168 Best Movies & Shows Released in 2017 (Page 5)

Find the best movies and show to watch from the year 2017. These handpicked recommendations are highly-rated by viewers and critics.

Read also:

61. Okja, 2017

Director Bong Joon-ho (Snowpiercer) does something quite amazing with the $50 million budget Netflix gave him: he makes a simplistic movie. But man, is it good. Okja tells the story of a “super pig” experiment that sends genetically modified pigs to top farmers around the world. In Korea, a farmer’s granddaughter forms a special relationship with one of these super pigs (Okja). When the company who originally ran the experiment want their pig back (performances by Jake Gyllenhaal and Tilda Swinton) – the two find an ally in an animal advocacy group led by Jay (Paul Dano). This is a straightforward movie, but nevertheless it is entertaining and full of thought-provoking themes and performances from an excellent cast.

Genre: Action, Adventure, Drama, Fantasy, Science Fiction

Actor: Adam Auslander, Ahn Seo-hyun, Ahn Seong-bong, Amber Snow, An Seo Hyun, Andreas Fronk, Ann Evans, Barbara Wallace, Bettina Skye, Boyd Ferguson, Byun Hee-bong, Byun Heebong, Carl Montoya, Cho Wan-ki, Choi Hee-seo, Choi Woo-shik, Colm Hill, Cory Gruter-Andrew, Daniel Henshall, David Bloom, Devon Bostick, Eha Urbsalu, Erik De Boer, Faith Logan, Giancarlo Esposito, Han Yi-jin, J. C. Williams, Jake Gyllenhaal, Jamar Greene, Jason Scott Nelson, Kathryn Kirkpatrick, Kim Chul-moo, Kim Moon-hak, Kim Woo-hyeon, Kristoffe Brodeur, Kwak Jin-seok, Kyul Hwi, Lee Bong-ryeon, Lee Jung-eun, Lena Avgust, Lily Collins, Luis Javier, Lynn Marocola, Martin Lo Rimorin, Michael D. Joseph, Michael Mitton, Milo Shandel, Myles Humphus, Nancy Amelia Bell, Niall Cunningham, Park Jeong-gi, Park Ji-hoon, Park Keun-rok, Paul Dano, Pavla Tan, Phillip Garcia, Rebecca Husain, Rickland Powell, Seo-Hyun Ahn, Sheena Kamal, Shirley Henderson, Steven Garr, Steven Yeun, Tilda Swinton, Waris Ahluwalia, Woo Shik Choi, Yoon Je Moon, Yoon Kyung-ho

Director: Bong Joon-ho, Joon-ho Bong

Rating: TV-MA

Read also:

62. Motherland, 2017

The Fabella Hospital in the Philippines is clearly overburdened and understaffed, and though it offers some of the lowest pregnancy delivery rates in the country, it remains unaffordable to most of its patients. It has been dubbed the world’s busiest maternity hospital because of this, and its boundless flurry of activity is what Ramona Diaz tries to capture in her cinéma-vérité film Motherland.

What’s interesting and ultimately heartening about the documentary is that despite the difficulties the subjects face, they are always presented with warmth and humanity. We don’t observe them from a strict or stylized distance, but rather, we move with them when they laugh, befriend each other, worry about their babies, curse their partners, and eventually leave. Indeed, the film is a land of mothers, filled with their authentic stories before anything else.

Genre: Documentary, Drama

Actor: Anna Maxwell Martin, Diane Morgan, Ellie Haddington, Lucy Punch, Paul Ready, Phillipa Dunne

Director: Ramona S. Diaz

Rating: TV-MA

Read also:

63. Love, 2018

What a great allegory for love this show is. It's incredibly awkward and vulgar in the right places, best exemplified by dialogue scenes that are uncomfortably long and often uncomfortable to begin with. Our two lead characters are frustrating and manipulative, which might confuse you into thinking the show itself is frustrating because you see them so much, and sometimes it is. At which point, you might start to ask yourself why you keep watching, why you subject yourself to this emotional torture episode after episode, season after season—eventually, you stay for the other characters, they're funny and don't deserve to be abandoned.

Genre: Comedy, Drama

Actor: Chris Witaske, Claudia O'Doherty, Claudia O'Doherty, Gillian Jacobs, Iris Apatow, Mike Mitchell, Paul Rust

Director: Lyia Terki

Rating: TV-MA

Read also:

64. Insecure, 2021

Sometimes, nothing beats the easygoing entertainment of watching two attractive characters flirt and fall in love on screen, or seeing a group of ride-or-die friends get into trouble together. HBO's Insecure, which ran for five successful seasons, knows that it doesn't need to exaggerate or put a subversive twist on the romantic comedy to find relatable and affecting storylines. The series stays mostly locked in to South Los Angeles, California as it follows Issa (Issa Rae) navigate the modern dating scene, try to settle on a career path, and manage her friendships as an ambitious and somewhat awkward thirtysomething Black woman. Even if you don't have much in common with Issa, Insecure is a massively comforting watch. Rae and co-creator Larry Wilmore have an impeccable eye for the messy, unspoken rules of social and romantic interaction that other shows might write off as too trivial. But this show lives and breathes in the ordinary, realistic problems—while still indulging in the warm and fuzzy feelings brought about by meeting someone new or seeing yourself grow up just a little more.

