45 Best Movies & Shows Released in 2023 On Hulu (Page 3)

This a small-town, true-crime thriller that has John Hamm (Mad Men) as the detective, Nick Mohammed (Ted Lasso) as the trusty sidekick, and Tina Fey (30 Rock) as the love interest. They’re a charismatic cast helming a bizarro story whose real-life details are already teeming with juicy details, and yet, the resulting film, directed by John Slattery, is as lackluster and forgettable as can be. There is no sense of mystery, the jokes fall flat, and every scene looks like it’s shot from a studio lot. There is plenty of better fare out there for anyone looking for comedy capers, and I bet the true crime documentary of the real-life Maggie Moore case is infinitely more engaging than its filmic counterpart. 

Genre: Comedy, Crime, Mystery

Actor: Allison Dunbar, Bryant Carroll, Christopher Denham, Christopher Kriesa, Debrianna Mansini, Denielle Fisher Johnson, Derek Basco, Happy Anderson, Jodi Lynn Thomas, Jon Hamm, Louisa Krause, Mary Holland, Micah Stock, Nick Mohammed, Oona Roche, Peter Diseth, Richard Lippert, Roni Geva, Sewell Whitney, Tate Ellington, Tina Fey

Director: John Slattery

Rating: R

The big ideas swirling at the center of The Creator are about human heartlessness versus AI compassion, man’s coldness versus robot warmth. Unfortunately, the movie winds up being an unwitting example of the former: visual effects take precedence over emotion here, meaning you rarely feel any of the intended poignancy of this story about a soldier driven between warring sides by love.

Part of that effect might be because the premise is an iffy one to swallow, as The Creator drops during a time when the once-theoretical threats posed by AI start to become disconcertingly real. But mostly, the sterile feeling of the film is a product of the writing, as a shallow script prevents most of the cast from ever making their characters compelling. Though its lifelike effects are something to marvel at, The Creator never quite convinces us that any of its humans are real — a pretty gaping flaw for a movie that wants to sell us on the idea that robots might one day be sentient.

Genre: Action, Adventure, Drama, Science Fiction

Actor: Allison Janney, Amar Chadha-Patel, Anjana Ghogar, Brett Bartholomew, Brett Parks, Chananticha Chaipa, Charlie McElveen, Dana Blouin, Eoin O'Brien, Gemma Chan, Ian Verdun, Jeb Kreager, John David Washington, Karen Aldridge, Ken Watanabe, Leanna Chea, Mackenzie Lansing, Madeleine Yuna Voyles, Marc Menchaca, Mariam Khummaung, Mav Kang, Michael Esper, Monthatip Suksopha, Natthaphong Chaiyawong, Niko Rusakov, Pat Skelton, Pongsanart Vinsiri, Rad Pereira, Ralph Ineson, Robbie Tann, Sahatchai Chumrum, Sawanee Utoomma, Scott Thomas, Sturgill Simpson, Syd Skidmore, Teerawat Mulvilai, Veronica Ngo

Director: Gareth Edwards

Rating: PG-13

Susie Searches begins intriguingly for two reasons: first, there’s the strange disappearance of popular college student Jesse Wilcox (Alex Wolff), and then there’s the fact that that mystery is solved in the film's first 20-ish minutes. With over an hour left of its runtime at this point, Susie Searches seems to suggest Jesse’s disappearance was only a red herring, and that we’re in for something juicier now.

Alas, the rest of the movie — which stars Kiersey Clemons as the titular socially awkward student sleuth who finds Jesse — never lives up to this promise. An encouraging cast list is let down by thin characters; this isn’t true just for the supporting parts played by Rachel Sennott, Jim Gaffigan, Ken Marino, Dolly Wells, and Wolff, but, far more detrimentally to the film, Susie herself. Her motivations are complicated by more than just a desire for the truth, but, despite Clemons’ best efforts, this not-quite Nancy Drew is never all that psychologically compelling or believable. In a film that hinges on big twists revolving around its protagonist, that’s a fatal flaw, because we’re only ever half-invested. Though it may play better with younger audiences, anyone else will likely find its promising cast to be the biggest red herring of all.

