Nick Hooker

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Given the controversial subject matter, there’s something remarkably placid about the way About Dry Grasses proceeds. Amidst the snowy white steppes of Eastern Anatolia, writer-director Nuri Bilge Ceylan slowly lets the plot unfold through multiple conversations, where an accusation of inappropriate contact leads to a he-said, she-said investigation, all centered around a misanthropic protagonist Samet. By focusing the entire film on Samet, Ceylan takes the time to understand this difficult, exhausting character in a detached manner, with the camera oftentimes taking in the whole lived-in, rundown places where Samet lives and works in. It’s an interesting perspective, depicting the ways everyone’s fumbling around, trying to create boxes to understand one’s place in the world, but it’s not an easy one to explore. About Dry Grasses dares to do so, anyway.

Genre: Drama

Actor: Cengiz Bozkurt, Deniz Celiloğlu, Ece Bağcı, Elit Andaç Çam, Erdem Şenocak, Merve Dizdar, Münir Can Cindoruk, Musab Ekici, Nalan Kuruçim, Yıldırım Gücük, Yüksel Aksu

Director: Nuri Bilge Ceylan

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Formally speaking, 20 Days in Mariupol is little more than a compilation of footage bravely collected by Mstyslav Chernov in Ukraine, excerpts of which may seem familiar from when they were broadcast by major news stations. Unsure of whether or not Chernov would survive long enough to pass on his footage, he shot as much as he could day-in and day-out, resulting in this numbing, relentless compilation of anguish and death. As a documentary, there isn't exactly a unifying idea to 20 Days in Mariupol, with Chernov's narration only meant to provide necessary context and a foreboding score that probably didn't have to impose itself as much as it does.

And yet it's hard to deny the importance of the very existence of this footage, especially in a time when genocide is occurring elsewhere in the world with far fewer cameras on the ground to counter the denialist propaganda of those in power. Chernov's decision to let the images speak for themselves, without feeling the need to dissect every major moment for political analysis, isn't reductive; it's a statement that nothing can rationalize the indiscriminate killing of civilians and children. That the footage becomes overwhelming and hard to watch isn't a reason for us to look away.

Genre: Documentary, War

Actor: Liudmyla Amelkina, Mstyslav Chernov, Vladimir Putin, Volodymyr Zelenskyy, Zhanna Homa

Director: Mstyslav Chernov

Rating: NR

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Funny, refreshing, and heartwarming, You Are So Not Invited to My Bat Mitzvah gives the seminal girlhood film Are You There God? It’s Me Margaret. a Gen Z update. Stacy and her friends are constantly on social media and watch each other for potentially politically incorrect terms, but they also struggle with period pain, crushes, and falling out with former friends. It’s a confusing time in a kid’s life, and  You Are So Not Invited, like Are You There God? before it, honors that. It never condescends, never strays far from the child’s perspective. It’s jubilant and heartwarming, and (to me at least) it’s always fun to see real-life families play themselves in movies. Judd Apatow experimented with this structure in his semi-autobiographical films Knocked Up and This Is 40, which first gave us a glimpse into his daughter Maude Apatow’s acting prowess. I feel You Are So Not Invited will do the same to its young star Sunny Sandler, whose effortlessly funny and charming performance will surely carve a path for a promising career in the future.  

Genre: Comedy, Drama

Actor: Adam Sandler, Allison McKay, Beth Hall, Briana Andrade-Gomes, Bunny Levine, Dan Bulla, Dean Scott Vazquez, Dylan Chloe Dash, Dylan Hoffman, Idina Menzel, Ido Mosseri, Jackie Hoffman, Jackie Sandler, Jean Edwards, Joseph Vecsey, Luis Guzman, Michael Buscemi, Miya Cech, Nigel Downer, Oscar Chark, Sadie Sandler, Samantha Lorraine, Sarah Sherman, Sunny Sandler

Director: Sammi Cohen

Rating: PG-13

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This sociologically revealing documentary follows the attempts of the largely “snow-white” staff of Amsterdam’s Stedelijk art museum to refresh the institution’s collection, just 4% of which was by women artists at the time of filming. The museum also featured exactly zero works by artists of color — another embarrassing truth that the Stedelijk’s staff, headed up by (white) museum director Rein Wolfs, work frantically to rectify by acquiring new works and “turning the mirror around” on the canon to contextualize whiteness as a distinct category of its own, rather than “the standard” (as the museum’s own Charl Landvreugd puts it). 

Though it features discussions on such worthy topics as artistic canons (who defines them?), linguistic nuances (should works with problematic titles be renamed?), and how to decide which art will be put into storage to make room for works that better reflect Amsterdam’s diverse population, this documentary is less interested in delving into the dark side of art history itself than the human behavior that arises when confronted with such uncomfortable truths. More than anything, what director Sarah Vos is perceptively spotlighting here is the intense discomfort and self-consciousness of the museum’s white staff when confronted with these historic issues — when, in a sense, the mirror is “turned around” on them.

Genre: Documentary

Director: Sarah Vos

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They Cloned Tyrone is a genre-bending gem. It combines Deep State conspiracy theories with sci-fi and social commentary, all while looking like a futuristic 1970s Blaxploitation film. It’s outrageous good fun and pleasing to look at (here is a film that knows how to properly light Black actors), but there are times when it feels too far fetched. The science can get wonky and its commentary on gentrification lacking, but all is forgiven when you have such a strong trio of leads. One of the smartest things They Cloned Tyrone does is pair Boyega with Teyonah Parris, who plays the call girl Yo-yo, and Jamie Foxx, who plays the pimp Slick Charles. They have a fun-loving no-nonsense chemistry about them that makes them easy to attach to and root for. They’re also just very funny, which might be expected of Foxx but it comes as a pleasant surprise for Parris, whose popular turns in Mad Men and WandaVision prove that she’s been severely underutilized as a comic.

