309 Best Movies & Shows Released in 2022 (Page 12)

Find the best movies and show to watch from the year 2022. These handpicked recommendations are highly-rated by viewers and critics.

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166. The Unbearable Weight of Massive Talent, 2022

Surprisingly heartwarming and enjoyable, The Unbearable Weight of Massive Talent turns its over-the-top premise into a tribute to the one and only Nicolas Cage. Playing an unfulfilled and broke version of himself, Cage’s next gig is an appearance at eccentric billionaire Javi Gutierrez’s (Pedro Pascal) birthday party. They strike up an instant bond over their love of film. However, the CIA suspects Gutierrez’s involvement in a political kidnapping, forcing Cage to investigate his friend. The film brilliantly employs those 90s-esque action tropes that Cage’s movies are known for - the car chases, the sunglasses, and the eccentric characters. Cage himself fully commits to the premise, but Pedro Pascal adeptly matches his energy with his easy-going charm. Their moments together and their shared love for cinema makes this a great watch.

Genre: Action, Comedy, Crime, Drama

Actor: Alessandra Mastronardi, Björn Freiberg, Caroline Boulton, Cesare Taurasi, David Gordon Green, Demi Moore, Eli Jane, Enrique Martínez, Ike Barinholtz, Jacob Scipio, Jaime Ordóñez, Joanna Bobin, Katrin Vankova, Kristian Flores, Kristian Ventura, Lily Mo Sheen, Manuel Tallafé, Mario Perez, Neil Patrick Harris, Nicholas Wittman, Nicolas Cage, Paco León, Pedro Pascal, Rebecca Finch, Ricard Balada, Sharon Horgan, Tiffany Haddish

Director: Tom Gormican

Rating: R

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167. The Summer I Turned Pretty, 2022

Stills and synopses of The Summer I Turned Pretty make it seem like typical teenage fluff. It isn't. Sure, it starts off cheesy and predictable, but it quickly blossoms into something rich and earnest and far more significant than the sum of its parts. The love triangle is merely a jumping-off point to better understand these flawed characters and the people around them. Outside of Belly's coming-of-age journey, there is her brother who encounters a rude awakening on race and class, and their mother who, fresh from a divorce, attempts to establish an identity of her own. Everyone has their own thing going on in this series, so it's easy to feel invested in their fleshed-out failures and triumphs.

It also feels authentically young; the music sounds like it was curated by an actual teenager, while the performances are raw and believable, not stilted and forced as it often is with teen series. The Summer I Turned Pretty is familiar, but comfortingly so. Watch this if you're yearning to re-live the magical, heartbreaking feeling of being young and in love for the first time.

Genre: Drama

Actor: Alfredo Narciso, Gavin Casalegno, Jackie Chung, Minnie Mills, Rachel Blanchard, Sean Kaufman, Summer Madison

Rating: TV-14

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168. Somewhere in Queens, 2023

Somewhere in Queens has the familiar feel of an indie dramedy. It’s intimate and unassuming, casually funny and effortlessly moving. It has the low-key charm that evades more large-scale productions, lending the film that rare poignancy that makes something feel special.

All these boost an otherwise simple story of family and acceptance. Couple Leo and Ange (a very compelling Ray Romano and Laurie Metcalf) are getting on in years, and watching them navigate the common pitfalls of people their age is both funny and heartwarming to watch. This is cleverly paralleled with their son Sticks’ (Jacob Ward) coming-of-age journey, which is just as expected but tender as ever.

Theirs is a tight-knit family that fights as much as they love, and watching them in a modest production like this isn't just feel apt but authentic and dear too, like an old family picture come to life.

Genre: Comedy, Drama

Actor: Caryn Richman, Danny Garcia, David St. Louis, Elizabeth Yu, Erik Griffin, Geoffrey Owens, J. C. MacKenzie, Jackson Pace, Jacob Ward, James Ciccone, Jennifer Esposito, Jennifer Simard, Joe Caniano, Jon Manfrellotti, June Gable, Karen Lynn Gorney, Katie Kreisler, Lauren Biazzo, Laurie Metcalf, Matt Romano, P. J. Byrne, Ray Romano, Sadie Stanley, Sebastian Maniscalco, Seth Barrish, Tony Lo Bianco

Director: Ray Romano

Rating: R

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169. Somebody Somewhere, 2022

After having just lost her sister Holly, Sam (Bridget Everett) is in a bit of a midlife crisis. Work feels meaningless, singing doesn't bring as much joy as it used to, and her family isn't exactly the most supportive bunch out there. When a colleague introduces Sam to his friends (a lively, welcoming group of choir singers), she slowly regains hope and even confidence to start a new life in her 40s.

