20 Best Movies & Shows Released in 1989

A City of Sadness is a film set in 1945, after Japan is defeated in the war and Taiwan is subject to uncertainties of a changing sociopolitical landscape. It follows the four Lin brothers, who each struggle in this tumultuous period — from Wen-heung, the eldest who gets on the bad side of a local gang, to Wen-ching, who chooses to stand against the Chinese Kuomintang government despite being deaf-mute. 

Instead of turning to the usual machinations of a historical family drama, director Hou Hsiao-hsien shows the vast expanse of Taiwanese countryside through steady, beautiful cinematography. In urban areas, the camera moves in scenes of sudden violence, which it pans toward until it exits frame for us to only hear the screams of people offscreen. There are also quiet interludes that barely last a minute, where dynamics between characters depict the anxiety of the times. Tony Leung, who plays the deaf-mute brother, hasn't refined the craft of subtle acting with his eyes yet, but traces of brilliance are already there. 

The trauma of rapidly changing times, as a nation is exploited from one war to the next, is depicted so clearly. The authoritarian state erodes families, and Hou paints a picture of a society on the brink, a representation of 1940s Taiwan that feels more like a tragic poem than a film.

Genre: Drama, History

Actor: Chan Chung-Yung, Grace Chen Shu-Fang, Ho Ai-Yun, Hsin Shu-Fen, Jack Kao, Kelly Ko, King Shih-Chieh, Li Tian-Lu, Mei Fang, Su-Yun Ko, Tai Bo, Tony Leung Chiu-Wai, Tsai Chen-Nan, Wu Nien-Jen, 吴念真

Director: Hou Hsiao-hsien

Hayao Miyazaki is no stranger to the fantastical. Howl’s Moving Castle and Spirited Away conjure worlds of spirits and demons, monsters and witches, imaginary wars and extraordinary heroes. But in Kiki’s Delivery Service, the real magic arises from the mundane.

The titular teenaged Kiki leaves home, setting out to become a better witch. She arrives in the idyllic seaside town of Koriko with only her broom and best friend, a black cat named Jiji. When she serendipitously meets Osono, the gentle owner of a bakery, Kiki begins a delivery service as part of her training.

Kiki’s Delivery Service may be one of Miyazaki’s more understated films, but it’s a beautiful reminder that believing in oneself is a magical act of courage that we should all undertake.

Genre: Adventure, Animation, Drama, Family, Fantasy

Actor: Akio Otsuka, Chika Sakamoto, Haruko Kato, Hiroko Maruyama, Hiroko Seki, Kappei Yamaguchi, Keiko Toda, Kikuko Inoue, Kôichi Miura, Koichi Yamadera, Masa Saitō, Michihiro Ikemizu, Mieko Nobusawa, Mika Doi, Minami Takayama, Rei Sakuma, Shinpachi Tsuji, Takashi Taguchi, Takaya Hashi, Tomomichi Nishimura, Yoshiko Asai, Yoshiko Kamei, Yûko Kobayashi, Yûko Maruyama, Yuko Tsuga, Yuriko Fuchizaki, Yuuko Kobayashi, 丸山裕子

Director: Hayao Miyazaki

Originally a novel inspired by real life incarceration, Don't Let Them Shoot the Kite is actually much more optimistic than a prison stay would seem to be. Much of that lighter mood comes from an outstanding performance– Ozan Bilen, who portrays Barış, the precocious boy that lives in the prison with his mom due to a quirk of Turkish law– but the lighter mood isn’t due to ignoring the prisoners’ reality. Instead, the lightness comes because of understanding that reality fully. Despite the suspicion of the prison guards, and the way the camera makes the prison walls loom, Barış still manages to fuel some hope through straightforward, simple truths unfiltered by the tedium and mores of everyday life, and the fear people grow to learn about. Truth truly comes out of the mouths of babes in this film, and it’s what makes Don't Let Them Shoot the Kite a classic of Turkish cinema.