Genre: Comedy, Drama, Romance

Actor: Issa Rae, Jay Ellis, Natasha Rothwell, Yvonne Orji

Read also:

65. Harlots, 2019

	
Unlike a handful of modern period dramas, Harlots isn’t flashy just for the sake of being flashy. It carries messages that (sadly) still ring true to this day, most of them about female bodily autonomy and the near impossibility of upward mobility. The show is smart about it, never preachy, presenting us with fleshed-out characters with contradictory ideals. Charlotte (Jessica Brown Findlay), for instance, craves freedom but enjoys the security being under a master affords her. Indeed the entire premise of the series is ironic: how can a show about female prostitution be empowering? By being relevant and relatable, as it turns out, and consistently impressive too. The show has garnered high ratings throughout its three seasons, though it unfortunately isn’t enough to convince Hulu for a fourth run. Their loss, this is the period drama that could’ve and should’ve given Netflix’s Bridgerton a run for its money.Genre: Drama
Actor: Alfie Allen, Ash Hunter, Ben Lambert, Bronwyn James, Danny Sapani, Rosalind Eleazar, Roy Beck
Rating: TV-MA

Read also:

66. Handsome Devil, 2017

I can’t get a song out of my head from this movie: the 1985 UK hit Desire As from Prefab Sprout.

It plays when the two main characters, a sensitive kid who’s bullied by his school for not liking rugby, and the school’s rugby star; talk over the “Berlin Wall” that separates their dorm room.

The song echoes “It's perfect as it stands, so why then crush it in your perfect hands?”. These two seemingly incompatible personalities form a friendship that comes under threat from their school’s traditional authority, especially as one of them is revealed to be gay.

It might seem like a tough premise, but Handsome Devil is actually a comedy. It’s a sweet and easy coming-of-age comedy.

Genre: Comedy, Drama

Actor: Amy Huberman, Andrew Scott, Ardal O'Hanlon, Ardal O'Hanlon, Fionn O'Shea, Fionn O'Shea, Hugh O'Conor, Jamie Hallahan, Jay Duffy, John Butler, Lauterio Zamparelli, Mark Doherty, Mark Lavery, Michael McElhatton, Moe Dunford, Nicholas Galitzine, Norma Sheahan, Patrick McDonnell, Ruairí OConnor, Ruairi O'Connor, Stephen Hogan

Director: John Butler

Rating: N/A

Read also:

67. GLOW, 2017

	
In an age where every show gets called “original” the minute after it comes out, this amazing series from the creators of Orange is the New Black will actually make you go “no, that show is different!”.  Starring an almost all-women cast (except for the coach, played masterfully by podcast icon Marc Maron), it’s the story of how a crazy wrestling show was put together in the 1980s called Gorgeous Ladies of Wrestling. Alison Brie (Community) plays the girl at the center of the effort to make this show happen, having had a terribly failed career thus far.  Perfectly acted and featuring funny as well as absurd moments, GLOW is a great show that you can binge on Netflix without noticing the episodes fly by.Genre: Comedy, Drama
Actor: Alex Rich, Alison Brie, Annabella Sciorra, Bashir Salahuddin, Betty Gilpin, Britney Young, Britt Baron, Carlos Colon Jr., Casey W. Johnson, Chris Lowell, Eli Goree, Ellen Wong, Gayle Rankin, Geena Davis, Horatio Sanz, Jackie Tohn, Kate Nash, Kia Stevens, Kim Gatewood, Kimmy Gatewood, Lilly Sullivan, Marc Maron, Marianna Palka, Rebekka Johnson, Rich Sommer, Shakira Barrera, Sunita Mani, Sydelle Noel, Victor Quinaz
Rating: TV-MA

Read also:

68. Crazy Ex-Girlfriend, 2019

Crazy Ex-Girlfriend starts with a very familiar setup. A girl leaves town to follow a boy she loves, and along the way, she picks up a best friend who blindly supports her, a rival who gets in romance’s way, and a second guy who, little does she know, loves her for who she is. That girl, Rebecca Bunch (played by writer-creator Rachel Bloom), is our romcom hero, and she knows it. She views life as one big musical movie where she’s supposed to get the guy and live happily ever after.

