309 Best Movies & Shows Released in 2022 (Page 10)

Find the best movies and show to watch from the year 2022. These handpicked recommendations are highly-rated by viewers and critics.

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136. Emily, 2022

Of the three Brontë sisters—all of whom are accomplished writers in their own right—it’s Emily who remains the most enigmatic to this day. She died early and left in her wake just one work: her first and only novel, Wuthering Heights. The book shook England back then; it was rugged and sexual and violent, and the film honors that by filling the gaps in our knowledge of Brontë’s life with the excitement of her work. Emily, the film, may be historically inaccurate, but it is wildly enjoyable, even if it is pure fantasy. The cinematography is sensual and the sound production screeching; the vibe is equal parts erotic and eerie as Emily loses herself in the mysticism of the moors. It seems apt that a film about Emily leans more toward arthouse than commercial, but it’s also impressive that director Frances O'Connor is able to achieve all this while maintaining a universally romantic appeal about it.

Genre: Drama, History, Romance

Actor: Adrian Dunbar, Alexandra Dowling, Amelia Gething, Emma Mackey, Fionn Whitehead, Gemma Jones, Gerald Lepkowski, Oliver Jackson-Cohen, Paul Warriner, Philip Desmeules, Robert Pickavance, Sacha Parkinson, Veronica Roberts

Director: Frances O'Connor

Rating: R

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137. Donkeyhead, 2022

This Canadian drama is directed by, written by, and stars first-time director Agam Darshi. It’s a labor of love about a 30-something woman who takes care of her sick father while trying to become a writer.

Mona (the character) comes from an immigrant Indian family, and she is proudly the black sheep of the bunch. When a visitor greets her with “God is Truth” in Punjabi, she replies in English with “Merry Christmas”, and when aunties catch her smoking she gives them the middle finger. Not to mention she is sleeping with a married man.

And yet the way the movie is made it works as a universal story - one about finding purpose in taking care of one’s parents while navigating complex family dynamics.

Genre: Comedy, Drama

Actor: Agam Darshi, Huse Madhavji, Husein Madhavji, Kim Coates, Marvin Ishmael, Sandy Sidhu, Stephen Lobo

Director: Agam Darshi

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138. Dhuin, 2022

Dhuin is evidently influenced by the Iranian filmmaker whose work its characters discuss: Abbas Kiarostami. Featuring non-professional actors and full of long observational takes that center everyday conversations in the life of an aspiring actor in a small Northern Indian city, it’s guided by the same social realist impulses that shaped Kiarostami’s work. What’s more, it even ends on an explicit reference to Close-Up.

But what elevates Dhuin above homage is the acute internal struggle it depicts. Set during COVID lockdown, the film follows Pankaj (Abhinav Jha) as he works on his acting in a bedroom adorned with images of Hollywood stars, chafing against the much less glamorous reality of the home he shares with his financially struggling parents. He's on the cusp of having enough money to fulfill his dream and move to Mumbai (where he hopes to advance his career), but several meetings with puffed-up filmmakers who are visiting from Mumbai give Pankaj a new perspective on the world he’s desperate to join. A testament to the torment of difficult choices, Dhuin also gently offers an alternative to the trope of abandoning home for the big city, suggesting that there might be greater beauty in the reality of where you’ve always been than the places you dream of.

Genre: Drama

Actor: Abhinav Jha, Prashant Rana

Director: Achal Mishra

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139. Close, 2022

	
Leo and Remi are close. They play, eat, and sleep together, and in between those moments, they share every thought they have with each other, no matter how big or small. Theirs is a precious friendship, as pure and as intimate as can be, but all that changes when they begin middle school. Subject to heteronormative norms and preteen mockery, their friendship starts to crack as Leo and Remi’s different definitions of manhood emerge.

