39 Best Movies & Shows Released in 2021 On Cineplex Canada (Page 2)

Staff & contributors

Find the best movies and show to watch from the year 2021. These handpicked recommendations are highly-rated by viewers and critics.

Even if you aren't familiar with the original, Tony Award-winning Broadway production from Lin-Manuel Miranda, this adaptation of In the Heights is still infused with the same infectious energy and loaded with many of the same eclectic songs. This is musical theater at its most fundamental (cheesy, us-against-the-world romance; unstoppable optimism) and also at some of its most unique—with old-school Broadway numbers mixing seamlessly with hip hop, Latin dance, and cheery 2000s pop. But beyond its music, In the Heights offers a gorgeous tapestry of stories about life in a proud immigrant community and the challenges of staying rooted to home while reaching for the stars.

Genre: Drama, Family, Music, Romance

Actor: Anthony Ramos, Ariana Greenblatt, Christopher Jackson, Corey Hawkins, Daphne Rubin-Vega, Dascha Polanco, Dean Scott Vazquez, Gregory Diaz IV, Javier Muñoz, Jimmy Smits, Leslie Grace, Lin-Manuel Miranda, Marc Anthony, Mateo Gómez, Melissa Barrera, Olga Merediz, Olivia Perez, Patrick Page, Ryan Woodle, Seth Stewart, Stephanie Beatriz, Susan Pourfar, The Kid Mero, Valentina

Director: Jon M. Chu

Whether or not you’re familiar with director Pedro Almodóvar’s body of work, Parallel Mother stands as a gorgeous melodrama, a striking story about motherhood and our ties to the past. On one level, it’s a simple but engaging drama about a misunderstanding that ensues between two women. But on another, it’s a deep dive into a nation’s cruel history, as well as an observation of people’s commitment to never letting that part of themselves go. 

The film references Almodóvar’s past films but it also works as a standalone, a perfect starting point for moviegoers interested in exploring his oeuvre. Of course, Penelope Cruz continues to be a powerhouse, each line delivery an emotional gut punch, while relative newcomer Milena Smit is stirring, a true revelation, as her director calls her.

Genre: Drama

Actor: Adelfa Calvo, Agustín Almodóvar, Aitana Sánchez-Gijón, Ana Peleteiro, Arantxa Aranguren, Carmen Flores, Chema Adeva, Daniela Santiago, Inma Ochoa, Israel Elejalde, José Javier Domínguez, Julieta Serrano, Milena Smit, Penélope Cruz, Rossy de Palma, Trinidad Iglesias

Director: Pedro Almodóvar

Rating: R

After receiving virtually unlimited funding from a wealthy businessman, Lola (played by the always excellent Penelope Cruz) sets out to mount an ambitious adaptation of a bestselling novel. To make her vision work, she employs renowned actors Ivan Torres (Oscar Martinez) and Felix Rivero (Antonio Banderas), knowing full well that their opposite philosophies in art and life will clash. What follows is a series of preps and rehearsals that play out like social experiments in their twistedness, which all in all speak to the outrageousness of film, art, and life itself.

In this Spanish dark comedy, no one is spared from satire—from the idiosyncratic auteur down to the sell-out actor, all are parodied in equal measure, each of their egos broken down in great and hilarious detail.

Genre: Comedy, Drama

Actor: Ana Belén, Antonio Banderas, Daniel Chamorro, Irene Escolar, Isabel García Lorca, José Luis Gómez, Juan Grandinetti, Ken Appledorn, Manolo Solo, María Guinea, Mary Ruiz, Melina Matthews, Mónica Bardem, Nagore Aranburu, Oscar Martinez, Penélope Cruz, Pilar Bergés, Pilar Castro, Sue Flack

Director: Gastón Duprat, Mariano Cohn

Rating: R

Minari is a film written and directed by Lee Isaac Chung, about a Korean-American family in search of the so-called American Dream. It is an intimate drama that is powerful yet quiet, and filled with moments of innocence. With dreamlike scoring, unique characters, and a captivating climax, this movie tugs on the heartstrings, and serves as a great reminder of the beauty of gratitude.

Thanks to these, plus winning performances across the board, Minari earned plenty of nominations at the 2021 Oscars, with Youn Yuh-jung eventually bagging the Best Supporting Actress award—a monumental first for South Korea.

