280 Best Movies & Shows Released in 2022 (Page 14)

Staff & contributors

Find the best movies and show to watch from the year 2022. These handpicked recommendations are highly-rated by viewers and critics.

The Outfit doesn’t need to do a lot to be as sleek and surprising as it is. In fact, much of the film takes place in a single place while consisting of only a few (albeit memorable) characters. It’s deceptively simple, but the tricks it hides up its sleeves are plentiful and pleasurable. It’s a well-made and even better-performed gangster movie. Led by a quietly powerful Mark Rylance (who plays Leonard, the tailor with hidden depths), the actors are serious enough to lend it gravitas but easygoing enough to make it light on its feet.  

All in all, The Outfit is an agile action film with twists that will keep you at the edge of your seat right till the very end. 

Genre: Crime, Drama, Mystery, Thriller

Actor: Dylan O'Brien, Johnathan McClain, Johnny Flynn, Mark Rylance, Nikki Amuka-Bird, Scoop Wasserstein, Simon Russell Beale, Zoey Deutch

Director: Graham Moore

Rating: R

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The poetic title of this debut feature from Chilean filmmaker Francisca Alegría does not tell a lie: a cow does indeed sing. More than one, in fact, because the film uses an entire herd — plus a flock of birds and a school of fish — as a kind of Greek chorus to comment on human mistreatment of animals and the wider environment. The Cow Who Sang never approaches sanctimonious territory, gently weaving from these ideas an expansive and evenly empathetic worldview. The magical realism that allows the animals to speak is the same device that brings the long-dead Magdalena (Mia Maestro) back to life — and, as her family’s fraught history is gradually revealed, it’s movingly suggested that the objectification that the cows and the local polluted river are subjected to is part of the same culture of devaluation that marred the lives of Magdalena and her female descendants. If there’s one complaint to be had, it’s that the relatively short runtime limits the film's ability to really expound on its many threads — the bond Magdalena instinctively forges with her trans granddaughter, for example. Ultimately, though, its symbolic storytelling and emotionally articulate cast allow The Cow Who Sang to communicate much of its sweeping philosophy to profound effect.

Genre: Drama

Actor: Alfredo Castro, Enzo Ferrada, Fernanda Urrejola, Leonor Varela, Luis Dubó, Marcial Tagle, Mía Maestro

Director: Francisca Alegría

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Part fantasy, part road trip, and part coming-of-age, Suzume is a rich and fast-paced tale with no dull moments in between. The energy is relentless and the animation, as expected, is dazzling, so even though there are occasional plot holes and melodramatic reaches, you’d be hard-pressed not to forgive them. Suzume still wins you over. Of course, the fantastical aspects are what make Shinkai’s films his, but Suzume works best when it zeroes in on humans and their complicated feelings toward each other. The confrontation between Suzume and her aunt, where Suzume accuses her of suffocation and the aunt, in turn, laments the life she could’ve had if she wasn’t charged with caring for her dead sister’s daughter, is just as shattering as any scene involving slaying monsters or battling gods. I only wish there were more tender moments like this, but Suzume is just as endearing and entrancing all the same.

Genre: Adventure, Animation, Drama, Fantasy

Actor: Aimi, Akihiro Tajima, Arisa Maesako, Ayumi Tsuji, Eri Fukatsu, Genta Nakamura, Hinano Harumi, Hokuto Matsumura, Kaito Ogawa, Kana Hanazawa, Katsumi Fukuhara, Kotone Hanase, Kyo Yaoya, Matsumoto Hakuō II, Nanoka Hara, Ryoko Nagata, Ryunosuke Kamiki, Sairi Ito, Saori Seto, Shinjirou Gouda, Shota Sometani, Takuya Yokota, Tomomichi Nishimura, Yoji Ueda, Yoshino Aoyama, Yuki Sorami, Yuri Kimura, Yuu Ayase

Director: Makoto Shinkai

Rating: PG

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It’s very likely you already know about the fictional character Matilda, a clever but neglected child who discovers she has telekinesis and uses it for good. You may have even grown up watching the 1996 film multiple times, as I have, and secretly tried to move a random object with your mind to see if you somehow shared Matilda’s powers…as I have.