Subtle but evocative, quiet but deeply powerful, Close takes a closer look at boyhood and male friendships—how they’re lived, defined, and seen. Plenty of questions go unanswered in this film, but if you’re comfortable with simply empathizing with the characters rather than knowing every answer, then Close comes highly recommended.Genre: Drama
Actor: Ahlaam Teghadouini, Cachou Kirsch, Eden Dambrine, Émilie Dequenne, Gustav De Waele, Hélène Theunissen, Igor van Dessel, Kevin Janssens, Léa Drucker, Léon Bataille, Marc Weiss, Pieter Piron, Robin Keyaert, Serine Ayari
Director: Lukas Dhont
Rating: PG-13

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140. Blue Lock, 2022

After his team loses in the prefectural tournament finals, Yoichi Isagi is invited to join an isolated training program designed to create the best striker in the world in hopes of Japan winning the World Cup. The program's designer believes that great strikers are selfish and egoistic players. As a more intense sports anime, the stakes of becoming the best striker in Japan (and the world) or never playing football again keeps the suspense high. The series does a great job of balancing the action and taking the time to develop the characters and their motivations. Blue Lock is a solid, high-concept anime for the world's most beloved sport.

Genre: Action & Adventure, Animation, Drama

Actor: Aoi Ichikawa, Eri Yukimura, Hiroshi Kamiya, Junichi Suwabe, Katsuyuki Konishi, Kazuki Ura, Kazuyuki Okitsu, Kenichi Suzumura, Koki Uchiyama, Masatomo Nakazawa, Natsuki Hanae, Nobunaga Shimazaki, Shinnosuke Tachibana, Shoya Chiba, Shugo Nakamura, Soma Saito, Takahiro Sakurai, Yoshitsugu Matsuoka, Yuki Ono, Yuma Uchida

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141. Alcarràs, 2023

	
On one level, Alcarràs is a story about land, about how inextricable it is to livelihood, about how ownership of it has bred conflict since time immemorial. Director Carla Simón emphasizes this even more by hiring actual Catalan farmers as the leads. We’re not just watching the Solés sing and fight for their land, but Alcarràs natives who are also very much at risk of losing what’s theirs in real life. The acting comes off as natural because it is.

But on another level, Alcarràs is also a story about family, in particular about how family ties run so deep, they’re bound to coil around each other under the ground they’re rooted in. Like a family portrait come to life, Alcarràs shows us the beauty and the peril of loving your family and the legacy they leave behind as much as the Solés do.Genre: Drama
Actor: Ainet Jounou, Berta Pipó, Jordi Pujol Dolcet, Josep Abad, Xenia Roset
Director: Carla Simón

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142. A House Made of Splinters, 2023

Somewhere near the border between Russia and Ukraine lies a shelter for kids coming from unstable homes. Their parents, either alcoholics or abusers, have nine months to prove that they’re fit to look after their children; otherwise, the kids are sent straight to the orphanage, with no chance of a goodbye. A House Made of Splinters is a documentary that quietly and closely follows the shelter’s occupants amid growing joys and pains, not to mention the ever-present danger of war.

Perhaps one of the most striking things about A House Made of Splinters is how attuned it is to the kids. It serves as a reminder of their immense sensitivity and observational skills (more than once, you’ll hear a child assess their home situation in the calmest of manners), as well as their clever ingenuity (there’s a lot of playing going on despite everything, which is heartwarming to watch.

Genre: Documentary, Drama

Director: Simon Lereng Wilmont

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143. A Friend of the Family, 2022

	
Despite the abundance of true crime dramas, A Friend of the Family stands out because of how effectively frustrating (and, at times, nauseating) it is to watch. Broberg is abducted more than once in plain sight, and during the investigation of her case, officers encounter dark secrets and sick twists made even more unbelievable by how seemingly perfect the families involved are. Of course, the shocking true events are one thing, but the way they’re told by creator Nick Antosca and reenacted by a stellar cast that includes Anna Paquin, Colin Hanks, and Jake Lacy transform the horrifying true story into a disturbing work of art. Completing the picture is the show’s commitment to replicating the era as accurately as possible. Everything from the title cards, needle drops, costume, and color grading works to immerse you into the distinct world of 70s suburbia. Even the Peacock symbol was given the 70s treatment, which says something about the show’s dedication to the minutest details.Genre: Crime, Drama
Actor: Anna Paquin, Colin Hanks, Jake Lacy, Lio Tipton, Mckenna Grace
Rating: TV-MA

