97 Best Movies & Shows Released in 2023 On Microsoft (Page 4)

Staff & contributors

Find the best movies and show to watch from the year 2023. These handpicked recommendations are highly-rated by viewers and critics.

Time travelling movies tend to be flashy with its sci-fi wonder, but Aporia takes a more grounded approach to the time altering genre. Instead of time travelling, the protagonists have a mundane, almost lo-fi machine, that almost seems disappointing, but is no less life-altering. Of course, to the grieving Sophie, who lost her husband, it’s easy to understand why she would take the chance to get her husband back again. But the film takes a grounded and realistic approach as Sophie spirals into an unrelenting series of regret and trolley problems, each time she chooses to use the machine. While the pacing may be a tad slow, and the events can feel a bit mundane, Aporia is a startlingly poignant reminder of how each ordinary moment, if changed, can be completely life altering.

Genre: Drama, Science Fiction

Actor: Edi Gathegi, Faithe Herman, Judy Greer, Payman Maadi, Whitney Morgan Cox

Director: Jared Moshé

Rating: R

Many films that deal with the advent of some sort of apocalypse usually hit the ground running, but When Evil Lurks also keeps its sense of panic and paranoia right up to its bitter end. Even during moments of downtime—as this small group of "survivors" tries to keep moving—there is an overwhelming sense that they're only delaying their inevitable suffering, or that evil has existed long before  any of them. There are passing mentions of this demonic presence having originated in the city, and how it manages to infiltrate the lives of those on the outskirts through modern things like electricity and gunfire. It's an intriguing angle that gives possession a new texture: these demons aren't just randomly manifesting, but invading and occupying.

And when the violence kicks in, When Evil Lurks really doesn't spare its characters, as shown by some pretty gnarly practical effects and vicious sound design. The constant escalation of the demonic threat can feel contrived at times—as the rules of how things operate in this world keep on being added or modified, at a rate that can be hard to process—but the anguish it leaves its characters in is suffocating all the same. There may not appear to be a moral at the end of all this, but it evokes a sense of hopelessness better than many other films.

Genre: Horror, Thriller

Actor: Demián Salomón, Emilio Vodanovich, Ezequiel Rodríguez, Federico Liss, Isabel Quinteros, Jorge Prado, Luis Ziembrowski, Sebastián Muñiz, Silvina Sabater, Virginia Garófalo

Director: Demián Rugna

Rating: NR

, 2023

Golda Meir was Israel's only female Prime Minister and that's already reason enough a biopic celebrating her historical importance would be made. Oscar-winning Israeli director Guy Nattiv rose to the task and Meir's own grandson requested British actress Helen Mirren to play the role of his grandmother (a decision that was not left undisputed). However, Miren is a virtuoso of stoic, physically confined acting and delivers a strong performance as the elderly Golda in the wake of a militarized attack on Israel coming from Egypt and Syria. Instead of being caught in the web of global politics between the Arab world, Russia, and the United States, she navigates the terrain with sustained empathy, although not without failings. The film itself describes Golda as a hero outside of Israel and controversial in her own land, and it does well enough in embodying that very same controversy.

 

 

Genre: Drama, History, Thriller, War

Actor: Ben Caplan, Camille Cottin, Daniel Ben Zenou, Dominic Mafham, Dvir Benedek, Ed Stoppard, Ellie Piercy, Emma Davies, Helen Mirren, Henry Goodman, Jaime Ray Newman, Jonathan Tafler, Kit Rakusen, Liev Schreiber, Lior Ashkenazi, Mark Fleischmann, Muneesh Sharma, Ohad Knoller, Olivia Brody, Rami Heuberger, Rotem Keinan, Sam Shoubber, Sumit Chakravarti, Zed Josef

Director: Guy Nattiv

Rating: PG-13

Even with its haphazard construction and occasionally unnecessary and corny flourishes (what's with all the mellowed-out covers of pop songs?), there's a sense of intense, sincere pride and joy that shines through Every Body's many testimonials. Intersex people are barely represented whether in media or in legislation, and countless people still have very little understanding of what intersex is. But while this subject is usually viewed as uncomfortable—and this documentary definitely doesn't hold back in explaining the various ways intersex people are mutilated and mentally abused just to force them to conform to the gender binary—the film grounds everything by showing us how its main characters are as ordinary, creative, and full of good humor as the rest of us. So as Every Body skips through various aspects of the intersex experience, even its disorganization takes on the charm of a simple chat with friends. And either way, the discussions held here are the stuff of real courage—demanding our attention and earning our respect.

