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How many good movies are there on Dafilms?

We have spotted 7 good movies on Dafilms.

What are some good movies on Dafilms?

Some of our best movies on Dafilms:

This bittersweet little documentary about a Parisian newsstand will change the way you look at a kiosk forever: they’ll no longer seem like transitory stops on the way to somewhere, but a destination themselves. Director Alexandra Pianelli, whose family has run this particular newsstand for four generations, shoots from inside the tiny cabin, from where she and her mother dispense newspapers, magazines, directions, and friendly conversation with anyone who stops by.

Anyone who’s seen Agnès Varda’s Daguerréotypes — her fond portrait of the traditional shopkeepers of Rue Daguerre, the street she lived on — will recognize the same warmth and humane curiosity in The Kiosk, which documents a quickly fading way of life and the community that clings to it. As Pianelli movingly shows us, the kiosk is an invaluable fixture in the lives of an assortment of locals: regular customers (particularly elderly ones, who perhaps visit more for the company than the magazines), a big-hearted homeless man, and fellow vendors like Islam, a Bangladeshi asylum-seeker and fruit-seller who uses the kiosk to hide his merchandise so that French police don’t confiscate it. The decline of printed material that the film documents isn’t just a threat to the family business, then, but the very concept of a truly joined-up society itself.

Genre: Documentary

Actor: Aliénor de Nervaux, Damien Fourmeau, Gérard Jacq, Marcel Cierniak, Marie-Laurence Fay

Director: Alexandra Pianelli

It’s a testament to Agnès Varda’s remarkable ability to glean so much raw beauty and truth from the world that this autobiographical documentary is such a rewarding watch, even for people unfamiliar with her. The Beaches finds the pioneering director in reflective mode as she looks back at her work and life, but her artistic impulses are by no means stagnant: she approaches the past with the same — if not more of the — generous candor and youthful spirit that colored her career.

It’s also a testament to Varda’s inimitable artistic touch that she turns a usually-bleak subject — mortality — into something this life-affirming. The Beaches was made when she was 81, aware of her own ticking clock and still nursing the decades-long loss of so many loved ones (chiefly, husband Jacques Demy). Just as her grief-stricken reflections don’t overwhelm the film with sadness, the whimsical impulses she indulges here — like constructing a beach on the street in front of her office — don’t blunt the sharpness of her candor. The overall effect is bittersweet and profoundly inspiring: as with the mirrors she places in front of the tide in the film's first scene, she’s showing us it’s possible to face the inescapable with a twinkle in your eye.

Genre: Documentary, Drama

Actor: Agnès Varda, Gérard Depardieu, Harrison Ford, Jane Birkin, Mathieu Demy, Robert De Niro, Rosalie Varda

Director: Agnès Varda

Like all great documentaries, Angry Inuk is about way more than its tagline. At first glance, it's about how anti-sealing activism has been harming Inuit communities since the 1980s, to the point of instituting the highest rates of hunger and suicide anywhere in the "developed" world. But beyond, it's about the complicity of the government of Canada. A crushed seal-based economy means that the Inuit have to agree to oil and uranium mining in the Arctic.

Angry Inuk is also about the corrupt behavior of animal rights organizations like Greenpeace: seals are actually not on the endangered animal list but NGOs focus on them because they make them money.

It's an infuriating but incredibly important documentary. One that is not about how Canada has a bad history, but about how Canada is harming the Inuit right now.

Genre: Documentary

Actor: Aaju Peter, Alethea Arnaquq-Baril

Director: Alethea Arnaquq-Baril

All recommendations on Dafilms

Introduction

High quality programming: Not only are the movies curated by high-quality independent movie festivals, the films on the portal are also selected based on demanding selection criteria. 

Filmmaking community: DAFilms.com invites indie directors, producers, distributors, and students to submit movies online and offers them a unique distribution channel, as well as paying makers more than 60% of revenue earned via the platform. 

Who is Dafilms for?

DA Films is definitely one for the fans of independent European documentary and experimental film. Since the streaming portal is run by 7 film festivals from across the continent, it offers a well-curated selection of 1900 films. That includes everything from archive historical move to retrospectives of leading international filmmakers, as well as new premiere formats.

Why get Dafilms?

High quality programming: Not only are the movies curated by high-quality independent movie festivals, the films on the portal are also selected based on demanding selection criteria. 

Filmmaking community: DAFilms.com invites indie directors, producers, distributors, and students to submit movies online and offers them a unique distribution channel, as well as paying makers more than 60% of revenue earned via the platform. 

Background

Doc Alliance is the result of a creative partnership of 7 key European documentary film festivals: CPH:DOX, Doclisboa, Millennium Docs Against Gravity FF, DOK Leipzig, FIDMarseille, Ji.hlava IDFF and Visions du Réel. The aim of the Doc Alliance initiative is to advance the documentary genre, support its diversity and continuously promote quality creative documentary films. Doc Alliance presents the Doc Audience Selection Award every year.

What's the best deal to subscribe to Dafilms?

Pricing at Dafilms starts at $5.99 per month.

Disclaimer: While we do our best to stay as up-to-date as possible, we cannot guarantee that the information on this page is fully accurate, as streaming services regularily change their offerings. Please refer directly to each one streaming service for their latest offerings, in-depth questions, or complaints.

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