Produced by the comedic Duplass brothers, Somebody Somewhere finds joy in everyday life. Office gossip provides respite at work, local talents transform into stars during choir practice, and drive-thrus for coffee become stalking escapades to find out if Sam's brother-in-law is a drug dealer. This slice-of-life journey is at once funny and poignant, as well as incredibly perceptive about issues like grief and depression. Everett was most known for her stand-up and comedic sketches, but after her turn as Sam, she'll no doubt make a name for herself as one of the most layered and nuanced actresses of her generation.

Genre: Comedy, Drama

Actor: Bridget Everett, Danny McCarthy, Jeff Hiller, Mary Catherine Garrison, Mike Hagerty

Rating: TV-MA

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170. Showing Up, 2023

The title of this small-scale comedy drama alludes to an aspect of creativity that isn’t inherently cinematic but which is necessary if you’re going to make anything: just showing up and doing the work. Kelly Reichardt’s filmmaking is in keeping with that focus: this is a gentle movie, full of the patience the art-making process requires and which has always characterized her contributions to “slow cinema.”

The film is set in a small creative community where the prickly Lizzy (Michelle Williams) works in administration at an arts center and perfects her sculptures for her upcoming solo show. Her efforts are hampered by small daily dramas, though, like the pigeon whose wing her naughty kitty has broken or the friends of her father who lightly exploit his hospitality. And then there’s her neighbor and landlord Jo (Hong Chau), a rising star of an artist who inspires thorny feelings of inadequacy in the only moderately successful Lizzy. Reichardt and Williams deftly explore these insecurities, subtly suggesting that one-sided resentments like Lizzy’s are easily dissolved with a bit of human connection. These gentle moments of insight are rewarding, but it should be noted that your mileage may vary with Showing Up’s insular art world focus and Reichardt’s more unhurried-than-ever pace.

Genre: Comedy, Drama

Actor: Amanda Plummer, André 3000, Bahni Turpin, Cody Burns, Denzel Rodriguez, Eudora Peterson, Heather Lawless, Hong Chau, Izabel Mar, James Le Gros, Jean-Luc Boucherot, John Magaro, Judd Hirsch, Kevin-Michael Moore, Kristina Haddad, Lauren Lakis, Maryann Plunkett, Matt Malloy, Michelle Williams, Orianna Milne, Sam Kamerman, Teal Sherer, Ted Rooney, Theo Taplitz

Director: Kelly Reichardt

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171. Shining Girls, 2022

Shining Girls is painful to watch. How could it not be, when it follows the serial and brutal murders of female victims? Even when the series is told through the lens of sole survivor Kirby (played by the excellent Elisabeth Moss), we witness the indelible effects of assault and trauma. Kirby’s sense of reality shifts; time is circular and memories are provisional. She’s an unreliable source in her own story.

And yet Shining Girls is also necessary to watch. It’s one of those stories where pain is the point, and it brings you close enough to the scene of the crime that it feels wrong to pull away too soon--not until you pull through the ending.

As always, Moss is unrelentingly intense as she takes us through the deepest corners of the victim she portrays, but a strong supporting cast also rounds off the performances. Jamie Bell is particularly haunting as the yet-to-be-discovered killer.

Genre: Crime, Drama

Actor: Amy Brenneman, Chris Chalk, Elisabeth Moss, Jamie Bell, Phillipa Soo, Wagner Moura

Rating: TV-MA

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172. RRR, 2022

	
Set in 1920s India, RRR follows two revolutionaries who strike up an unlikely bond and fend off the British regime from their home. In their epic journey to protect their people, they encounter a number of setbacks that prompts them to put their incredible combat skills on full display.

