173 Best Movies & Shows Released in 2018 (Page 6)

Find the best movies and show to watch from the year 2018. These handpicked recommendations are highly-rated by viewers and critics.

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76. House of Hummingbird, 2019

It’s 1994, and Seoul is facing massive, rapid changes. The unrest is reflected by a lot of its residents, including Eun-hee, a disaffected teen with a less-than-stellar home and school life. She manages to get by with the help of friends and lovers, that is until they change too, and Eun-hee is forced to grapple with the volatility of it all.

Sensitively told and genuinely captivating, House of Hummingbird is a stellar debut by writer-director Kim Bo-ra. Her command shines in how young actress Park Ji-hoo dynamically portrays Eun-hee, in how the story meanders but never loses footing, and in how each frame displays a quiet gorgeousness as the primary colors of her youth pop against the faded backdrop of urbanized Seoul. The delicate balance of all these elements is sure to evoke a sincere, profound feeling in every viewer.

Genre: Drama

Actor: In-gi Jeong, Jeong In-gi, Jung In-gi, Kil Hae-yeon, Kim Jong-goo, Kim Mi-hyang, Kim Sae-byuk, Lee Jong-yoon, Lee Seung-yeon, Park Ji-hu, Park Seo-yoon, Park Soo-yeon, Park Yoon-hee, Seol Hye-in, Son Sang-yeon

Director: Kim Bora

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77. Hearts Beat Loud, 2018

A sweet feel-good movie starring Nick Offerman as a dad who has to deal with his only daughter leaving for college and his record store struggling. The daughter is played by Kiersey Clemons who you might recognize from the show Easy. And Ted Danson has a great role too. This is a relatable and heartwarming movie, one of the best the so-called "indie" genre has known in a long time.

Genre: Comedy, Drama, Family, Music

Actor: Alex Reznik, Andrea Morales, Blythe Danner, Harrison Chad, Jeff Tweedy, Kiersey Clemons, Kim Ramirez, Linda Lee McBride, McManus Woodend, Michael Abbott Jr., Nick Offerman, Quincy Dunn-Baker, Rafael Poueriet, Robert Reed Murphy, Sasha Lane, Ted Danson, Toni Collette, Will Rogers

Director: Brett Haley

Rating: PG-13

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78. Crazy Ex-Girlfriend, 2019

Crazy Ex-Girlfriend starts with a very familiar setup. A girl leaves town to follow a boy she loves, and along the way, she picks up a best friend who blindly supports her, a rival who gets in romance’s way, and a second guy who, little does she know, loves her for who she is. That girl, Rebecca Bunch (played by writer-creator Rachel Bloom), is our romcom hero, and she knows it. She views life as one big musical movie where she’s supposed to get the guy and live happily ever after.

Except, in real life, things are never as simple—and people never as one-dimensional—as that. This confuses Rebecca, who then goes out of her way to craft the perfect happy ending, even if it means hurting people (including herself) along the way.

In a series of wackily addictive songs, playfully subversive twists, and heart-aching breakthroughs, we join Rebecca as she learns to overcome her demons and live in the real world. Her journey to self-awareness and self-love can get frustratingly slow and surprisingly bleak, but it’s also deeply comforting and reassuring.

Watch this if you’re interested in subversive takes on love, affecting female friendships, genuinely catchy tunes, proper mental health representation, and seeing reductive stereotypes, the “crazy ex-girlfriend” just being one of many, fleshed out and reclaimed with great aplomb.

Genre: Comedy, Music

Actor: Donna Lynne Champlin, Rachel Bloom, Scott Michael Foster, Vella Lovell

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79. Corporate, 2020

Warning: this workplace series takes everything you hate about corporate life and mirrors it back to you with alarming clarity. It takes place in a morally corrupt multinational called Hampton DeVille, and we mostly follow “junior executives in training” Matt and Jake in their daily goings-on in the office. Sometimes, they’re able to cope by sneaking a nap here or making watercooler jokes there—absurd imaginings and occasional protests also help allay their boredom—but for the most part, they’ve given up on the system and are just trudging through the everyday. While Matt optimistically hopes for a better life outside the cubicle, Jake cynically lets him (and us) know that “There no way not to waste your life.”

Like Office Space and Better Off Ted before it, Corporate is endlessly nihilistic, but unlike them, it doesn’t have a redemptive moment where the protagonists find a silver lining in their jobs. No, Corporate is as bleak as it gets. But buoyed by ridiculous hilarity, sharp social commentary, and the insane ability to perfectly describe corporate life, it remains highly watchable, like a dystopian tragicomedy inching closer and closer to real life.

