Genre: Comedy, Documentary
Actor: Andy Dick, Andy Kaufman, Bob Zmuda, Carol Kane, Chris Smith, Courtney Love, Danny DeVito, David Letterman, Elton John, George Shapiro, Hugh Hefner, Jerry Lawler, Jim Carrey, Jon Lovitz, Judd Hirsch, Michael Stipe, Milos Forman, Paul Giamatti, Peter Bonerz, Randall Carver
Director: Chris Smith
Adam Driver, Annette Bening, and Jon Hamm are among the many recognizable faces of this star-packed political drama.
Driver, pictured above in his ‘I’m goofy but I will save the world’ signature stare 😍, plays Daniel J. Jones, an investigator working with the Senate. He is assigned to write a report (“the” report) about the CIA torture program post 9/11.
If you so much as liked Vice, the hit movie from earlier this year, you will love The Report. It covers similar grounds: incompetency, unclear intentions, confusion, etc; but in a way that is more to-the-point (which might make it feel dry to some). It also helps in understanding or getting a refresher on, how the Senate works and how organizations like the CIA interact with (bully) other branches of government.
I would almost go as far as to say that if you are a U.S. citizen, watching this movie, with its many goofy Adam Driver moments, is your civic duty.
Genre: Drama, Mystery, Thriller
Actor: Adam Driver, Alexander Chaplin, Annette Bening, April Rogalski, Austin Michael Young, Ben McKenzie, Carlos Gómez, Corey Stoll, Daniel London, Dominic Fumusa, Douglas Hodge, Evander Duck Jr., Fajer Kaisi, Guy Boyd, Hope Blackstock, Ian Blackman, Jake Silbermann, James Hindman, Jennifer Morrison, Joanne Tucker, John Rothman, Jon Hamm, Joseph Siravo, Julia K. Murney, Kate Beahan, Linda Powell, Lucas Dixon, Matthew Rhys, Maura Tierney, Michael C. Hall, Noah Bean, Pun Bandhu, Ratnesh Dubey, Sandra Landers, Sarah Goldberg, Scott Shepherd, Sean Dugan, T. Ryder Smith, Ted Levine, Tim Blake Nelson, Victor Slezak, West Duchovny, Zuhdi Boueri
Director: Scott Z. Burns
If you’ve ever been puzzled by “Greek life”, this documentary will go some way to demystifying that somewhat baffling phenomenon of American college culture. Bama Rush follows four hopefuls as they “rush” the University of Alabama’s sororities, a TikTok-viral weeklong recruitment process so cutthroat some candidates spend months preparing for it. The documentary digs deep into why these young women put so much time, energy, and money into joining what the film hints is a largely unforgiving and reductive element of campus life. What it finds is pretty affecting: they’re really just looking for acceptance and belonging.
Threaded throughout are director Rachel Fleit’s reflections on her own history with those motivations, having grown up with alopecia. Though it does illustrate that rushing isn’t so dissimilar from other quests for acceptance, this parallel is sometimes clunkily drawn — and can seem somewhat self-indulgent in places, given the documentary’s comparatively surface-level exploration of more systemic issues. A late development shifts Bama Rush into an even deeper self-reflexive mode, as the film itself becomes a contentious issue in the process it’s documenting. Despite its flaws, turns like this — and its participants’ extraordinary candor — help make Bama Rush an often illuminating look into an opaque world.
Genre: Documentary, Drama
Director: Rachel Fleit