291 Best Movies & Shows Released in 2022 (Page 12)

Staff & contributors

Find the best movies and show to watch from the year 2022. These handpicked recommendations are highly-rated by viewers and critics.

Somewhere in Queens has the familiar feel of an indie dramedy. It’s intimate and unassuming, casually funny and effortlessly moving. It has the low-key charm that evades more large-scale productions, lending the film that rare poignancy that makes something feel special. 

All these boost an otherwise simple story of family and acceptance. Couple Leo and Ange (a very compelling Ray Romano and Laurie Metcalf) are getting on in years, and watching them navigate the common pitfalls of people their age is both funny and heartwarming to watch. This is cleverly paralleled with their son Sticks’ (Jacob Ward) coming-of-age journey, which is just as expected but tender as ever. 

Theirs is a tight-knit family that fights as much as they love, and watching them in a modest production like this isn't just feel apt but authentic and dear too, like an old family picture come to life.

Genre: Comedy, Drama

Actor: Caryn Richman, Danny Garcia, David St. Louis, Elizabeth Yu, Erik Griffin, Geoffrey Owens, J. C. MacKenzie, Jackson Pace, Jacob Ward, James Ciccone, Jennifer Esposito, Jennifer Simard, Joe Caniano, Jon Manfrellotti, June Gable, Karen Lynn Gorney, Katie Kreisler, Lauren Biazzo, Laurie Metcalf, Matt Romano, P. J. Byrne, Ray Romano, Sadie Stanley, Sebastian Maniscalco, Seth Barrish, Tony Lo Bianco

Director: Ray Romano

Rating: R

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The title of this small-scale comedy drama alludes to an aspect of creativity that isn’t inherently cinematic but which is necessary if you’re going to make anything: just showing up and doing the work. Kelly Reichardt’s filmmaking is in keeping with that focus: this is a gentle movie, full of the patience the art-making process requires and which has always characterized her contributions to “slow cinema.” 

The film is set in a small creative community where the prickly Lizzy (Michelle Williams) works in administration at an arts center and perfects her sculptures for her upcoming solo show. Her efforts are hampered by small daily dramas, though, like the pigeon whose wing her naughty kitty has broken or the friends of her father who lightly exploit his hospitality. And then there’s her neighbor and landlord Jo (Hong Chau), a rising star of an artist who inspires thorny feelings of inadequacy in the only moderately successful Lizzy. Reichardt and Williams deftly explore these insecurities, subtly suggesting that one-sided resentments like Lizzy’s are easily dissolved with a bit of human connection. These gentle moments of insight are rewarding, but it should be noted that your mileage may vary with Showing Up’s insular art world focus and Reichardt’s more unhurried-than-ever pace.

Genre: Comedy, Drama

Actor: Amanda Plummer, André 3000, Bahni Turpin, Cody Burns, Denzel Rodriguez, Eudora Peterson, Heather Lawless, Hong Chau, Izabel Mar, James Le Gros, Jean-Luc Boucherot, John Magaro, Judd Hirsch, Kevin-Michael Moore, Kristina Haddad, Lauren Lakis, Maryann Plunkett, Matt Malloy, Michelle Williams, Orianna Milne, Sam Kamerman, Teal Sherer, Ted Rooney, Theo Taplitz

Director: Kelly Reichardt

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Saying that the program I Love Lucy paved the way for television would be an understatement. Lucille Ball inspired a generation of female comedians, Desi Arnez blazed a trail for Latinos making it in America, and the show that they starred in broke records upon records, redefining what sitcoms could be at a time when no one took them seriously. 

Millions tuned into their love story as Lucy and Rick, but their real-life relationship as Lucy and Desi was just as compelling. It was complicated by jealousy, race, gender, and class, but it was also solidly grounded in true, enduring love. This documentary, directed by Amy Poehler, does well to tell us the couple’s truth without sensationalizing it. Instead of blowing things out of gossipy proportions, she zeroes in on the messy facts and weaves them into a nuanced, enlightening tale about marriage, celebrity, and fame. Thanks to Poehler, the story about Lucy and Desi is just as riveting as their legendary show. 