Genre: Action, Comedy, Mystery, Science Fiction

Actor: Adam Cronan, Al-Teron, Austin Freeman, Big Boy, Bricine Brown, Charity Jordan, David Alan Grier, David Shae, Elliott Dixon, Eric Robinson Jr., J. Alphonse Nicholson, Jamie Foxx, Jason Burkey, Jason Louder, Jessica Fontaine, John Boyega, Joshua Mikel, Juel Taylor, Justin J. Jordan, Kiefer Sutherland, Leon Lamar, Marc Inniss, Mark Pettit, Megan Sousa, Michael A. Dean, Nick Arapoglou, Osahon Tongo, Robert Tinsley, Ryan Dinning, Shariff Earp, Shinar Frazier, Suzanne C. Robertson, Swift Rice, Tamberla Perry, Tangela Large, Teyonah Parris, Trayce Malachi

Director: Juel Taylor

Rating: R

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Appropriately for its literary focus, The Lesson feels, in places, like the gripping adaptation of a bestselling psychological thriller. Unfortunately, though, its initial cleverness peters out in a contrived ending that ironically feels like it belongs to the pulpy airport fiction that one character accuses another of writing.

The Lesson’s early chapters (another way the movie’s form mirrors its content) crackle with tension, as Oxford grad and aspiring writer Liam observes the icy dynamics of the Sinclair family, whose son he’s been hired to provide university admission tuition to. The Sinclairs are still grieving the loss of another child, a process made more painful by the brittle ego of their patriarch — JM (Richard E. Grant), a celebrated author who happens to be Liam’s literary hero. Liam’s career ambitions complicate his position: he’s as much an enthusiastic student as he is a teacher here, and among the screenplay’s many suggestions is also Tom Ripley-style envy. The Lesson ultimately scuppers this complexity, though, as the writing eventually abandons its psychological study aspirations and swerves into melodrama, leaving the cast struggling to make it all believable. Still, while the ending may disappoint, there are juicy, intelligent ideas to be pondered over — not quite a bestseller, then, but definitely not airport fiction either.

Genre: Drama, Thriller

Actor: Crispin Letts, Daryl McCormack, Julie Delpy, Richard E. Grant, Stephen McMillan, Tomas Spencer

Director: Alice Troughton

Rating: R

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American cyclist Greg LeMond, who in 1986 won the Tour de France has been a legend in the sports world, but filmmaker Alex Holmes presents him to the wider audience with a brand-new inspirational documentary. The Last Rider is everything this kind of film can be—its hook is courage and hard work that pays off, its mode of storytelling is personal, intimate interviews, and its framework is a "modern hero" kind of narrative. By stringing together conversations with LeMond himself, his friends, family, and colleagues, Holmes tells a chronologically-sound, emotional version of a landmark career. For many, the 1986 or 1989 win wouldn't mean much (unless you're a sports fan or French), but the educational bits of The Last Rider make for good trivia material. If you need a courage boost, here's the story of a professional cyclist, injuries, perseverance, and fame, to cheer you up.

Genre: Documentary

Actor: Cyrille Guimard, Greg LeMond, Kathy LeMond, Pedro Delgado, Perico Delgado

Director: Alex Holmes

Rating: PG-13

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Freediving is a particularly cinematic sport because it taps into something beyond what the human body is capable of. Skilled divers hold their breath for long enough to reach more than 100 meters deep, and watching footage of that incredible feat is exhilarating, to say the least. The Deepest Breath capitalizes on that very spectacle—being exposed to death and conquering it—and banks on using archival footage of world records and training. It's a smart move, as it keeps the spectator on edge, but it can also be a cruel way to put thrills over ethics. The editing is kept suggestive, but sometimes, shamefully, at the cost of misrepresenting Alessia Zecchini and toying with the viewer's expectations to the point of callousness.

Genre: Documentary

Actor: Alessia Zecchini, David Attenborough, Natalya Molchanova, Stephen Keenan

Director: Laura McGann

Rating: PG

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Familiarity breeds contempt, and Swedish Netflix’s new horror-comedy takes this idea to the extreme. Based on the novel by Mats Strandberg, who’s known as the Swedish Stephen King, The Conference is centered around a group of employees on their company retreat. With its ensemble, the film crafts a relatable dynamic, with the exact petty back-and-forth and the same exact corporate politics many adults have to deal with. It’s no wonder one of them snaps, and takes them out one by one. The film isn’t exactly new, with the decades’ collection of slashers all over the world, but this Swedish thriller is a fun take on it, with match cut transitions, quick paced sequences, and the gruesome murders of the group most adults spend time with - their colleagues. It’s an interesting watch as the world gets back to the office.

Genre: Comedy, Horror, Thriller

Actor: Adam Lundgren, Amed Bozan, Bahar Pars, Cecilia Nilsson, Christoffer Nordenrot, Claes Hartelius, Eva Melander, Jimmy Lindström, Katia Winter, Lola Zackow, Maria Sid, Marie Agerhäll, Martin Lagos, Robert Follin

Director: Patrik Eklund

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