Genre: Documentary

Actor: Alicia Roth Weigel, Julie Cohen, River Gallo, Sean Saifa Wall, Steven Crowder

Director: Julie Cohen

Unlike other films about great inventions of a bygone era, BlackBerry isn’t nostalgic nor sentimental in the least bit. Instead, it’s chilly, calculating, and surprisingly comic (it has to be, with comedians Jay Baruchel and Glenn Howerton as leads). And it’s less about the brilliance of this one product than the cycle of greed, corruption, and vanity that eventually traps its too-ambitious creators. 

It's a smart film that refuses to dumb down the tech and business side of things, and what it lacks in characterization (there is little to no backstory to be found), it more than makes up for in drama and a superb pace, which propulsively and practically brings you to its wonderful peak and bleak end. Equipped with a no-nonsense yet thrilling approach to facts, BlackBerry is a refreshing entry into the biopic genre.

Genre: Comedy, Drama, History

Actor: Al Bernstein, Ben Petrie, Cary Elwes, Conor Casey, David Christo, Dillon Casey, Elena Juatco, Eric Osborne, Ethan Eng, Evan Buliung, Glenn Howerton, Greg Calderone, Gregory Ambrose Calderone, Gwynne Phillips, Jay Baruchel, Kelly Van der Burg, Laura Cilevitz, Lauren Howe, Lyndon Casey, Malakai Fox, Mark Critch, Martin Donovan, Matt Johnson, Michael Ironside, Michelle Giroux, Pranay Noel, Rich Sommer, Rodrigo Fernandez-Stoll, Saul Rubinek, Sean Jones, Stephanie Moran, SungWon Cho

Director: Matt Johnson

Rating: R

Kenneth Branagh’s third Hercule Poirot movie does everything it can to divorce itself from the quaintness of a typical Agatha Christie adaptation. Loosely based on the novel Hallowe’en Party, this outing swaps exotic locales for the claustrophobic confines of a gothic Venetian palazzo and flirts outright with horror. The film, shot through more Dutch angles than an Amsterdam maths class has ever seen, uses the genre's visual language to credibly suggest that this mystery might actually have paranormal undertones. Forcing Poirot to reconsider his die-hard loyalty to rational explanations is an interesting twist — it punctures the idea of him as a mystery-solving god and gives the film bigger questions to chew on than whodunnit.

What that does, however, is sap the satisfaction of watching him expertly crack the puzzle, because the movie spends so much time centering Poirot’s crisis of confidence. A Haunting in Venice’s tone switch to serious horror is also at odds with the campily bad accents and mostly overwrought acting from the (much less starry than usual) cast. It’s not the same kind of reliable guilty pleasure we expect these vehicles to be, then, but this outing of Branagh’s Poirot is at least an interesting experiment in expanding these stories' usual limits.

Genre: Crime, Mystery, Thriller

Actor: Ali Khan, Amir El-Masry, Camille Cottin, David Menkin, Emma Laird, Jamie Dornan, Jude Hill, Kelly Reilly, Kenneth Branagh, Kyle Allen, Lorenzo Acquaviva, Michelle Yeoh, Riccardo Scamarcio, Tina Fey, Vanessa Ifediora

Director: Kenneth Branagh

Rating: PG-13

The tired stereotype is that in horror films, it’s always the Black characters who are the first to die. The Blackening turns that on its head and gives us an interesting premise by asking, what if all the characters are Black? While it’s not the first film to do this (in fact, a lot of Black creatives are reclaiming horror and dominating the genre), it just might be the first to tackle the issue in a smart and funny way. This is a ridiculous parody filled with outsized performances and observational jokes, but it’s equally meta and socially aware as it literally (and thankfully) beats the stereotype to its final death. 

 

Genre: Comedy, Horror

Actor: Antoinette Robertson, Dewayne Perkins, Diedrich Bader, George Fisher, Grace Byers, James Preston Rogers, Jay Pharoah, Jermaine Fowler, Melvin Gregg, Sinqua Walls, X Mayo, Yvonne Orji

Director: Tim Story

Rating: R

One wouldn't expect to see Count Dracula's youthful-looking helper at your local 12-step self-help group for people in codependent relationships, but Renfield holds more than one surprise up its sleeve. By translating the working relationship (or master-slave, since the latter doesn't get any pay) into the vocabulary of common relationship counselling parlance, the film actually elevates its symbolic status. Even more, I'd dare call it a hoot. Not that many vampire films have managed to make a proper comedy out of the figure in question, and Renfield with its simplistic appeal puts to shame even the artsy Netflix production El Conde, which also came out earlier this year. With Awkwafina in the mix and iconic lines such as "I don't want your murder cookies", how can you resist?