Genre: Drama, Family

Actor: Alan Kim, Ben Hall, Chloe Lee, Darryl Cox, Debbi Tucker, Ed Spinelli, Eric Starkey, Ernie Robinson, Esther Moon, Han Yeri, Jacob Wade, James Carroll, Jenny Phagan, Kaye Brownlee-France, Noel Kate Cho, Scott Haze, Skip Schwink, Steven Yeun, Tina Parker, Warren Lane, Will Patton, Youn Yuh-jung

Director: Lee Isaac Chung

Rating: PG-13

The Innocents is a Norweigan thriller that follows four kids who discover they have supernatural powers over the summer. They play around and experiment in the woods nearby, but what begins as harmless fun quickly develops into something much more disturbing and sinister.

This unnerving film, a blend of fantasy and horror, doesn't waste time explaining the origins of its mysticism. Instead, it goes straight into action—bending, twisting, and splitting open anything and anyone that gets in its way. This kind of rawness is shocking given the age range of the characters, but it also works to subvert what we've come to expect from kids, youth, and goodness. The Innocents isn't for the faint of heart, but if you can manage some bloody and unhindged scenes, then it's sure worth checking out. Directed by Eskil Vogt, co-writer of critically-acclaimed films like Thelma and The Worst Person in the World

Genre: Drama, Fantasy, Horror, Thriller

Actor: Alva Brynsmo Ramstad, Ellen Dorrit Petersen, Irina Eidsvold Tøien, Lisa Tønne, Marius Kolbenstvedt, Mina Yasmin Bremseth Asheim, Morten Svartveit, Rakel Lenora Fløttum, Sam Ashraf

Director: Eskil Vogt

, 2021

Beautifully directed and blessed to be led by the wonderfully gentle and curious dog Zeytin, Stray commits to its unique point of view by reimagining Istanbul as a place made up of cars, torsos, and trash on the street. Such constraints on one's filmmaking might make it seem like director Elizabeth Lo is in the perfect position to manipulate her animal characters in order to get the "story" she wants, but it genuinely never feels that way. If anything, Zeytin is the one who pulls Lo into orbit, and there's a sense that the director is simply recording what the dog is revealing to us about human beings' daily rituals and how they end up creating structure, culture, and (sadly) outcasts from this culture.

Genre: Documentary

Director: Elizabeth Lo

Rating: NR

, 2021

Gunda offers an empathetic look at the lives of farm animals with its minimalist approach to the nature doc. Director Victor Kossakosvsky films without a sentimental score or voice-over narration, and shoots in a sparse yet striking black and white. This decision gives the film an intimacy often missing from more traditional modes. 

We watch a sow named Gunda, her piglets, and a few other animals through their daily routines. Long natural sequences allow the viewer to sink into the zen of the animals’ natural rhythms. The result is an astounding and bittersweet film that hints at the brutalities of factory farming without ever stepping foot in a slaughterhouse.

Genre: Documentary, Drama

Director: Viktor Kossakovsky

In Compartment Number 6, two different people strike an unlikely friendship during a train ride from Moscow to Murmansk. One is Laura, a Finnish student looking to observe ancient rock carvings at their destination, and the other is Ljoha, a gruff miner who hopes to secure a job once there. While the pair are initially unable to get on the same page, their friction eventually lends way to curiosity and empathy, especially as they learn more about each other and life itself.

It’s a great film to put on if you’re a fan of smart but subdued movies like the Before trilogy and Lost in Translation, and there is a lot to mine beyond their already-rich conversations, especially in terms of class and romance. It’s little wonder then that this delightful two-hander shares the 2021 Grand Prix award with another brilliant piece of art, Asghar Farhadi's A Hero.

Genre: Drama

Actor: Denis Pyanov, Dinara Drukarova, Galina Petrova, Konstantin Murzenko, Natalia Drozd, Polina Aug, Seidi Haarla, Sergey Agafonov, Tomi Alatalo, Valeriy Nikolaev, Yuliya Aug, Yuriy Borisov

Director: Juho Kuosmanen

Rating: R

Animated in every sense of the word, The Mitchells vs. the Machines is a fun and lively watch for anyone of any age. On the surface, it’s about a tech company’s AI going haywire as it turns against humans and takes over the world (an obvious and much-deserved dig at Big Tech). It also immediately stands out as an energetic and inventive film bursting with love for the animation genre.