Genre: Comedy

Actor: Anne Dudek, Lance Reddick

Rating: TV-14

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80. Borg vs McEnroe, 2018

Shia Laboeuf and Stellan Skarsgård star in this true story about one of the greatest tennis matches in history: the 1980 Wimbledon final. The movie dissects what drives both competitors (one played by Laboeuf and the other by Sverrir Gudnason). Their personalities, considered opposites, are studied through their paths and how they got into tennis. All this leads to that one match, in this beautiful story of dealing with competition and fear of failure. Don’t stop watching when the credits roll, read what they say!

Genre: Drama, History

Actor: Anders Berg, Ben Bradshaw, Bjorn Granath, Bob Boudreaux, Colin Stinton, Dag Malmberg, David Bamber, Ian Blackman, Iva Šindelková, Jackson Gann, James Sobol Kelly, Jamie Marshall, Jane Perry, Janis Ahern, Leo Borg, Marcus Mossberg, Mats Blomgren, Robert Emms, Roy McCrerey, Scott Arthur, Shia LaBeouf, Stellan Skarsgård, Sverrir Gudnason, Thomas Hedengran, Tuva Novotny, Wille Glyt, Zuzana Geislerová

Director: Janus Metz, Janus Metz Pedersen

Rating: R

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81. Blindspotting, 2018

It’s hard to pin point exactly what makes this movie so good. It’s an all-around “movie” movie. I think it can be called a buddy comedy because it is about two best friends who are also movers. It’s about their day-to-day, their families and their relationships. They’re both from the underclass of Oakland, and one of them is black, the other is white. And that’s where it stops being a comedy and becomes a more hard-hitting film. It illustrates gentrification better than any other movie I’ve ever seen. It has relevant and striking commentary on the main characters’ race, upbringing, and identity. But at the end of the day, it has a great plot, and for the most part it’s an easy-flowing movie. It’s half entertainment, half social commentary, and both parts are equally well-done. It’s like movie unicorn, and it’s perfection. One of the two friends is played by Daveed Diggs, who you might know from Hamilton.Genre: Comedy, Crime, Drama
Actor: Aviel Ayoung, Carlos LÃ³pez Estrada, Casey Adams, Cassie Hendry, Charles Johnson, Chris Harding, Daveed Diggs, Dawayne Jordan, Eduardo Ambriz DeColosio, Emmy Raver-Lampman, Ethan Embry, Geoffrey Quan, George Watsky, Janina Gavankar, Jasmine Cephas-Jones, John Lobato, Jon Chaffin, Jonathan Groff, Justin Chu Cary, Ke'Mari Moore, Kelli McCrann, Kendra Andrews, Kevin Carroll, Leland Orser, Margo Hall, Matt McAbee, Molly Shaiken, Nyambi Nyambi, Peter Fitzsimmons, Rafael Casal, Rashida Clendening, Rayna Angélique, Sean Michael McGrory, Steven Wiig, Tina Gilton, Tisha Campbell, Tisha Campbell-Martin, Travis Parker, Utkarsh Ambudkar, Wayne Knight, Zack Duhame
Director: Carlos López Estrada
Rating: R

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82. Bad Banks, 2020

This high-production-value German series is about a junior investment banker who finds herself at the center of events that will cause a big financial crash. The show starts with the crash then goes back a year to tell the story of how the young Jana Liekam got caught in the middle of it.

Bad Banks functions sometimes as a cautionary tale on the dangers of investment banking but it's mostly just a simple, good, and enjoyable corporate thriller. It's also a great introduction to quality German TV, if you're ever looking for one.

Genre: Thriller

Actor: Albrecht Schuch, Barry Atsma, Désirée Nosbusch, Desiree Nosbusch, Germain Wagner, Jörg Schüttauf, Jean-Marc Barr, Jeff Wilbusch, Jorg Schuttauf, Mai Duong Kieu, Marc Limpach, Paula Beer, Tobias Moretti

Director: Christian Schwochow

Rating: TV-14, TV-G

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83. Asako I & II, 2018

Asako is in love with Baku—deeply and almost delusionally, in a way that can only manifest in young love. But when the freewheeling Baku ghosts Asako for good, she moves from Osaka all the way to Tokyo to start a new life. Years later, she's startled to meet Baku's doppelganger in Ryohei, an office man whose solid dependability and lack of artfulness, while endearing, could not place him any further from Baku. Confused and lonely, Asako tiptoes around her feelings for Ryohei and, in the process, raises thought-provoking questions about the meaning, ethics, and true purpose of love.