Genre: Drama

Actor: Ayben Erman, Ayla Arslancan, Füsun Demirel, Güzin Özipek, Güzin Özyağcılar, Meral Çetinkaya, Nur Sürer, Nurettin Şen, Ozan Bilen, Özlem Savaş, Rozet Hubeş, Sabriye Kara, Selma Tarcan, Sevim Çalışgir

Director: Tunç Başaran

There’s something wrong with the Le Hollandais restaurant in London where most of the events of The Cook, the Thief, His Wife & Her Lover. When the mobster makes the sudden decision to venture into restaurant acquisition, this high class French restaurant is turned upside down, with his hot-tempered, cruel behavior so over-the-top, unnecessary, and violent that his wife’s sexual affair actually feels rather tame, and yet silently rebellious. This story is quite straightforward for director Peter Greenaway, but in his hands, the melodrama becomes highly stylized, with separate rooms assigned colors, with the dishwasher singing classical opera, and with sharp observation of how much is lost when those with money can take over at the expense of the artisans, the scholars, and those more vulnerable in society.

Genre: Crime, Drama

Actor: Alan Howard, Alex Kingston, Ciarán Hinds, Diane Langton, Emer Gillespie, Ewan Stewart, Gary Olsen, Helen Mirren, Ian Dury, Ian Sears, Janet Henfrey, Liz Smith, Michael Gambon, Paul Russell, Richard Bohringer, Roger Ashton-Griffiths, Roger Lloyd Pack, Ron Cook, Sue Maund, Tim Roth, Tony Alleff, Willie Ross, Yolande Brener

Director: Peter Greenaway

Rating: R

The '80s saw an influx of coming-of-age dramas, with John Hughes’ “Brat Pack” films reigning supreme. For better or worse, their most iconic scenes are embedded in pop culture, like students dancing in detention in The Breakfast Club or Sixteen Candles’ belated birthday cake. Perhaps the most iconic '80s movie moment comes not from Hughes, but from Cameron Crowe’s Say Anything…: Lloyd Dobler (John Cusak) in a trenchcoat, blue Malibu parked behind him, boombox raised over his head in defiant loyalty.

On their last day of high school, Lloyd Dobler resolves to ask out the class valedictorian Diane Court (Ione Skye). Their summer-long relationship is awkward, intense, tender—and familiar to anyone who has ever opened themselves up to falling in love. Say Anything… emotionally outclasses its contemporaries, as Crowe’s writing lends itself to two authentic characters fleshed out beyond caricatures. And as Lloyd crushes hard on Diane, it’s hard not to feel like you’re falling in love with each of them, too.

Genre: Comedy, Drama, Romance

Actor: Amy Brooks, Bebe Neuwirth, Bill Stevenson, Chynna Phillips, Dan Castellaneta, Don Wilson, Eric Stoltz, Glenn Walker Harris Jr., Gloria Cromwell, Gregory Sporleder, Ione Skye, Jason Gould, Jeremy Piven, Jerry Ziesmer, Jim Ladd, Joan Cusack, Joanna Frank, John Cusack, John Hillner, John Mahoney, Johnny Green, Jonathan Chapin, Judy Prescott, Kim Walker, Lili Taylor, Lisanne Falk, Lois Chiles, Loren Dean, Montrose Hagins, Pamela Adlon, Patrick O'Neill, Philip Baker Hall, Polly Platt, Richard Portnow, Stephen Shortridge, Stone Gossard

Director: Cameron Crowe

Remarkably, Steven Soderbergh was only 26 years old when he directed this coolly assured debut, the searingly candid script of which he also wrote in just eight days. Despite the pornographic implications of its title, this is more concerned with exploring whether honesty — not sex — is the means to real intimacy. In fact, the only nakedness glimpsed here is of the emotional kind, as twenty-something drifter Graham’s (James Spader) total aversion to lying has an infectious influence on everyone around him.

