152 Best Movies & Shows Released in 2016 (Page 8)

In rural Korea a policeman starts to investigate peculiar and violent events that most of the people in his village attribute to the arrival of a new Japanese resident. As the occurrences keep multiplying, and different perspectives in the film are shown, you start to lose touch with reality in the face of what can only be described as genius film-making. As critic Jada Yuan puts it, the film operates on a level “that makes most American cinema seem clunky and unimaginative”. For this reason, and while The Wailing is a true horror flick with a great premise, it’s also more than just that: it boosts a mind-boggling, interesting plot that will have you thinking about it long after the credits roll. Protip: grab the person next to you and make them watch this movie with you so you can have someone to discuss it with after!

Genre: Horror, Mystery

Actor: Bae Yong-geun, Cho Han-cheul, Chun Woo-hee, Do-won Kwak, Han-Cheol Jo, Heo Jin, Hur Jin, Hwang Jung-min, Hwang Seok-jeong, Hwang Suk-jung, Jang So-yeon, Jeon Bae-soo, Jeong-min Hwang, Jo Han-chul, Jo Yeon-hee, Jun Kunimura, Jung-min Hwang, Kim Do-yoon, Kim Hwan-hee, Kim Ki-cheon, Kim Ki-chun, Kwak Do-won, Lee Jung-eun, Lee Seon-hee, Lee Sun-hee, Lee Yong-nyeo, Moon Chang-gil, Park Seong-yeon, Park Sung-yeon, So-yeon Jang, Son Kang-gook, Sung-yeon Park, Woo-hee Chun, Yoo Soon-woong, 赵汉哲

Director: Hong-jin Na, Na Hong-jin

Rating: Not Rated, TV-MA

Set between the years 1977 and 2005, this Polish drama goes through various stages in the life of the controversial surrealist-expressionist painter Zdzisław Beksiński. The extensive video archive left behind by the artist was used to craft an intimate portrait of three interdependent people: Beksiński himself, his suicidal and neurotic son, and his wife.

Beksiński is superbly played by veteran actor Andrzej Seweryn, known for his appearance in numerous Andrzej Wajda films. Even though the film focuses less on Zdzisław's painting career and more on his relationship with his family, it will definitely inspire you to dig deeper into both his tragic life and impressively dark body of work. 

Genre: Drama, History

Actor: Agnieszka Michalska, Aleksandra Konieczna, Alicja Karluk, Andrzej Chyra, Andrzej Seweryn, Danuta Nagorna, Dawid Ogrodnik, Jakub Wróblewski, Magdalena Boczarska, Zofia Perczynska

Director: Jan P. Matuszynski

Rating: N/A

This documentary prides itself on its rawness from its home video style. It uses a lot of uninterrupted clips that don’t really need to be there, as well as odd choices for symbolic b-roll and mood-setting music in the early going. But at the center of the documentary is John du Pont, an unstable old money mark who wishes to be one of the boys, treating the wrestlers like his family in the absence of his own. The interviews paint a clear picture of him as a delusional, lonely, and dangerous man, and the foreshadowing is insane albeit too slow. While it may be visually all over the place, perhaps the biggest nitpick about it is that, out of respect, it could have allotted more time to Dave Schultz or the aftermath.

Genre: Crime, Documentary

Actor: Dan Chaid, Dave Schultz, John E. du Pont, Mark Schultz, Nancy Schultz

Director: Jon Greenhalgh

Rating: TV-14

Based on the short story “God Sees the Truth, But Waits” by Leo Tolstoy, The Woman Who Left is a film about people with nowhere to go. Set in 1990s Philippines, the film follows Horacia, an ex-convict seeking revenge on her former lover who masterminded her unjust 30-year imprisonment. Along the way, she meets various people—a hunchback balut vendor, vagabonds, and an epileptic trans woman, among others—all downtrodden in their own unique ways and united only by their nightly wanderings, with whom Horacia’s true nature is revealed and reconfigured with every encounter.

Lav Diaz’s signature slow cinema minimalism and sharp chiaroscuro lighting allow for a meditative experience, further enhancing the film’s immersive quality. Despite its bleak atmosphere, The Woman Who Left remains hopeful amidst moral quandaries, where things eventually fall into their rightful place, albeit in unexpected ways.

Genre: Drama

Actor: Charo Santos-Concio, John Lloyd Cruz, Kakai Bautista, Lao Rodriguez, Mae Paner, Michael De Mesa, Nonie Buencamino, Shamaine Buencamino

Director: Lav Diaz

Most sports biopics are centered around winners– their drive, their spirit, and their determination to beat the competition, and maybe win some glory for their respective teams, hometowns, or countries. The Happiest Day in the Life of Olli Mäki instead focuses on a Finnish boxer that lost a match. Shot in 16mm black and white film stock, writer-director Juho Kuosmanen captures the man, not the legend, in sequences that feel like decades-old memories that draws you into his story, his humble character, and the motivations that drive him, a yearning for love rather than bragging rights, trophies, and nationalistic pride. It’s such a charming twist to the genre, one that recognizes a different kind of masculinity. While Mäki might not be the world’s best boxer, this film suggests that he might be one of the happiest, forgoing an important match for a marriage that ended up lasting his lifetime.