Genre: Drama, Romance

Actor: Ariei Umefune, Atsushi Kaneshige, Daichi Watanabe, Erika Karata, Fusako Urabe, Koji Nakamoto, Koji Seto, Maki Nishiyama, Masahiro Higashide, Misako Tanaka, Nao Okabe, Rio Yamashita, Ryotaro Yonemura, Sairi Ito, Takeshi Ōnishi

Director: Ryusuke Hamaguchi

Rating: Not Rated

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84. American Animals, 2018

This crazy heist movie is told in a very original way. Because it's based on a true story, the movie (with actors and a story) is sometimes interrupted by the people it's about. The opening scene even reads: "this movie is not based on a true story, it is a true story". Two friends decide to rob their local library from rare books worth millions. They're driven by money but also by wanting something different than their monotonous everyday lives in Kentucky. The need for a change is a big theme in this movie, but the story and the way it's told never cease to be breathtakingly thrilling. American Animals stars amazing actors like Barry Keoghan (Dunkirk), Evan Peters (Kick-Ass), and many more; but perhaps equally as notable is the director: Bart Layton, who is fresh from his amazing 2012 sleeper-hit The Imposter.

Genre: Crime, Documentary, Drama, Mystery

Actor: Al Mitchell, Ann Dowd, Barry Keoghan, Ben McIntire, Blake Jenner, Bobby Akers, Debby Handolescu, Dorothy Reynolds, Drew Starkey, Elijah Everett, Eric Borsuk, Evan Peters, Fedor Steer, Gary Basaraba, Gretchen Koerner, Jack Landry, Jane McNeill, Jared Abrahamson, Jason Caceres, JD Demers, Josh Jordan, Josh Royston, Karen Wheeling Reynolds, Kelly Borgnis, Kevin L. Johnson, Lara Grice, Lauran Foster, Marlo Scheitler, Pamela Bell Mitchell, Pamela Mitchell, Spencer Reinhard, Steven 'Trainset' Curtis, Udo Kier, Warren Lipka, Wayne Duvall, Whitney Goin, William Cowboy Reed

Director: Bart Layton

Rating: R

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85. A Very English Scandal, 2018

Led by fine-tuned performances from Ben Whishaw and Hugh Grant at the top of their game, this three-episode series dives headfirst into the sex scandal between Norman Scott and former Liberal Party leader Jeremy Thorpe with devastating wit. Neither character is treated as morally superior over the other, as both become consumed by the media frenzy surrounding the English justice system's thirst for controversy. And Russell T Davies' writing and Stephen Frears' direction allow the show's tone to pivot from brilliantly timed notes of humor to profoundly sad stretches of tragedy and drama. Given its short length, A Very English Scandal seems to be designed for binge-watching, but it should still reward patient and attentive viewing.

Genre: Comedy, Drama

Actor: Alex Jennings, Ben Whishaw, David Bamber, Hugh Grant, Jason Watkins, Jonathan Hyde, Monica Dolan, Naomi Battrick, Patricia Hodge

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86. 3%, 2020

From the Oscar-nominated cinematographer of City of God, this is a Brazilian Netflix TV show that I can only describe as a smarter Hunger Games. In a dystopian society, the majority of the planet’s population lives in extreme poverty while a select 3% (hence the title) live in a heaven-like world called “The Offshore”. Every year, the 20-year-olds of the planet get a chance to join the 3% in a selection process that for the first time might harbor moles. With an intriguing first episode that shares just enough to keep you informed but engaged, it’s easy to want to binge-watch the whole first season of 3% in one sitting.

Genre: Drama, Sci-Fi & Fantasy, Science Fiction

Actor: Bianca Comparato, Celso Frateschi, Cynthia Senek, João Miguel, Mel Fronckowiak, Michel Gomes, Rafael Lozano, Rodolfo Valente, Sergio Mamberti, Vaneza Oliveira, Viviane Porto, Zeze Motta

Rating: TV-MA

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87. The Wolf House, 2018

This mortifying stop-motion fairy-tale is inspired by the very real horrors of Chile’s Colonia Dignidad: a cult colony turned torture camp under the Pinochet regime. Presented as colony propaganda, the tale tells the story of Maria, a girl who runs away from the safety of the colony into the forest and takes refuge in a house with two pigs. What transpires is a gut-wrenching allegory for the rise of fascism, colonialism, and white supremacy.