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144. X, 2022

Though it isn't the groundbreaking slasher movie that it initially seemed to be marketed as, X simply knows how to do its job very well: the gore is plentiful and the build-up to the inevitable kills is just loaded with anticipation. But where the film becomes much more interesting is in the palpable sadness that seems to follow all of its characters. Innocent or murderous, each of these people is just trying to cling to an idea of personal freedom and beauty that never seems to last. It's a horror movie that takes its portrayals of sex and sexuality very seriously, exploring the limits of sexual liberation in a country that actively tries to punish it.

Genre: Horror, Mystery, Thriller

Actor: Brittany Snow, Bryony Skillington, Geoff Dolan, James Gaylyn, Jenna Ortega, Karen Gillan, Kid Cudi, Martin Henderson, Matthew J. Saville, Mia Goth, Owen Campbell, Simon Prast, Stephen Ure

Director: Ti West

Rating: R

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145. The Tinder Swindler, 2022

	
Even if the overall message screams "Girl power!", The Tinder Swindler must be taken with a pinch of salt. Yes, it's perversely entertaining to witness the victims of an emotional and financial scam retell their traumatic experience. Yes, whoever decides to watch a true crime probably knows the genre's highs and lows by heart. And yes, there's an unsettling feeling that sticks to you after the film's finished. All these contradictions make up a powerful, perhaps misunderstood film. There's so much more to be said about how both women and men are victims of the patriarchal order in a different way and this is why such a scam can work without a hitch, but maybe that's better left off screen. I want to flag that the documentary decisively brackets Tinder's role in facilitating these crimes in the first place. It is at once a platform that allows specific targeting and false identities. One begins to wonder whether this decision allowed Netflix to use the company's name and interface in the first place...Genre: Crime, Documentary
Actor: Ayleen Charlotte, Cecilie Fjellhøy, Erlend Ofte Arntsen, Kristoffer Kumar, Pernilla Sjöholm, Shimon Yehuda Hayut
Director: Felicity Morris

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146. The Territory, 2022

Surprisingly dramatic for a documentary but without exoticizing its central characters for a privileged audience, The Territory is that rare film that rightfully portrays indigenous peoples as living firmly in the present. In their continuing struggle to protect their land and culture, the Uru-eu-wau-wau people of the Amazon may be vulnerable, but they aren't helpless. They're organized, have access to technology, and know exactly how they want to represent themselves—armed with bows and arrows and defending what's theirs in beautiful, thrilling footage. In this way, even as The Territory ultimately touches on issues that have affected all of Brazil, namely the destructive effects of Jair Bolsonaro's presidency, it still feels like a documentary co-authored by these indigenous people themselves.

Genre: Documentary

Actor: Ari Uru-Eu-Wau-Wau

Director: Alex Pritz

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147. The Old Man, 2022

The Old Man has everything you'd expect from a political thriller. The dialogue is mysterious, the setting striking, and the action sequences gripping. Bullets fly and blood spouts from both sides of the border, and despite what each faction tells you, it's clear there's no such thing as a good guy. Everyone is a killer, it's just a matter of being self-aware that you are one.

The rarity The Old Man brings to the table is that its protagonist-killer is Dan Chase (Jeff Bridges), a former CIA agent in the twilight of his years. Much of the show's punch comes from Dan and his impressive dexterity. One minute he's having trouble remembering his medication, and the next, he's sharp-shooting assassins half his age from miles away. It should be silly, unrealistic even, but Bridges is convincingly well-built and sells it.