But at its core, it's about family and learning to love them even and especially when the going gets tough. Teenager Katie and her father Rick are at that precarious moment in their relationship where everything they do seems to annoy the other, while Katie's mother Linda tries and fails and tries again to keep the peace. The Mitchells are filled with love, but they’re not quite sure how to express it to each other, and it's both funny and relatable how it takes a literal apocalypse for them to realize that. This is a family story elevated by dynamic animation and a bizarro storyline. Expect it to go off the rails in the best possible way.

Genre: Adventure, Animation, Comedy, Drama

Actor: Abbi Jacobson, Adam Wylie, Alex Hirsch, Alison Rich, Andrew Morgado, Ashley Peldon, Beck Bennett, Blake Griffin, Caitlin McKenna, Charlyne Yi, Chrissy Teigen, Conan O'Brien, Danny McBride, Doug Nicholas, Elle Mills, Eric André, Fred Armisen, Greg Levitan, Grey DeLisle, Griffin McElroy, Illya Owens, Jay Pharoah, Jeff Rowe, Jim Pirri, John Legend, Juan Pacheco, Justin Shenkarow, Lex Lang, Lisa Wilhoit, Madeleine McGraw, Maya Rudolph, Melissa Sturm, Michael Rianda, Michelle Ruff, Mike Rianda, Natalia del Riego, Natalie Canizares, Olivia Colman, Sasheer Zamata, Shane Sweet, Todd Hansen, Will Allegra, Zeno Robinson

Director: Jeff Rowe, Michael Rianda, Mike Rianda

Rating: PG

In this office comedy of errors, Javier Bardem plays Blanco, the titular boss, but whether he is actually good is what the movie wryly examines.

As head of a small manufacturing company, Blanco treats his employees intimately, going so far as make their problems his own. He believes this is why his company is nominated for an excellence certification, but as he waits for the possible award, cracks start to appear in his “work is family” facade as everything that could go wrong, starts going wrong. The Good Boss is an anxiety fest for Blanco to be sure, but a winning tragicomedy for us all.

Genre: Comedy, Drama

Actor: Almudena Amor, Celso Bugallo, Daniel Chamorro, Fernando Albizu, Francesc Orella, Javier Bardem, Manolo Solo, Mara Guil, María de Nati, Nao Albet, Óscar de la Fuente, Rafa Castejón, Sonia Almarcha, Tarik Rmili, Yaël Belicha

Director: Fernando León de Aranoa

Rating: Not Rated

Don't let the title and poster fool you—Riders of Justice isn't the testosterone-filled action flick you'd expect going in (though it does get ridiculous at some points). It centers on deployed military man Markus, played by the appropriately masculine Mads Mikkelsen, who has to return home to his teenage daughter Mathilde after his wife dies in an accident. Instead of coping normally and sticking with his daughter to get through the tragedy, he goes down a rabbit hole discovering how the accident that killed his wife is more than just bad luck and may have been collateral damage from a gang orchestrating an assassination.

Surprisingly, director Anders Thomas Jensen injects this violent film with a lot of gentle moments about trauma and togetherness. Mikkelsen and the rest of the cast play off of each other very well, using dark humor to bring together a bunch of characters who are, in oversimplified terms, "fucked up but trying their best."

It may seem like the guns, blood, and badass moments are a front for this film that, at its core, shows men who badly need therapy banding together to cope with the harshness of life. Extremely funny and deeply moving, it qualifies as a heartwarming Christmas movie, believe it or not.

Genre: Action, Comedy, Drama, Thriller

Actor: Albert Rudbeck Lindhardt, Alice E. Bier Zandén, Anders Nyborg, Andrea Heick Gadeberg, Anne Birgitte Lind, Anne Fletting, Christina Ibsen Meyer, Gustav Dyekjær Giese, Gustav Lindh, Henrik Noël Olesen, Jacob Ulrik Lohmann, Jesper Groth, Jesper Ole Feit Andersen, Johanne Dal-Lewkovitch, Kaspar Velberg, Klaus Hjuler, Lars Brygmann, Mads Mikkelsen, Morten Suurballe, Natasja Crone, Nicolas Bro, Nikolaj Lie Kaas, Omar Shargawi, Peder Holm Johansen, Raivo Trass, Rigmor Ranthe, Rikke Louise Andersson, Roland Moller

