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Staff & contributors
You don’t come into a Tyler Perry movie expecting to be dazzled, but you do expect to be entertained. Mea Culpa evokes neither of those feelings, at least not in the first half of the film. Between the predictable plot and Rhodes’ bewilderingly flat performance, it’s a mighty challenge to stay awake. Rhodes is, of course, the lead in the award-winning film Moonlight, where he gave a soulful and lived-in performance. So it doesn’t make sense why, in Mea Culpa, despite playing a perennially horny man, he’s as exciting to watch as paint dry. We’re supposed to believe that his charisma (or lack thereof) seduces Rowland’s character, but there’s no chemistry to be found. For her part, Rowland is a delight to watch. The many turns she experiences fit her range, and she is effectively the heart of the film. Mea Culpa, to be fair, revs up and gets thrilling by the second half, when the chips start to fall and the twists unfold. But it’s too little too late, and they barely shock you at that point, that is if you’re still awake.

Genre: Crime, Drama, Thriller

Actor: Angela Robinson, Connor Weil, Kelly Rowland, Kerry O'Malley, Nick Sagar, RonReaco Lee, Sean Sagar, Shannon Thornton, Trevante Rhodes

Director: Tyler Perry

Rating: R

If you’re reading this, I can only assume you’re looking to hate-watch something laughably terrible with your friends. If that’s the case, then you’re in luck: this is the film. Like Mea Culpa before it, Tyler Perry’s Divorce in the Black is filled with caricatures, cliches, and just generally awful filmmaking. In one scene, to show the passage of time, Perry literally keeps the camera on the clock and fades it into the next hour. But also like Mea Culpa, Divorce in the Black features an otherwise great performance from its leading woman—in this case, it’s Meagan Good. Good lends her abused character more complexity than the film deserves. Like plenty of victims, she’s both afraid of and in love with her despicable husband, though the film, unfortunately, refuses to dive into that nuance and instead chalks everything up to bad and good, Christian and un-Christian. Neither domestic abuse nor general filmmaking is taken seriously here, so there’s no reason to give this film the time of day too.

Genre: Drama, Mystery, Thriller

Actor: Cory Hardrict, Debbi Morgan, Joe Komara, Joseph Lee Anderson, Meagan Good, Richard Lawson, Taylor Polidore

Director: Tyler Perry

Rating: R