Genre: Comedy, Mystery, Thriller

Actor: Aaron Costa Ganis, Alex Moffat, Alex Wolff, Ana Cruz Kayne, Ana Kayne, Chris Sheffield, David Walton, Dolly Wells, Ellie Reine, Geoffrey Owens, Isaac Powell, Jammie Patton, Jared Gilman, Jim Gaffigan, Juliette Goglia, Kat Foster, Ken Marino, Kiersey Clemons, Mellanie Hubert, Neal Bledsoe, Rachel Sennott

Director: Sophie Kargman

Built on promising ideas revolving around toxic relationships, exploitation of Black bodies, and a fading African heritage, Jagged Mind comes up with reasonably diverting genre thrills but stops short of taking advantage of the rich material it has at its fingertips. In getting caught up with its own premise, the film isn't able to craft a compelling enough journey for its protagonist to break free of the cycles she finds herself in. As a result, it becomes something that's fun to watch in the moment—thanks to some playful, misleading editing and a solid lead performance by Maisie Richardson-Sellers—but not something that leaves a lasting impression or makes a full, compelling statement.

Genre: Horror, Mystery, Thriller

Actor: Casey Ford Alexander, Jimmy Jean-Louis, Kate Szekely, Maisie Richardson-Sellers, Rosaline Elbay, Shannon Woodward, Shein Mompremier

Director: Kelley Kali

Rating: R

Based on the novel by Women Talking author Miriam Toews, this adaptation of All My Puny Sorrows holds clear reverence for its source material but falls short of making a case for its existence as a film. Toews's prose—significant parts of which writer/director Michael McGowan has kept intact in the dialogue—may be appropriate for a book that allows full internal access to its narrator, but on film her words come across as overly articulate and artificial, even if they speak beautiful, harsh truths about grief. And without a defined visual identity or proper flow of ideas to back up its admittedly complex characters (played with authentic tenderness and force by Alison Pill, Sarah Gadon, and Mare Winningham), the film ends up stuck in its own darkness, unable to give a proper form to all its thoughts.

Genre: Drama

Actor: Alison Pill, Aly Mawji, Amybeth McNulty, Boyd Banks, Donal Logue, Elizabeth Saunders, Mare Winningham, Marin Almasi, Martin Roach, Michael Musi, Mimi Kuzyk, Morgan Bedard, Racine Bebamikawe, Sarah Gadon

Director: Michael McGowan

Rating: R

With a boring wedding, attended by a guarded woman and a spontaneous man, starting a series of shared recollections of past heartbreak, Which Brings Me to You has all the elements needed for an early aughts romcom, releasing at a time when Y2K is trending. The original novel’s epistolary format is interestingly translated into flashbacks told in one whole day, with Will and Jane visually popping within the sequences as the two get to know each other through their past heartbreaks. It’s a unique idea, but the execution feels lackluster, with the dialogue and direction that can’t be saved through Lucy Hale’s or Nat Wolff’s efforts. There’s certainly something here about romance being a possible avenue to open up, but Which Brings Me to You doesn’t build the chemistry to get there.

Genre: Comedy, Drama, Romance

Actor: Alexander Hodge, Avery Cole, Britne Oldford, Chase Liefeld, Genevieve Angelson, Jamie McRae, John Gallagher Jr., Laura Kai Chen, Lucy Hale, Marceline Hugot, Michael Mulheren, Mitzi Akaha, Nat Wolff, Ward Horton

Director: Peter Hutchings

Rating: PG-13

Known best for his horror films, writer-director Christopher Smith’s latest stint in the genre has dropped on Hulu. Consecration is one of many supernatural horror films set in convents and churches, as the Catholic Church’s notorious silence is easy fodder for potential fears. There’s some of that here, as Grace, portrayed by the excellent Jena Malone, tries to uncover the truth, not just for her brother’s murder but for her own past. However, there’s no secrecy in this murder mystery with the dialogue holding no subtlety at all. Even as the cast makes the most of it, Consecration drags down any possible tension or intrigue with its painfully straightforward dialogue and incoherent timeline shifts.

Genre: Horror, Thriller

Actor: Alexandra Lewis, Angela White, Charlotte Palmer, Danny Huston, David Boyle, Eilidh Fisher, Emma Hixson, Ian Pirie, Janet Suzman, Jena Malone, Jolade Obasola, Kit Rakusen, Marilyn O'Brien, Steffan Cennydd, Thoren Ferguson, Will Keen

Director: Christopher Smith

Rating: R

Yet another drama designed to be emotional without actually doing the heavy lifting to get us invested, Prisoner's Daughter takes the easy way out at every turn, mistaking its use of capital-I Issues and dramatic plot points for substantial writing. This doesn't mean that the film itself isn't still watchable and competently performed (by a typically strong Brian Cox, but especially by Kate Beckinsale); it just fails to make a statement about any of its disparate parts mashed together. At the end of the day, it feels as if the film doesn't have enough faith in the already complex and difficult relationship at its center, so it attempts to dress it up with prison, cancer, drug addicts, and epilepsy—which only cheapens what's already there.