The primary recipient of that disarming effect is Ann (Andie MacDowell), the wife of Graham’s old college buddy who is blasé about sex and neurotic about everything else. Talking to Graham has a therapeutic effect on her, but he takes something else away from conversation: chronically impotent, he simulates the sexual experience by conducting erotically themed interviews with women on videotape. Preferring to sublimate his desires through his camcorder, Spader’s physically aloof character is a disturbingly prescient one for what it suggested then about technology’s future impact on human relationships. That Soderbergh managed to conduct such a complex psychosexual drama all through dialogue — on his first feature, no less — makes him exceedingly worthy of the record this earned him of the youngest solo Palme d’Or-winning director ever.

Genre: Drama

Actor: Alexandra Root, Andie MacDowell, David Foil, Earl T. Taylor, James Spader, Laura San Giacomo, Peter Gallagher, Ron Vawter, Steve Brill, Steven Brill

Director: Steven Soderbergh

Rating: R

You can tell Drugstore Cowboy was written by someone who has been through drug abuse and incarceration himself. This is the kind of film that has to be lived, not researched. It’s realistic, sure, and it gets at the interiority of a drug user with ease. But there is no judgment to be found here, no preachy criticism or misguided glorification of a hardened lifestyle. Bob (Matt Dillon) and his wife Dianne (Kelly Lynch) have created a nomadic, transient life that allows them to live on drugstore lootings one district at a time, while looking out for each other and the other couple they live with, Rick (James LeGros) and Nadine (Heather Graham). They chose this outlaw life, and because of the agency the film affords them, there is joy to be found despite their difficulties. It’s an authentic story, elevated by imaginative editing, a jazzy, heart-thumping score, and believable performances by a quartet of capable actors.

Genre: Crime, Drama

Actor: Beah Richards, Eric Hull, George Catalano, Grace Zabriskie, Gus Van Sant, Heather Graham, James Le Gros, James Remar, Kelly Lynch, Matt Dillon, Max Perlich, Michael Parker, Ray Monge, Robert Lee Pitchlynn, Ted D'Arms, William S. Burroughs

Director: Gus Van Sant

Rating: R

Kindness is universally considered as a virtue, but so too is it considered a weakness– Reciprocation isn’t necessarily guaranteed and some people take advantage of the kindness given to them. But there are few instances when humanity does give back to those who have been generous to others, and one such instance is in Beijing Watermelon. It’s one of Nobuhiko Obayashi’s lesser known films, being released just a few months after the Tiananmen Square massacre, and having a more naturalistic, slice-of-life approach compared to Obayashi’s other films. Nevertheless, the film’s fairly simple message plays out in an earnest and genuine way, depicting the ways ordinary kindness can form communities despite cultural differences, loss, and diplomatic tensions between nations.

Genre: Drama

Actor: Akira Emoto, Bengal, Hana Kino, Haruhiko Saitô, Hiromi Oshima, Masako Motai, Ryo Iwamatsu, Takashi Sasano, Yasufumi Hayashi

Director: Nobuhiko Obayashi

An eye-opening 1989 American documentary that boldly explores the experiences of Black gay men in America. Directed by Marlon Riggs, this film challenges societal norms and sheds light on the intersections of race, sexuality, and identity. Through a mix of personal testimonies, poetry, and distinctive visuals, Tongues Untied captures the struggles and resilience of its subjects, offering a raw and honest portrayal of their lives. Riggs' poetic approach and unflinching storytelling create an immersive experience that will leave a lasting impact. The film confronts issues of homophobia, racism, and social exclusion but also celebrates the strength and beauty of self-expression.

Genre: Documentary, Drama

Actor: Eddie Murphy, Marlon Riggs, Michael Bell, Willi Ninja

Director: Marlon Riggs

With an acrobat in a sanitarium, elephant trunks spouting blood, and a religious cult whose patron saint is a rape victim, Santa Sangre isn’t going to be an easy watch, especially with the avant-garde direction of the iconic Alejandro Jodorowsky. It’s tough to watch the explicit scenes, both of Fenix’s childhood circus reality and his adult hallucinations, with the hallucinations visually recalling his childhood trauma. But through these terrifying, freaky images, Jodorowsky takes his own memories and crafts it into a twisted, but deeply personal psychosexual nightmare, confronting the exploitative nature of faith and family through various circus acts. Santa Sangre is one of its kind.