If so, I can assure you that you’ll enjoy the latest Matilda adaptation, aptly called Roald Dahl’s Matilda the Musical on Netflix. It’s pure energy, all bright colors and high-pitched emotions, but not overwhelmingly so. It is also funny and tender, and the techniques it uses to transition and transpose are eye-poppingly inventive. It stars Emma Thompson, once again prosthetic-ed to perfection; Lashana Lynch, a grounding and heartwarming presence; and Alisha Weir, a revelation of a child actor.

Genre: Comedy, Drama, Family, Fantasy, Music

Actor: Alisha Weir, Amanda Lawrence, Andrea Riseborough, Ann Firbank, Bebe Massey, Charlie Hodson-Prior, Emma Thompson, James Dryden, James Laurenson, Katherine Kingsley, Lashana Lynch, Leon Ung, Matt Henry, Meesha Garbett, Noah Leggott, Serrana Su-Ling Bliss, Sindhu Vee, Stephen Graham, Thomas Arnold, Tim Bentinck

Director: Matthew Warchus

Rating: PG

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The single-take conceit of this high-camp whodunnit set in the world of competitive hairdressing is not without its knots. Without the charity of a cut, it falls on the screenplay to pull us through the film’s murder mystery in real-time, and the result contains more than a few inorganic segues, despite the cast’s best efforts at smoothing things out. What’s more, when the mystery does eventually unravel, it feels unsatisfying in a way that even a heavy round of conventional editing couldn’t resolve.

And yet, with its very game cast; razor-sharp one-liners; inspired hairdos; Robbie Ryan’s wheeling, smartly perspective-hopping cinematography; and a wry chamber-piece premise — in the midst of a cutthroat contest, a senior stylist is found with his scalp removed — Medusa Deluxe still bristles with passion and wit. It’s abundantly clear that first-time director Thomas Hardiman and his crew are as ostentatiously die-hard about their film as the catty characters are about their hair design, and the sheer force of their enthusiasm is enough to zhuzh up even the plot’s flattest moments. A feature debut doesn’t often come without flaws, but it’s equally as rare for one to be as boldly ambitious or as irreverently fun as this.

Genre: Comedy, Crime, Drama, Mystery, Thriller

Actor: Anita-Joy Uwajeh, Clare Perkins, Darrell D'Silva, Harriet Webb, Heider Ali, John Alan Roberts, Kae Alexander, Kayla Meikle, Lilit Lesser, Luke Pasqualino, Michelle Parker, Nicholas Karimi

Director: Thomas Hardiman

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Even with its occasional technical hitches and structural rough edges (maybe because of how personal it is), Last Flight Home makes for a difficult but important look at the process of assisted death. The most important insight this documentary offers is how often and how certainly family patriarch Eli Timoner gives his consent to his family to help him die. It may be hard to fathom such a thing especially if one comes from a tightly-knit family or collectivist culture, but Last Flight Home emphasizes how this decision does come from a place of love, constant communication, and deep self-reflection.

Genre: Documentary

Director: Ondi Timoner

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In 2003, NASA launched twin rovers Oppy (short for Opportunity) and Spirit into Mars expecting them to last for only 90 days. But equipped with almost human-like perseverance and personality, the rovers lasted for years, tracing terrain and reporting extraterrestrial findings back to Earth until Oppy’s final goodbye in 2018.

Good Night Oppy follows the rovers and the team who made their journeys possible, discovering warmth and emotion in the daunting task that is finding life on Mars. It’s as informational as it is inspirational, a gratifying watch on all accounts.

Genre: Documentary, Drama

Actor: Angela Bassett

Director: Ryan White

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Three kids from a poor neighborhood win scholarships to the best high-school in Spain and later find themselves at the center of a murder. There is a lot that comes to the surface from the working-class kids clashing with the wealthy. Themes of money, power, religion, and even sexuality make this show so compelling that I never felt like I needed a murder to keep watching.

Genre: Crime, Drama, Mystery

Actor: Álvaro de Juana, Álvaro Rico, André Lamoglia, Aron Piper, Carla Díaz, Carmen Arrufat, Claudia Salas, Danna Paola, Diego Martín, Ester Exposito, Georgina Amorós, Georgina Amorós, Itzan Escamilla, Jaime Lorente, Jorge López, Jorge López, Manu Ríos, Maria Pedraza, Martina Cariddi, Miguel Bernardeau, Miguel Herran, Mina El Hammani, Omar Ayuso, Valentina Zenere

Rating: TV-MA

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