Except, in real life, things are never as simple—and people never as one-dimensional—as that. This confuses Rebecca, who then goes out of her way to craft the perfect happy ending, even if it means hurting people (including herself) along the way.

In a series of wackily addictive songs, playfully subversive twists, and heart-aching breakthroughs, we join Rebecca as she learns to overcome her demons and live in the real world. Her journey to self-awareness and self-love can get frustratingly slow and surprisingly bleak, but it’s also deeply comforting and reassuring.

Watch this if you’re interested in subversive takes on love, affecting female friendships, genuinely catchy tunes, proper mental health representation, and seeing reductive stereotypes, the “crazy ex-girlfriend” just being one of many, fleshed out and reclaimed with great aplomb.

Genre: Comedy, Music

Actor: Donna Lynne Champlin, Rachel Bloom, Scott Michael Foster, Vella Lovell

Read also:

69. The Square, 2017

The Square is a peculiar movie about a respected contemporary art museum curator as he goes through a few very specific events. He loses his wallet, his children fight, the art he oversees is does not make sense to an interviewer... Each one of these events would usually require a precise response but all they do is bring out his insecurities and his illusions about life. These reactions lead him to very unusual situations. A thought-provoking and incredibly intelligent film that's just a treat to watch. If you liked Force Majeure by the same director, The Square is even better!

Genre: Drama

Actor: Anna-Stina Malmborg, Annica Liljeblad, Christopher Læssø, Christopher Laesso, Claes Bang, Daniel Hallberg, Denise Wessman, Dominic West, Elijandro Edouard, Elisabeth Moss, Emelie Beckius, Geica Pruteanu, Jan Lindwall, Johan Jonason, John Nordling, Julia Sporre, Lilianne Mardon, Linda Anborg, Lise Stephenson Engström, Lise Stephenson Engström, Madeleine Barwén Trollvik, Marina Schiptjenko, Martin Sooder, Moa Enqvist Stefansdotter, Nicki Dar, Pauline Hansson, Peter Vitanen, Sarah Giercksky, Sofie Hamilton, Stefan Godicke, Terry Notary, Tiby

Director: Ruben Östlund

Rating: R

Read also:

70. The Expanse, 2021

	
A true Cinderella story on TV if ever there was one, The Expanse went from the limited resources of Syfy for its first three seasons before receiving a massive boost in scale and ambition for its final three. But whether it was negotiating through political deals or engaging in dogfights in space, the series never lost sight of its sociopolitical foundations. Like the best sci-fi, The Expanse uses dense world-building and the idea of unexplained scientific phenomena to examine human nature. And in this case, humanity proves itself quick to draw lines in the sand and adhere to a hierarchy, as if colonization is something that needs to be expanded and reinforced when the universe opens up, rather than abolished.

The Expanse is also notable for somehow still looking so good despite mostly being set in cold, metallic interiors and the colder emptiness of space. It's a great example of a show using its visual effects smartly, using spectacle ultimately to clear the way for its characters to take center stage. Some of these characters have rockier arcs than others or are given far less to work with, and the series' treatment of its final antagonist is too simplistic given how thoughtful its politics usually are. But there's more than enough interesting conflict among these characters' social and political differences to make watching them rewarding.Genre: Drama, Mystery, Sci-Fi & Fantasy, Science Fiction
Actor: Cara Gee, Dominique Tipper, Frankie Adams, Jasai Chase-Owens, Keon Alexander, Nadine Nicole, Shohreh Aghdashloo, Steven Strait, Wes Chatham
Rating: TV-14

Read also:

71. The Breadwinner, 2017

The Breadwinner is as beautiful as it is heartbreaking. The animation is magical as it seamlessly jumps back and forth between Parvana's stark reality and richly detailed fantasy. It's a wonder to just look at, but it's a tapestry brought to life by the story at the center of it.

Set in 2001, at the height of Taliban rule in Afghanistan, the film follows Parvana, a young girl driven to desperate measures to keep her family alive. Because of the violent restrictions imposed on women (they’re not allowed to buy, sell, study, or practically do anything without a male chaperone), Parvana disguises herself as a boy so she can work for a living. The more she gets away with it, the bolder her attempts get. It's a story of survival and standing up, but it's also a sobering reminder of what fundamentalism is capable of doing (or more accurately, ruining). As long as cruel systems like this are taking place in the world, Breadwinner remains essential viewing for all.