Genre: Drama, Mystery, Thriller

Actor: Brian Cox, Christopher Convery, Chuti Tiu, Cinthia Moura, Ernie Hudson, Jon Huertas, Kate Beckinsale, Mark Kubr, Mark Oliver Everett, Tyson Ritter, Yonel Dorelis

Director: Catherine Hardwicke

Rating: R

Girl in the Closet is a low-budget TV movie that gives us a peek into the lives of trafficked children, but nothing more beyond that. There is no compelling story or drama; no suspense as to how the children might possibly escape, or rousing speeches about how the system failed these kids. Instead of a real plot, the movie strings together one shocking abuse after the other and constantly jumps forward in time (one year later, five years later, nine months after) in an attempt to rush towards its predictable ending. It would’ve been thoroughly unwatchable if it weren’t for some dedicated performances, namely by Peters and Roman, who give much more than what the flimsy script and loose editing deserve. 

Genre: Drama, TV Movie

Actor: Daijah Peters, Danielle LaRoach, Remy Ma, Stevie Baggs Jr., Tami Roman, Teisha Speight

Director: Jaira Thomas

There’s no way to escape it– the plotline of One True Loves feels like the other side of Cast Away (2000), but instead of focusing on the survival aspect, it focuses on the wife trying to move on with grief. The original novel portrays Emma moving on through reclaiming her past, and learning to appreciate the roots she’s tried to forget with her lost husband. However, the film adaptation falters in depicting the personal, inner world of Emma, as it bungles through the timelines with Hallmark-esque quotes and disarranged scenes. It tries to save the film through its star-studded cast, but their decent performances can’t save the way the film is structured.

Genre: Comedy, Drama, Romance

Actor: Beth Broderick, Christina Bach, Cooper van Grootel, Gabriella Garcia, Gary Hudson, Jacinte Blankenship, Jay DeVon Johnson, Jessi Goei, Kelvin Hodge, Lauren Tom, Luke Bracey, Michael OKeefe, Michaela Conlin, Oceana Matsumoto, Oona Yaffe, Phillipa Soo, Simu Liu, Tom Everett Scott, Victoria Blade, Wil Deusner

Director: Andy Fickman

Rating: PG-13

An interesting premise quickly sputters out in Fool’s Paradise, writer-star Charlie Day’s misfire of a directorial debut. Day plays a down-and-out Charlie Chaplin-esque mute who happens to be a dead ringer for a difficult method actor (also Day) who’s stalling production on a Billy the Kid remake — and so he’s brought in by the movie’s producer (Ray Liotta) to star instead. 

The rest of Fool’s Paradise follows in this vein, as things just happen to Latte Pronto (as he comes to be named). There’s wry satirical potential in this set-up: a lot can be revealed about someone (in this case, the self-serving stars, agents, and directors of Hollywood) by what they project onto a blank slate like Latte. The problem, however, is twofold: Fool’s Paradise doesn’t have anything especially sharp to say about the biz — and, in the absence of clever or indeed funny writing, the film’s weak center is exposed. Day’s wordless performance is understated to a fatal degree; presumably designed to highlight the ridiculousness of the Hollywood players he’s surrounded by, it only shows up the weakness of the material and the unfocusedness of some of the key supporting performances. Maybe the movie would’ve fared better had some of its other characters been silent instead.

Genre: Comedy

Actor: Adrien Brody, Aixa Maldonado, Alanna Ubach, Allison Paige, Andre Hyland, Andrew Leeds, Andrew Santino, Artemis Pebdani, Austin Zajur, Benito Martinez, Brett Wagner, Charles Grisham, Charlie Day, Christine Horn, Common, David Hornsby, Dean Norris, Drew Droege, Edie Falco, Eliza Coleman, Eric VanArsdale, George Lopez, Glenn Howerton, Harry Yi, Helen Geller, Jason Bateman, Jason Sudeikis, Jeremy Chu, Jillian Bell, Jimmi Simpson, John Ales, John Malkovich, Julia Cho, June Carryl, Kate Beckinsale, Katherine McNamara, Ken Jeong, Lance Barber, Leandra Terrazzano, Leonora Pitts, Lindsay Musil, Lisa Schwartz, Luvh Rakhe, Lyndon Smith, Marilyn Giacomazzi, Mary Elizabeth Ellis, Moses Storm, Peter MacKenzie, Ray Liotta, Ricky Wang, Robert Belushi, Romel de Silva, Roy Jenkins, Scott Allen Perry, Scott Pitts, Shane Paul McGhie, Steve Coulter, Steve DeCastro, Talia Tabin, Thomas Vu, Tom Beyer

Director: Charlie Day

Rating: R