Director: Anders Thomas Jensen

In Last Night in Soho, director Edgar Wright has so much to play with. The old lady character serves an unexpected role, while Ellie (Thomasin McKenzie) faces an interesting morality crisis as she tries to decide who to help at the end of the film. Just as fascinating is the film’s Ghibli-esque premise: we follow a hero going on an adventure far away from home and into a world where it's unclear where reality ends and fantasy begins. However, a lot of the time, it feels like the film was made to serve a big twist that doesn't have enough weight to it. The fantasy is far more intriguing than any tame interaction the film has to offer, so it doesn't feel like it lives up to its potential. But there is one obvious exception: Anya Taylor-Joy’s magnetic presence as Sandie—it’s a presence powerful enough to hold a film together.

Genre: Horror, Mystery, Thriller

Actor: Al Roberts, Alan Ruscoe, Andrew Bicknell, Anya Taylor-Joy, Celeste Dring, Colin Mace, Derek Lea, Diana Rigg, Elizabeth Berrington, Jacqui-Lee Pryce, James Phelps, Jessie Mei Li, Josh Zaré, Katrina Vasilieva, Lati Gbaja, Lisa McGrillis, Margaret Nolan, Matt Smith, Michael Ajao, Michael Jibson, Michael Mears, Oliver Phelps, Paul Brightwell, Pauline McLynn, Rita Tushingham, Sam Claflin, Sam Parks, Synnøve Karlsen, Terence Stamp, Thomasin McKenzie

Director: Edgar Wright

Rating: R

Mike Mills has always had an obsession with childhood and parenthood, often honing in on the beautiful, frustrating, and inevitable mess that comes with them. C’mon C’mon is no exception, but here, Mills blurs the lines between the two even more. Sometimes the kid acts more like an adult, and the adult more like a kid; sometimes the uncle acts as a surrogate mother, and the mother (unsurprisingly) takes on the role of an everywoman, attempting to be breadwinner, caretaker, and friend all at once. 

C’mon C’mon has no allegiances; it simply shows us the dynamics between one family and mirrors what we already know about ours. Shot in black and white, grounded in simple conversations, and interwoven with moving essay excerpts and real interviews, C’mon C’mon feels at once personal and universal; a moving feat of a film.

Genre: Drama

Actor: Artrial Clark, Brandon Rush, Callan Farris, Cooper Jack Rubin, Deborah Strang, Elaine Kagan, Gabby Hoffman, Gaby Hoffmann, Gita Reddy, Jaboukie Young-White, Jenny Eliscu, Joaquin Phoenix, Joseph Bishop, Kate Adams, Keisuke Hoashi, Mahfuzul Islam, Mary Passeri, Molly Webster, Scoot McNairy, Sunni Patterson, Todd D'Amour, Woody Norman

Director: Mike Mills

Rating: R

When Mikey Saber’s porn career takes a dip in California, he returns to an estranged wife in Texas, where he meets new and old friends alike and attempts to rebuild his life through a couple of odd jobs. Though Mikey eventually earns his keep, his vanity and eagerness to succeed at all costs threaten to get the best of him.

All this happens against a vibrant backdrop of local sights, beautifully lit and framed by director Sean Baker (The Florida Project, Tangerine). Quaint, naturalistic, and ever-so-subtly political, Red Rocket is another great entry into Baker’s impressions of the vexed American Dream.

Genre: Comedy, Drama

Actor: Bree Elrod, Ethan Darbone, Karren Karagulian, Shih-Ching Tsou, Simon Rex, Suzanna Son

Director: Sean Baker

Though it doesn't provide a more holistic view of Chinese society even in the context of work and industry, Ascension remains an impressive collection of images that manage to be both awe-inspiring and disconcerting. The film deliberately chooses not to take a stance on any of the things we see on screen, which makes for a uniquely challenging experience for the active viewer; many images that we might initially describe as dystopian here are usually followed by scenes that remind us of the humanity working within these capitalist structures. What you really end up learning from Ascension may be limited in scope, but getting to see modern life presented this way is still a unique opportunity.

Genre: Documentary

Director: Jessica Kingdon