His bromance with fellow veteran John Lithgow is also worth noting. Lithgow plays Harold Harper, an FBI official who is tasked to hunt down Chase because of their close but complicated relationship. Basically, they're frenemies: former army brothers who've chosen different paths, one to rebel and the other to stay. Their repartee alone, elevated by sharp writing and magnetic onscreen presence, makes the show worth it. But it's the smooth coming-together of all these different elements—the action, the characters, and the twists—that make The Old Man a truly worthwhile watch.

Genre: Action & Adventure, Drama

Actor: Alia Shawkat, Amy Brenneman, Bill Heck, E.J. Bonilla, Gbenga Akinnagbe, Jeff Bridges, John Lithgow, Leem Lubany

Rating: TV-MA

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148. The Lincoln Lawyer, 2024

Structured more like a network procedural than a gritty streaming miniseries, the TV adaptation of The Lincoln Lawyer feels easy, even nostalgic, to watch. The formula is simple: in every episode, Mickey handles a new case (most of them wrongful convictions against people on the fringe), all while dealing with a larger, more complicated case and his inner demons. There to help is his trusty driver Izzy (Jazz Raycole), who gets him everywhere in his Lincoln Town Car, and his two ex-wives, with whom he shares a surprisingly healthy relationship. All these elements come together to make an entertaining legal drama. It’s not the most compelling thing out there, but it’s consistently enjoyable and endlessly likable.

Genre: Crime, Drama

Actor: Angus Sampson, Becki Newton, Jazz Raycole, Manuel Garcia-Rulfo, Yaya DaCosta

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149. The Inspection, 2022

Based on the real-life experience of director Elegance Bratton, who was himself a Black gay marine soldier during the “don’t ask, don’t tell” period in the US, The Inspection documents the behind-the-scenes cruelty that goes on in training the armed forces. Specifically, it inspects how institutions like the marines are hardwired to promote a certain kind of masculinity and how people like Bratton, perennially in the margins, respond, react, and fight back.

It’s moving and artful but also lighthearted and humorous, finding light even in the darkest corners. It’s self-contradictory that way, but the film is all the better and nuanced for it. Gabriel Union’s performance is also worth noting here; in a career-defining turn, she transforms into a character at once so hateful and loving, you’ll be hard-pressed not to give her your full attention onscreen.

Genre: Drama

Actor: Aaron Dominguez, Andrew Kai, Aubrey Joseph, Becky Boxer, Bokeem Woodbine, Daniel Williamson, Eddie Plaza, Eman Esfandi, Gabrielle Union, Jered Meeks, Jeremy Pope, McCaul Lombardi, Nicholas Logan, Raúl Castillo, Steve Mokate, Tyler Merritt, Wynn Reichert

Director: Elegance Bratton

Rating: R

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150. The Dropout, 2022

The Dropout is an eight-part series about disgraced biotech entrepreneur Elizabeth Holmes, played here to eerie perfection by Amanda Seyfried. The show follows Holmes as she drops out of Stanford and pursues her dream to be rich and famous at any cost—even if it means swindling her way to the billion-dollar finish line.

With the facts of the case publicly available and a plethora of scammer shows already streaming on the internet, it's a small miracle that The Dropout is still able to stand out as a compelling series. This is thanks in large part to Seyfried: she plays Holmes as a shaky, self-conscious, and hyper-ambitious magnate with little to no remorse, and it works. Even though Holmes is pretty much a cautionary household name at this point, The Dropout is still worth watching if only to see Seyfried's thoughtful portrayal.

Genre: Crime, Drama

Actor: Amanda Seyfried, Bill Irwin, Dylan Minnette, Elizabeth Marvel, Laurie Metcalf, Mary Lynn Rajskub, Naveen Andrews, Sam Waterston, Stephen Fry, Utkarsh Ambudkar, William H. Macy

Rating: TV-MA

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