Genre: Comedy, Fantasy, Horror

Actor: Adrian Martinez, Anil Bajaj, Awkwafina, Ben Schwartz, Bess Rous, Betsy Borrego, Brandon Scott Jones, Brian Egland, Camille Chen, Caroline Williams, Chloe Adona, Christopher Winchester, Derek Russo, Gabriel 'G-Rod' Rodriguez, James Moses Black, Jenna Kanell, Joshua Mikel, Keith Brooks, Lacey Dover, Lena Clark, Lucy Faust, Marcus Lewis |, Marvin Ross, Mike Harkins, Nicholas Hoult, Nicolas Cage, Rhonda Johnson Dents, Shohreh Aghdashloo, Stephen Louis Grush, Susan McPhail, T.C. Matherne, William Ragsdale

Director: Chris McKay

Rating: R

Shooting Stars may be based on LeBron James’ account of his teenage years, but this adaption by Chris Robinson is more than just a vanity project. In fact, James is hardly the lead here—every one of his friends gets a chance to shine in this coming-of-age story about brotherhood and friendship. It’s closer to films like Boyz N the Hood and Stand By Me in that way, but that’s not to say it’s a letdown in the sports department. The games are choreographed beautifully; the actors display wonderful athleticism and the filmmakers employ various camera techniques that never fail to surprise. There are times, though, that these techniques distract more than excite, and there is a sense that the film could’ve benefited from a more pared-down style. But this ultimately doesn’t take away from the film’s tender and thrilling story.

Genre: Drama, History

Actor: Algee Smith, Caleb McLaughlin, Chad L. Coleman, Dermot Mulroney, Joe Fishel, Katlyn Nichol, Khalil Everage, Mookie Cook, Natalie Paul, Scoot Henderson, Wood Harris

Director: Chris Robinson

Rating: PG-13

While it starts off slow and rocky, River Wild sails smoothly as soon as it hits the waters. The rafting on the rapids, the wild chases, the suspenseful silences—all are effectively shot and believably terrifying, even if they border on predictability at times. Real-life couple Meester and Brody are vulnerable and intense, adding some depth to an otherwise basic story. Killam is compelling too, especially during the action sequences, but I might have seen him in one-too-many comedy sketches to trust his sincerity here. It’s not the best outdoor thriller by a long shot, especially if you compare it to the superior 1994 original film starring Meryl Streep and Kevin Bacon, but it is entertaining in its own right. 

Genre: Adventure, Drama, Mystery, Thriller

Actor: Adam Brody, Courtney Chen, Eve Connolly, Leighton Meester, Matt Devere, Nicholas Wittman, Olivia Swann, Taran Killam

Director: Ben Ketai

After directing George Harrison: Living in the Material World and No Direction Home, Martin Scorsese brings to the fore yet another singular musician, this time New York Dolls frontman David Johansen (aka Buster Poindexter). More of a concert film than anything, this feature takes place during a live performance Johansen gives during his birthday; his raspy voice and poetic punk songs already tell a story in themselves, but Scorsese intercuts them with the occasional archival footage and interview, careful not to disrupt a glorious musical moment with cheesy throwback scenes. 

A Dolls or punk fan will be moved by the resulting film, a fittingly jagged but meaningful oeuvre of a tenacious artist. But if you're coming to this documentary without much prior knowledge about Johansen, his band, and the era from which he came, you might find it somewhat niche, but overall impressive, informative, and musically thrilling.

Genre: Documentary, Music

Actor: David Johansen, Debbie Harry, Hal Willner, Morrissey, Sylvain Sylvain

Director: David Tedeschi, Martin Scorsese

, 2023

The Syrian refugee crisis is still ongoing, so it can understandably be difficult to create a nuanced and accurate depiction. Jacir is an earnest attempt at this. Keeping it on the more personal side, the film focuses on the journey of one Syrian refugee as he gets to know members of his neighborhood, like his black co-worker Jerome and his opioid-addicted neighbor Meryl. Though occasionally bogged down by clunky dialogue, their struggles genuinely outline the same struggles faced by communities failed by their institutions. It’s only through banding together as a community that Jacir and his friends can survive.

