167 Best Movies & Shows Released in 2023 On Netflix Canada (Page 4)

Familiarity breeds contempt, and Swedish Netflix’s new horror-comedy takes this idea to the extreme. Based on the novel by Mats Strandberg, who’s known as the Swedish Stephen King, The Conference is centered around a group of employees on their company retreat. With its ensemble, the film crafts a relatable dynamic, with the exact petty back-and-forth and the same exact corporate politics many adults have to deal with. It’s no wonder one of them snaps, and takes them out one by one. The film isn’t exactly new, with the decades’ collection of slashers all over the world, but this Swedish thriller is a fun take on it, with match cut transitions, quick paced sequences, and the gruesome murders of the group most adults spend time with - their colleagues. It’s an interesting watch as the world gets back to the office.

Genre: Comedy, Horror, Thriller

Actor: Adam Lundgren, Amed Bozan, Bahar Pars, Cecilia Nilsson, Christoffer Nordenrot, Claes Hartelius, Eva Melander, Jimmy Lindström, Katia Winter, Lola Zackow, Maria Sid, Marie Agerhäll, Martin Lagos, Robert Follin

Director: Patrik Eklund

It’s a bit on the sensational side, but this Netflix documentary about a family torn apart by the medical industry is fascinating and empathetic enough to bring justice to its delicate subject matter. Director Henry Roosevelt takes care to use as many angles as possible in presenting the documentary’s central mystery —why is the hospital so insistent on separating Maya from her mother Beata?—while also leaving enough room for the audience to come to their own conclusions. I only wish they would probe into that question a bit more and get experts to hypothesize, for instance, what exactly would the hospital get out of allegedly lying and if it’s an occurrence that’s been happening in many places other than Florida. Painting it as a systemic problem might’ve given it more punch, though admittedly, it’s already stirring and powerful as it is.

Genre: Documentary

Director: Henry Roosevelt

Rating: TV-14

As the first Zambian film on Netflix, Can You See Us? is an interesting portrayal of albinism. Inspired by the real-life story of musician John Chiti, the film’s plot feels grounded, even if it’s similar to other stories depicting discrimination. With newcomer Thabo Kaamba at the forefront, her performance of the albino boy Joseph shines brighter than even the older actors of the film’s cast. That being said, it is held back by repetitive dialogue and sped-up character development from certain characters. Despite this, Can You See Us? is still a remarkable film that stands out from the other tearjerkers available on the streaming platform.

Genre: Drama

Actor: Chilu Lemba, Fransisca Muchangwe, Kangwa Chileshe, Ruth Jule, Thabo Kaamba

Director: Kenny Mumba

If you've never encountered Beth Stelling before, it might take some getting used to before her brand of comedy really hits. Her routine in this special isn't necessarily built around huge punchlines, animated delivery, or edgy subject matter. But there's plenty of oddly specific detail to her many, many anecdotes that gradually begins to feel warm and easy to connect with, whether or not you've ever been to Ohio. Stelling usually comments on the absurdity of many of these details herself—which, surprisingly, never ruins the joke but helps invite the audience in closer. Her storytelling is consistently engaging all throughout, painting this easygoing outlook on life, which just happens to be punctuated by the most bizarre memories that still remind us of the people we're fondest of.

Genre: Comedy

Actor: Beth Stelling

Director: Mo Welch

Rating: R

Bank of Dave is a simple but well-told film that feels utterly satisfying from start to end. Dave is the little guy who only wants to give back to his community, but stopping him from achieving his noble goals are the big guys in suits with vested interests and too narrow a focus to appreciate the good that Dave is after. The film is David versus Goliath, countryside versus cityside, socialist versus capitalist (or, if you like, ethical capitalism versus unethical capitalism). You know who will triumph in the end, but that doesn’t detract from the film’s overall enjoyability. The dialogue is smart and stirring, and you can’t help but root for the film’s small heroes to win big. 

Genre: Comedy, Drama

Actor: Adrian Lukis, Angus Wright, Cathy Tyson, Drew Cain, Florence Hall, Freddie Bolt, Harry Michell, Hopi Grace, Hugh Bonneville, Jo Hartley, Joe Elliott, Joel Fry, Naomi Battrick, Paul Kaye, Phil Collen, Philip Gascoyne, Phoebe Dynevor, Rick Allen, Rick Savage, Roger Morlidge, Rory Kinnear, Steve Edge, Vivian Campbell

Director: Chris Foggin

Rating: PG-13

The Queenstown Kings is a sports film that has plot points we’re all familiar with – alcoholic father trying to seek forgiveness from his son, a tempting offer for fame and riches, the standard training montage and more. These plot points sometimes go into melodramatic territory, but the film’s relationships make these scenes feel sincere, especially with the family dynamic that drives the film. And as Buyile strives to better himself to become a good example to the team, and Fezile makes different choices from his father, The Queenstown Kings feels sincere as a reminder of the better side of South African men, one that can be uncovered if they, and their community, believe in a higher dream.