Despite its three-hour run, RRR never drags, thanks in large part to its breathtaking action sequences and eye-popping visuals. It may contain all the familiar beats of a blockbuster, but RRR is notably grounded in its central, political theme of anti-colonialism, the sincerity of which keeps the film's big heart beating palpably throughout.Genre: Action, Adventure, Drama, History
Actor: Ahmareen Anjum, Ajay Devgan, Ajay Devgn, Alexx O'Nell, Alia Bhatt, Alison Doody, Chatrapathi Sekhar, Edward Sonnenblick, Ivan Kostadinov, Makrand Deshpande, Mark Bennington, N. T. Rama Rao Jr., Oleh Karpenko, Olivia Morris, R. Bhakti Klein, Rahul Ramakrishna, Rajiv Kanakala, Ram Charan, Ray Stevenson, S. S. Rajamouli, Samuthirakani, Shriya Saran, Spandan Chaturvedi, Varun Buddhadev, Vedala Hemachandra
Director: S. S. Rajamouli
Rating: Not Rated

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173. P-Valley, 2022

Written proudly in the Mississippi vernacular, P-Valley tells a story of sex, trauma, and ambition in a totally unembellished way. There's something decidedly un-Hollywood about it, both in the way it embraces its Black and Southern roots and in how it portrays stripping as the athletic feat it truly is. So even if the show deals with adult subject matter it's never lurid or exploitative, and it becomes a series just as much about the craft of exotic dancing and hip hop as it is about money and struggle. Even the more unwieldy parts of the series's storytelling help add up to an authentic portrait, bathed in gorgeous night club colors and crisp Southern images.

Genre: Crime, Drama

Actor: Brandee Evans, Elarica Johnson, Harriett D. Foy, J. Alphonse Nicholson, Parker Sawyers, Shannon Thornton

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174. Lucy and Desi, 2022

Saying that the program I Love Lucy paved the way for television would be an understatement. Lucille Ball inspired a generation of female comedians, Desi Arnez blazed a trail for Latinos making it in America, and the show that they starred in broke records upon records, redefining what sitcoms could be at a time when no one took them seriously.

Millions tuned into their love story as Lucy and Rick, but their real-life relationship as Lucy and Desi was just as compelling. It was complicated by jealousy, race, gender, and class, but it was also solidly grounded in true, enduring love. This documentary, directed by Amy Poehler, does well to tell us the couple’s truth without sensationalizing it. Instead of blowing things out of gossipy proportions, she zeroes in on the messy facts and weaves them into a nuanced, enlightening tale about marriage, celebrity, and fame. Thanks to Poehler, the story about Lucy and Desi is just as riveting as their legendary show.

Genre: Documentary

Actor: Bette Midler, Carol Burnett, Charo, Desi Arnaz, Desi Arnaz Jr., Dick Cavett, Johnny Carson, Laura LaPlaca, Lucie Arnaz, Lucille Ball, Norman Lear, Preston Foster, Vivian Vance

Director: Amy Poehler

Rating: PG

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175. Lowndes County and the Road to Black Power, 2022

By retelling a vital chapter of the civil rights movement from the perspective of an entire community—and not just through individual prominent figures—Lowndes County and the Road to Black Power emphasizes the need for collective action, and what it really means to fight for equal rights. And through highly articulate interviewees who've all maintained a clear, analytical understanding of the different philosophies driving the movement forward, the documentary also becomes uncommonly optimistic, energetic, and good-humored about this continuing fight. This is history not as an artifact but as a living thing, still present in the everyday and still great fun to learn about.

Genre: Documentary, History

Director: Geeta Gandbhir, Sam Pollard

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176. Love & Anarchy, 2022

	
Love & Anarchy is a raunchy and poignant series that mainly follows Sofie (Ida Engvoll ), a middle-aged consultant whose steady, predictable life is forever changed when she befriends the office temp, Max (Björn Mosten).

Sofie and Max take turns daring each other to do unconventional things in public, from walking backward at work to role paying at a function, and what begins as a thrill-seeking exploit soon evolves into a serious relationship that has them and their colleagues questioning their bigger ambitions and desires in life.

With each only eight episodes per season, each of which runs at more or less 30 minutes, Love & Anarchy is a sure-fire easy and worthwhile binge.Genre: Comedy, Drama, Romance
Actor: Björn Kjellman, Björn Mosten, Carla Sehn, Gizem Erdogan, Ida Engvoll, Johannes Bah Kuhnke, Reine Brynolfsson
Rating: TV-MA

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177. Los Espookys, 2022

Los Espookys is the name of a horror-loving group of friends, who, following their passion, provide gory services to those who seek them. Their clients range from fearmongering priests to greedy insurance claimants, all of whom demand the most bizarre out of the Los Espookys team. They’re a bit like the Scooby-Doo team in that sense, except instead of solving spooky crimes, they’re called in to initiate them.