Genre: Drama

Actor: Jonathan Stoddard, Lorraine Bracco, Luke Barnett, Mark Jeffrey Miller, Rosalyn R. Ross

Director: Waheed AlQawasmi

So much of Puppy Love is adorable. The title alone promises that, and to be fair, it actually delivers. The movie is filled with romance, pooches, and hijinks that circle back to those two core aspects. I couldn’t be giddier watching this, as a dog lover and romantic comedy aficionado myself, but it’s frustrating how the movie doesn’t go above and beyond its basic premise, even if it easily could’ve done so. It has strong leads in Hale and Gustin, whose chemistry may be lacking but who individually perform well. It has a decent script, “reasonably funny” as it calls itself in the film, delivering amusing and touching lines in equal measure. It even manages to flesh out Nicole and Max with backstories; Max, in particular, gets an interesting characterization as an anxious germaphobe who refuses to go to the office for work. But for whatever reason, every exciting thorn in this premise gets smoothed out by the end. The tension is never realized and loose ends are tied up neatly in a conclusion that feels too simplified for its own good. 

Genre: Comedy, Drama, Romance

Actor: Al Miro, Christine Lee, Corey Woods, Grant Gustin, Jane Seymour, Lucy Hale, Michael Hitchcock, Nore Davis, Rachel Risen, Sarah Almonte Peguero

Director: Nicholas Fabiano, Richard Alan Reid

Miranda’s Victim often feels like two different movies smushed into one. On the one hand, it tells the story of how Trish finds the courage to speak up against her abuser, who happens to be a person of color. On the other hand, it shows us the legal intricacies that led to the founding of what we now know as Miranda Rights. In better hands, these two stories (one emotional and one technical) could’ve worked well together, and they would’ve spoken to the intersectionality at the heart of this complicated case. But instead of going for nuance, instead of exploring the complex racial and gender politics that inform this case, Director Michelle Danner goes in all sorts of odd directions as if herself confused about what the focus should be. 

Breslin is heartbreaking and powerful as Trish, but she’s only given so much to act with. Despite being based on a real person, her character is reduced to trauma and tears—a caricature of abuse—and nothing more. The movie is at its strongest when it converts into pure courtroom drama by the third act. Suddenly, it’s brisk and intelligent, bolstered by the compelling one-two punches of the judge (a commanding Donald Sutherland) and the two lawyers (Ryan Philippe, a revelation, and Luke Wilson, only slightly better here than in his earlier turn in Legally Blonde). As a story about violation and abuse, there’s surprisingly little compassion to be found, despite the title. But as a legal drama, it’s as informative as it can be. 

Genre: Drama, History

Actor: Abigail Breslin, Andy Garcia, Brent Sexton, Brian Colin Foley, Dan Lauria, Donald Sutherland, Emily VanCamp, Enrique Murciano, James Healy Jr., Jann Ellis, Josephine Hies, Joshua Bowman, Kyle MacLachlan, Luke Wilson, Michael Mulheren, Mireille Enos, Najah Bradley, Nolan Gould, Ryan Phillippe, Sheilagh Weymouth, Taryn Manning

Director: Michelle Danner

Champions is as formulaic as it gets, but it’s impossible not to smile watching it. It’s based on a 2018 Spanish movie of the same name, but it feels a lot like the 2023 Korean movie Dream too. In both (and indeed a lot of other) films, we follow a sad sack antihero who, by virtue of being exposed to less fortunate people, is magically transformed into a good guy who gets all the glory he wished for by the end of the story. You know where it’s headed and you even know how it gets there, so it’s devoid of genuine twists and thrills. But the ways in which it gets there, however familiar, are sometimes funny and heartwarming. If you can stomach the cheesiness and predictability of it all, then Champions comes as an effectively hopeful and feel-good film that’s worth tuning into if you want a light laugh. Otherwise, it's all familiar fluff you can skip for better fare.

Genre: Comedy, Drama

Actor: Aaron Hughes, Alex Hintz, Alexandra Castillo, Alicia Johnston, Ashton Gunning, Barbara Pollard, Champ Pederson, Cheech Marin, Clint Allen, Cory Wojcik, Eddy Norman, Ernie Hudson, Heath Vermette, Jacob Blair, Jalen Rose, Jean-Jacques Javier, Joshua Felder, Kaitlin Olson, Kevin Iannucci, Lauren Cochrane, Lois Brothers, Madison Tevlin, Matt Cook, Mike Smith, Ryan DeLong, Ryder Dueck, Scott Van Pelt, Seán Cullen, Stephanie Sy, Vance Halldorson, Woody Harrelson

Director: Bobby Farrelly

Rating: PG-13