The staggering animation which seamlessly shifts mediums from paper mâché to painted walls is a bewildering sight to witness. But it’s the synthesis of this boundary-pushing art and the underlying horrors it depicts, that make this stand as an unmissable cinematic event.

Genre: Animation, Drama, Fantasy, Horror

Actor: Amalia Kassai, Natalia Geisse

Director: Cristóbal León, Joaquín Cociña

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88. The Sisters Brothers, 2018

This is a star-packed movie about two brother assassins played by John C. Reilly and Joaquin Phoenix, and starring Jake Gyllenhaal. You might have read the book of the same name, and it is always hard to make a great film out of a great book but the brilliant director of A Prophet Jacques Audiard has done it (again). He is aided by a superb darkly comic script and fantastic acting from the entire cast. Audiard is French, but his take on the American Western is filled with epic violence but also witty dialogue, brotherly love, and male camaraderie.Genre: Adventure, Comedy, Drama, Western
Actor: Aidan O'Hare, Aldo Maland, Allison Tolman, Andrew Litvack, Carol Kane, Creed Bratton, David Gasman, Diego Llano, Duncan Lacroix, Eric Colvin, Frédéric Siuen, Hugo Dillon, Ian Reddington, Jake Gyllenhaal, Jean-Marc Bellu, Joaquin Phoenix, Jochen Hägele, Jóhannes Haukur Jóhannesson, John C. Reilly, Kelda Holmes, Lenuta Bala, Lexie Benbow-Hart, Nick Cornwall, Patrice Cossonneau, Philip Rosch, Raymond Waring, Rebecca Root, Richard Brake, Riz Ahmed, Rutger Hauer, Sean Duggan, Theo Exarchopoulos, Trevor Allan Davies
Director: Jacques Audiard
Rating: R

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89. The Great Buster: A Celebration, 2018

In his last film, American Serb film historian Peter Bogdanovich celebrates silver screen legend Buster Keaton. The subject alone is compelling to watch. It would be easy to pull clips from Keaton’s works, dig through the headlines, pull in some celebrity interviews, and call it a day. However, in Bogdanovich’s hands, this documentary handles Keaton with respect. Instead of focusing on the scandals, Bogdanovich focuses on Keaton’s brilliant work. Instead of reciting facts, Bogdanovich highlights how his bits influenced film today. Excellent editing - cuts, structure, and scoring - helps us glide through Keaton’s work. The film truly understands Keaton’s life and exactly why he’s brilliant. Comprehensive yet very focused, this documentary honestly feels better than film school.

Genre: Comedy, Documentary, Drama

Actor: Ben Mankiewicz, Bill Hader, Bill Irwin, Buster Keaton, Carl Reiner, Cybill Shepherd, Dick Van Dyke, Eleanor Keaton, French Stewart, James Karen, Johnny Knoxville, Jon Watts, Leonard Maltin, Mel Brooks, Nick Kroll, Norman Lloyd, Orson Welles, Paul Dooley, Peter Bogdanovich, Quentin Tarantino, Richard Lewis, Tom Holland, Werner Herzog

Director: Peter Bogdanovich

Rating: Not Rated

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90. The Expanse, 2021

A true Cinderella story on TV if ever there was one, The Expanse went from the limited resources of Syfy for its first three seasons before receiving a massive boost in scale and ambition for its final three. But whether it was negotiating through political deals or engaging in dogfights in space, the series never lost sight of its sociopolitical foundations. Like the best sci-fi, The Expanse uses dense world-building and the idea of unexplained scientific phenomena to examine human nature. And in this case, humanity proves itself quick to draw lines in the sand and adhere to a hierarchy, as if colonization is something that needs to be expanded and reinforced when the universe opens up, rather than abolished.
The Expanse is also notable for somehow still looking so good despite mostly being set in cold, metallic interiors and the colder emptiness of space. It's a great example of a show using its visual effects smartly, using spectacle ultimately to clear the way for its characters to take center stage. Some of these characters have rockier arcs than others or are given far less to work with, and the series' treatment of its final antagonist is too simplistic given how thoughtful its politics usually are. But there's more than enough interesting conflict among these characters' social and political differences to make watching them rewarding.Genre: Drama, Mystery, Sci-Fi & Fantasy, Science Fiction
Actor: Cara Gee, Dominique Tipper, Frankie Adams, Jasai Chase-Owens, Keon Alexander, Nadine Nicole, Shohreh Aghdashloo, Steven Strait, Wes Chatham
Rating: TV-14

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