Genre: Drama

Actor: Enhle Mbali Mlotshwa, Likhona Mgali, Patrick Ndlovu, Sandile Mahlangu, Tessa Twala, Thoko Ntshinga, Unathi Platyi, Zolisa Xaluva

Director: Jahmil X.T. Qubeka

After Black Hawk Down (2001), the casual moviegoer would have thought that the rescue operation was only conducted by American soldiers. In reality, it was a multinational effort, and Malaysia’s side of the story has finally been depicted in MALBATT: Misi Bakara. Surprisingly, it doesn’t play out as a straightforward, action-packed rescue mission– writer-director Adrian Teh does deliver the action, but the film also contemplates about the team itself: how they made sense of their opposition towards a country they shared religions with, and how they experienced the ignorance from American soldiers that didn’t even know where Malaysia was. While some introductory sequences falter, and the film fumbles certain green screen moments, MALBATT: Misi Bakara brings both the spectacle and the drama that makes it stand out from other depictions of the rescue mission.

Genre: Action, Drama, History, War

Actor: Bront Palarae, Dini Schatzmann, Fauzi Nawawi, Gambit Saifullah, Hairul Azreen, Iedil Putra, Musa Aden, Paul Biddiss, Shaheizy Sam, Syazwan Zulkifly, Tony Eusoff, Zahiril Adzim

Director: Adrian Teh

In Baby J, SNL-writer-turned-stand-up-star John Mulaney brutally embraces his messy past and turns it into relatable material and hilarious anecdotes. Confronting his controversial stint at rehab, his struggle with addiction, and his experiences with fatherhood and the resulting reinvention, Mulaney proves himself to be a compelling storyteller, a master at set-ups and pay-offs. He grabs your attention from start to end, with no time to let your mind wander. Before you know it, it’s been an hour of you watching and laughing at this tiny man commanding a sold-out hall. 

There are many Netflix comedy specials out there, but only a handful are as purely enthralling and unskippable as this.

Genre: Comedy, Drama

Actor: John Mulaney

Director: Alex Timbers

With its grounded approach, A Day and a Half feels real, even if the exact events are fictional. Inspired by a couple of lines from a 2008 news article, Fares Fares crafts an intimate family drama for his first directorial debut, built in the bones of a hostage thriller. As a thriller, Fares consistently maintains its suspense, camera eyeing the gun present in most of the film. However, as the cop Lucas tries to defuse the situation with hostage-taker Artan, and the situation escalates to the National Task Force, Artan and Louise confront their broken family, lines opened by improvised hostage negotiations. While Artan’s understandable reasons shouldn’t absolve him of his actions, A Day and a Half effectively builds tension, only relieved at its slightly unrealistic but cathartic ending.

Genre: Drama, Mystery, Thriller

Actor: Alexej Manvelov, Alma Pöysti, Annica Liljeblad, Annika Hallin, Daniel Guldstrand, Fares Fares, Richard Forsgren, Stina Ekblad

Director: Fares Fares

For Love & Life could have easily been a generic documentary about ALS, but Wallach and Abrevaya elevate the film with their confidence and charm. With help from friend and director Christopher Burke, they manage to make something innately dreadful not just watchable, but engaging and uplifting as well. There's also something to be said about how they offset with science and politics so that the film is an anti-sob story of sorts, filled as it is with so much research, action, hope, and grit. This isn’t to say that it doesn't get misty-eyed (in fact, I think it could’ve eased up on the use of inspirational pop songs), but it is expertly balanced in a way that's sure to draw in more viewers and, hopefully, advocates for the cause.

Genre: Documentary

Director: Chris Burke

In the world of excavation and wonderous breakthroughs, Unknown: The Lost Pyramid is a refreshing take on archaeology by showing the discoveries of Egyptian history from native Egyptian archaeologists. Following Dr. Hawass and his mentee, Dr. Waziri, as they race against the elements of the desert, the documentary uses their passion and egos to spearhead the narrative. Thus, every step closer feels both prideful and invasive with the constant reminder that they're excavating 2000+-year-old tombs. Comprehensive explanations and illustrative cinematography illuminate the meticulous labor that goes into Egyptology.

Genre: Documentary, Drama

Actor: Zahi Hawass

Director: Max Salomon

The latest installment in Netflix'S “Unknown” docuseries, Unknown: Killer Robots puts the evolution of artificial intelligence under an ethical microscope. Although the title could be misleading, it does cover the possible dangerous applications of AI as it forces us to question the growing divide between human morality and machine efficiency. With advances in war and medicinal applications, the capabilities of AI to heal, save and destroy are terrifying and awe-inspiring in equal measure. Like the previous films in the series, it is hyper-concentrated to an almost-stifling degree, but it’s also powered by the passionate subjects on either side of these advancements. Forgoing sensationalism, this digestible documentary questions intention over the technology itself. 

Genre: Documentary, Drama

Director: Jesse Sweet