Genre: Documentary

Actor: Bette Midler, Carol Burnett, Charo, Desi Arnaz, Desi Arnaz Jr., Dick Cavett, Johnny Carson, Lucie Arnaz, Lucille Ball, Norman Lear, Preston Foster, Vivian Vance

Director: Amy Poehler

Rating: PG

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By retelling a vital chapter of the civil rights movement from the perspective of an entire community—and not just through individual prominent figures—Lowndes County and the Road to Black Power emphasizes the need for collective action, and what it really means to fight for equal rights. And through highly articulate interviewees who've all maintained a clear, analytical understanding of the different philosophies driving the movement forward, the documentary also becomes uncommonly optimistic, energetic, and good-humored about this continuing fight. This is history not as an artifact but as a living thing, still present in the everyday and still great fun to learn about.

Genre: Documentary, History

Director: Geeta Gandbhir, Sam Pollard

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, 2022

It’s a bold move, centering a drama around a creature as docile as a donkey, but EO pulls it off without ever leaning on the crutch of CGI. Instead, the film makes ingenious use of a hundred-year-old film technique: the Kuleshov effect. By splicing the image of the titular donkey’s placid, expressionless face against visual stimulus, the illusion of a genuine reaction is produced.

But don’t be mistaken: this is no twee Disney-esque tale of anthropomorphism. Inspired by the classic Au Hasard Balthasar, EO tracks the haphazard journey of a former circus donkey across Europe — one that is often depicted in surreal psychedelic reds instead of idyllic picture-book tones, and punctured by more horrors than joys (though we do, thankfully, get to see him munch away on some well-deserved carrot treats). EO’s docility frames him as a kind of holy innocent, making the cruelty meted out to him feel all the more like a grave violation of something sacrosanct. Seeing the world through his oft-neglected perspective also makes this a movie about humans by proxy — a fresh, empathetic approach that, even in its obvious dramatic liberties, makes us meditate on both the depth of experience that may be unfolding in our animal neighbors and our role in shaping it.

Genre: Drama

Actor: Isabelle Huppert, Kateřina Holánová, Lolita Chammah, Lorenzo Zurzolo, Mateusz Kościukiewicz, Sandra Drzymalska, Tomasz Organek, Waldemar Barwiński

Director: Jerzy Skolimowski

Rating: NR

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Directed by Japanese filmmaker Hirokazu Koreeda, the Korean film Broker is a simple but tender story about chosen family. It follows Moon So-young (IU), a young mother who decides to drop her baby off at a church, seemingly for good. But when So-young decides to return for the child, she discovers that he’s been stolen by two brokers who’ve put the baby up for adoption on the black market. She joins them in the hopes of meeting her child’s prospective new parents (and staking a claim at the payment) but the more they spend time with each other, acting like a real family on the road as they do, the more it becomes real for her, and the more she feels conflicted about the decision she’s about to make.

As with any Hirokazu Koreeda film, Broker is an affecting, empathetic story that succeeds at humanizing its misunderstood cast of characters. Admittedly, it’s not the best Koreeda movie out there, even when the category is narrowed down to stories about found families (the best in that regard would be his 2018 film Shoplifters). And Koreeda fans will find Broker somewhat scrubbed and Disney-fied for a larger crowd, lacking the edge that his previous Japanese films had. But it is undeniably heartwarming and beautiful. The road trip setup allows the characters to build their rapport naturally, and the warm crisp tones capture the seabreeze ease of the film. Regardless of your view on Koreeda, Broker is well worth a watch.

Genre: Comedy, Crime, Drama

Actor: Bae Doona, Baek Hyun-jin, Bek Hyun-jin, Choi Hee-jin, Choi Hui-jin, Choi Hyo-sang, Choi Yoon-woo, Gang Dong-won, IU, Jeong Jong-yeol, Jong Ho, Jung Ji-woo, Kang Gil-woo, Kim Do-yeon, Kim Keum-soon, Kim Sae-byuk, Kim Soo-hyeon, Kim Sun-young, Kim Yae-eun, Lee Dong-hwi, Lee Doo-seok, Lee Ga-kyung, Lee Joo-young, Lee Moo-saeng, Lee Mu-saeng, Lim Seung-soo, Oh Hee-joon, Oh Hee-jun, Park Hae-jun, Park Kang-seop, Park Kang-sup, Ryu Ji-an, Ryu Kyung-soo, Seong Yu-bin, Song Kang-ho, Song Sae-byuk, Woo Sung-min, Yun Seul

Director: Hirokazu Kore-eda

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