Genre: Animation, Drama, Family, War

Actor: Ali Badshah, Ali Hassan, Ali Kazmi, Kane Mahon, Kanza Feris, Kawa Ada, Laara Sadiq, Lily Erlinghauser, Noorin Gulamgaus, Nora Twomey, Patrick McGrath, Reza Sholeh, Saara Chaudry, Salaman Hamidkohzad, Shaista Latif, Soma Bhatia, Soma Chhaya

Director: Nora Twomey

Rating: PG-13

Read also:

72. One Day at a Time, 2020

A Cuban-American revival of the Norman Lear series from the '70s and '80s, this relatively short-lived version of One Day at a Time was once the sweetest show on TV, especially in a landscape populated by prestige dramas and gritty genre fare. In its empathetic approach towards a wide range of subject matter—racism, mental illness, gender identity, unconventional family structures—the series places a premium on communication and acceptance. Which isn't to say that the show doesn't have its fair share of amusing misunderstandings and conflicts, mostly between independent single mom Penélope (Justina Machado) and the flamboyant abuela Lydia (Rita Moreno). But perhaps most impressive about One Day at a Time is how it breathes new life into the three-wall sitcom format with a live studio audience—enhancing the show's most emotional moments either through the live viewers' bated breath or their eruption of applause.

Genre: Comedy, Drama, Family

Actor: Isabella Gomez, Justina Machado, Marcel Ruiz, Rita Moreno, Stephen Tobolowsky, Todd Grinnell

Rating: TV-PG

Read also:

73. Lean on Pete, 2017

A24 + Steve Buscemi = ?.

In “Lean on Pete,” Buscemi plays a guy called Del Montgomery (of course), who is a racetrack horse owner in Portland, Oregon. He befriends a kid, Charley (Charlie Plummer in an amazing performance), who had been abandoned by his family and is new to Portland.

Together they take care of Montgomery’s only horse, until the kid discovers that the horse is set to be slaughtered. He embarks on an impossible journey across the U.S. to try to save the horse while also looking for his family.

This movie flew under most peoples’ radars. It is truly amazing. If you like “Lean on Pete” you should watch other A24 gems like “Lady Bird” or “The Florida Project.”

Genre: Adventure, Drama

Actor: Alison Elliott, Amy Seimetz, Ayanna Berkshire, Bob Olin, Charlie Plummer, ChloÃ« Sevigny, Chloe Sevigny, Chris Ihlenfeldt, Connor Brenes, Dana Millican, Dennis Fitzpatrick, Frank Gallegos, Heath Lourwood, Jason Rouse, Joseph Bertót, Julia Prud'homme, Justin Rain, Kurt Conroyd, Kyle Stoltz, Lewis Pullman, P.E. Ingraham, Rachael Perrell Fosket, Robert J. Olin, Rusty Tennant, Steve Buscemi, Steve Zahn, Teyah Hartley, Travis Fimmel

Director: Andrew Haigh

Rating: 15, R

Read also:

74. Kim’s Convenience, 2019

This is an easy and funny Canadian TV show about a Korean store owner in Toronto.

He completely lacks awareness of modern gender, sexual orientation, and race issues - yet his good nature redeems him. In the first episode he is confronted for saying something homophobic, but replies by pretending he has an ongoing 15% “gay discount” (except he decides who’s gay or not by looking at them).

There are many other interesting themes, such as his daughter being pressured to find a “cool Christian Korean boyfriend” and her insisting that those words don’t go together.

Kim's Convenience is about the Korean-Canadian experience, but it also feels geared towards a Korean-Canadian audience. It’s authentic, refreshing, and most importantly, funny.

Genre: Comedy

Actor: Andrea Bang, Andrew Phung, Jean Yoon, Nicole Power, Paul Sun-Hyung Lee, Simu Liu

Rating: TV-14

Read also:

75. Kedi, 2017

With its detailed portraits of seven of Istanbul’s most adored felines, Kedi affirms what anyone who’s spent some time with a cat will know: they really do all have fully-fledged, complex personalities of their own. More than just a celebration of some supremely cute kitties, though, this documentary about the city’s teeming street cat population also presents a moving example of a way of living that embraces — rather than tramples over — our animal neighbors.

Immersive cinematography from the cats’ eye levels is weaved with interviews with the people who care for them, whether voluntarily or because the cats simply demand it. That independence emerges as a much-admired characteristic in the documentary; as one interviewee puts it, “Dogs think people are God, but cats don’t. They’re not ungrateful, they just know better.” It’s impossible not to read a wistful note in the interviewees’ odes — indeed, for many of the people featured here, cats are a point of spiritual and personal reconnection, a reminder of what life is really about underneath all the mind-numbing dross we’ve made up. The magic of Kedi is that it not only perceptively recognizes the healing effect that cats have on humans, but recreates it so that these 70-something minutes feel like therapy.

Genre: Documentary

Actor: Bülent Üstün

Director: Ceyda Torun

Rating: NR

Read also:

1 2 3 4 5 6 7 8 9 … 12