Genre: Drama, Romance

Actor: Aaro Airola, Anna Airola, Claes Andersson, Deogracias Masomi, Eero Milonoff, Elma Milonoff, Emilia Jansson, Esko Barquero, Heikki Metsämäki, Iiris Anttila, Jarkko Lahti, Jarmo Kiuru, Joanna Haartti, Joonas Saartamo, Leimu Leisti, Mika Melender, Olli Rahkonen, Oona Airola, Pia Andersson, Salla Yli-Luopa, Tiina Weckström, Viljami Lahti

Director: Juho Kuosmanen

Rating: NR

If you wanted to watch a woman that rose to the top rankings of chess, playing piece-to-piece against some of the greatest chess players of the world, you would probably think about watching The Queen’s Gambit on Netflix, but you might be disappointed to find out that Beth Harmon isn’t real. However, there was one film before the iconic miniseries that depicted the story of a real life female chess player, one that clawed her and her family out of poverty through the game, and that story is Queen of Katwe. As a Disney original film, it does go through plenty of the familiar beats we’ve seen in the company’s previous works, but Mira Nair’s direction and the excellent performances of Lupita Nyong’o and David Oyelowo create an underdog story that feels so sincere, so heartfelt, that it reportedly inspired Ugandan teenagers to do better in their national exams.

Genre: Drama

Actor: David Oyelowo, Ethan Nazario Lubega, Lupita Nyong'o, Madina Nalwanga, Martin Kabanza, Nikita Waligwa, Ntare Guma Mbaho Mwine, Taryn "Kay" Kyaze

Director: Mira Nair

Rating: PG

Jessica Chastain plays a driven Washington lobbyist called Elizabeth Sloane in this high-speed political thriller. After being pitched to work for the gun lobby, she decides to work for the opposition: an NGO trying to pass a background check bill. It's a long movie, and even if everything happens fast, it still lags. 

The events do wrap up by the end to explain the complex plot. Not to mention, Chastain's performance something to behold and is reason enough to watch. Her character's hidden motive and questionable methods make her an anti-hero, but Chastain always keeps a lure of hope that her character will redeem herself. That delicate balance might be the most thrilling aspect of Miss Sloan.

Genre: Crime, Drama, Thriller

Actor: Aaron Hale, Al Mukaddam, Alexandra Castillo, Alison Pill, Anand Rajaram, Andrew Moodie, Angela Vint, Anthony Furey, Austin Strugnell, Christine Baranski, Chuck Shamata, Courtenay J. Stevens, Craig Eldridge, David Rosser, David Wilson Barnes, Doug Murray, Douglas Smith, Dylan Baker, Ennis Esmer, Grace Lynn Kung, Greta Onieogou, Gugu Mbatha-Raw, Gurdeep Ahluwalia, Helen Johns, Jack Murray, Jake Lacy, Jessica Chastain, Joe Pingue, John Lithgow, Kevin Jubinville, Kyle Mac, Lee Smart, Lucy Owen, Mark Strong, Meghann Fahy, Michael Cram, Michael Stuhlbarg, Murray Furrow, Noah Robbins, Ola Sturik, Raoul Bhaneja, Rick Campanelli, Sam Waterston, Sergio Di Zio, Zach Smadu

Director: John Madden

Rating: R

There are moments in cinema when the character and actor are irrevocably linked– to think of one is to think of the other, to the point that the line is blurred between both. One such pair is Spock and Leonard Nimoy, and, after his death, it was inevitable that the documentary about Nimoy would also be a documentary about Spock. For the Love of Spock is the first of two Nimoy documentaries, made by his son Adam, and it’s a lovely tribute to the iconic sci-fi legend that shifted the entire genre and the fan culture that emerged, but it was also a personal film where the family reckons with the fame that occurred as a result. Superfans might not learn that much about Spock (some of them are interviewed in the film), but For the Love of Spock is an excellent profile, even if it’s not as objective and logical as the character itself.

Genre: Documentary

Actor: Adam Nimoy, Avery Brooks, Barry Newman, Bill Prady, Bobak Ferdowsi, Brooke Adams, Catherine Hicks, Chris Pine, Christopher Lloyd, D.C. Fontana, Diana Ewing, Donald Sutherland, George Takei, J.J. Abrams, James Arness, James Doohan, James Duff, Jason Alexander, Jeanne Bal, Jeffrey Hunter, Jeffrey Katzenberg, Jill Ireland, Jim Parsons, Kaley Cuoco, Karl Urban, Leonard Nimoy, Liam Neeson, Majel Barrett, Mayim Bialik, Neil deGrasse Tyson, Nichelle Nichols, Nicholas Meyer, Peter Duryea, Simon Pegg, Ted Danson, Terry Farrell, Tom Selleck, Walter Koenig, William Shatner, William Windom, Zachary Quinto, Zoe Saldana

Director: Adam Nimoy

Classroom chatter and inside jokes; the rhythmic routine of class, band practice, and communal mealtime; colorful paints and a keen Shakespeare play; paperback books, pages bookmarked with dogears. These are the precious, ordinary wonders of Headfort, a preparatory boarding school in Ireland. 

School Life observes Amanda and John Leyden, who have each taught at Headfort for over four decades. As they both near retirement, so too looms the promise of a tranquil retreat into the countryside—and questions of what they leave behind in their school, their classrooms, and their students. Idyllic and gentle, this documentary offers a brief but meaningful look into the school lives of bright children indelibly influenced by their earliest mentors.

Genre: Documentary

Director: David Rane, Neasa Ní Chianáin

Rating: PG-13