Genre: Drama, Horror, Thriller

Actor: Adan Jodorowsky, Axel Jodorowsky, Blanca Guerra, Brontis Jodorowsky, Faviola Elenka Tapia, Gloria Contreras, Gustavo Aguilar Tejada, Guy Stockwell, Héctor Ortega, Hilario 'Popitekus' Vargas, Jacobo Lieberman, Jesús Juárez, Joaquín García Vargas, Sabrina Dennison, Sergio Bustamante, Teo Jodorowsky, Teo Tapia, Thelma Tixou, Valérie Crouzet, Zonia Rangel Mora

Director: Alejandro Jodorowsky

Rating: NC-17

There are few places more sacred than the hair salon. Sure, it’s not a place of worship, or a singular unique landmark, or a place where huge decisions are decided by any of the world’s governments, but part of the reason why it’s so ubiquitous is because the hair salon will make or break a life depending on the cut that was made. Steel Magnolias is centered around a salon in a small Louisiana town, and as Dolly Parton as Trudy cuts the townswomen’s hair, she also becomes a refuge for the women too, sharing their worries, doubts, fears, as well as their joy and happiness. It’s such an endearing portrait, one that happened to be made in honor of screenwriter Robert Harling’s sister, and that genuine emotion is the very reason this comedy drama has become a classic.

Genre: Comedy, Drama, Romance

Actor: Ann Wedgeworth, Bibi Besch, Bill McCutcheon, Carol Sutton, Daryl Hannah, Dolly Parton, Dylan McDermott, James Wlcek, Janine Turner, Jonathan Ward, Julia Roberts, Kevin J. O'Connor, Knowl Johnson, Nancy Parsons, Olympia Dukakis, Rick Hurst, Robert Harling, Sally Field, Sam Shepard, Shirley MacLaine, Tom Hodges, Tom Skerritt

Director: Herbert Ross

Rating: PG

As an adaptation of the one-character play, it’s a delight to see Pauline Collins as Shirley Valentine rip into the signature monologue through fourth wall breaks– ranting, bantering, and raving to us about the unique follies of mundane domesticity. Collin maintains the same comedic timing and wittiness of the titular character that has captivated Liverpool, and then London, at the time. However, while critics found it easy to dismiss the script as a series of superficial, stagy ramblings, Valentine genuinely searches for life purpose, for herself, for her soul, confronting her younger aspirations, the box she was essentially crammed into due to marriage expectations, and the life that she sacrificed for family’s sake. Shirley Valentine may not have gotten the acclaim succeeding female mid-life crisis films have gotten, but it’s an underrated classic comedy that many can enjoy.

Genre: Comedy, Romance

Actor: Alison Steadman, Anna Keaveney, Bernard Hill, Cardew Robinson, Catherine Duncan, George Costigan, Geraldine Griffiths, Gillian Kearney, Joanna Lumley, John Hartley, Julia McKenzie, Ken Sharrock, Marc Zuber, Matthew Long, Pauline Collins, Ray Armstrong, Sylvia Syms, Tom Conti, Tracie Bennett

Director: Lewis Gilbert

Rating: R

When the wider culture doesn’t treat you the same way they treat the majority, it’s sometimes necessary to get mad, pivot, and assimilate to the majority’s ways in order to navigate the country and advocate for your rights. That’s the path Northern Cheyenne activist Buddy Red Bow took in Powwow Highway, one borne out of clear love of the community. But the beauty of this Native American story is the way Buddy learns to heal, to reconcile with his community’s folklore, and to recognize the resistance in serenely keeping what the wider majority tried to erase. Powwow Highway won’t be a perfect depiction of Native American culture, but it speaks true to the anger and heart the community still feels to this day.

Genre: Comedy, Drama

Actor: A Martinez, Amanda Wyss, Gary Farmer, Geoffrey Rivas, Graham Greene, Joanelle Romero, Rodney A. Grant, Sam Vlahos, Wes Studi

Director: Jonathan Wacks