It’s an absurd yet surprisingly sweet show that asks you to leave any self-serious viewing lens you might have at the door. Anything goes in this hazy, unnamed part of South America, and you would do well to let its boundless imagination carry you wherever it may lead, and its dry humor ground you on your feet.

Genre: Adventure, Comedy, Fantasy, Horror, Science Fiction

Actor: Ana Fabrega, Bernardo Velasco, Cassandra Ciangherotti, Julio Torres

Rating: TV-14

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178. Here We Go, 2024

	
It’s always nice to be able to identify with a group of people on television, but it’s especially entertaining when they’re a hilarious bunch. That’s what the Jessops are, at once relatable and ridiculous, mundane and misfortune-prone. Anything that can go wrong will go wrong, and somehow their troubles worsen anytime they try to fix them or keep a straight face. It sounds strange, but in a TV landscape of bleak comedies and cynical dramas, it’s refreshing and validating to watch the average middle-class family struggle with the same problems we’re having, whether that’s figuring out a good career or trying to reignite the spark of a marriage. That we see all this unfold through the handheld lens of Sam, the youngest of the family, adds a layer of intimacy and charm that makes Here We Go an imminently comforting watch.Genre: Comedy, Drama
Actor: Aidan Cheng, Alison Steadman, Freya Parks, Jim Howick, Jude Collie, Katherine Parkinson, Mica Ricketts, Tom Basden, Tori Allen-Martin
Director: Will Sinclair
Rating: NR

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179. EO, 2022

It’s a bold move, centering a drama around a creature as docile as a donkey, but EO pulls it off without ever leaning on the crutch of CGI. Instead, the film makes ingenious use of a hundred-year-old film technique: the Kuleshov effect. By splicing the image of the titular donkey’s placid, expressionless face against visual stimulus, the illusion of a genuine reaction is produced.

But don’t be mistaken: this is no twee Disney-esque tale of anthropomorphism. Inspired by the classic Au Hasard Balthasar, EO tracks the haphazard journey of a former circus donkey across Europe — one that is often depicted in surreal psychedelic reds instead of idyllic picture-book tones, and punctured by more horrors than joys (though we do, thankfully, get to see him munch away on some well-deserved carrot treats). EO’s docility frames him as a kind of holy innocent, making the cruelty meted out to him feel all the more like a grave violation of something sacrosanct. Seeing the world through his oft-neglected perspective also makes this a movie about humans by proxy — a fresh, empathetic approach that, even in its obvious dramatic liberties, makes us meditate on both the depth of experience that may be unfolding in our animal neighbors and our role in shaping it.

Genre: Adventure, Drama

Actor: Agata Sasinowska, Anna Rokita, Delfina Wilkońska, Isabelle Huppert, Kateřina Holánová, Lolita Chammah, Lorenzo Zurzolo, Marcin Drabicki, Mateusz Kościukiewicz, Mateusz Murański, Sandra Drzymalska, Tomasz Organek, Waldemar Barwiński

Director: Jerzy Skolimowski

Rating: NR

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180. Dead to Me, 2022

Whoever paired Christina Applegate with Linda Cardellini should be given a raise. As the inadvertent crime duo Jen and Judy, the actresses are magnetic—their chemistry simply radiates through the screen. Whether they’re solving a crime or attempting to incite one, you can’t help but root for them. As long as they’re on screen interacting, everything else—the basic mystery, the predictable twists—is forgivable.

Aside from the irresistible pairing, Dead to Me is also very watchable for its precise and sympathetic take on grief and womanhood. Both Jen and Judy have had to suffer through immense loss, and the series reminds us through their different reactions that there is no one way to grieve. They're also middle-aged women, a fact that the series handles in a refreshingly deft manner. In lesser hands, this could have been trivialized or sensationalized, but under the helm of showrunner Liz Feldman, it's a simple matter of fact that ingrains itself in every moment.

Dead to Me is both heartwarming and gut-busting, a darkly comic series buoyed by strong performances and principles.

Genre: Comedy, Crime, Drama

Actor: Christina Applegate, Edward Asner, James Marsden, Linda Cardellini, Luke Roessler, Max Jenkins, Sam McCarthy

Rating: TV-MA

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